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Ayumi Komura Ends Kami-sama no Ekohiiki Manga
This year's 11th issue of Shueisha's Margaret magazine published the final chapter of Ayumi Komura's Kami-sama no Ekohiiki (Favoritism of the Gods) manga on Wednesday. Shueisha will ship the manga's fifth and final compiled book volume on June 25, and it will include Komura's "Alice" one-shot manga, which the magazine describes as the "prototype" for Kami-sama no Ekohiiki.
The manga centers on Yashiro, a high school boy who visits a local shrine 100 times to ask for confidence from the local god to confess his feelings to his friend Kenta. When he finally does it, Kenta turns him down, saying to Yashiro that he only likes girls. While heartbroken, he has an accident and dies. When he is brought back to life by the god that he prayed to, the god informs him that he has given him a new life as a high school girl, and a chance to repeat his confession to Kenta in his new form.
Komura launched the manga in Margaret in March 2017. Shueisha published the manga's fourth compiled book volume (pictured at right) on March 23.
Komura launched a new manga titled Kare Cafe in Margaret's sister magazine The Margaret on February 24.
Viz Media published Komura's Mixed Vegetables manga in print and digital forms in North America. The American Library Association's Young Adult Library Services Association (YALSA) division listed the first Mixed Vegetables volume among the "great graphic novels for teens" published in 2009.
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Meiji Tokyo Renka Romance Games Get 2nd Stage Musical
The official website for the stage musicals for Broccoli's Meiji Tokyo Renka franchise announced a second musical titled Meiji Tokyo Renka Gekkō no Meine Liebe (Moonbow of My Fiancé) on Friday. The play will run in Osaka's Morinomiya Piloti Hall from August 18-19 and in Tokyo's Theatre 1010 from August 25-September 2.
Sayaka Sakuragi is returning from the first musical to write the script and Kōtarō Yoshitani is returning to direct. tak is composing the music and MAMORU is handling choreography.
The first stage musical, Kageki Meiji Tokyo Renka ~Oborozuki no Chat Noir~ (Musical Meiji Tokyo Love Song ~Black Cat of the Hazy Moon~; pictured below), premiered in Japan in June 2016. The musical continued from the Gekijōban Meiji Tokyo Renka: Yumihari no Serenade (Film Version Meiji Tokyo Love Song ~Crescent Moon's Serenade~) anime film, which opened in Japan in 2015.
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Broccoli's Meiji Tokyo Renka visual novel romance franchise began with a 2011 mobile game, which was ported to PlayStation Portable in 2013. A television anime adaptation and a live-action series and film have also been green-lit. A new iOS and Android game is slated for this summer.
The anime movie's website describes the story's prologue: On an evening lit by a crimson full moon, an ordinary high school girl named Mei Ayazuki meets a self-proclaimed magician named Charlie at a festival. Through Charlie's magic, she time-travels to the Meiji era in Tokyo, where she meets and falls in love with various great historical figures from that time period.
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Live-Action Ano Ko no, Toriko. Film's Teaser Video, October 5 Premiere Revealed
The official website for the live-action film adaptation of Yuki Shiraishi's Ano Ko no, Toriko. manga announced on Tuesday that the film will open in Japan on October 5. The website also revealed a teaser video and poster visual.
https://youtu.be/Kaqk7NWeh-s
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Ryō Miyawaki is directing the film, and Taeko Asano (live-action NANA, Clover, Happy Marriage!?) is penning the script.
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The cast includes (from left to right in image above):
Yūko Araki as Shizuku Tachibana
Ryō Yoshizawa as Yori Suzuki
Yousuke Sugino as Subaru Tōjō
The manga centers on three childhood friends in a love triangle. Yori moved back to the countryside, and started wearing glasses and not being noticed by girls. Meanwhile, Shizuku entered the entertainment industry alongside Subaru, and both began working as a model and actor, respectively. But when Yori turns 16, he re-enters their lives.
Shiraishi launched the manga in Shogakukan's Sho-Comi magazine in 2013. Shogakukan published the fifth volume last July.
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Live-Action After the Rain Film's Spinoff Mini-Series Debuts
The GyaO! streaming service began streaming the first episode of Koi wa Ameagari no You ni: Pocket no Naka no Negaigoto (After the Rain: Wish in a Pocket), the live-action spinoff web mini-series based on the live-action film of Jun Mayuzuki's Koi wa Ameagari no You ni (After the Rain) manga, on Wednesday. The mini-series was announced on April 22. The mini-series has four episodes, and the remaining episodes will stream on May 11, 18, and 25.
The new mini-series focuses on the relationship between the characters Takashi Yoshizawa and Yui Nishida, who are supporting characters in the original story.
The series maintains the same cast as the film. Hiroki Kazama is directing the series.
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The film will open in Japan on May 25.
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Nana Komatsu (left in picture below) stars Akira Tachibana, while Yo Oizumi (right) is playing Masami Kondō.
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The additional cast includes (clockwise from top left in image above):
Shōno Hayama as Takashi Yoshizawa, Akira's classmate who has a crush on her
Nana Seino as Haruka Kiyan, Akira's close friend and captain of the track team
Hayato Isomura as Ryōsuke Kase, Akira's fellow part-time worker and cook at Garden
Honoka Matsumoto as Yui Nishida, Akira's fellow part-time worker and waitress at Garden
Mari Hamada as Kayoko Kubo, Akira's fellow part-time worker and waitress at Garden
Shigeyuki Totsugi as Chihiro Kujō, Masami's old friend, and a novelist
Yō Yoshida as Tomoyo Tachibana, Akira's mother
Maika Yamamoto as Mizuki Kurata, a track star who has her sights set on Akira
Akira Nagai (live-action Teiichi no Kuni) is directing the film, with a script by Riko Sakaguchi (The Tale of the Princess Kaguya, Mary and The Witch's Flower).
The manga centers on 17-year-old high school student Akira Tachibana, a girl who barely expresses herself. She harbors a secret crush on Masami Kondō, the 45-year-old manager of the family restaurant she works at part-time.
Mayuzuki launched the manga in Shogakukan's Monthly Big Comic Spirits in 2014 and transferred to Weekly Big Comic Spirits in early 2016, where it serialized a new chapter every other week until it ended on March 19. Shogakukan will publish the manga's tenth and final volume on April 27. The manga has 1.9 million copies in print. Vertical has licensed the manga and will release it in five volumes beginning on September 25.
The manga was nominated for the ninth Manga Taisho awards in 2016, and was ranked #4 in the 2016 edition of Takarajimasha's Kono Manga ga Sugoi! (This Manga Is Amazing!) guidebook.
The manga's 12-episode television anime adaptation premiered on January 11 on the Noitamina programming block on Fuji TV, and ended on March 30. The show streamed exclusively on Amazon Prime Video inside and outside of Japan, with the English title After the Rain.
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Live-Action Anitomo Film's Stills Highlight Jun Fukuyama
The official Instagram account for the live-action film and series adaptation of Modomu Akagawara's Anitomo (My Brother's Friend) manga revealed stills from the film last week featuring Jun Fukuyama's character, an original character named Haginosuke Tachibana. Haginosuke is the manager of the Happy Dogs dog cafe where Sota's younger sister Aki works part time. The character often gives Sōta advice on romance.
The film and drama both star Ryūsei Yokohama as Sōta (right in picture below), and Risaki Matsukaze (left) as Mai. Tsuyoshi Furukawa plays Yukihiro.
Kōdai Matsuoka (right in picture below) plays Itsuki Kaga, Sōta's handsome but oddball cousin. Karin One (left) plays Aki Nishino, Sōta's younger sister who is a video game otaku. (Note: Name romanizations are not official.)
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The live-action drama premiered on the Dramaism programming block on MBS on March 25, and on TBS on March 27, alongside the live-action series of Missions of Love. The film opens in Japan on May 26.
Cidergirl will perform the film's theme song "Palette."
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The romantic comedy manga centers on the relationship between old-fashioned and domestically minded high school girl Mai Nanase, and her brother's friend, the innocent late bloomer Sōta Nishino. Mai and her brother Yukihiro's room are adjacent to each other, with thin walls that allow them to overhear each other. The story begins when, one day, she overhears Sōta telling Yukihiro that he thinks Mai is cute.
Akagawara first published the manga as a one-shot in Hakusensha's The Hana to Yume magazine in January 2015 before launching it as a series in Hana to Yume that May. The manga was initially planned as a short serialization, but it is ongoing. Hakusensha published the manga's seventh compiled volume on January 19.
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Gibo to Musume no Blues 4-Panel Family Manga Gets Live-Action July Show
A live-action television series adaptation of Rin Sakurazawa's Gibo to Musume no Blues (A Stepmother and Daughter's Blues) manga has been green-lit. The show will premiere on TBS in July, and will air on Tuesdays at 10:00 p.m. Haruka Ayase (left in picture below) plays Akiko, while Yutaka Takenouchi (right) plays Ryōichi.
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The four-panel manga begins when Ryōichi Miyamoto, a divorcee and father of an 8-year-old daughter, proposes to and marries Akiko Iwaki, a career-minded 32-year-old woman. Now, with both unaccustomed to household tasks, they must learn on the fly as they raise their daughter.
Yūichirō Hirakawa and Yūji Nakamae are directing the series, while Yoshiko Morishita is penning the script.
Bunkasha published two compiled book volumes for the manga from 2011 to 2012.
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City Hunter Gets Spinoff Manga About Umibōzu
est em (IPPO, Age Called Blue) launched the City Hunter spinoff manga City Hunter Gaiden Ijuin Hayato-shi no Heion Naranu Nichijō (City Hunter Gaiden Mr. Hayato Ijuin's not peaceful life) on the manga website Comic Tatan of Tokuma Shoten's Monthly Comic Zenon magazine on Sunday. The website opened on Sunday with nine manga, including three new titles.
The spinoff manga centers on the character Umibōzu from Tsukasa Hojo's original City Hunter manga. In the first chapter, titled "Bubbly Time," the Cat's Eye café's master Umibōzu listens and responds to the troubles of his customers. The series will run on the website on the third and fourth Sundays of every month, and the next chapter will debut on May 20.
The other two new manga on the website are Yua Kotegawa's Satsujin Purgatorium (Murderer's Purgatorium) and Satono Okazaki's Ihō no Ozwald (Other Land Ozwald). Satsujin Purgatorium centers on a 46-year-old hitman who dies with regret and wakes up as a 16-year-old boy again. The paranormal science-fiction romance Ihō no Ozwald centers on a boy who dreams of encountering intelligent extraterrestrial life and becomes the assistant of a nonconformist in the world of astronomy.
The remaining manga serializing on the website are works returning from Monthly Comic Zenon and its Web Comic Zenyon website. The series are Mizu Sahara's Okashira Tsuki., Akane Tamura's Mobko no Koi, Machita's Haru to Ao no Obentōbako, Fujiko Segawa's Kono Machi Kinema, Amidamuku's Meshi Numa., and Taco's 3-biki no Chiisana Neko o Shōkan Dekita nara. Molico Ross will also launch the Sake yo Hana, Sake! manga in May, and Ai Nimoda will launch a "gourmet project" in June.
Tsukasa's original City Hunter manga follows Ryō Saeba, a sniper and a private eye ("sweeper") based in Tokyo's Shinjuku Ward with unrivaled marksmanship and an over-the-top obsession for the opposite sex. He serves as a bodyguard and other duties for his clients.
Hojo's 1985 manga inspired four television anime series, one anime film, and several video and television specials including a 2015 original anime DVD. ADV Films released most of these anime projects in North America. Jackie Chan starred in a 1993 Hong Kong live-action film that very loosely adapts the original manga. A Korean live-action television series adaptation premiered in 2011, and Hulu streamed this version in the United States.
Sunrise will produce a new anime film adaptation that will premiere in spring 2019. A French live-action film adaptation titled Nicky Larson (the French title of the City Hunter franchise) is underway. A separate Chinese live-action film adaptation has been green-lit for December 2018 or later in China.
Hojo's Angel Heart 2nd Season manga ended in May, and Sokura Nijiki launched a spinoff manga titled Kyō Kara City Hunter on July 25.
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واتساپ بهزودی مجهز به قابلیت تماس تصویری گروهی میشود
واتساپ یکی از مهمترین اپلیکیشنهای پیامرسان محسوب میشود اما این اپلیکیشن در مقایسه با رقبایی همچون اسکایپ، همواره از یک ضعف بزرگ رنج میبرد. این ضعف چیزی نبود جز قابلیت تماس تصویری گروهی. اما دیروز، فیسبوک در کنفرانس F8 اعلام کرد که واتساپ در ماههای آینده مجهز به قابلیت تماس تصویری گروهی میشود. در مورد جزییات این مشخصه اطلاعات چندانی نداریم اما میتوانیم بگوییم که این قابلیت از ۴ نفر پشتیبانی میکند و از طریق گوشیهای هوشمند هم میتوان از آن استفاده کرد.
هرچند سابقهی قابلیت تماس تصویری واتساپ به دو سال پیش برمیگردد، اما این شرکت بنا به دلایل نامعلومی قابلیت تماس تصویری گروهی را ارائه نمیکرد. بسیاری از کاربران واتساپ عضو گروههای متعدد درون این پیامرسان هستند و این قابلیت مطمئنا مورد استقبال زیادی قرار میگیرد و در نهایت چنین افرادی برای شرکت در چتهای تصویری گروهی، دیگر نیازی به ترک این اپلیکیشن نخواهند داشت.
پ.ن: هممم، این کار باعث میشه واتس.اپ فیلتر بشه برای ما!
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Cardcaptor Sakura: Clear Card - Episode 16 [Review]
https://www.youtube.com/watch?v=QqJlSZ--oBw
This week makes up for the last in terms of action and plot, although the trade-off is that it feels kind of rushed. We pick right back up with the card wreaking havoc on Tomoyo's family estate, and it's really too bad that Sakura doesn't have a “Repair” card, because this sucker tunnels all over the place like a giant version of Bugs Bunny, leaving huge hummocks of land in its wake. That makes it somewhat surprising that the card isn't something like “Dig” or “Tunnel,” and I admit to being sad that it didn't look more mole-like, but the real takeaway is how much power Sakura has over her cards. To stop this new one, she encloses the entirety of the estate in Siege, something Kero isn't even sure is possible because of the space involved. That it works says a lot about both Sakura's own magical strength and how much the cards themselves respect her, something we see again in Flight's jubilant behavior.
This fight is over before the commercial break, which does make it feel a little too fast, especially since the length makes it apparent that if a little more flashback were eliminated last week, this could easily have fit there. Was it drawn out to try and entice viewers to stick around? Maybe, because the slow plot progression is definitely beginning to wear on me at least. Finally getting some confirmation of the true villain is very welcome, but it also feels like something we should have had sooner.
On that note, the baddie now seems to be exclusively Kaito. This week he reveals that he's much more involved in Akiho's life and friendships than she's aware, in part because of his handy little power to turn back time – when he reveals that he knows too much about Sakura's family, he rewinds the clock, leaving Akiho confused and off-balance. This all makes Akiho feel much more like a pawn than a willing participant in whatever's going on. She seems to know that something is wrong, because her fixation on falling asleep at friends' houses feels like much more than mere embarrassment, and when Kaito invokes his spell, she's both scared and seems like she's definitely seen it before. Why Kaito needs to work through Akiho may be as (relatively) innocuous as her being the right age, but it's becoming increasingly evident that if she knew what was really going on, she wouldn't like it.
Kaito's increased sinister vibe isn't helping her peace of mind either. This week he compliments her on her singing before making a comment about Tomoyo being a good singer too – and there's something kind of worrisome about that. For as much as he's using her, Kaito does appear to care about Akiho, so this begs the question of whether or not he'd do something to Tomoyo in order to help his favorite pawn. Right now I wouldn't put it past him, and I'm sure he'll be listening in through Momo (which is all but confirmed when he meets Akiho on her way home) to see what he can do.
All of this may be why the second card capture this week has to be carried out by Sakura and Meiling together. As Kaito grows more possessive of Akiho and antagonistic toward her friends, Sakura and Meiling are strengthening their friendship. Even though Meiling goes back to Hong Kong at the end of the episode, she's now on first name terms with Sakura, which she feels gives her the right to tell Syaoran in no uncertain terms to knock it off with the stupid stuff. The actual fight against what turns out to be a humanoid card is choreographically interesting, the most exciting card capture we've had in a while. It's almost enough to make you forget that faces are simplified to the point of being mouthless for much of the episode.
The preview for next week doesn't look like anything different from what we've been getting so far – no markers of major plot developments or anything. But evil roll cakes is a promising visual premise at least, and given Kaito's skill in the kitchen, maybe it will be more than it appears.
Manga: Iron Knight
شوالیه آهنی || Iron Knight
نام مانگا: Iron Knight
نام مانگا: شوالیه آهنی
نام مانگا: アイアンナイト
ژانر: Action, Supernatural, Shounen, Tragedy, Horror, Fantasy, Adventure
نویسنده و طراح: YAGI Tomohiro
تاریخ انتشار: 2013
وضعیت: تمام شده
تعداد چپترها: سه جلد – 17.5 چپتر
ناشر:Shueisha
مجله:Shuukan Shounen Jump (Shueisha)
لینک های مربوط به مانگا
+ لینک دانلود مانگا – ترجمه فارسی
+ خواندن آنلاین مانگا – ترجمه فارسی
+ خواندن آنلاین مانگا – ترجمه انگلیسی
+ خواندن آنلاین مانگا – ترجمه انگلیسی
خلاصه داستان (منبع: انیم ورلد)
یک پسر در مکانی تهی از همه چیز و همهکس. تولد یک قهرمان تاریک!!
او نجات دهندۀ دنیاست. کسی که فرستادههای جهنم را سلاخی خواهد کرد.
حتی در عمیقترین تاریکیها، شعلۀ تو راهنمایی برای تمامی ما خواهد شد.
ارادهای قوی و بدنی آهنین. تو یک شوالیهای.
یک شوالیۀ آهنی.
Kang War VI concludes! The rules of time are fluid — and when reality re-forms around the Avengers, not everything (or everyone) will necessarily be in the same place it was left!
Avengers #1 – 6 (2016-2017)
Publisher: Marvel Comics | CBR/CBZ | English | Size: 552 Mb
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Avengers (2016) #2.1: UPLOD.ws – NITROFLARE.com
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Issue #6: UPLOD.ws – NITROFLARE.com
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Nightwing #18 (2017)
Someone Dick loves is being held by one of the deranged foes of his past: Professor Pyg! Nightwing and Robin race to stop Pyg's attack, but an even darker villain may be waiting for them in the aftermath…
Nightwing #1 – 18 (2016-2017)
Publisher: DC Comics | CBR/CBZ | English | Size: 414 Mb
Download Links:
Part #1 – 3: UPLOD.ws – NITROFLARE.com
Part #4 – 6: UPLOD.ws – NITROFLARE.com
Part #7 – 9: UPLOD.ws – NITROFLARE.com
Part #10: UPLOD.ws – NITROFLARE.com
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Issue #18: UPLOD.ws – NITROFLARE.com
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دانلود مجموعه عظیم تمام آثار آندریا بوچلی
Andrea Bocelli Complete Editions
مجموعه ی حاضر، آرشیو کامل تمام آثار آندریا بوچلی، خواننده ی شهیر ایتالیایی می باشد که به تفکیک آلبوم و به صورت کاملا رایگان توسط ارم دانلود برای شما هم میهنان عزیز آماده شده است.آندریا آنجل بوچلی (به ایتالیایی: Andrea Angel Bocelli) خوانندهٔ نابینای تنور اهل ایتالیا است. برخی کارهای او در ایران نیز منتشر شدهاست. آندریا بوچلی در ۲۲ سپتامبر ۱۹۵۸ در روستایی در شهر لایاتیکو در توسکانی بدنیا آمد. او در همان کودکی از تنبلی چشم زجر میکشید. آندریا در ۶ سالگی به دلیل علاقه فراوان به موسیقی در آموزشگاهی به یادگیری پیانو پرداخت و همزمان به اپرا روی آورد. او در کنار علاقهاش به موسیقی، ورزش را نیز دنبال میکرد و طی بازی فوتبال در سن ۱۲ سالگی با اصابت توپ به چشمش بینایی خود را کامل از دست داد. او پس از این موضوع تصمیم میگیرد با اینکه به پیانو، فلوت و ساکسیفون تسلط داشت در مدرسه نابینایان ادامه تحصیل دهد. او در حقوق دکترای خود را نیز دریافت کرد. اما دوباره به موسیقی روی آورد. در ادامه می توانید فهرست افتخارات آندره بوچلی همچنین اطلاعات دانلود را مشاهده کنید.
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اولین جایزه خود را در سال ۱۹۶۸ در سن ده سالگی دریافت نمود.
در سال ۱۹۷۰ در سن دوازده سالگی برای اجرای اثری جایزهای دریافت کرد.
مدتی با لوچیانو پاواروتی همکاری داشت.
در سال ۱۹۹۳ در جشنواره موسیقی سانرموی برنده رکورد جایزه تازه واردان شد.
آهنگهای او تا دو هفته متوالی در صدر پر فروشترین آلمان، ایتالیا، فرانسه، هلند و بلژیک قرار گرفت.
او با اولین آلبوم حرفهای خود برنده جایزه صفحه طلایی شد.
در سال ۱۹۹۷ جایزه اکو را با همکاری با سارا برایتمن دریافت کرد.
او با اجرای آهنگ در آمریکا به کاخ سفید دعوت شد.
او در سال ۱۹۹۸ جایزه بهترین موسیقی گر کلاسیک و خواننده ایتالیایی رادر جشنواره موسیقی جهان در مونت کارلو دیافت کرد.
در مراسم جوایز گرمی و اسکار بهترین ترانه متن بود، ترانه The Prayer که در فیلم انیمیشن Quest for Camelot برادران وارنر از آن استفاده شد و جایزه گلدن گلاب را نصیب بوچلی کرد.
در رتبه اول تا سوم موسیقی جهان قرار گرفت.[نیازمند منبع]
در جشن هنر سالیانه سلطنتی در انگلیس به دعوت ملکه الیزابت برنامه اجرا کرد.
در مراسم سالیانه NIAF (انجمن ملی ایتالیا و آمریکا)، بوچلی همراه با ارکستر جوانان انستیتو بوچرینی برنامهای به همین مناسبت اجرا کردند که این مراسم از طریق ماهواره پخش شد.
در سال ۲۰۰۲ جایزه بهترین هنرمند ایتالیایی و بهترین کلاسیک گر را تصاحب کرد.

رمز فایل فشرده: www.eramdownload.com
Andrea Bocellia – 1994 – Il Mare Calmo Della Sera
Andrea Bocellia – 1995 – Bocelli
Andrea Bocellia – 1995 – VIAGGIO ITALIANO Italian Edition
Andrea Bocellia – 1996 – Romanza
Andrea Bocellia – 1996 – ROMANZA Spanish Edition
Andrea Bocellia – 1997 – ROMANZA Italian Edition
Andrea Bocellia – 1998 – Aria – The Opera Album
Andrea Bocellia – 1999 – Sogno
Andrea Bocellia – 1999 – SUENO Spanish Edition
Andrea Bocellia – 2000 – Sacred Arias
Andrea Bocellia – 2000 – Verdi
Andrea Bocellia – 2001 – CIELI DI TOSCANA French Edition
Andrea Bocellia – 2001 – CIELI DI TOSCANA International Edition
Andrea Bocellia – 2001 – CIELI DI TOSCANA Italian Edition
Andrea Bocellia – 2001 – CIELI DI TOSCANA Spanish Edition
Andrea Bocellia – 2001 – CIELI DI TOSCANA UK Special Edition
Andrea Bocellia – 2002 – Sentimento
Andrea Bocellia – 2004 – ANDREA SACD Edition
Andrea Bocellia – 2004 – ANDREA UK Edition
Andrea Bocellia – 2004 – ANDREA US Edition
Andrea Bocellia – 2006 – AMA CREDI E VAI Maxi-CD
Andrea Bocellia – 2006 – AMOR Spanish Edition
Andrea Bocellia – 2006 – AMORE Dutch Edition
Andrea Bocellia – 2006 – AMORE Japanese Edition
Andrea Bocellia – 2006 – AMORE Scandinavian Edition
Andrea Bocellia – 2006 – AMORE UK Special Edition
Andrea Bocellia – 2006 – AMORE US Edition
Andrea Bocellia – 2006 – Under The Desert Sky
Andrea Bocellia – 2006 – Vivere – The Best of
Andrea Bocellia – 2007 – The Best of Andrea Bocelli -Vivere
Andrea Bocellia – 2007 – Vivire – Lo Mejor
Andrea Bocellia – 2008 – Incanto
Andrea Bocellia – 2009 – INCANTO Japanese Edition
Andrea Bocellia – 2009 – MI NAVIDAD Spanish Edition
Andrea Bocellia – 2009 – MY CHRISTMAS Italian Edition
Andrea Bocellia – 2009 – MY CHRISTMAS US Edition
Andrea Bocellia – 2011 – CONCERTO ONE NIGHT IN CENTRAL PARK Japanese Edition
Andrea Bocellia – 2011 – Notte illuminata
Andrea Bocellia – 2011 – The Absolute Best Of Andrea Bocelli
Andrea Bocellia – 2013 – PASSIONE Deluxe Edition
Andrea Bocellia – 2013 – PASSIONE Italian Edition
Andrea Bocellia – 2013 – PASSIONE Japanese Edition
Andrea Bocellia – 2013 – PASSIONE Super Deluxe Edition
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130993/food-wars-s3-ep-16.jpg
Food Wars! The Third Plate - Episode 16 [Review]
https://www.youtube.com/watch?v=0w7xdMzspCI
Oh, Evil Akira. Not only did you get a CLAMP-style makeover, but your eyes are now perpetually narrow and droopy, and you've gotten much more handsy to boot. Okay, that last bit was just the one scene toward the end of the episode, but I seriously thought that Evil Akira was going to kiss Soma's hand for a second there. Also, smelling the ingredients someone is using by sniffing their hands is very creepy unless you're a dog.
Once again, we have an episode that's intent on cramming in a few chapters from the source material, but it works decently well this time. The return of Dojima as the impartial judge for this particular exam does give the whole thing more of an air of legitimacy than previous stages, because we know that he's much more likely to actually be impartial than many of his brethren. He wouldn't stoop to Azami's level any more than he'd insult Soma by favoring him, so that's a definite good start. While there are still places where Azami's tentacles can reach – the supposedly random selection of bear meat for the topic could favor Akira – we're starting this challenge on much more even ground, especially since Akira's still got a shred of decency left in him.
We see that when he refuses the fancy appliances and assistants that Central has arranged for him to use, which would have been yet another blatant misuse of their power. It's not clear whether it's Akira's former self speaking up when he says no thanks or if it's simply his pride, but I'm inclined to think he wants a more level playing field for his fight against Soma. He keeps repeating how much better he is than the last time they fought, and while that's doubtlessly true (it would be odd if he hadn't kept growing as a chef), he also really cares about this rematch. It's a test of his own worth, since Soma's come close to beating him in spice-based dishes before and if he can win this one, not only will it finally determine that Soma's not worth his apron, it will also confirm that Akira made the right decision in becoming Azami's minion. While we don't know much about why he did this yet, we can infer that it was not an easy choice, given how devoted he was to Jun and her kitchen. Azami hasn't played fair yet, so whatever's behind Akira's choice, there's doubtless some emotional conflict for him.
That's not really an excuse for deliberately pissing Soma off like this, though. (I mean, has that ever worked out for anyone?) If nothing else, it's likely to make Soma suspicious of Akira's motivations and fire him up to make the best damn bear meat he possibly can. That could be what Akira is hoping for, but frankly I feel like this is going to bite him in the rear. Everyone who goes up against Soma makes the critical mistake of underestimating him, and in this case, Azami doesn't fully understand Soma's determination and the full brunt of the support standing behind him. Sure Yuga has his own ulterior motives for helping out, but at the end of the day he's lending his stooges to Soma and helping out personally because he likes the guy. Potentially bringing down Central in the process is just icing on the cake.
Soma's not the only one who might be in trouble, of course. Megumi and Takumi have been taken away by Rindo for their test, and their fate is still unknown at the end of the episode. Rindo herself is the biggest wildcard here, because I feel like she may be playing Clue while everyone else is playing Monopoly. Her motives seem to just be stirring the pot, and I suspect that her only real allegiance is to herself. How that will pan out for Megumi and Takumi is uncertain; it probably depends on how useful she thinks they'll be in the future. We'll hopefully find out next week, as the bear meat cook-off comes to a head. In the meantime, we'll just have to ask ourselves one important question: who would win if this was a bear meat cooking contest between Soma, Akira, and Golden Kamuy's Asirpa?
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Tokyo Ghoul:re - Episode 5 [Review]
https://www.youtube.com/watch?v=eiyDkD02F1Q
The battle at the auction house rages on, with the blood of ghouls and humans alike getting spilled by the gallon. And who's that entering the fray? Why it's out good pal Takizawa! Only now he's a big scary ghoul named Owl, of course. (Not to be confused with the One-Eyed Owl, Eto.)
Who is Takizawa? You'll be forgiven for not remembering, since he was a pretty minor member of the CCG. He stuck to the background working under Amon, but the anime did highlight him more in the second season by focusing on his struggle to write a last will and testament before the big final battle against Anteiku. It was classic Tokyo Ghoul character work, revealing the hidden depths of a person, their dreams and fears, just before their brutal and untimely death. But death is a nebulous concept in the Tokyo Ghoul universe, and Takizawa is actually alive and well (by ghoul standards anyway). He's a one-eyed ghoul himself now, just working under Aogiri instead of with Sasaki and the Quinxes, but the details behind his resurrection remain anybody's guess for now. The boy really seems to love jam though.
Takizawa's sudden appearance and radically altered behavior set the tone for this entire episode, which leans hard into Tokyo Ghoul's propensity for gory camp. There's no room for subtlety when Takizawa, reunited with one of his former students, punches straight through her torso as punishment for not paying attention during his lectures. These aren't delicate moments, but they can be fun. I got a kick out of Kanae stopping Mutsuki in his tracks by throwing a projectile rose into the ground, Tuxedo Mask style. Later, one of the investigators shouts “damn you and your sexy body!”, which is an impossible line to take seriously on its own, but doubly so when directed at a woman called Nutcracker as she flies through the air, boobs a-jiggling. Then one of the last scenes is a still shot of Madam with Urie's body half-stuffed in her gigantic gob. These parts are funny, and I'm perfectly okay with Tokyo Ghoul flexing its B-movie sensibilities now and then.
The big problem is that this is yet another messy action-focused episode that lacks the visual pop needed to carry its ambitions. The first two seasons of Tokyo Ghoul weren't animation powerhouses, but they frequently caught my eye with creative staging and composition. By contrast, Tokyo Ghoul:re has been far more conservative and utilitarian. As it jumps from battle to battle, it comes across more like a jumble of scenes haphazardly stitched together than a cohesive whole. This approach makes everything more difficult to follow or care about, especially when watched in weekly installments with no conclusion in sight. A lot happens, but it doesn't feel like it matters yet.
Of course, that's probably because it's all been setup for future conflicts. On the Quinx side, Mutsuki finally reunites with the rest of his family, and they all force Kanae to retreat. Sasaki, ever the caring leader and dad figure, has the injured Mutsuki retreat with Urie, but since Urie's still hungry for recognition, he purposefully takes the long way out of the building and “accidentally” stumbles upon the ghouls' escape route. Urie's not a bad person, but his ambition blinds him to the concerns of anybody else, and he doesn't think twice about possibly putting Mutsuki in graver danger. Fittingly, Urie soon finds himself in too deep (specifically too deep inside Madam's mouth), so now it's up to Mutsuki to save him instead. Meanwhile, Sasaki pursues Nutcracker with the remainder of the Quinxes but soon finds himself locked in battle with fellow half-ghoul Takizawa.
The rest of the CCG fares pretty damn poorly against the multiple ghoul threats. Takizawa mows down everyone, laughing all the way, until he gets to Sasaki. Nutcracker takes down an entire squad by herself, punctuating the battle with her titular move. Juzo is evenly matched with Ayato, so both of them retreat simultaneously. Ayato runs to help fellow Aogiri member Naki, who's not doing too hot against Akira and her dad's old patented spine whip. Then Juzo meets up with Urie and attacks the ghouls escaping from the auction. The Clowns battle another squad of investigators, who hold their ground despite Uta's manipulative face-shifting powers. Oh, and all of this is being manipulated by Washu, who's still overseeing everything from the safety of his monitors. Did you get all that?
Cramming all of this ensemble action into the episode leaves no room for even a pinch of reflection. Takizawa's reveal should be a big deal, but the revelation comes and goes with little fanfare. Naki is portrayed rather sympathetically as somebody who has fallen behind this war's arms race and built a family for himself that he's rapidly losing, but we just don't get enough time to explore these parts of his character. I also expected more to be made of Urie and Juzo indiscriminately slaughtering the ghouls attempting to escape. Obviously, all ghouls are monsters to them, and it's hard for me to feel bad for ghouls who had no qualms buying people too, but Tokyo Ghoul is notorious for refusing to dehumanize either side of the conflict, so this feels like a missed opportunity for nuance.
I'm sure these concerns will be addressed later, and that's fine. But as a discrete unit of storytelling, this episode does a heck of a lot without saying much. In an action-driven episode, I need the action to be impressive on its own, or I'm going to need something else to chew on. Historically, Tokyo Ghoul has always redeemed its shortcomings with strong and thoughtful character work, but episodes like this one leave no room to focus on anything interesting. Nevertheless, the battle rages on into next week.
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My Hero Academia - Episode 42 [Review]
https://www.youtube.com/watch?v=IdgI0zUVvBE
Since we've been easing into a new story arc, it was a pleasant surprise for me to learn that one of My Hero Academia's Big Exciting Moments(tm) was already just around the corner. The Vanguard Action Squad's attack on the training grounds commences, but it quickly becomes apparent that the story is mostly about Kota and Midoriya's fight with a single member of the villain group who arrives on the scene unceremoniously.
The member in question is a tall and strong-looking guy who Kota immediately recognizes as the murderer of his parents. This mystery man appears to be using the League of Villains as a means to an end, because he likes using his Quirk to kill people, which will tie into the episode's themes of heroes and villains wonderfully. The Quirk in question is super strength, not unlike Midoriya and All Might's, but his particular power involves all the gross sinewy fibers of his muscles exploding from his body, making for a much more threatening display than One For All that forces Midoriya to push himself harder than we've ever seen before.
I think season three is when I've really started to appreciate MHA's hero theming. I've never been especially drawn to the superhero aesthetic or ethos; as a playground for stories about chasing your dreams, I've always preferred the anarchy of One Piece's pirate world. But episodes like this do an incredible job of finding the beauty in what it means to be a hero, and MHA digs much deeper than anything I've personally seen from Western media. "I just wanted to kill, and those two wanted to stop me. It was a result of all of us doing what we wanted," is how the villain explains to Kota that there should be no hard feelings about the whole dead parents thing. Comparing this again to One Piece—a series whose protagonist is openly ambivalent about being seen as a hero—this sounds exactly like the kind of logic a villain would use to justify their misdeeds just before Luffy punches them in the face, not out of the goodness of his heart, but because he's got to stand up for his friends.
I believe the common prevalence of this protagonist-antagonist dichotomy in Shonen Jump is what allows My Hero Academia to find a new angle on it. We've already established that our main characters harbor some insecurity about being "fake heroes", which is a weakness just waiting to be exploited by villains like Stain or Shigaraki. Making "Number One Hero" a dream that characters can compete for does implicitly remove the sense of duty and responsibility that heroism ought to be about, and while heroes are often depicted as petty in this world, they're never been portrayed as unreliable beyond the understandable limits of their fragility. You can be the Pirate King and owe the world nothing, but if you want to call yourself a Hero, you have to put your money where your mouth is at some point and make sacrifices for others. This conflict feels especially organic this week by focusing on Kota, a kid who's lost faith in the concept of heroism. Because of his parents' deaths, he can only see the imminent pain that comes with a hero's broken promise, so if someone like Midoriya's ever going to restore that faith, he has to step up in ways that others haven't.
The big finisher where Midoriya nearly blows his own arm off three times trying to use One For All at full power against a relentless villain gets so insanely messy that it's almost avant-garde in terms of visuals. This enemy's muscle quirk allows for an intense and scrambled fight, and Midoriya's final stand is a remarkable experience of sight and sound. If you remember his fight with Todoroki, where he had to strategically sacrifice his own body, destroying each of his fingers over and over, this feels like an evolution of that idea that now uses his full arm, as he delivers successive punches that meld his own flesh with his opponent's.
This fight is going to be the one that gets everybody talking again, and for good reason. However, as a full episode it also highlights the series' occasionally limp structural instincts. This villain really feels like he comes out of nowhere, and if you told me last week that we'd immediately be jumping to such a massive emotional high involving a character we'd never met, I would have been shocked. Maybe that's just the speedier pace of the show, since it does allow a major conflict to be contained within a single episode, but it still doesn't feel quite right. It takes about half the episode to get into the fight in the first place, yet the time spent with the side characters fighting the other League members doesn't serve as build-up to this conflict either. It's really weird.
But that's such a minor nitpick in the face of an otherwise extraordinary episode. We're three for three on new MHA episodes really knocking my socks off, and this is easily the most I've ever been invested in the world and characters of this story so far. The title of this episode is "My Hero," and it fittingly manages to lend new meaning to the series' title. Kota has someone to look up to now in Midoriya, and that last shot of our broken and exhausted green son roaring with victory hits hard. Winning the battle isn't the part that feels good this time, it's hearing the word "hero".
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One Piece - Episode 834 [Review]
https://www.youtube.com/watch?v=zM0cG1k8yZU
As of last week's episode, the Big Mom assassination plot's first main goal was accomplished when Brook snuck up on the framed picture of Mother Carmel and smashed it. The intended effect was for her to see the broken picture and enter her terrifying shriek mode, which is the tiny window of time where she would be vulnerable enough to hit with Caesar's rocket launchers. What the Straw Hats and Firetanks failed to predict was the exact effect that all of the encompassing chaos would have on her, so she spends most of the episode acting like a dizzied fighting game character, still unkillable because she hasn't decided where to focus her rage between the broken picture, the busted wedding cake, and all the treason. The alliance's next goal is to grab the pieces of the Mother Carmel picture and show them to Big Mom once again to ensure she panics in the exact way that they based their plan around.
But in order to do that, they have a much bigger fight on their hands as Big Mom's various children spring into action. For an episode that easily could have been a breather for the animation staff given the more significant story episodes ahead, the action looks fantastic. I think Sanji ends up getting the best stuff between casually dodging Pudding's bullets (he may have found her emotional sore spot, but she's not willing to concede just yet) and facing off with her older brother, Charlotte Daifuku. Daifuku's Devil Fruit summons a big genie from his belt that he commands like a JoJo Stand, though he brings it forth by rubbing his stomach in a provocative way, and that belt rests a little too south of his border for comfort. Penile genie smoke aside, the sense of energy and impact coming from Sanji's fights this week is really commendable. It looks great.
We're still hanging on to a chapter-per-episode pace to my delight, though this episode takes the chance to really expound on what was going on in the source material. The fights that ensue with the lower-tier Big Mom pirates leaves a much bigger impression, though I know most of these crazy-looking side characters, especially on Luffy and Jimbei's side of the fight, aren't going to be sticking around much longer. While the Straw Hats and Firetanks buy time to figure out how to get their plan back on track, Capone has to play the villain so that he doesn't raise the family's suspicions. Unfortunately, that can't last long because he's dealing with Katakuri and his Future Sight Haki, and by the end of the episode he's openly antagonizing Big Mom's scariest kid. "Even if we can't see it, we all have the right to change the future!" is a pretty cool way to confront a dude with clairvoyance. There's also the mention of Katakuri looking pale because he sees something disastrous on the horizon that nobody can stop.
Beyond the fights that the Straw Hats find themselves in, this is also a major turning point for Judge and the Vinsmokes, now that they're being forced to see the trap that's been set for them. Perospero has the whole family glued to their seats with candy, and all they can do is watch while the fighting happens around them and their imminent death is promised. The emotional position that the story puts us in with the Vinsmokes is pretty weird. This arc has finally wrapped up in the manga, so I can look back with hindsight and say that a further exploration into the backstory of Germa 66 isn't in the cards for Whole Cake Island, which is sort of necessary to understand what their overarching journey is meant to be.
It's been pretty clear that Sanji's motivation for saving his family has nothing to do with their value as people, but rather a simple instinctual obligation. He's working his own feelings out by taking action. The Vinsmokes can work as both the secondary antagonists and the damsels in distress at the wedding, but this scene has us facing a weeping, humiliated Judge who screams about his lost dreams as he faces the consequences of his thirst for power. He's confused as to why his sons are so calm and ready to accept their deaths, and Reiju promptly reminds us that he removed their ability to feel emotions in an attempt to make them super soldiers. There's an intimacy to this scene that makes it feel like more than a "Ha! Take that!" moment for the audience to get emotional revenge on Judge, but what that extra something is, I couldn't tell you. Based on my knowledge of what's coming, he's not on the verge of a traditional redemption arc, but there also feels like a deliberate juxtaposition between his dreams and Big Mom's that has yet to be explored to my satisfaction.
There's a lot of movement as we push on through Big Mom's tea party this week, but it's mostly trying to get us back to the point we thought we already arrived at last week with the Mother Carmel picture. I was surprised at how much mileage this adaptation managed to get out of what could have easily been an unexceptional episode, so I I have nothing but kudos on that front. Weeks like this start to give me hope for what's to come, because I'm getting exactly the saturated craziness that I've been asking for, despite the pacing only marginally improving. So let's see what happens next!
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Sword Art Online Alternative: Gun Gale Online - Episode 4 [Review]
https://www.youtube.com/watch?v=0QAnZIMAuB0
With the flashback now over, episode 4 brings the story right back to where we left off at the end of episode 1, with team LM scoring a victory over the team of professionals. But as M is quick to remind LLENN, they're not done yet. Two other teams remain, and they only barely manage to fend off one of them when the opponents charge in on hovercraft. (M later speculates that vehicles are made more readily available as the number of players dwindle, which seems sensible.) That results in a fairly tense standoff as LLENN rolls around to avoid shots while M sets up his shots.
This is when we finally find out what's in that huge pack he's been carrying around: it's not extras guns or ammo, as I had assumed, but a portable parapet made of spaceship armor that's impenetrable to small arms fire. As cool as that is, M then outdoes himself by taking out the hovercraft crew without using the game's auto-targeting system. A later flashback to Pito and LLENN training explains that the advantage to firing without assistance is no sighting lines to give away your shots, but the big disadvantage is that shooting this way depends heavily on real-life skill, so most players won't be good enough marksmen to reliably hit targets at range.
In other words, the episode devotes a couple minutes to explaining the game mechanics necessary to understand why something a character did was cool. There really isn't a great way to do this, so I suppose the story handles it about as well as it could, but if your interests don't include explanations of ways to exploit game mechanics, then I could see this scene being a little tiresome. We should probably should get used to it though, because beyond even SAO's penchant for this sort of exposition, SAO-A: GGO's writer Keiichi Sigsawa has proven in past works to be enamored with such technical details.
That aside, this episode has more going on than just that action scene, the exposition surrounding it, and the flight from the last team to follow. It also spends much more time on character development for M, who freely admits that he's a sniper because he's a coward. He also apparently has an uncanny talent for remembering map details. Karen also demonstrates how pumped she is about the game by not hesitating to gun down an incapacitated avatar, which interestingly was the one scene where we didn't actually see the characters getting shot. Even without any blood or gore present, the camera still pulled back from the carnage. We also get to see that the last remaining opponent is an all-female team, and I do believe several of those characters appear in the opener, so this tournament may not be the last time we see of them.
Of course, the big twist comes when M pulls a gun on LLENN at the end. The way LLENN handled this – flipping the safety on his gun when she grabbed him – made for a slick reversal, but the lingering question is why he betrayed her at all. Was that note from Pito? And why did it have to be read exactly at 15:00 hours? This intriguing mystery partly makes up for the episode not switching back to the real world at all. As much as I'm enjoying the game scenario so far, I do hope the series gets back to splitting its focus between the real and virtual worlds, since this approach always broadens a good SAO story.
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Golden Kamuy - Episode 4 [Review]
https://www.youtube.com/watch?v=UX4EmBHIevE
Golden Kamuy's biggest strength continues to be its plot. Even when the series feels like it's starting to slow down, it quickly yanks you back in for another twist. Even though I've read to this point in the source material by now, I still feel constantly on the edge of my seat watching the anime. It's good that Golden Kamuy's writing is so strong, because it still struggles in other areas.
This episode has a strong beginning and a suspenseful end, with a bit of lull in the middle. It's the good kind of lull, a breather that lets you learn more about Asirpa and her people. We meet more Ainu elders who tell us about her relationship with her deceased father, and the wolf Retar, who seems to protect her in his place. For a series that's fond of expository monologues, Golden Kamuy is good at making sure they feel satisfying. What we learn about Retar sets up the episode's second half well, when the wolf has to track down and save Sugimoto. If we get a speech that's not setting up later plot points, it's usually a broader Ainu cultural insight that deepens Asirpa's character.
The only problem is that breather time is always where the animation struggles most. Where many anime slip up in motion, this poor show fumbles even during static shots, making its artistic mistakes even more noticeable. I kept seeing melty faces in the scenes at the Ainu village, where background characters looked almost inhuman and changed facial proportions between shots, and this disease would occasionally infect the main characters as well. It's one thing to mess up a face when it's in the background, but when it's the focal point, it can really detract from the tone.
At least these village scenes allowed for more bonding between Asirpa's family and Sugimoto. The most pivotal moments are between Sugimoto and her grandmother, particularly his last conversation with her. However, this plays out differently from the manga in a way that makes it slightly less effective. In the manga version of the scene, Asirpa's grandmother's dialogue is left untranslated. The audience only gets Sugimoto's assumption that she wants Asirpa to stay behind and for him to leave. Only after Sugimoto leaves does the reader learn that she said the opposite: she wants him to "always be there for" Asirpa. The anime version just translates her lines right away. Granted, we know that Sugimoto does not speak Ainu and would keep that in mind interpreting the scene, but I think it robs the moment of some of its dramatic effect. Movies and TV leave other languages untranslated all the time, but if they didn't want to go that route, they could have shown the conversation from a more distant angle where her dialogue wasn't audible and maintained the original intent that way. Dealing with language barriers can be very different between mediums without sound and those that rely heavily on sound, so it will be interesting to see how Golden Kamuy tackles this challenge going forward.
Regardless, Sugimoto is a doofus for his ultimate decision. While they've helped each other on their journey plenty, Asirpa has been the one saving his ass far more than the other way around. She knows the natural landscape of Hokkaido and how to deal with it far better than he does. So why on Earth is he going forward without her? Despite her family's feelings, he knows that this mission is important to her, and that she struggles to fit in with her village's expectations as it is. I'm certain that the duo will get back together soon, but this is still a terrible decision on his part. I hope that arbitrary separations don't become a pattern in this story.
Mere hours after going off on his own, Sugimoto finds himself in a trap. He goes around town asking about a guy with a tattoo and quickly gets captured by Tsurumi's gang. Tsurumi is a sick and twisted bastard, but he's not crazy enough to fall for Sugimoto's attempt to hide his identity. Interestingly, they don't just torture him, but ask him to join them. I'm curious to know what this group's greater motivations will be. Not that anyone needs a specific "reason" to get their hands on a heap of gold, but I suspect there's more to this operation than making a tidy profit. Tsurumi is a creepy character, but there's a lot of potential in this conflict. I hope in the future, it's heavier on the explanations and lighter on Tsurumi's cartoonish bloodthirst.
Unfortunately, this diversion doesn't have very high stakes. If this was episode 11, maybe we could fret about the fate of Sugimoto, but we know he's going to get out of this just fine to reunite with Asirpa. It's too early to sideline the protagonist yet, so the real hook is what role the 7th Division and Tsurumi will ultimately play in this struggle. Will they continue to be such fearsome adversaries? Will they team up? Will Sugimoto and Asirpa take them all out? Half the fun of watching Sugimoto and Asirpa deal with their rivals is learning each foe's motivations in the first place. It seems like everyone in Hokkaido has some complicated backstory to justify their quest for gold.
It's a good thing there's still so much fuel left in this story's engine. Golden Kamuy's animation problems aren't really improving, bright spots like last episode aside. Even the usually excellent music is lagging this week, falling back on clichés that other anime have done better. (There's a cue during Tsurumi's grilling of Sugimoto that's always used in the same types of scenes—to underscore that our heroes are in peril.) Even if the presentation could be more attractive, the content of Golden Kamuy remains strong. It needs to cross its fingers that viewers will stick around for that strength.
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Anime – New Episode [01 May 2018]
480P, 720P, 1080P, Multi Server, MKV, AVI, MP4
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Uchuu Senkan Tiramisu Episode 5
Basilisk: Ouka Ninpouchou Episode 17
Golden Kamuy Episode 4 English Subbed
Souten no Ken Re:Genesis Episode 5
Kiratto Pri Chan Episode 3 English Subbed
Yowamushi Pedal: Glory Line Episode 17
Skip Beat! Episode 25 English Dubbed
Guardians of the Galaxy Season 3 Episode 13
Yuushibu Episode 12 English Subbed
Code Geass : Akito The Exiled | BD | 720p/1080p
Code Geass R2 | BD | 720p/1080p [Coalgirls]
Code Geass R1 | BD | 720p/1080p [Coalgirls]
Lupin The Third (2015) + OVAs | BD | 720p [Commie]
Mahou Shoujo Ore Episode 5 Subtitle Indonesia
Kakuriyo no Yadomeshi Episode 5 Subtitle Indonesia
Golden Kamuy Episode 4 Subtitle Indonesia
Captain Tsubasa (2018) Episode 5 Subtitle Indonesia
Yowamushi Pedal Season 4 Episode 17
Black Clover Episode 30 Subtitle Indonesia
Uchiage Hanabi, Shita kara Miru ka? Yoko kara Miru ka? | 400 MB | 720p BD
[HorribleSubs] Souten no Ken Re-Genesis - 05 [1080p].mkv
[HorribleSubs] Uma Musume - Pretty Derby - 06 V2.mkv
[HorribleSubs] Yowamushi Pedal - Glory Line - 17 [480p].mkv
[HorribleSubs] Yowamushi Pedal - Glory Line - 17 [720p].mkv
[HorribleSubs] Yowamushi Pedal - Glory Line - 17 [1080p].mkv
[HorribleSubs] Fumikiri Jikan - 04 [720p]
[GJM] Sagrada Reset - 18 [A783A6A8].mkv
[Horse] Aggressive Retsuko 1-100
[Aries].Noragmami Season 1 + 2 Complete
[HorribleSubs] Gundam Build Divers - 05 [1080p].mkv
[HorribleSubs] Black Clover - 30 [480p].mkv
[HorribleSubs] Black Clover - 30 [720p].mkv
[HorribleSubs] Black Clover - 30 [1080p].mkv
Black Clover - 30 VOSTFR [1080P].mkv
[BakedFish] Black Clover (2017) - 30 [720p][AAC].mp4
[Erai-raws] Black Clover (TV) - 30 [1080p][
[Erai-raws] Black Clover (TV) - 30 [720p]
[TipsySubs] Lost Song - 04v2 [1080p].mkv
Dragon Ball Super BD720p 001-026_(10bit)
[HorribleSubs] Legend of the Galactic Heroes - Die Neue These - 05 [1080p].mkv
Shoujo-tachi wa Kouya wo Mezasu OVA 1080p BD Eng Sub HEVC
Shoujo-tachi wa Kouya wo Mezasu 1080p BD Eng Sub HEVC
Alice or Alice: Siscon Niisan to Futago no Imouto 720p Eng Sub x265 10bit
Batman Ninja 1080p Dual Audio Bluray HEVC x265
Children of the Whales 720p Dual Audio BD x265 10bit
The Ancient Magus’ Bride 720p Dual Audio x265
MahoYome – Mahoutsukai no Yome ONA 360p Eng Sub
My Hero Academia 2nd Season 1080p Dual Audio BD x265 10bit
Boku wa Tomodachi ga Sukunai Next 1080p BD Eng Sub x265
Gundam Build Divers Episode 5 Subtitle Indonesia
Uchuu Senkan Tiramisu Episode 5 Subtitle Indonesia
Tokyo Ghoul:re Episode 5 Subtitle Indonesia
[Cerberus] Made in Abyss [BD 1080p HEVC 10-bit AAC]
Tokyo Ghoul Re - 05 eng subtitle
[HorribleSubs] High School DxD Hero - 03 [1080p].mkv
Batman Ninja (Dual Audio) (BDRip 720p Hi10P QAAC AC3)
[Erai-raws] Tokyo Ghoul-re - 05 [720p].mkv
[Erai-raws] Tokyo Ghoul-re - 05 [1080p].mkv
[Erai-raws] High School DxD Hero - 03 [1080p].mkv
Shingeki no Kyojin - Lost Girls OVA 2
[HorribleSubs] Rokuhoudou Yotsuiro Biyori - 04 [1080p].mkv
[HorribleSubs] Tachibanakan To Lie Angle - 05 [1080p].mkv
[HorribleSubs] Hitori no Shita - The Outcast S2 - 16 [720p].mkv
Ginga Eiyuu Densetsu: Die Neue These – Kaikou 1080p Dual Audio HEVC
[HorribleSubs] Hitori no Shita - The Outcast S2 - 16 [1080p].mkv
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Manga – New Chapter [01 May 2018]
Manga, Manhwa, Manhua, Comic
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Ao no Orchestra Piece No. 1: Aono Hajime
Fall in Love With my Trouble ch.013
Fall in Love With my Trouble ch.011
Cherry Teacher Sakura Naoki ch.024
DICE: the cube that changes everything ch.232
Komi-san wa Komyushou Desu ch.139
Kawaii Joushi o Komarasetai ch.027
Legend (TAKANO Masaharu) ch.014
The Ravages of Time vol.45 ch.499
Gate - Jietai Kare no Chi nite, Kaku Tatakeri ch.074
Elf-san wa Yaserarenai. ch.017
Ganbare! Memeko-chan Vol 01 Ch 012
Gate - Jietai Kare no Chi nite, Kaku Tatakeri - 74
Bright and Cheery Amnesia ch.020.5
Hardcore Leveling Warrior ch.053
Goddess Creation System ch.018
Otokojuku Gaiden - Date Omito ch.018
Ballroom e Youkoso Vol 10 Ch 046.5
تم تم
با توجه به این که تلگرام وضع مشخصی نداره.
و میشه گفت فعلا همه چی روی هواست، برای همین، تم تم عضو شدم.
نسخه وب داره.
نسخه دسکتاپ هم داره.
نیازی نیست نسخه گوشی بگیری تا عضو بشی.
نسخه دسکتاپ نصب کن، با همون عضو بشو.
زیاد نگشتم داخلش.
هر وقت کمرم بهتر شد، تونستم مدت زیاد بنشینم، یه کاری ش می کنم.
و صد البته که نیاز به قندشکن داره.
گند نزنن
امیدوارم به خاطر تلگرام، گند نزنن به وضع بلاگر.
طوری نشه که دیگه سایفون باز نشه.
من نمی خوام این وبلاگ چند روزه م رو از دست بدم.
می دونی درست کردن آرشیو چقدر حوصله و وقت میخواد؟
الان این موضوع، بزرگ ترین نگرانی من است.
همین که گفتم یه وقت برنامه ها از کار بیافته.
http://www.youtube.com/watch?v=_Uwb244ck5k
گوشی جدید
یه چند روزی هست به دنبال گوشی هستم.
یه چی معمولی، ولی خوب.
و صد البته نه هر برندی.
سونی، سامسونگ، ال.جی.
بین این سه تا.
ولی نهایت تا 750 می خواد هزینه بشه.
فعلا چیزی پیدا نکردم.
سونی از 800 شروع میشه.
چقدر پیدا کردن گوشی، به خاطر محدودیت مالی، سخت است.
تازه، برای خودم تبلت می خوام.
ولی الان هیچ پولی ندارم که بتونم تبلت بگیرم.
کمک هزینه هم بهم نمیدن.
هی روزگار
دو بونگ سون
سریال کره ای (Strong Woman Do Bong Soon) رو دیدم.
خیلی جذاب بود.
بسیار خوشم اومد.
پلیسی، قدرت فوق العاده، کمدی، عشقولانه.
خیلی باحال بود.
از کاراکتر اصلی (دو بونگ سون) خیلی خوشم اومد.
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Anime – New Episode [30 Apr 2018]
480P, 720P, 1080P, Multi Server, MKV, AVI, MP4
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Thunderbirds Are Go Season 3 Episode 5 – Growing Pains
Binan Koukou Chikyuu Boueibu Happy Kiss! Episode 4
Aikatsu Friends! Episode 4 English Subbed
Saiki Kusuo no Psi-nan Season 2 Episode 15
Hugtto! Precure Episode 13 English Subbed
Welcome to the Wayne Episode 19
Black Clover Episode 27 English Dubbed
Welcome to the Wayne Episode 20
Katana Maidens: Toji no Miko Episode 13
Family Guy Season 16 Episode 17
The Simpsons Season 29 Episode 18
Bob’s Burgers Season 8 Episode 16
Koneko no Chii – Ponponra Dairyokou – 04
Caligula Episode 4 Subtitle Indonesia
Nil Admirari no Tenbin: Teito Genwaku Kitan Episode 4
Shokugeki no Souma Season 3 Episode 16
Spiritpact: Yomi no Chigiri Episode 10
Colorful BD 720p Dual-Audio 10bit x265
Colorful BD 1080p Dual-Audio 10bit x265
[AnimeRG] One Piece - 834 [1080p]
[AnimeRG] One Piece - 834 [720p]
[GANGO] Sei Juushi Bismarck 09 [82AEDA4C].mkv
[HorribleSubs] Chi's Sweet Adventure S2 - 04 [1080p].mkv
[HorribleSubs] Binan Koukou Chikyuu Bouei-bu Love! S3 - 04 [1080p].mkv
[One Pace][603-653] Fishman Island [720p]
[One Pace][598-602] Return to Sabaody [720p]
[SquareSubs] Yume no Crayon Oukoku - 20.mkv
[grzb] Fate/Apocrypha [BD 1920x1080 x264 10bit FLAC]
[South Wind Subs] Captain Future 01-52 (Complete)
Napping.Princess.2017.1080p.BluRay.DTS.x264
[lazy] Noein - Mou Hitori no Kimi e (DVD 480p)
[AnimeRG] Dragon Ball KAI [DUAL-AUDIO] [720p] [x265]
[DeadFish] Amanchu! Advance - 04 [720p][AAC].mp4
[Kiyome] Hand Shakers: Go ago Go OVA | Episode 13 [10bit BD1080p]
Uma Musume Pretty Derby [10-bit, 720p]
Puzzle & Dragons X - Episode 65
Seitokai Yakuindomo Movie | 300 MB | 720p | [Complete]
[A-S_&_SHS] Tenjou Tenge OVA (2005) The Past Chapter
[HorribleSubs] Puzzle and Dragons Cross - 65 [1080p].mkv
Full Metal Panic! 1080p Dual Audio HEVC
Full Metal Panic? Fumoffu 1080p Dual Audio HEVC
Full Metal Panic! The Second Raid 1080p Dual Audio HEVC
Final Space Episode 10 – Chapter Ten
Hand Shakers Episode 13 Special: Go ago Go English Subbed
[HorribleSubs] Mahou Shoujo Ore - 05 [1080p].mkv
[HorribleSubs] Kakuriyo no Yadomeshi - 05 [1080p].mkv
Blood-C 720p BD Dual Audio HEVC
Mahou Shoujo Ore Episode 5 English Subbed
Kakuriyo no Yadomeshi Episode 5 English Subbed
Quanzhi Gaoshou (2018) | Episode 01 | 80 MB | 720p
Royal Space Force: The Wings of Honneamise BD 1080p Dual-Audio 10bit x265
Cencoroll 1080p Eng Sub 10bit x265
[HorribleSubs] Mahou Shoujo Ore - 05 [1080p].mkv
[HorribleSubs] Kakuriyo no Yadomeshi - 05 [1080p].mkv
[SMC-Subs] Kiratto Pri☆Chan - 003 [567B22C2].mkv
[HorribleSubs] Basilisk - Ouka Ninpouchou - 17 [1080p].mkv
[HorribleSubs] Golden Kamuy - 04 [1080p].mkv
[HorribleSubs] Uchuu Senkan Tiramisu - 05 [1080p].mkv
[HorribleSubs] Fumikiri Jikan - 04 [1080p].mkv
[HorribleSubs] Souten no Ken Re-Genesis - 05 [1080p].mkv

پایان کار تلگرام در ایران اعلام شد
دادستانی تهران اعلام کرد: با توجه به اعلام شکایات متعدد علیه شبکه اجتماعی تلگرام، این پیام رسان با دستور قضایی فیلتر شد.
به گزارش گروه اجتماعی باشگاه خبرنگاران جوان؛ دادستانی تهران اعلام کرد: با توجه به اعلام شکایات متعدد علیه شبکه اجتماعی تلگرام به دادسرای عمومی و انقلاب تهران و تقاضاهای فراوانی که در خصوص جلوگیری از فعالیت شبکه مذکور از ناحیه شهروندان به این دادسرا واصل شده، همچنین درخواست ضابطان و سایر نهادهای ذی ربط مبنی بر برخورد قانونی و اتخاذ تصمیم نسبت به جلوگیری از ادامه فعالیت بدون ضابطه و غیر قابل کنترل پیامرسان تلگرام و با عنایت به اینکه شبکه تلگرام(به نشانی اینترنتی TELEGRAM.ORG) با سرمایه گذاری خارجی و بدون رعایت قوانین و مقررات جمهوری اسلامی ایران اقدام به فعالیت غیرقانونی و بی ضابطه در فضای مجازی کشور کرده و این اقدامات بستر امنی برای فعالیت گروه های تروریستی بینالمللی شده به نحوی که عملیات تروریستی گروهکهای معاند از جمله عملیات تروریستی گروهک داعش در مجلس شورای اسلامی و حرم مطهر امام راحل که در خرداد ماه سال گذشته منجر به شهادت ۱۷ نفر وزحمی شدن دهها نفر از مردم شریف ایران شد و همچنین اقدامات گروهکهای معاند در اغتشاشات دی ماه ۱۳۹۶ که منجر به شهادت و زخمی شدن جمعی از شهروندان کشور و خسارات مالی فراوان به اموال خصوصی و عمومی شد و بسیاری از اقدامات ضدامنیتی دیگر ازطریق این پیام رسان سازماندهی و هدایت شده است و با توجه به این که این شبکه به بستر امنی برای ارتکاب انواع جرائم تبدیل شده است و با عنایت به اینکه هزاران پرونده مطروحه در این خصوص در دستگاه قضایی تشکیل شده و با توجه به اینکه سرورهای این پیام رسان که ادله ارتکاب جرائم مذکور در آن نگهداری می شود در خارج از کشور قرار داشته و غیر قابل دسترس است و مدیران این شبکه نیز هیچ گونه همکاری با مقامات قضایی و ضابطان دادگستری در خصوص جمع آوری و ارائه ادله جرم به عمل نیاورده اند و در نتیجه بسیاری از پروندهها بلااقدام باقی مانده و این امر ضمن این که موجبات نارضایتی شکات را به دنبال داشته، اجرای عدالت در کشور را نیز با موانع جدی مواجه ساخته است، نظر به این که تلاشهای مسئولان وزارت ارتباطات و فناوری اطلاعات به منظور جلب همکاری و الزام مدیران تلگرام به تبعیت از قوانین کشور نتیجه مؤثری نداشته است و این عدم همکاری و کارشکنیهای متعدد علاوه بر نارضایتی شکات امنیت وآسایش جامعه را نیز با مخاطرات جدی مواجه کرده و با عنایت به اینکه مدیران این شبکه اطلاعات مربوط به میلیونها شهروند ایرانی را در خارج از کشور ذخیره، نگهداری وپردازش میکنند و به لحاظ عدم پایبندی به قوانین و مقررات کشور، حریم خصوصی مردم در معرض انواع دسترسی وسوء استفاده قرار گرفته و این امر علاوه بر ورود ضرر و زیان به شهروندان، امنیت ملی کشور را به لحاظ جمع آوری و سوء استفاده از دادههای عظیم کشور به خطر انداخته و نظر به اینکه به موجب برنامه توسعهای که مدیران این پیام رسان تدوین و اجرای آن را آغاز کردهاند و به موجب آن تصمیم گرفته شده است که تلگرام علاوه بر فعالیت در حوزه ارتباطی و رسانهای برخلاف قوانین و مقررات پولی وبانکی جمهوری اسلامی ایران مستقیماً در حوزه اقتصادی و پولی کشور نیز وارد شده و یک نوع پول رمز پایه به نام(گرام) را طراحی و عرضه کند و باعنایت به اینکه طبق برآورد کارشناسان اقتصادی و فناوری فراگیر شدن این پول بدون پشتوانه میتواند ظرف مدت کوتاهی میلیاردها دلار ضرر اقتصادی به مردم وکشور وارد کرده و سرمایهها را به یغما ببرد و بررسیهای به عمل آمده بر فراهم شدن بستر ارتکاب جرائم متعدد ازجمله جرائم مشروحه ذیل:
۱-اخلال در وحدت ملی و ایجاد اختلاف مابین اقشار جامعه به ویژه از طریق طرح مسائل نژادی، قومی و تحریک و اغوای مردم به شورش و آشوب
۲-جمع آوری اطلاعات مردم وکشور و دسترسی بیگانگان به حریم خصوصی و دادههای شهروندان ایرانی وجاسوسی به نفع اجانب
۳- انتشار، توزیع و تجارت انواع محتوای مستهجن و خلاف عفت عمومی و گسترش فساد و فحشاء در جامعه،
۴- اهانت به مقدسات و ارزشهای اسلامی و تبلیغ به نفع فرقههای منحرف و مخالف اسلام
۵-نشر اکاذیب و تشویش اذهان عمومی و لطمه به آسایش عمومی
۶- قاچاق کالا و ارز و مواد مخدر و سایر کالاهای غیرمجاز
۷-اقدام علیه امنیت کشور ازطریق گروهکهای تروریستی
۸-کلاهبرداری، نقض مالکیت معنوی وسایر جرائم مالی
۹- تبلیغ علیه نظام جمهوری اسلامی ایران
۱۰- هتک حیثیت اشخاص
دلالت دارد و از سوی دیگر پیش از اتخاذ تصمیم در این زمینه، موضوع در جلسات متعدد کارشناسی با حضور متخصصان امر و نمایندگان دستگاههای ذیربط مطرح و مورد بررسی قرار گرفته و آنها نیز نظر کارشناسی خود را مبنی بر لزوم مسدودسازی و جلوگیری از ادامه فعالیت این شبکه اعلام داشتهاند؛ لذا در اجرای ماده ۱۱۴ قانون آیین دادرسی کیفری و ماده ۷۵۱ قانون مجازات اسلامی و به استناد اصل ۱۵۶ قانون اساسی و مواد ۴۹۸، ۵۰۰، ۵۱۲، ۵۱۳، ۵۱۴، ۶۰۹، ۶۱۰، ۶۳۹، ۶۹۷، ۶۹۸، ۷۰۰، ۷۲۹ تا ۷۳۱ و ۷۴۲ تا ۷۵۰ قانون مجازات اسلامی بخش تعزیرات و ماده ۶ قانون مطبوعات، دستور مسدودسازی پیام رسان تلگرام صادر و اعلام میشود.
با توجه به مراتب فوق تمامی ارائه دهندگان خدمات دسترسی به اینترنت کشور خصوصاً شرکت ارتباطات زیر ساخت و اپراتورهای تلفن و دارندگان پروانه ارائه خدمات ارتباطات ثابت مکلفاند از تاریخ ۹۷/۰۲/۱۰ نسبت به اعمال مسدودسازی کامل وب سایت و اپلیکیشن شبکه اجتماعی تلگرام اقدام کنند. متذکر میشود اعمال مسدودسازی باید به نحوی اجرا شود که محتوای شبکه مذکور با هیچ نرم افزاری (اعم از فیلترشکن و نظایر آن) در کشور قابل دسترس نباشد، تخلف از اجرای این دستور مستوجب تعقیب کیفری خواهد بود.
منبع: باشگاه خبرنگاران جوان
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Manga – New Chapter [30 Apr 2018]
Manga, Manhwa, Manhua, Comic
Download Links, RAW, En Translation, Read Online
The Scholar's Reincarnation - 70 - Chapter 70
The Seven Daedly Sins - 265 - Raw
To You, The Immortal Chapter 64: Visible Youth
Karate Shoukoushi Kohinata Minoru #462
Cherry Teacher Sakura Naoki ch.022
Renai Kaidan Sayoko-san ch.053
Kaifuku Jutsushi no Yarinaoshi ch.005.1
Kasouba no Nai Machi ni Kane ga Naru Toki Vol 02 Ch 026
Girls & Panzer - Ribbon no Musha Vol 08 Ch 035
Fight Ippatsu! Juuden-chan!! Vol 04 Ch 023
Aoki Hagane no Arpeggio Vol 13 Ch 093
Tales of Demons and Gods, Chapter 172
DICE: The Cube that Changes Everything, Chapter 232
When Winter Comes to the Way Station Ch 006
Wu Dong Qian Kun - 70 - Chapter 70
Wind Breaker - 175 - Chapter 175
Tower of God - 379 - Chapter 379
Witch Hunter - 184 - Chapter 184
The Girl With Horns, Chapter 1
Sensei Lock On! 2nd, Chapter 6
Vampire no Okurimono, Chapter 1
Aoki Hagane no Arpeggio, Chapter 93
Kanojo, okarishimasu, Chapter 25
Tales of Demons and Gods - 172.5 - Chapter 172.5
Bungou Stray Dogs, Chapter 61.5
Amano Megumi wa Suki Darake! ch.099.5
Otome Danshi ni Koisuru Otome ch.196
Maiko-san Chi no Makanai-san ch.058
Fushigi Neko no Kyuu-chan ch.042
Yuri Natsu -Kagaya Inn- ch.042
Yuri Natsu -Kagaya Inn- ch.041
Demon Spirit Seed Manual ch.128
Vampire-chan x Junior-chan ch.009
Guardians of the Video Game ch.150
Hajime-chan ga Ichiban! vol.01 ch.006
Hosaka-sensei no Ai no Muchi ch.006
Dasei 67 Percent Vol 04 Ch 043
Kuro Hakushaku wa Hoshi o Mederu, Chapter 30
Maiko-san Chi no Makanai-san, Chapter 58