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My Brother Loves Me Too Much – 2017
نام فیلم: My Brother Loves Me Too Much
نام فیلم: Ani ni Aisaresugite Komattemasu
محصول: 2017 - ژاپن
زبان اصلی فیلم: ژاپنی
زیرنویس فارسی دارد
ژانر: Comedy, School Life, Roamance
شبکه پخش کننده: NTV
مدت زمان فیلم: یک ساعت و 39 دقیقه
+ لینک دانلود فیلم (MKV, 480P, 360MB, FA Sub)
بازیگران:
Tsuchiya Tao as Tachibana Setoka
Katayose Ryota as Tachibana Haruka
Chiba Yudai as Serikawa Takane
Kusakawa Takuya as Mioka Chiaki
Sugino Yosuke as Serikawa Kunimitsu
Ono Ito as Mioka Chiyuki
نکته: زیرنویس فارسی به فیلم چسبیده است.
نکته: این فیلم، ادامهی سریال است. یعنی به جای ساخت فصل دوم، یک فیلم سینمایی برای ادامهی سریال ساختن.
نکته: میدونم معرفی و لینک دانلود سریال رو در وبلاگ حذف شدهم گذاشته بودم. اگه در آرشیو پیداش کردم، این وبلاگ هم میگذارم.
https://www.youtube.com/watch?v=s_Dn_A3cqV0
خلاصه داستان (منبع)
“ستوکا” دختر ۱۶ ساله ی دبیرستانی ئیه که به خاطر دخالت برادر غیرتیش در عشقش همیشه به مشکل میخوره بعد از اینکه ۱۲ بار توسط پسرا رد میشه بالاخره یه پیشنهاد عشق از به دانش آموز مدرسه پزشکی و دوست دوران بچگیش میگیره و....
https://1seouldl.ir/wp-content/uploads/2018/02/photo_2018-02-08_20-34-58.jpg
دارم این فیلم رو میبینم.
سریالش رو چند وقت پیشا دیدم.
وای وای وای
از همین اول کار، این معلم راهنمای ضایع اومد!
چقدر این دختره ستوکا هم خر تشریف داره.
حرص آدم رو در میاره.
آقا این معلم خیلی نامرد است.
به هوای این که جواب رو انگلیسی بدن، داره سوالهایی می پرسه که در جوابش باید به عشق اعتراف کرد.
عجب معلم آشغالی است این!!!!
وای وای وای
این معلم انگلیسی خیلی فجیع است!
ستوکا که چیاکی رو جواب کرد، چیاکی اولین بار بود رد میشد :D
ستوکا خودش هم نمیدونست که هاروکا رو دوست داره.
تاکانه سان بهش فهموند.
تازه همه چی رو بهش لو داد که فرزند خونده است و رابطه خونی با هاروکا نداره.
https://www.youtube.com/watch?v=R2ordJ1dORw
Tower of Time-CODEX
http://neptunegames.it/wp-content/uploads/2017/07/Tower-of-Time-artwork.jpg
Tower of Time-CODEX
Tower of Time is an incredible adventure packed with over 50 hours of gameplay, hand-crafted levels, and a rich story told through animated cinematics.
INFO/DOWNLOAD
Taking classic RPG gameplay to the next level, Tower of Time features flexible character development, thousands of pieces of loot and equipment and the complex and tactical real-time combat system.
Release name: THE.KING.OF.FIGHTERS.XIV.STEAM.EDITION.v1.19-CODEX
Size: 8.2 GB
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Click to direct download – 100MB/s
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DOWNLOAD ANNOYMOUS AND SAFE
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Password: www.skidrowcrack.com
GAMEPLAY
NFO
C O D E X P R E S E N T S Tower of Time (c) Event Horizon Release Date: 04/2018 Protection: Steam Discs: 1 Genre: RPG Tower of Time is an incredible adventure packed with over 50 hours of gameplay, hand-crafted levels, and a rich story told through animated cinematics. Taking classic RPG gameplay to the next level Tower of Time features flexible character development, thousands of pieces of loot and equipment and the complex and tactical real-time combat system. Engaging story Of Epic Proportions Immerse yourself in a world where technology meets magic with devastating consequences For more info go to: http://store.steampowered.com/app/617480/ Extract Burn or mount the .iso Run setup.exe and install Copy crack from CODEX dir to installdir Play General Notes: Block the game's exe in your firewall to prevent the game from trying to go online If you install games to your systemdrive, it may be necessary to run this game with admin privileges instead CODEX is currently looking for nothing but competition! Greetings to STEAMPUNKS & CPY LNK^CPS 02/2015
PC REQUIREMENTS
MINIMUM:
Requires a 64-bit processor and operating system
OS: Windows 7/8/8.1/10 (64 bit)
Processor: Intel Core i3 or equivalent
Memory: 8 GB RAM
Graphics: NVIDIA GeForce GTX 660 or equivalent
DirectX: Version 11
Storage: 20 GB available space
Sound Card: DirectX compatible sound card
RECOMMENDED:
Requires a 64-bit processor and operating system
OS: Windows 7/8/8.1/10 (64 bit)
Processor: Intel i5 series or AMD equivalent
Memory: 8 GB RAM
Graphics: NVIDIA GeForce GTX 770 or equivalent
DirectX: Version 11
Storage: 20 GB available space
Sound Card: DirectX compatible sound card
Comic Girls - Episode 4 [Review]
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130910/comicgirls4.jpg
Comic Girls - Episode 4 [Review]
This week, Comic Girls shines its spotlight on the reticent ero-mangaka Ruki Irokawa. In previous installments, Ruki has primarily acted as a supporting figure and one-note gag, but episode 4 adds a fair amount of depth to the character while injecting just the right amount of light drama. The first story focuses on how Ruki handles her hectic schedule. Unsurprisingly, attending high school while drawing serialized manga doesn't leave her much time for sleep. In an attempt to streamline certain aspects of her craft, she even tries her hand at drawing on a tablet, but as she quickly learns, this is not a skill that can be mastered overnight. The second story finds Ruki coping with nervousness and self-doubt as she prepares for a book signing event arranged by her manager. Although her anxiety is initially through the roof, she's ultimately able to calm her nerves when she realizes she's built up a powerful support network. Once the day of the signing arrives, Ruki is elated to discover that her work has entertained and inspired a large number of fans.
Despite the many comic flourishes, the way this episode tackles Ruki's journey to self-confidence feels entirely realistic and believable—right down to her still feeling some embarrassment by the end. The running gag about her exhaustion upping her sex appeal does go on too long, but it helps emphasize just how hard she works, as well as how thoroughly unmanageable such a schedule would be. Prior to this, the show had largely glossed over the tribulations of high school students penning serialized series without the aid of regular assistants. However, as episode 4 makes clear, this lifestyle has taken a tremendous toll on Ruki, causing her to forgo sleep to a superhuman degree. The montage that cycles through the days leading up to the signing does a great job of illustrating Ruki's progress in overcoming her feelings of doubt.
Ruki's rushed attempt to learn about computers and digital art is arguably the comedic highlight of the episode. Despite being roughly the same age, Kaos instructs her in a manner akin to a young adult teaching a grandparent, as Koyume points out. Given Kaos's proficiency in digital art, it's a wonder the others don't enlist her aid in inking, coloring, and lettering more often. (Why the pen-and-paper artists don't make the jump to tablets becomes clearer after we see Ruki's first attempt at drawing one of her characters digitally.) Once again, Comic Girls gets credit for showcasing digital tools and techniques—things that other manga-focused anime don't often focus on.
In addition to being her most prominent quirks, Ruki's self-doubt and embarrassment over her risqué manga help make her a sympathetic character. Although these traits had previously been utilized specifically for comedy, episode 4 adeptly illustrates that they're good for more than just gags. Considering how well Ruki's time in the spotlight went, hopefully the other girls will be receiving their own respective character studies in future episodes.
https://www.youtube.com/watch?v=o-RqfkT-StM
Gate: Jieitai Kanochi nite, Kaku Tatakaeri - Enryuu-hen
Gate: Jieitai Kanochi nite, Kaku Tatakaeri - Enryuu-hen
نام انیمه: Gate: Jieitai Kanochi nite, Kaku Tatakaeri - Enryuu-hen
نام انیمه: GATE（ゲート）自衛隊 彼の地にて、斯く戦えり 第2クール
نام انیمه: Gate: Thus the JSDF Fought There! Fire Dragon Arc
ژانر: Action, Fantasy, Adventure, Military
تاریخ پخش: زمستان 2016
وضعیت: تمام شده
تعداد قسمتها: 12 قسمت
مدت زمان هر قسمت: 23 دقیقه
منبع: Manga
استودیو: A-1 Pictures
کارگردان: Takahiko Kyōgoku
زیرنویس فارسی و انگلیسی دارد
لینکهای مربوط به انیمه
+ لینک دانلود انیمه (MKV, EN Sub, 720P, ~100MB)
+ لینک دانلود انیمه (MKV, BDRip, Hi10, 1080P, ~750MB, Multi Server)
+ لینک دانلود انیمه (MKV, 1080P, x265, 10bit, BDRip, ~400MB, Multi Server)
+ لینک دانلود انیمه (MKV, BD, 720P, ~100MB, x265, Multi Server)
+ لینک دانلود انیمه (MKV, 10bit, 1080P, ~300MB, Multi Server)
+ لینک دانلود انیمه (MP4, BD, 720P, EN Sub)
+ نقد و بررسی، توضیحات، خلاصه قسمتها
خلاصه داستان (منبع: دنیای انیمه)
ایتامی شخصیت اصلی داستان یک کوماندوی ارتشی هست که برخلاف اکثر ارتشی ها که عموما شخصیت های مقراراتی و خشک هستن یک اوتاکوی عاشق انیمه و گیم هست.همونطور که در فصل اول انیمه دیدیم باز شدن دروازه ای مرموز در ژاپن باعث سرازیر شدن هیولا ها و سرباز های قرون وسطایی به شهر شد که خیلی از مردم رو به کام مرگ کشوند.اما ارتش و مقامات سیاسی که وظیفه حفظ جون مردم رو دارن برای پیدا کردن علت این حادثه تصمیم به رفتن به پشت دروازه گرفتن.ایتامی که یک کماندوی کارکشته بود به عنوان اولین گروه ها به پشت دروازه اعزام شد و همین پلی به سرزمینی بود که اون حتی فکرشو هم نمیتونست بکنه.سرزمینی پر از موجوداتی مثل اِلف. جادوگر.و شینیگامی که اون قبلا فقط در انیمه ها اون هارو دیده بود و دیدن اون ها در واقعیت مثل یک رویا براش بود.
خلاصه انیمه (منبع)
فصل دوم انیمه Gate: Jieitai Kanochi nite, Kaku Tatakaeri که آرک اژدهای آتشین را پوشش میدهد.
توضیحات من درباره انیمه
فصل دوم رو شروع کردم.
دوباره اینجا هم مگیم! ای ایتامی! کوفتت بشه! کوفتت بشه!
خب من هم دلم میخواد وارد همچین دنیایی بشم.
ببین!
من میخواهم ایتامی رو تیکه تیکه کنم!
اصلا هم حسود نیستم!
آخه چرا باید یه حرمسرا داشته باشه از نژادهای مختلف!
ای ایتامی! بری زیر ِ تریلی هیجده چرخ!
یه چند تا قسمت بود، برای کُشتن اژدها. راستش درک نمیکنم چرا اژدها رو کُشتن.
مگه چی کار کرده بود؟
خب اژدها هم باید غذای خودش رو تأمین کنه.
تازه تعدادشون که زیاد نیست.
در هر دوره فقط یک اژدها بوده و نهایت دو تا بچه.
که الان هر سه تا نابود شدن.
این خیلی نامردی بود.
قسمت آخر رو هم دیدم.
میشه گفت دقایق آخر، حسابی حال ِ ایتامی گرفته شد.
نتونست دوجینشی های مورد علاقه ش رو بخره.
یوهاهاها
هر چند حرمسراش هم دنبالش رفته بودن.
خب آدم حسودی ش میشه.
ایتامی ِ خر، الاغ، گاو :D
GeGeGe no Kitarō - Episode 4 [Review]
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130703/gegege-no-kitaro-ep-4.jpg
GeGeGe no Kitarō - Episode 4 [Review]
One of the things I find particularly fascinating about GeGeGe no Kitarō's 2018 reboot is the way that it handles the updated world. This episode doesn't play with conventions of modern society like the previous three did, but instead focuses on what's been lost – belief in and knowledge of the yokai world. This is done through Yuta, the little boy who initially suggested that Mana contact Kitaro based on stories his grandmother told him. He was present when Mana mailed the letter, but she hasn't really told him anything since then, and he's determined to find out if she really met Kitaro, since he has reason to suspect after the whole people turning into trees thing got resolved. Mana knows she's not supposed to tell other humans about the yokai, but doesn't Yuta deserve to know?
This leads to Yuta going on an Alice's Adventures in Wonderland-style journey to the GeGeGe Forest. (Actually, it feels like a blend of Alice and My Neighbor Totoro, which is pretty cool and eminently appropriate.) Kitaro himself may not be thrilled that a human kid has found his way into the yokai realm, but the older yokai recognize this as a precious rarity: a modern child who is familiar with the old stories. That's why Eyeball Dad wants Kitaro to take him around, a point driven home when Yuta is eventually told to ask his grandmother if he wants to know more about the yokai – it is through the passing of folk knowledge from one generation to the next that stories like Kitaro's survive.
That's kind of metafictional, given that this story is likely being watched by the children and grandchildren of people who saw older incarnations of it. Essentially, Kitaro's franchise is surviving because people are passing it down from one generation to the next, and the late creator of the manga series would certainly have been aware of that based on his folkloric expertise. Younger viewers of this episode might not make the connection, but that doesn't mean it isn't there, and if it encourages kids to ask someone older about the folklore of their youth, the message has been relayed.
As far as the main action of the episode, it's not quite as exciting as some of the threats Mana and Kitaro have faced, but it's still got some scary moments – Yama Jijii is frankly terrifying in appearance, even in his smaller and presumably less creepy form. He stands out among the other yokai Yuta meets because of this – even though one of them wants to eat him, he's not particularly creepy in appearance, and most of the yokai just look exaggerated rather than genuinely scary. That really works in the plot's favor, since Yuta has demonstrated that he could have known better than to pick the fruit, when he steps aside for the invisible monster following him and proves his Granny's knowledge of yokai etiquette. It also seems likely that the fruit was somehow enchanted to make Yuta desire it – he should have suspected that taking anything from the land of the otherworldly people would be a mistake, plus he's been told explicitly by Kitaro not to touch anything. I'd blame Rat Man (because let's be honest, it's usually his fault), but we see that he's caught up in Yama Jijii's anger as well, so maybe it's just the fruit itself.
Whatever the reason, this is one of the better uses of the “but it was just a dream (right?)” trope that I've seen in recent memory. That's partly due to the visual and narrative shout-outs to both Alice and Totoro, but also because it delivers a heartening message to not forget the old stories. I really hope we get to meet Yuta's grandmother at some point and learn her history, but in the meantime, it looks like next week we'll get to actually blame Rat Man for the troubles to be visited upon the human world.
https://www.youtube.com/watch?v=bM499G5hFQA
High School DxD Hero - Episode 2 [Review]
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130795/hs-dxd-hero-ep2.jpg
High School DxD Hero - Episode 2 [Review]
Visits to Kyoto never happen in supernatural anime series without some degree of trouble arising, and in this case we only needed half an episode before the inevitable happened. The result is the beginning of what I'm assuming will be a multi-episode story arc involving the fox girl shown prominently in the opener and a senior goddess who has been kidnapped by the Chaos Brigade.
It remains to be seen what purpose this would serve the Chaos Brigade, although I can make an educated guess. The famed Fushimi Inari shrine in Kyoto is the head shrine of the Shinto goddess Inari, so it would be the logical place for her to reside. Removing her would be a significant blow to the stability of the Shinto pantheon, although I have to think that there's more to it than that; on its own, this seems petty compared to the scale that the Chaos Brigade normally operates on. Regardless of where the ultimate plot may be going, it makes sense that the shrine's protectors would get jumpy when a being like Issei shows up in the wake of a kidnapping. So the whole incident serves a twofold purpose: finally bringing the curiously absent Shinto gods into the picture and providing an avenue for yet another girl to get sucked into Issei's harem.
On other fronts, we're introduced to a new aspect of Issei's Sacred Gear when we learn how the previous hosts of the Red Dragon Emperor are still present within it to some degree, and that Issei will have to come to an understanding with them in order to gain power equivalent to the Juggernaut Drive without the overwhelming side effects. That also brings the new mature-looking woman from the opener into the picture as the Gear's most powerful former female host. I was delighted to see that the “Boob Dragon” thing has impact even here, and I'm curious to see what consequences that association will have, beyond the random acts of perversion that start popping up around Issei. We also get to see more of Rossweisse – a lot more, if you know what I mean.
This brings me to the major problem I had with this episode. High School DxD has always been a fanservice-heavy franchise, and normally it does a solid job of working its excuses for fanservice into the story, however paper-thin they may be. However, this episode's scenes were forced much harder than normal, resulting in an awkward narrative flow. The bath scene involving Rias, Akeno, and Koneko felt like it was just going through the motions rather than genuinely trying to be sexy. For a series where salacious nudity is so central to the appeal, that's troubling. I'm also still not thrilled with the character design tweaks and the inability of the show to stay on-model; I'd swear that Asia's bust size fluctuated significantly throughout the episode again. On the plus side, at least the background art did an excellent job replicating various Kyoto sites; I've been to the Fushimi Inari shrine and walked through those seemingly endless rows of orange Torii, and I remember it looking much the same.
So as strange as this is to say about High School DxD, I am optimistic about the story so far but trepidatious about the fanservice going forward.
https://www.youtube.com/watch?v=wQqBkHBp3z8
Golden Kamuy - Episode 3 [Review]
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130770/sugimoto-to-kuma.jpg
Golden Kamuy - Episode 3 [Review]
If you had hoped that Golden Kamuy would bring more of Asirpa's home and culture into the story, this episode definitely delivers. Sugimoto and Asirpa make it all the way to her village, where they encounter her grandma and other friends and relatives. Of course, they don't get there without encountering a few problems first.
Sugimoto and Asirpa continue to run into the 7th Division, but luckily, she gets help from her white wolf protector, and Sugimoto also finds protection from an unlikely animal source. When Sugimoto considers hunting down a bear earlier in the episode, Asirpa tells him how her father would charge right into the cave with a poisoned arrow. He could do this because bears won't attack someone who enters their own cave—or so Asirpa claims. She turns out to be right this time, when Sugimoto desperately hides in the cave to escape the 7th Division. The bear comes charging out at the men firing guns into her cave, but she ignores Sugimoto, who once again lives up to his "immortal" nickname. After the mother bear dies, Sugimoto decides to save the cub, and Asirpa tells him they should take it back to their village.
Golden Kamuy gets more jokes out of the cultural clash between Sugimoto and the Ainu, but this time, Asirpa gives as good as she gets. While Sugimoto frowned at eating brains before, Asirpa reacts in disgust to the miso he adds to the soup she made because the paste looks like poop to her. It may be strange for Japanese viewers who think of miso as a staple ingredient, but it's an important reminder that cultural attitudes around anything—including food—are relative. For example, Americans generally find the idea of eating insects disgusting, but plenty of cultures do not—and in turn, many of those cultures are grossed out by food that seems standard to us, like shrimp or cinnamon. Coming from a hunting-based culture, it makes sense that Asirpa would be used to eating every type of meat, but she would easily be taken aback by soybean mush that looks like human waste.
It's this framing that allows Golden Kamuy to get away with its sense of humor. It would be different if Ainu culture was constantly depicted as unusual and weird, but the story also recognizes how strange Japanese customs that viewers take for granted may seem through a different lens, making its jokes seem good-natured. The humor comes from the more broad phenomenon of culture clash, not how different one culture is from an established norm. It also helps that Golden Kamuy balances these gags with more thoughtful examinations of Ainu culture, like the explanations Asirpa gives for her traditions like raising rescued bear cubs to be killed and eaten. The idea may seem cruel at first, but it makes a lot more sense when positioned in the context of both Ainu mythology and daily life.
Once again, all of this plot material is taken straight from the manga, but Golden Kamuy does better at justifying its anime adaptation this week. For starters, the animation is not nearly as bad as it was in the previous two episodes. The show has gotten better at keeping characters on-model, even the more unusual-looking additions. Granted, some of this could be because there wasn't as much action this week to animate, but there were a few sequences that rely on dynamic motion and came out fine. While still far from perfect, the show's clunkiness is not nearly as noticeable. I was impressed with how much better this week's bear looked compared to the one in the first episode, with more fluid motion and a better blend with the traditional elements around it.
This week also takes welcome advantage of the anime's aural elements. The show has had excellent music, but this week's soundtrack really stands out. There is much more electric (literally and figuratively) music in the action sequences; the twangy guitar adds some punch to those fights, especially when it slides between notes for a nice touch when the 7th Division slides in on skis. There was also some interesting use of the jawharp, probably best known to anime fans for its use in the Cowboy Bebop episode "Cowboy Funk." Golden Kamuy also uses it for comical purposes at first, when Sugimoto and Asirpa argue about food again, but it's redefined and made diegetic when they arrive at the Ainu village to see someone playing the instrument. It is a nice marriage between the show's aesthetics and Asirpa's culture, yet another reminder that the creators have really done their research.
Another great detail is the use of actual Ainu language in some village scenes. This has plot importance in that it allows for misunderstandings between these characters and Sugimoto, but representing these cultures faithfully is also important on its own merits, especially considering that this language is rapidly losing speakers. While the effects of "media representation" can be abstract and vague, this could have some concrete benefit if it sparks enough fan interest in the Ainu language to help preserve it for future generations.
That's not to put this show on a pedestal or say it lacks its own spate of problems. Sugimoto and Asirpa are still the only complex characters in the show, and even then, they could use some more development. It's understandable, since Golden Kamuy is less driven by character than plot, which continues to be as engrossing as ever. The bad guys pursuing them can be ultraviolent to a puzzling and shlocky degree, with creepy characters like Tsurumi feeling more like pulpy threats than people. And while the animation has improved this episode, it's still not good enough to inspire lasting confidence in this production. Finally, just because Golden Kamuy portray one underrepresented group respectfully doesn't mean there won't be awkward moments when dealing with the unique problems of historical fiction. Choices like Asirpa's grandma insisting that Sugimoto marry her granddaughter feel somewhat off, given how much Ainu assimilation was driven by Ainu women being forced to marry Japanese men. Asirpa's line about being a "new kind of Ainu woman" also rings hollow when we know the "modern era" she describes will result in the complete destruction of her culture. This could be the author's intent, of course, but that doesn't make it any less uncomfortable in the moment.
Still, I am glad to see Golden Kamuy got better this week. It dug into its strengths of character interactions, suspenseful plotting, and an engrossing depiction of the Ainu as a culture that often gets short-shift in Japanese media. Its improvements in animation and soundtracking also help to justify the show as an adaptation, so I'm hoping for even more improvement in future episodes.
https://www.youtube.com/watch?v=Uuczp0sQWEM
Magical Girl Ore - Episode 4 [Review]
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Magical Girl Ore - Episode 4 [Review]
Before there were magical girls, there was Kamen Rider. Long before be-ribboned defenders of justice appeared on the scene, heroes worked alone without cute mascots, and they wore masks instead of petticoats. After its thorough caricature of every magical girl trope, it's no surprise that Magical Girl Ore would quickly dig into this divide. This is the most entertaining bit of parody the show has delivered yet, but it's a gem within a bigger show that still has a lot of unresolved structural issues.
Find Kamen Rider down on his luck, and you get Cyborg Fujimoto, a masked hero held together with a plastic supermarket bag and some duct tape. Voice actress Megumi Ogata, who you might know as Sailor Uranus or Shinji Ikari, is the perfect fit for this throwback role. “Heroes are supposed to be lonely and hard-boiled!” Fujimoto complains, echoing realistic complaints about the magical girl genre as a whole. “You freakin' weak ass magical girls are ruining that!” In a world where magical girls have the spotlight, Fujimoto is living a low-budget lifestyle, wearing a school gym tracksuit and living in a crappy apartment. His transformation is just for show, and his power move is a kick to the groin. While he despairs the fall of masked heroes and the rise of magical girls, he also kind of proves why audience tastes have changed. Ogata does a bang-up job as a small and angry cyborg, demonstrating how much has changed between masked rider and magical girl tropes—and how much has stayed the same.
Outside of this highlight, this episode is a mixed bag. Sakuyo continues to be touchy and temperamental in a way that suggests that her lesbian feelings are a physical threat to Saki. It's funny how the ultra-violent demon-crushing scene gives way to a School Days “nice boat” gag, but this is still the second time the show has resorted to the exact same joke. We've already seen mob characters alarmed by Saki and Sakuyo's bathroom stall transformations. Mohiro's hero-worship of Ore happens twice this episode with little difference between the two scenes. And while it feels slow and repetitive to me, this installment of the Magical Girl Ore anime has already added aspects that the manga did not have—so there's no reason for it to feel so protracted.
This episode is also full of odds and ends that are nowhere near being resolved and just add some interesting background noise. Mohiro's bandmate Hyoe is definitely up to something, seemingly revealing himself as the bad guy Saki always suspected him to be. A duo of girls with gold and silver hair lurk in the background to provide commentary, but we don't get to know them in this episode. In short, there are a bunch of elements that I'm not ready to analyze yet because they haven't been established enough. While it does feel like the show is stretching its content thin, there's still a lot to poke fun at when it comes to the magical girl genre, and Cyborg Fujimoto is only the latest example of how successful this flavor of humor can be. Don't miss the post-credits scene that gives me hope that we haven't seen the last of Fujimoto yet.
https://www.youtube.com/watch?v=0NqT9qyZgSA
Legend of the Galactic Heroes: Die Neue These - Episode 4 [Review]
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Legend of the Galactic Heroes: Die Neue These - Episode 4 [Review]
Given how the format of Legend of the Galactic Heroes: Die Neue These has played out so far, it was relatively easy to predict we'd be getting a Yang flashback this week to complement the Reinhard one we got last episode. However, unlike that previous episode, which was able to draw on the structure of the older LOGH version for a remake with some presentation details altered, this one draws from multiple points of backstory. As such, even if the conclusions are the same as before, this full flashback actually feels like the freshest Die Neue These yet.
The biggest strength of this episode is how intimately it feels involved with its characters. Reinhard's flashback had some personal heart, but it still felt detached thanks to the recollection-style framing device. In Yang's case, we're dropped into his academy years with no preparation, so the story being told gets to stand on its own. If you've seen the bits and pieces from the old show that covers some of this same ground, the content here is only idiomatically similar. Yang meeting Jessica and introducing the audience to Jean still forms the backbone of his formative experiences, but the way the details are handled and paced arguably works better here. One unique touch is that we haven't properly seen Jean or Jessica before they first appear in this flashback. Of course, we still know that Jean's eventual death doesn't bode well for the relationship we watch develop between them, but seeing them for the first time in this context puts emphasis on the impact Jean had on Yang while he was alive, rather than seeming like a pathos-ridden flashback to be deployed later.
As with the previous Reinhard episode, this one also sprinkles in plenty of little details that the opening battle lacked. Things like the reason for Yang's ‘Empty-Handed’ nickname, as well as an effective explanation for why he's even at a military academy in the first place, help flesh out a character that we already like. Even tiny visual details, like Yang's unbuttoned collar during his simulation battle, contribute to the ‘feel’ of the character, and the contrast helps to illustrate other portions of his world. That simulation also gives us an opportunity to see Yang's developing strategic skill in action, rather than having to take the word of other characters for it in exposition. Similarly, spending more time with Yang and Jessica together from the start helps show the effect it had on her, laying the seeds for her political developments in the future.
That said, this episode's primary weakness is also borne out of that strength; there is perhaps a willingness to have Yang show off too much. After a strong first half, the second half plateaus more than necessary. Seeing Yang's so-called Miracle at El Facil should be a big moment. This has been mentioned a couple of times already, and it plays out faithfully to its historical import. They even blend in other details, like an early appearance of Frederica in a recreated scene that prior fans will immediately recognize. But even with a ground's-eye view of the planet's evacuation, it still comes off less eventfully than you might hope. That might be part of the point, since Yang is known for being almost impossibly cool-headed under pressure, and he makes snap decisions based on the types of intuitions that would only be obvious to others with the benefit of hindsight. But in an adaptation that's otherwise aiming to be more cinematic, simply showing Yang tell everyone to leave at an opportune moment doesn't make for exciting storytelling.
That feeling persists through the rest of the episode, which unfortunately highlights an issue with Yang that's more endemic to this version than the franchise as a whole. Basically, the show presents Yang as the underdog to Reinhard, coming out of nowhere and just barely foiling the vain noble's carefully-crafted plans with improvisational strategy. But with after seeing both of their backstories, Reinhard's upbringing was colored with decidedly more struggle, noble title or no. By contrast, Yang feels like he's simply coasted into his position by making a few good decisions at the right times.
Even if you think Yang's ascension isn't as interesting, the story is still setting him up as the ‘good guy’. There are some dark edges hinted at in the workings of the Alliance government (including the military adoption system which is several levels of messed-up), but it still stands as a simple democratic contrast to the class-ridden Empire we saw in the previous episode. The only caveat is that this episode ends abruptly, hinting at a second part that will move into the present day and show the full extent of the Alliance's governmental issues. This two-for-one pacing means that this episode might be judged better once its follow-up is out.
So the history lesson in the first half of this episode is a strong start, but I can't shake the feeling that the show is coasting more than necessary in its second half. It's largely dependent on how you feel about Yang's character after what we've been given so far. I still think he's likable, but those disparities have put him in an odd place right now. Still, with the knowledge of what's coming ahead, the trepidation over how this one played out could prove only tentative.
https://www.youtube.com/watch?v=gH8wHccDwlk
Gabriel Dropout
https://myanimelist.cdn-dena.com/images/anime/9/82590.jpg
Gabriel Dropout
نام انیمه: Gabriel Dropout
نام انیمه: ガヴリールドロップアウト
ژانر: Comedy, Demons, Supernatural, School Life, Shounen
تاریخ پخش: زمستان 2017
وضعیت: تمام شده
تعداد قسمتها: 12 قسمت + 2 قسمت OVA
مدت زمان هر قسمت: 23 دقیقه
منبع: Manga
کارگردان: Oota Masahiko
استودیو: Doga Kobo
زیرنویس فارسی و انگلیسی دارد
لینکهای مربوط به انیمه
+ نقد و بررسی، توضیحات، خلاصه قسمتها
+ اطلاعات بیشتر: سایت // سایت // سایت // سایت // سایت
+ لینک فایل تورنت (MKV, EN Sub, 720P, 4.2GB)
+ لینک فایل تورنت (MKV, EN Sub, 1080P, 10GB)
+ لینک فایل تورنت (MKV, x264, 1080P, BDRip, RAW, 15GB)
+ لینک فایل تورنت (MKV, 1080P, 6.7GB)
+ لینک فایل تورنت (MKV, BD, 10bit, 1080P, EN Sub, 2.1GB)
+ لینک فایل تورنت (MKV, BD, 720P, EN Sub, 6.6GB)
+ لینک دانلود انیمه (MKV, 1080P, EN Sub, ~800MB)
+ لینک دانلود انیمه (MKV, EN Sub, 720P, ~350MB)
+ لینک دانلود انیمه (MKV, BD, 10bit, 1080P, EN Sub, ~160MB)
خلاصه داستان (منبع: دنیای انیمه)
فرشته ای به نام "گابریل وایت" بعد از گذروندن دوران تحصیل فرشتگان به کره زمین میاد تا اطلاعات و دانش بیشتری از انسان ها و محیط زندگی شون کسب کنه ولی گذروندن وقت در کره زمین باعث میشه که گابریل با بازی های کامپیوتری، اینترنت و اعتیادهای زمینی آشنا بشه و همین اونُ تبدیل به یک فرشته تنبل می کنه!
https://youtu.be/4eADGP3b9j0
توضیحات من
ها ها ها
کلی خندیدم از دستش!
یه سری استیکر در پک استیکرهام داشتم. نگو مال ِ این انیمه بوده.
راضی بودم از این انیمه.
بحث این که یه فرشته این طوری بشه، یه ور ِ داستان است.
یه روی دیگه هم داره، اون شیطانی که اومده زمین، بچه مثبت میشه.
گابریلی که فرشته است، همه اون رو می تونن یه شیطان تصور کنن.
اون یکی دختره که شیطان است، همه اون رو به چشم یه فرشته می بینن.
از بس کارهای خوب میکنه و ... دست خودش هم نیست.
Lupin the Third: Part 5 - Episode 4 [Review]
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Lupin the Third: Part 5 - Episode 4 [Review]
If Fujiko is my favorite Lupin III character, Zenigata is a close second. His dynamic with Lupin is easily the most entertaining to watch, which is why it's filled so many great episodes across the franchise's history. On some level, the two just get each other. In Zenigata's years of chasing Lupin, they've developed a grudging mutual respect. Maybe on some level, Zenigata knows he doesn't really want to capture Lupin (an idea one episode in Part 4 took to hilarious lengths). There's too much fun in chasing him down, and it's this relationship that allows them to trek across a desert together, little girl in tow.
I was a little sad to see Fujiko dispensed with so quickly, but that will hardly be the last we see of her. Lupin keeps talking about his relationship with her (or lack thereof), which wouldn't keep coming up if it wasn't relevant. For now, I'm fine taking a break for some ZeniLupin shenanigans. Lupin the Third: Part 5 is settling into a formula at this point; The "Lupin Game" players come up with a new method to kill or capture him, then Lupin and friends do whatever they can to evade it. There's a last-second twist ending that threatens to shake everything up, but it's usually a fakeout that's resolved or put on hold quickly.
Lupin III is an adventure-of-the-week kind of show, the kind of anime that usually settles on an arc storyline in its second halves. What makes Part 5 different is that we have an idea of where it will go already. The "Lupin vs. the Internet" story has been around since episode 1, but we keep seeing glimpses of the real villain laughing at all the social media mayhem. I could watch Lupin and friends race around the globe dodging bullets until the cows come home, but now my curiosity about the broader plot is piqued. The last two series succeeded at this episodic start because they played their cards closer to their chests; we hadn't seen as much of the "arc plot" at this point of Part 4 or The Woman Called Fujiko Mine. Conversely, Part 5 has told us just enough to make us wonder why we're not getting any more answers yet. I'm not sure this structure is sustainable, but episode 4 has finally pulled off a twist that will be harder to reset next week.
Before that, we get a solid 20 minutes of Lupin-Zenigata buddy comedy. Ami proves to be a good unifying force between them. Not only does she have Lupin as a surrogate dad now, but Zenigata already seems prepared to sign adoption papers after only a few hours around her. She shares a little more about her personal philosophy of why she prefers the Internet to real life, and this is the first moment that the show feels a little dated in its approach to technology. It's hard to imagine anyone that anyone who uses the Internet in 2018 sees it as a place "where gender, age and race don't matter"; social media and casual geotracking have permanently transformed the internet's capacity for anonymity. Maybe the world of Lupin III is different, but the most popular social media fad in this story is about tracking down and killing somebody, so I'm not convinced it's any less cruel and personalized than our own. At least Ami has found her niche online. She continues to drop little hints about herself that make me wonder if there isn't more to her than what she's telling her companions.
Ami also has a wry teenage sense of humor that allows the show to riff on itself, most obviously with jokes about shipping. Lupin III has always had plenty of homoerotic subtext, but it is a little weird how blatant Part 5 has been about pointing it out. First there were Lupin/Jigen jokes, now Lupin/Zenigata ones, right up to Lupin cackling about the "gun" in Zenigata's pants. You can't really call it subtext anymore when the characters themselves spell it out for you. This season's focus on the internet make it feel more like a joke about how online communities will see subtext everywhere; the Lupin/Jigen gag from episode 2 started with fans interpreting them as lovers. This week it's Ami's fault, when she offers love as an explanation for Zenigata's "only I can capture Lupin" obsession. Well, the girl does have a point. Whether it's love or just adversarial bonding, it's enough to carry them through a desperate desert trek.
Then there's another shootout—from drones, fitting in with the "technology" focus—before we finally get That Ending. Out of the corner of his eye, Zenigata sees a bullet hit Lupin's head, sending him flying with blood-spray everywhere. Lupin III is dead! Or is he? The episode ends ominously with an announcement on the "Lupin Game" website, rewarding the winning bet and announcing its shutdown. The next episode preview seems to confirm the death, with Zenigata reminiscing during what looks like an episode focused on him.
Let's be real: of course Lupin isn't actually dead. You can't kill off your main character and franchise-nomer in episode 4. I mean, it would be a bold move, but it hardly feels like Lupin III's style. Plus, we only saw Lupin get shot in silhouette, not directly. It's basic TV logic that if you don't directly see the dead body, it didn't happen. (And sometimes you can't be sure even then.) I'm not going to be shocked when it turns out he just planted a squib in his ear or something.
Still, this hell-of-a-cliffhanger gives the series a chance to really shake up its current formula. The world seems to believe Lupin is dead, officially ending the Lupin Game. If he's still alive, this gives Lupin and friends an opportunity to settle their own scores. Of course, he won't be out of sight for long, since there's still a smartphone around every corner—even in the field of Bwanda. This deadly twist could finally give the plot the push it needs forward. Or, like with Fujiko's appearance last week, episode 5 could anticlimactically resolve it within the first three minutes. I hope they make the right decision.
https://www.youtube.com/watch?v=hvMecWvHTdo
Real Girl - Episode 4 [Review]
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Real Girl - Episode 4 [Review]
Tsutsui and Iroha continue trying to understand their new relationship this week, but unfortunately the arrival of a new character sidetracks that process. Mitsuya Takanashi, the school's resident Hot Guy, calls Tsutsui out for a heated discussion. It turns out that Takanashi has a crush on Iroha, and he can't imagine why she'd reject him in favor of a scrawny otaku like Tsutsui. Not content with merely clobbering Tsutsui, Takanashi drafts his little sister into a dastardly plan to make everyone think that our antisocial hero tried to kidnap a young girl. That's right, folks, it's time for a good old-fashioned “someone spreads rumors about the protagonist” plot!
The good news is that the dynamic between Tsutsui and Iroha remains compelling. Tsutsui's imagined conversation with his anime idol Ezomichi is an amusing way to start off this episode, and it also speaks to a defining part of his perspective. Having spent most of his youth as a social outcast, Tsutsui is burdened by the dual concerns that he has nothing to offer Iroha and that trying to take another step forward in their relationship will trigger some kind of cosmic greed sensor and cause divine retribution to rain down on his head. This helps explain why he jumps at the chance to help her study (it's an easy and obvious way for him to “do something” for Iroha), and why any advance he makes toward her inevitably involves plenty of hesitation and backpedaling. For her part, Iroha seems mainly concerned about making sure the two of them are on the same page about their relationship, but as usual we spend far less time in her head than we do in his.
That awkward but well-intentioned process of two people trying to understand one another is the core of Real Girl's appeal, so it's unfortunate that Takanashi's arrival takes this episode in a completely different direction. As romantic rivals go, the guy doesn't exactly make a strong case for himself. The fake love letter he uses to draw Tsutsui out is needlessly underhanded for a presumably popular and influential person, and their initial conversation suggests that he views romantic partners as something that can be possessed and exchanged between people. Then he beats the crap out of Tsutsui, tricks his own sister into helping with an impulsive plan to frame Tsutsui for a serious crime, and acts like a whiny crybaby when Iroha still won't give him the time of day. If the goal is to paint Takanashi as an unlikable character, then all of this is total overkill. He comes across as so irredeemably scummy that the dramatic tension in this storyline rings hollow. Takanashi feels like a caricature of a villain instead of an actual antagonist, long on cartoonish malice and short on anything resembling charisma. It's just too hard to believe that he could ever prevail, and because he's so obviously being set up for a fall, there's no dramatic urgency or impact to his scheme. At this point, the audience just has to patiently wait until the other shoe drops.
In the meantime, the rumors force Tsutsui and Iroha to double back through familiar territory. The central question of this current conflict is whether or not Iroha will stay with Tsutsui now that Takanashi has made him into a pariah, but that question has essentially been answered already. Tsutsui's status as a social outcast isn't anything new, and Iroha has clearly decided that she likes him regardless of how anyone else feels. Having Tsutsui's classmates ostracize him even further as a result of the rumor just doubles down on an existing conflict without adding anything new to the conversation, especially since Iroha is smart enough to recognize that the rumors are false. At a time when Real Girl should be exploring the nuances of their relationship, this story arc is forcing them through an unnecessary reaffirmation of basic trust and support.
Takanashi's sloppy and overstated introduction has me worried, even though the handful of scenes before his appearance reinforce my interest in the show's core narrative. By going through the motions of creating a rival for Tsutsui, Real Girl is straying away from its strong points. Cheap teenage drama can reduce a show to another face in the crowd of its genre, but strong and insightful character writing will always stand out. This episode pulls the series toward the former and away from the latter, sidelining its more compelling threads for a premise we've all seen plenty of times before. Couple that with a downward trend in animation quality and you end up with a concerning number of red flags for such an early point in the season. As invested as I am in Iroha and Tsutsui, the two of them can only do so much if the rest of the show comes up short.
https://www.youtube.com/watch?v=rtj2AY4vdmI
Boruto: Naruto Next Generations - Episode 55 [Review]
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Boruto: Naruto Next Generations - Episode 55 [Review]
The countdown to the Chunin exams continues as both the heroes and villains gear up for the battle ahead. Still frustrated by his lack of progress while training under Sasuke, Boruto continues to cut corners with the help of Katasuke's invention. As the other teams train for the upcoming exams, the Otsutsukis begin putting their plan into motion. After being briefed on the Tailed Beasts by Urashiki, Momoshiki and Kinshiki set to work collecting the two remaining Jinchuriki, starting with Killer Bee. Once the group takes possession of Bee and Gyuki, they set their sights on their next targets: Naruto and Kurama.
Thus far, the additions made to the feature film's storyline have helped add depth without making things feel padded or protracted. Since the TV series is presenting this tale as a long-form arc instead of a 90-minute movie, the general pacing is much slower, but the story has yet to suffer as a result. In fact, if the scenes taken directly from the film didn't present such a noticeable aesthetic contrast to the TV-quality visuals, it would be easy to forget the current arc originated as a movie. As was the case with previous installments, episode 55 is able to aptly build tension, provide each character with a clearly defined role, and conclude on a thematically appropriate and unobtrusive moment. In effect, they've managed to add small climaxes to each installment, providing enough excitement to keep viewers who are intimately familiar with the film version to keep tuning in.
Urashiki continues to make a welcome addition to the main cast. On their own, Momoshiki and Kinshiki were fairly stoic and uninteresting, so pairing them with a cohort who's jovial and upbeat makes for a good balance. In addition to adding some levity to the dynamic, Urashiki's fun-loving personality helps set him apart from the other Otsutsuskis who have appeared throughout the series. Instead of being robotic in appearance and demeanor, he cuts loose at every opportunity and appears to be having fun with the task at hand. Seeing how his presence affects the story's climax (if at all) should prove interesting in the weeks ahead.
With the exams set to commence next week, the small screen version of Boruto -Naruto the Movie- is heading into a more action-driven part of the story. Interestingly, the preview primarily features footage from the movie, but seeing as the various phases of the exams accounted for a reasonably small portion of the film, it's a safe bet that the TV series will fill in plenty of gaps. Adapting a self-contained movie into a longer format while simultaneously incorporating it into the broader mythology of an ongoing TV series is no mean feat, particularly when portions of the film are spliced with new footage that looks noticeably different. Fortunately, despite the odds being stacked against it, Boruto has managed to make this tricky process look easy week after week.
https://www.youtube.com/watch?v=9jzCzVwVDjs
https://www.youtube.com/watch?v=LcRZIbBtdo0
Steins;Gate 0 - Episode 3 [Review]
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Steins;Gate 0 - Episode 3 [Review]
After last week zeroed in on Steins;Gate 0's new cast of characters and the emotional bombshell of the Amadeus system, episode 3 takes us back to a place that feels much closer to the original Steins;Gate's vibe. Things aren't exactly the same, of course, but how could they be, given everything Okabe and his lab members have been through? Despite some unfortunate aesthetic hiccups, one thing this episode of S;G0 does exceptionally well is balance its nostalgia for the good old days of the Future Gadget Lab while still taking full advantage of the opportunities provided by this more somber new version of their Akihabara.
It's clear from the get-go that Okabe is failing to heed Maho's advice when it comes to Amadeus. As he uses his phone camera to guide the AI around the streets of Akihabara, it's impossible not to notice an old rapport building up between the two, complete with the gentle teasing and constant inquiries that came to define Makise and Okabe's relationship. Amadeus is also saddled with the requisite naivety that comes with being a burgeoning artificial intelligence, but that doesn't make it any less heartbreaking when Not Makise casually mentions how much she would love to share a lab like Okabe's with friends of her own and personalized utensils. For Okabe and the audience, this one moment is enough to spark a maelstrom of other memories, the kind that are terribly dangerous for a man in Okabe's position to indulge.
Thankfully, all of this fraught territory has a counterweight, which is the increased focus on the other Future Gadget Lab members, who fell more to the wayside in S;G0's opening episodes. The scenes where Mayuri and friends plan a Christmas Cosplay Party feel right at home with the more upbeat, slice-of-life feel that Steins;Gate accomplished so well in its first half. What's more, these scenes do a great job of showing how the group as a whole has grown up; Faris and Suzuha have bonded more than they ever did in the original series, Yūgo and his daughter Nae are interacting with the Lab Members more, and Mayuri's social life seems much healthier than it did before. Her cosplay friends were occasionally mentioned before, but it's still nice to actually see her interact with friends her own age who haven't had their lives upended by time travel shenanigans and government conspiracies (yet). Maho and the Professor's interaction with the group at this Christmas party further cement them as welcome additions to the Steins;Gate world. I'm especially loving Yōji Ueda's performance as Alexis; he nails the Westernized accent in Japanese and gives the character an earnest charm, though I'm still not sure I trust his ostensibly altruistic intentions toward Amadeus and Okabe.
If there's anything that brings this episode down, it would have to be the art and animation. While I understand that little changes in style will come about with a shift in directors and seven years of time having passed, this is the first episode where I couldn't chalk up the sketchy artwork and inconsistent animation as by-products of this series' tone shift. The overall direction this week was sloppy enough to be distracting, with pedestrian camera work standing out even more against awkward editing. One scene in particular that lacked the necessary punch was Mayuri eavesdropping on Okabe's conversation with Amadeus – it works well enough to get the point across, but the messy transition between Mayuri silently fleeing and Maho intervening robbed Mayuri of the power that should have been afforded to her biggest character moment so far.
On the plus side, this was largely a table-setting episode, so the lapses in directorial quality didn't harm the overall impact much. Like Okabe himself, we're still getting used to being back in the Lab again, and some of the readjustments are going to hurt more than others. It's one thing to be confronted by the ghosts of a troubling past, but our poor mad scientist has to carry a painfully familiar voice in his pocket and be repeatedly asked why he called her “Christina”. The chemistry between Okabe and Makise is so on-point that I relish seeing them interact in any context, but I can't help but feel bad for taking so much pleasure from seeing Okabe relive the most harrowing moments of his life. His relationship with this computer program is bound to only become more troubling as the season continues.
https://www.youtube.com/watch?v=XrURrNwkOX0
Anime – New Episode [25 Apr 2018]
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Anime – New Episode [25 Apr 2018]
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[HorribleSubs] Tachibanakan To Lie Angle - 04 [1080p].mkv
[Erai-raws] Hitori no Shita - The Outcast 2nd Season - 15 [1080p]
[HorribleSubs] Hitori no Shita - The Outcast S2 - 15 [1080p].mkv
[HorribleSubs] Lupin III Part V - 04 [1080p].mkv
[Erai-raws] Lupin III - Part V - 04 [1080p]
[HorribleSubs] 3D Kanojo Real Girl - 04 [1080p].mkv
[HorribleSubs] Tokyo Ghoul re - 04 [1080p].mkv
[Erai-raws] 3D Kanojo - Real Girl - 04 [1080p]
[HorribleSubs] Tokyo Ghoul re - 04 [480p].mkv
[HorribleSubs] Tokyo Ghoul re - 04 [720p].mkv
Queen's Blade Complete Series v2
[JacobSwaggedUp] Lupin III (2015) | Lupin the Third (BD 1280x720)
[PAS] Houseki no Kuni - SP02 [BD 1080p qAAC]
[DSub8] Koyomimonogatari (BDRip 1080p x264 10Bit FLAC2.0 EngSubs)
Ouran Koukou Host Club [Dual Audio 10bit BD 1440x1080]
Boruto: Naruto Next Generations Episode 55
Kakutou Bijin Wulong Episode 25
Rokuhoudou Yotsuiro Biyori Episode 3 Subtitle Indonesia
Boruto: Naruto Next Generations Episode 55 Subtitle Indonesia
Souten no Ken Re:Genesis Episode 4 Subtitle Indonesia
Kokoro ga Sakebitagatterunda. [BD 720p | BD 1080p]
Mobile Suit Gundam Thunderbolt [BD 720p | BD 1080p]
Persona 5 the Animation I 720p I Episode 02
Yu-Gi-Oh! VRAINS - Episode 49 - Duelist Clad in Flames
Butlers X Battlers - Episode 3 - Misunderstandings
[HorribleSubs] Boruto - Naruto Next Generations - 55 [480p].mkv
[HorribleSubs] Boruto - Naruto Next Generations - 55 [720p].mkv
[HorribleSubs] Boruto - Naruto Next Generations - 55 [1080p].mkv
[HorribleSubs] Yu-Gi-Oh! VRAINS - 49 [1080p].mkv
[GuodongSubs][Uncharted Walker][Mi Yu Xing Zhe][END]
Haikyuu!!.S02.1080p.Blu-Ray.10-Bit.Dual-Audio
Cutie/Cutey Honey Flash - Episodes 01-19 [English Sub] [480p]
[Erai-raws] Boruto - Naruto Next Generations - 55 [1080p]
[HorribleSubs] Last Period - Owarinaki Rasen no Monogatari - 03 [1080p].mkv
Drifters Dual Audio BD x265 1080p 10bit HEVC
لینکها
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لینکها
یکی از بزرگترین مشکلات، لینکهای دانلود است.
پستهای مربوط به "معرفی و لینک دانلود انیمهی... "
"معرفی و لینک دانلود مانگا... "
"معرفی و لینک دانلود سریال... "
و غیره...
معمولا یه لینک دارن که مطلب مربوط بهشون از وبلاگ (همون که حذف شد) است.
اگه فصل دومی داره، اگه در موردش وراجی کردم و...
این جور لینکها، کار نمیکنه.
و چون پست قدیمی است، احتمال حذف شدن لینکهای دانلود هم وجود داره.
و اصلا وقت نمیکنم لینک جدید پیدا کنم و...
ولی لااقل بخش معرفیش هست.
خیلی سخته بخوایی از صفر شروع کنی.
هی روزگار...
درست کردن آرشیو
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درست کردن آرشیو
دارم پست های سال 97 رو میگذارم در وبلاگ.
حالا این تمام بشه.
برم سراغ پست هایی که 2018 گذاشتم.
فقط موندم، آرشیو رو بر اساس تاریخ درست کنم؟
من در ماه آوریل این وبلاگ رو ساختم.
بخوام آرشیو قبلی رو، ذره ذره برگردونم، باید تاریخهای قبلی هم بگذارم.
یعنی ضایع نیست اینجا آرشیو از 2004 تاریخ بخوره؟
آخه خیلی مسخره است، مطلبی که برای بهمن ماه بوده، بیافته این ماه.
همممممم.
باشه.
تصمیم گرفتم.
آرشیو بر اساس تاریخ همون پستی که دارم، درست میکنم.
اگر مطلبی که دارم، برای 24 فوریه 2006 است، بره در تاریخ خودش.
این طوری منطقیتر است.
البته شاید بخش اخبار قدیمی رو بیخیال بشم. حالا باید دید شرایط چی جوری میشه.
ولی واقعا کار سختی است و حوصله میخواد.
گربه (25 آوریل)
گربه (25 آوریل)
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http://s9.picofile.com/file/8329049692/Cat_2.jpg
http://s8.picofile.com/file/8329049718/Cat_3.jpg
#Cat
Manga – New Chapter [25 Apr 2018]
Manga – New Chapter [25 Apr 2018]
Manga, Manhwa, Manhua, Comic
EN Translation, RAW, Download Link, Read Online
Sword Interval - Ep. 137 - Why You Do It
Strike Witches: Tenkou No Otometachi
YuZe of the Peach Blossom Springs
Ikinokore! Shachiku-chan ~Kouhai-chan Otactivity~,
Mizutama Honey Boy Vol 07 Ch 035
Trump (JUNG Hyun-Joo) Vol 02 Ch 015.5
Kaifuku Jutsushi no Yarinaoshi Ch 005.2
Dinner for a Hungry Person Ch 016.1
Chikotan, Kowareru Vol 03 Ch 027
Alice Sherlock: The Rubious Nebula Ch 004
Koushaku Reijou no Tashinami Ch 015
Mizutama Honey Boy vol.01 ch.036
Karate Shoukoushi Kohinata Minoru #461
Shen Yin Wang Zuo - 155 - Chapter 155
Vinland Saga - 149 - Chapter 149
Karate Shoukoushi Kohinata Minoru - 461
Kindaichi Shounen no Jikenbo vol.20 ch.163
Alice Sherlock: The Rubious Nebula ch.003
Mahou Shoujo of the End ch.054
Mizutama Honey Boy, Chapter 36
Ten Thousand Kinds of Love, Chapter 11
پرندهها
پرندهها
احساسات ضد و نقیض دارم.
دیگه حوصلهم نمیکشه پرندهها رو نگه دارم.
تمیز کنم.
گفتم ردشون کنیم برن.
قفسها و بقیه لوازم هم بدیم بره تا دیگه چیزی نگیریم.
ولی دلم نمیاد.
https://www.fardanews.com/files/fa/news/1391/3/21/96960_459.jpg
دو تا از فنچها، جوجههای خودمون هستن.
از وقتی در تخم بودن، جلو چشم خودم بودن.
پدرشون هم هنوز هست.
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سهره هم از وقتی جوجه بود، دارم.
ولی دیگه اعصاب نگهداری ندارم.
باید وابستگیهام رو کمتر بکنم.
یکی از نگرانیهای بزرگم این است که، اگه یه وقت زلزلهیی، چیزی بشه، من اینا رو چی جوری ببرم با خودم؟
تو قفس زندگی کردن و بزرگ شدن.
نمیتونن درست پرواز بکنن.
نگرانم...
برای همین نمیشه درب قفس باز کرد بهشون گفت: پرواز کنین برین.
تازه وسط این همه ساختمون.
نگران این هم هستم که، ممکن است دست کی بیافتن.
ترجیح میدم یه پارک پرنده پیدا کنم.
آزادشون کنم.
ولی نمیتونن درست پرواز بکنن.
فکرم سر این موضوع درگیر است.