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Cutie Honey Universe - Episode 3 [Review]

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Cutie Honey Universe - Episode 3 [Review]

Jill's cover identity of Inspector Genet has already caught the eye of everyone around her, and this week Honey's BFF Natsuko finds herself hopelessly head-over-heels for her. After two episodes of laying out the format and giving us Honey's backstory along the way, Cutie Honey Universe starts developing its subplots with some of the side characters. It makes for a more cohesive episode of the show than we've gotten before now, even if it is at the expense of some of the other things it was doing well before.

Natsuko and Genet going on a date forms the backbone of this episode, so your enjoyment of it will live or die based on your opinion of that premise. I thought the incredible awkward silences between them in the car were hilariously on-point, but I can see them just feeling extremely awkward to others, as Genet not-so-subtly probes Natsuko for information on Honey's coveted plot devices. Still, the exploration of others' reactions to Jill's machinations make for the most surprising development in a previously shallow show.

Honestly, the strength of this episode is letting the ancillary characters contribute to the plot, unlike the cameo-induced whiplash we got out of them in prior episodes. A running gag features Naoko and her Sukeban entourage stalking Genet and Natsuko, making numerous jealous remarks along the way. It's only kinda funny in that very 70's face-fault-driven way, but it's still nice to see people besides just Honey and Genet getting involved, and we actually learn more about these oddballs along the way. There's also a rewarding fake-out shot of Natsuko being attacked by this week's Panther Claw monster that reveals Naoko actually took the hit for her. Over the course of just one episode's side-plot, Naoko has gone from one-dimensional bully to a laconic badass with a heart of gold. It speaks to the staying power of Go Nagai's characters and the tropes they embody.

Other characters get similar bits sprinkled throughout the story. The gaggle of detectives pops in for just a moment to justify their inclusion with a good gag about how Akebi and Momori don't actually do anything on the computers they're constantly seen using. Jill's M.O. becomes more defined, though her exact goals stay somewhat muddied. She makes it clear that anyone not deemed ‘useful’ to her will be eliminated, so this week's monster gets offed while she lets Natsuko walk away mostly untouched. Natsuko, for her part, turns out to be the first cast member capable of putting two-and-two together about this Saturday-morning plot, having already begun to suspect Genet. This last development was one of the most surprising to me, and Natsuko has proven to be a charming character so far, so I'm looking forward to seeing her do more.

But the entertaining use of characters and decent plot momentum end up crowding out some of the other elements that already worked in Cutie Honey Universe. Honey herself winds up with hardly anything to do this time around, save for declaring her intent to safeguard Genet and Natsuko's date, and that gets derailed when a distraction of a robbery turns most of Honey's time-killing into a shaggy dog story. As long as this series is leaning into the stock elements of its plot, it might have been more entertaining to see Honey try to keep monsters away from the focal couple while they went about their business in the foreground. Even when our heroine does catch up with the monster-motivated date gone awry, the resulting battle is relegated to her one-shotting the monster with one hell of a Rider Kick. Is it too much to ask for the character work and parallel plotting of this episode to be accompanied by the awesome action of the previous ones? I can't be the only one who find it conspicuous that we've only seen two of Honey's many forms so far, and there was hardly even time for any fanservice this week!

But if the show has to conserve some resources to make the most of what we got this week, I'll take it. The hodgepodge introductory material finally settling down was exactly what I wanted, and the resulting cohesion goes a long way toward improving this episode. Cutie Honey Universe has gone from feeling like a formulaic old-school superhero serial to a slightly later version of the same thing, with an overarching plot you could feel developing over the course of scattered episodes. Maybe it's not really damning Cutie Honey Universe with faint praise to call this the best episode yet, since it feels like the story is just getting started now.

Source

https://www.youtube.com/watch?v=1wH6tiqD5mw

Review Cutie Honey Universe

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 14:00

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DARLING in the FRANXX - Episode 15 [Review]

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DARLING in the FRANXX - Episode 15 [Review]

When it's operating at peak performance, DARLING in the FRANXX can be a superbly directed and loving pastiche of classic mecha tropes, succeeding despite its many questionable storytelling decisions. I'm happy to report that “Jiang” is DARLING in the FRANXX at its best, offering a significant step up from last week's messy events to deliver an incredibly satisfying combination of popcorn spectacle and entertaining sci-fi romance. The only major issue with this otherwise stellar episode is the baggage that comes from this darned show being such a thematic mess.

For example, in the battle to retake the Gran Crevasse from the Klaxosaurs, the Nines are revealed to have upended the Pistil-Stamen dynamic, with the female pilots asserting the “dominant” position over the male ones. This changeup in the Parasite relationship dynamic is one that fans have been questioning for months, but quickly implying that the Nines are the only ones to have done it leaves more questions hanging in the air than answers. The primary concern is that the Nines have been framed as alien to Squad 13 from the get-go, with Nine Alpha's behavior coming across as nearly antagonistic. This episode also sees the male Parasites sprouting small horns as they assume the more submissive permission, which only further draws the comparison between them and Zero Two's more Klaxosaur-derived characteristics, so I'm not sure if we're supposed to see the Nines' inversion of the status quo as something intriguing or admirable, or if it's meant to come off as perverse and off-putting.

Speaking of the pilots' relationships to their inhuman enemies, this episode also confirms that the cores powering the Klaxosaurs are of human origin, and the “Saurification” dialogue from last week would seem to confirm the theory that the humans in question were Parasites. The post-credits scene also has a human-seeming Klaxosaur hand emerging from the Earth to claim the remaining Klaxosaur eggs, and this is where things get tricky. Kokoro's arc has already been used to broach the subject of motherhood, and the Klaxosaurs have been framed multiple times as creatures heavily concerned with their offspring. This episode also does other things to reinforce the notion that a woman being put in a position of power and dominance over her male partner is somehow alien or dangerous; in the Nines's case, it comes as a subtextual to their untrustworthy characters, but Zero Two's situation is much more explicit. Her self-centered approach to “piloting” with random men has left her unable to suppress her inhuman qualities, and only when she finally affirms her love for her true “darling” can she regain her human faculties and help pilot the Strelizia to victory.

So is the big reveal really going to be that Klaxosaurs are somehow the evolution or even offspring of female Parasites that have completely lost control of their FRANXX? It's hard to say at this point, though I really hope that isn't the case. Given that Hiro was last week's candidate for Saurification, I'm at least thinking that women aren't the only ones at risk for turning into rampaging, baby-crazy, destructive monsters, but the way the show is handling its take on gender relations and relationships continues to be disconcerting. And with the way that plot crumbs are being conservatively delivered in this show, it's still impossible to get a bead on where this series is headed for sure. At this point, DARLING in the FRANXX could still be about anything or nothing at all.

The most frustrating thing about all of this is that, when you stop trying to think about all that stuff, this episode is absurdly entertaining. Squad Thirteen's fight to retake the Gran Crevasse is an epic battle, featuring the slick animation, dynamic camera angles, and generally snappy directing that DARLING tends to pull out whenever the Klaxosaurs come around. Most effective is the episode's brooding color palette and use of sharp contrasts and strong lighting. Watching episodes like “Jiang”, I'm always reminded of how much work the crews of A-1 Pictures and Studio Trigger put into the little details that help the whole production feel cinematic.

The episode climaxes with Hiro and Zero Two coming back together in the final act, in a sublime example of storytelling and direction coming together beautifully, so long as you ignore the questionable ideas surrounding their reunion. For one thing, Ichigo got a surprisingly quick turnaround on her redemption arc, as she finally let go of her love for Hiro and helped him fight to reach Zero Two. While both Ichigo's change of heart and Hiro's sudden ability to synchronize with her feel like undercooked payoffs, I'll be glad to see the fandom hopefully cool their jets on all the Ichigo criticism after this.

It's all worth it to get Hiro back in Strelizia's pilot seat, and I will admit that I never expected to be so engaged with this reunion. This is largely due to how episode 13 raised the emotional stakes for their relationship in general, helping both Hiro and Zero Two rise above the familiar tropes that have defined their characters for so long. It also helps that the sequence was fantastically produced, with the use of the “Kiss of Death” theme being particularly effective. I couldn't help but grin as the two flew triumphantly toward the stars and tearfully announced their love for one another, fully buying into the moment while still acknowledging how silly it was when you stopped to think about it.

This is part of what makes this show such a strangely divisive viewing experience. DARLING in the FRANXX remains a uniquely frustrating experience when it comes to addressing whatever themes and ideas underlie all of its spectacle and romantic bombast, but it's so ridiculously earnest and entertaining that it bypasses the logic and reason centers of my brain in the moment. It strikes directly at my inner anime-obsessed teenager, back to a time when a series' quality was measured directly in proportion to how many cool explosions and melodramatically romantic moments it could pack into a single episode. Someday, DARLING in the FRANXX might be able to justify Adult James' reservations and misgivings, but for now I'm willing to put a pin in the series' many questionable elements and enjoy the spectacle on its own merits.

Source

https://www.youtube.com/watch?v=jRSR9wqy38U

Review DARLING in the FRANXX

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 13:12

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The Death of Stalin - 2017

The Death of Stalin - 2017

نام فیلم: The Death of Stalin

نام فیلم: مرگ استالین

ژانر: Comedy, Historical, Adventure

مدت زمان فیلم: 107 دقیقه

سال انتشار: 2017

محصول کشور: فرانسه، انگلیس، بلژیک

زبان اصلی فیلم: انگلیسی

کارگردان: Armando Iannucci

بازیگران: Steve Buscemi, Jason Isaacs, Rupert Friend, Paddy Considine

+ لینک دانلود فیلم (MKV, Web-Dl, 720P, ~725MB)

+ جستجوی زیرنویس فارسی

+ لینک دانلود فیلم (MKV, Web-Dl, 1080P, ~1.5GB)

خلاصه داستان (منبع)

مرگ استالین، فیلمی کمدی و تاریخی به نویسندگی و کارگردانی آرماندو یانوچی است که در سال ۲۰۱۷ منتشر شد. در خلاصه داستان این فیلم آمده است، در روزهای سقوط استالین و پس از مرگ او، وزرای هم دست و تیم اصلی او نیز کنترل خود را از دست می‌دهند. برخی از آنها متمایل‌اند تا تغییرات مثبتی در روسیه انجام شود و برخی دیگر نیز انگیزه‌های شومی در سر دارند. اما در بین تمام این جریانات نیز یک مسئله مشترک وجود دارد، آن هم این است که همه‌ی آنها در تلاش برای ادامه زندگی خود هستند و…

فیلم The Death of Stalin Comedy Historical Adventure Armando Iannucci

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 13:00

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Sentai Filmworks Licenses Dai-kaiju Mono Live-Action Film

Sentai Filmworks Licenses Dai-kaiju Mono Live-Action Film

Section23 Films announced in its August release slate on Tuesday that its Sentai Filmworks imprint will release the live-action film Dai-kaiju Mono on Blu-ray Disc on August 14.

https://youtu.be/R6F0L8nQOk4

Sentai Filmworks describes the story:

Things aren't looking good in Japan. The weather is acting strangely, volcanoes that don't normally erupt are erupting, and… oh yes… the giant monster Mono is running amuck and gobbling up the human population. What a nuisance! Fortunately, disgraced Doctor Totaro Saigo thinks he has the solution: a special formula that can be injected into a normal human, causing the injectee to grow into a colossus of Tokyo-skyscraper-stomping proportions! With any luck, that means the good doctor's lab assistant Nitto will be able to take on Mono, hand to claw, in “mano a Mono” combat! Yes, the plan is every bit as insane as it sounds, and the logic of the plot will be stretched as thin as the fabric of Nitto's ultra-stretchy briefs when the ultimate human vs. monster wrestling match erupts in DAI-KAIJU MONO!

The film debuted in Japan in July 2016. It stars professional wrestler Kōta Ibushi.

Source

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کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 13:00

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ساخت انیمه The Promised Neverland تایید شد

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مانگاکای Mushishi با کاری تازه برمی گردد

طبق اعلام سایت ANN مانگای جدید Yuki Urushibara خالق مانگای Mushishi تحت عنوان Neko ga Nishimukya (یا The Cat is Facing West) منتشر خواهد شد.

داستان در دنیایی می گذرد که پدیده ای مرموز به نام «جریان» وجود دارد. دو انسان و یک گربه به عنوان گروهی با دست و پنجه نرم کردن با این پدیده روزگار خود را می گذرانند و پول بدست می آورند.

منبع: @AWnews

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ساخت انیمه The Promised Neverland تایید شد

طبق اعلام سایت Moetron ساخت انیمه ای از مانگای The Promised Neverland اثر Demizu Posuka (طراحی) و Shirai Kaiu (داستان) در دست تولید می باشد. این مانگا از سال 2016 در حال انتشار می باشد.

داستان: اِما و سایر بچه ها زندگی خوب و آرامی را در یتیم خانه گریس فیلد، جایی که در آن بزرگ شدن دارند. با اینکه قوانین سخت گیرانه ای بر آنجا حاکم است ولی سرپرستشان، زن بسیار مهربان و با ملاحظه ای می باشد. در این یتیم خانه تمام بچه ها با هم به مانند خواهر و برادر می باشند. ولی سوال بزرگ داستان این است که چرا بچه ها اجازه ی خروج از یتیم خانه را ندارند؟!

اطلاعات بیشتر درباره انیمه در آینده منتشر می شود.

منبع: @AWnews

پ.ن: ترجمه فارسی ِ مانگا «خیال آباد موعود» رو تا آخر چپتر 54 خونده بودم. بعدش انجمن بسته شد! حالا باید دید انجمن دوباره بر میگرده یا نه!؟

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تایید ساخت انیمه ای از مانگای Yagate Kimi ni Naru

ساخت انیمه ای از مانگای یوری Yagate Kimi ni Naru تایید شد.

طبق اعلام سایت Moetron مانگای یوری Yagate Kimi ni Naru (یا Bloom Into You) اثر Nio Nakatani انیمه خواهد شد. این مانگا از سال 2015 در حال انتشار می باشد.

داستان: «یو» دختری است عاشق مانگاهای شوجو و در انتظار کسی که به او ابراز عشق کند و بتواند لحظه ای رویایی را تجربه کند. این اتفاق می افتد و یک سال پایینی به اون ابراز علاقه می کند ولی یو هیچ احساسی نسبت به این اتفاق پیدا نمی کند و گیج و درمانده به دوران دبیرستان خود وارد می شود؛ آنجا یو بطور اتفاقی رئیس شورای دانش آموزی «نانامی» را می بیند که خاطرخواه خود را به شیوه ای بالغانه رد می کند. به همین دلیل و به قصد کمک گرفتن از نانامی در جریانات عشقی به او رجوع می کند اما نزدیک شدن به نانامی همانا و دل باختن نانامی به یو همانا. آیا داستان شوجوی عاشقانه یو به آغاز خود رسیده است؟

اطلاعات بیشتر درباره انیمه در آینده منتشر می شود.

منبع: @AWnews

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کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 12:00

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2nd Live-Action Gintama Film's Teaser Streamed

2nd Live-Action Gintama Film's Teaser Streamed

The official website for the live-action films of Hideaki Sorachi's Gintama manga posted a teaser video for the upcoming sequel film Gintama 2 (Kari) (Gintama 2 (Working Title)). The teaser shows scenes from the first live-action film.

https://youtu.be/739_VsQYwqw

Shun Oguri, Masaki Suda, and Kanna Hashimoto are returning from the first film to reprise their roles as Gintoki Sakata, Shinpachi Shimura, and Kagura, respectively.

The film opens in Japan on August 17.

The first film opened in Japan last July, and it earned 980 million yen (US$8.9 million) in its first four days. The film also inspired a live-action net show that debuted on Docomo's dTV streaming service one day after the film's opening. The film had its Canadian premiere at the Fantasia International Film Festival last July, and Azoland Pictures screened the film in the United States and Canada starting on January 19.

Well Go USA released the first film on DVD, Blu-ray Disc and DVD combo pack, and Digital HD on March 6.

Sorachi began the manga in 2004 and it continues to be ranked among the top-selling manga in Japan. The manga has more than 50 million copies in print in Japan. Viz Media published the first 23 volumes in English. Shueisha published the manga's 72nd volume on March 2. The manga reached the "climax" of its final arc in February.

Source

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کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 12:00

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نان با تخمه آفتاب گردان و خُرفه

نان با تخمه آفتاب گردان و خُرفه

24 Apr 2018

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عکس

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 11:39

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رونمایی از عوامل انیمه Mobile Suit Gundam Narrative

رونمایی از عوامل انیمه Mobile Suit Gundam Narrative

از لیست عوامل، پوستر و تیزر انیمه Mobile Suit Gundam Narrative رونمایی شد.

طبق اعلام سایت Moetron استودیوی سازنده انیمه Sunrise خواهد بود؛ استودیوی که قبلاً کارهایی مانند Gintama, Love Live, Classicaloid، Osomatsu-San و ... را تولید کرده است.

کارگردان انیمه Shunichi Yoshizawa می باشد که پیش از این قسمت هایی از One Punch Man ، Kidou Senshi Gundam: Thunderbolt ، Gintama ، X-Men و ... را کارگردانی کرده است.

Harutoshi Fukui کار تنظیم داستان را برعهده دارد که از جمله کارهای سابق او می توان به Kidou Senshi Gundam UC RE:0096 ، Kidou Senshi Gundam Unicorn و ... اشاره کرد.

آهنگساز انیمه نیز Hiroyuki Sawano می باشد که از کارهای پیشین او می توان Re:Creators ، Koutetsujou no Kabaneri Soushuuhen ، Nanatsu no Taizai ، Kill La Kill ، Shingeki no Kyojin و ... را نام برد.

زمان پخش انیمه اعلام نشده است.

https://youtu.be/J-II3T8e8tg

منبع: @AWnews

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کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 11:00

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Live-Action Mob Psycho 100 Series Premieres on U.S. Netflix on May 22

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Live-Action Mob Psycho 100 Series Premieres on U.S. Netflix on May 22

The live-action television series of ONE's Mob Psycho 100 manga will premiere on Netflix in the United States on May 22. Clips from the series appear in Netflix's preview of its May slate (1:46 in the video below).

https://youtu.be/d_opic3C4ac

The series premiered on Netflix in Japan on January 12, and also aired on TV Tokyo and BS Japan beginning later the same month.

Kōichi Sakamoto directed the show and Fuminori Kobayashi served as producer. Reiko Yoshida and Kei Kunii are penning the scripts. The series starred Tatsuomi Hamada as Mob, Kazuki Namioka as Reigen, and Nogizaka46 member Yūki Yoda as Tsubomi. Akio Ohtsuka reprised his role from the anime as Ekubo/Dimple.

ONE launched the series on Ura Sunday in 2012 and later in Manga ONE in 2014. The manga ended in December. Shogakukan will publish the manga's 16th compiled book volume on May 4. Dark Horse Comics has licensed the manga and will release the first volume on October 24.

Source

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کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 11:00

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One Piece - Episode 833 [Review]

One Piece - Episode 833 [Review]

The big cliffhanger we ended on last week was Luffy's surprise entrance to the wedding. I was so focused on Pudding that I neglected to mention in last week's review that the wedding cake, the one Big Mom covets so dearly, was actually so large that it served as the altar, and the flashy entrance that Luffy was so giddy and secretive about was that he had Capone's crew sneak a piece of mirror into the wedding cake when they were snooping around the kitchen a few episodes back, so he could use Brulee's powers to warp through and burst out of the cake alongside a bunch of wild animals he caught in the forest (using Brulee's powers again to turn the animals into Luffy clones so they could serve as a distraction.)

We seem to be easing back into a one-chapter-per-episode pace, though that could just be a temporary thing. I hope we're getting back on track because pretty soon Whole Cake Island is going to transition into one big 30-40 episode action set piece driven by organized chaos, and that sounds like trouble waiting to happen when it comes to the anime. The story content in this episode is crazy good, but that high octane energy easily gets lost when it feels like all the big scenes are standing around, quietly waiting for their turn to debut.

But boy, do we have some big scenes this week! The star of the show was Jimbei, who confidently decides to step into the middle of the action just when Luffy looks ready to fight Big Mom face-to-face, choosing that moment to request a formal parting of ways with the Charlotte family. Jimbei's a man of honor, making it clear that he was not satisfied with the treason he got strong-armed into, and he volunteers to confront Mom's 'Soul Pocus', a power that allows her to steal the soul of anybody who fears death. There's a lot of "I'm going to join the man who will be King of the Pirates!" talk from our fish uncle this week, and it feels great.

Jimbei's journey through the Whole Cake Island arc is a thing of beauty. Before this moment, there was a lot of talk about "death flags" for the character, since he talked a suspicious amount about how willing he was to lay his life on the line for his soon-to-be captain. This fear gets subverted when it turns out Jimbei's willingness to die is exactly the reason he survives (Big Mom can't even pull a second of lifespan from him because he's that much of a badass), which is probably the most One Piece way possible to have a character cheat death, and it allows him to then return his symbolic sake cup of brotherhood and finally cut ties with a "Thank you for all your troubles!" It's the most polite yet powerful way I've ever seen a character tell his old boss to shove it.

But as the final scene to cap off the episode, Jimbei's declaration is only the first part of a one-two punch. Immediately afterward, in the disarray that follows Big Mom trying to snuff out her new enemy, it finally clicks with the audience that the Luffy clone who looked out of place at the beginning of the episode was just Brook in a really bad Luffy disguise, and now he's sneaking up to the Mother Carmel picture to smack it with a hammer. I cannot watch this scene without laughing. It's way too good of a punchline for the episode.

We're entering a phase of the arc where I have such intimate memories of reading the source material for the first time that it's going to be rare for the anime to meet my expectations and kick my heart into overdrive. That Jimbei scene is so good, but I didn't walk away from this episode with my blood on fire like I wanted to. Between the tease of a Big Mom vs. Luffy showdown, the reveal of Katakuri's Mochi-Mochi fruit, Jimbei's speech, and Brook breaking the Mother Carmel picture, I really want these scenes to feel as dense and concentrated as they are on the page. I know that's not a reasonable expectation from this show, but every once and a while the anime succeeds at capturing the hugely transcendent emotions of this series, and other times it's just pretty good.

Source

https://www.youtube.com/watch?v=Uh_UJk68ITE

https://www.youtube.com/watch?v=5Q33azHlCe4

Review One Piece

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 11:00

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Food Wars! The Third Plate - Episode 15 [Review]

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Food Wars! The Third Plate - Episode 15 [Review]

Although the cooking doesn't get as much focus as it might have this episode, that doesn't matter as much as you might expect. The real meat this week is in the character development, or rather, the ongoing evolution of Erina and the strengthening bonds between her and the Rebels. While Evil Henchteacher Endo may be overstating things when he calls her the Jeanne d'Arc of rebellious students, it's clear that Erina having something that she feels strongly about has been really good for this former mean girl. Not only has it given her something to fight for, which she never had before, but it's also allowed her to actually make friends her own age. It's like Erina's going through a renaissance all her own, and that's heartening to watch.

Not that it isn't awesome to see Soma, Takumi, and Megumi throw their cooking skills in Endo's face too. The man is a disgrace to the teaching profession (among other things), and he compounds that with the unbearable arrogance that Central's way is The One True Path to culinary greatness. Whether that's something he truly thinks or he's just Azami's toady isn't particularly important; it's a bigger deal that he's gleeful about the unfair way he's literally setting students up to fail. To see Soma and his friends rub that in his snout is immensely satisfying, and depicting him naked the entire time, his clothes having exploded off in his foodgasm, underlines that he's working for an emperor with no clothes.

The second phase of the exam is actually over before the episode's halfway point, which does feel a little rushed. It's clear by the post-credits scene why this was done, as our major reveal is slipped in to make us impatient for next week, but it still doesn't work as well as it might have. Fortunately, seeing the kids hang around Sapporo makes up for it a little. Once again, this is mostly about Erina's character development, which is still exciting because she got so little in the first two seasons. Watching her be surprised that the Polaris kids want to be her friend is a little heartbreaking – she clearly doesn't think she deserves their friendship based on her past behavior. She's obviously trying to distance herself from who she used to be, as we saw in her special boot camp and when she tells Hisako this week that it's fine for her to go off with someone else. It's a surprise to her former aide, who seems to recognize what a big step this is for Erina, but even more of one for Erina when Megumi immediately decides to stick with her. Later when the two girls end up with Soma and Takumi, you can see that Erina's slightly uncomfortable, but less so than she would have been before. She's taking baby steps, and that's nice to see.

It's equally nice that Soma and Takumi seem to have ironed out their (imagined) rivalry. Soma's face when Takumi talks over him during his food brag at the exam is priceless, and I can't help feeling that Takumi is making up for all of those times he felt overwhelmed by Soma. Now the two boys seem to have developed a much more functional friendship, and since that seems to be what sets the Rebels apart from the Central groupies, it makes the story stronger.

Of course, Central has probably noticed this too, which could be inspiration for the third stage of the exam: one-on-one cook-offs with members of the Elite Ten. Apart from the continued unfairness of Erina getting the kid glove treatment (and I wonder if she'll protest that at some point), this is definitely designed to crush the Rebels' spirits in the worst way possible. By pairing Soma against the new Seventh Seat, Evil Akira (dressed like a CLAMP character from the late '90s), they're clearly trying to make a statement about the benefits offered to those who submit – Akira had a society he wanted to protect as well, and he narrowly beat Soma in the Fall Classic. Once you get over your anger at him accepting the apparent bribe of a seat on the council, both of those factors are probably worth considering. There may be more going on here than meets the eye.

Source

https://www.youtube.com/watch?v=7vyqBv8deYY

Review Food Wars! The Third Plate

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 11:00

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Tokyo Ghoul:re - Episode 4 [Review]

Tokyo Ghoul:re - Episode 4 [Review]

It's the night of the big ghoul auction, and naturally the plans the CCG laid out carefully last episode go belly-up immediately. Mutsuki finds himself alone and powerless on the stage, while the rest of the CCG find themselves embroiled in another large-scale brawl against Aogiri Tree. Oh, and there's also some clowns. Can't forget those clowns.

This episode of Tokyo Ghoul:re shifts the focus away from the Quinx Squad to instead give us more insight into the world of the ghouls, as we see several different factions interacting at the auction house. First, I am sad to admit that not even monstrous cannibals are free from capitalism. The captive humans fetch exorbitant prices from the wealthiest of ghoul barons, and it's mentioned that there are multiple ghoul-run conglomerates with profits in the billions. Members of Aogiri Tree are also in the audience, but they're providing security detail, not contributing bids. In fact, Ayato expresses contempt at the ease with which the rich attach prices to other people's lives. He doesn't go so far as to sympathize with the people being sold, but it's another good example of ghouls, even the villainous ghouls, not being a monolithic community. They're all still people with wildly conflicting sets of values beyond their biological need to consume human flesh.

Among the bidders is Kanae, the young protégé of the gourmand Shu. He cares very much about helping his master, so he jumps at the chance to buy him a present when it's revealed that Mutsuki is another half-ghoul like Kaneki. While he appears to at least have some financial alliance with one of the billionaires, his true allegiance is only to Shu, and for better or worse, he also seems to have absorbed many of Shu's mannerisms (albeit replacing the gratuitous French with gratuitous German). Shuu's exaggerated fayness was the not the most considerate part of the previous seasons, so I'm not exactly eager to see that caricature trotted out again, but I am interested to see how Kanae will fit into the show's larger theme of a younger generation inheriting the problems of their forebears.

Speaking of exaggerated caricatures, we also have our first significant interactions with the Clowns, another mysterious faction of ghouls. They're the masters of ceremonies for the auction, and they're led by a familiar face (or familiar set of neck tattoos anyway) belonging to Uta. We don't have much information on them beyond that; they look like clowns, they like to fight, and they're pretty good at juggling eyeballs, but that's about it.

On the CCG side, I was really looking forward to learning more about Mutsuki this episode. He's a sweet kid trying his best, and his first major assignment seemed like a good opportunity to explore his character. However, everything goes to hell and leaves no space to give introspection to our poor boy. He almost immediately gets separated from Juzo, and then finds himself the target of at least four different ghouls who want his body. It's a rough episode for him! He nearly gives into despair at the thought of being alone and helpless but thankfully puts up some fight in the end. Maybe next episode he'll actually be able to use his kagune.

While Mutsuki does his best to survive, Juzo wastes no time burying a flurry of knives into the faces of the ghouls in attendance. As strongly hinted last episode, Big Madam is revealed to be the ghoul who previously owned and tortured him. Juzo's come a long way since then, so it's satisfying to see him stand strong and confident enough to look dead straight into the eyes of his former captor.

Much of this episode is spent watching various CCG grunts get sliced and diced, as is wont to happen in this show. Investigator Washu, who's leading this operation, explicitly states to the audience that his primary goal is eliminating ghouls, not preserving the lives of humans on the ground. And unfortunately, ordinary CCG units aren't equipped with the tools to protect themselves against ghouls with any decent combat training. At two points in the episode, we're privy to the thoughts of a normal grunt, one young and one old, as they fight. The young investigator is brash and leaps into the fray with contempt for his elders. He dies. The old investigator reflects on how the young have surpassed him, but that he accepts this enough to be content in doing what he can. He also dies.

The world of Tokyo Ghoul is cruel and unfair, and the war between humans and ghouls has escalated far past the abilities or comprehension of normal people on either side. Tragically, it's only the people who've already been warped by this war who have the power to end it, but they've been so changed by this violence that they're compelled to propagate the endless cycle further. Kaneki/Sasaki's new lease on life, the most peace he's ever known, still embroils him in one battle after another. The Quinx Squad have permanently weaponized their bodies in order to fight their own demons. Arima's a godlike warrior, but that's been his life since he was a child, so he might not be aware that there's any happiness outside of it or if he's happy at all. Even Akira, the closest thing to a moral center that the (living) human cast has, struggles against the legacy of her maniacal father that still burns inside of her.

We get plenty to think about this week, but ultimately this episode is another victim of Tokyo Ghoul's ambitions. It's juggling so many (eye)balls in the air that we get no time to pause and reflect. On the plus side, jumping from scene to scene and faction to faction with breakneck pacing makes these 24 minutes come and go in a flash, but the lack of focus detracts from the execution. I noticed a bunch of odd and jarring cuts that made it seem like the director was trying to cram as much into the episode as possible. Also, despite the action-driven meat of the episode, it's pretty light on animation. More importantly, this pacing allows no space for any of the powerful character moments that really make Tokyo Ghoul shine. Instead, it just feels like the show is putting pieces into play for a more interesting conflict next week. The previous two seasons were no strangers to episodes like this, and in the long run it could work out fine, but for week-to-week viewing, this unfortunately results in a lackluster installment.

Source

https://www.youtube.com/watch?v=Mzt3JblVHBs

Review Tokyo Ghoul re

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 10:00

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Caligula - Episode 3 [Review]

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Caligula - Episode 3 [Review]

Caligula's third episode takes an interesting approach following μ's revelation from last week, by choosing not to address it at all. In the end, maybe two or three minutes of this episode are devoted to Ritsu aimlessly wandering the city until he finally decides to meet up with Shogo and get an explanation out of him. The other twenty minutes eschew all that to hone in on Mifue, as her own search for answers about her missing mother places her smack dab in the middle of a rather twisted take on Alice's mad tea party. As a standalone story, Mifue's trip down the virtual rabbit hole has some merit, especially in how it takes advantage of Mobius' elastic and ominous properties as a setting. As a piece of Caligula's increasingly jumbled rising action though, episode 3 is a mess that leaves me with some pressing concerns about the direction this anime is headed.

The story starts off strong, as Mifue follows some conspicuous ads to join up with SweetP and her tea party from hell, where she's forced to wear cutesy clothing and put on saccharine affectations in order to communicate with the goth-lolita princess and her off-putting cronies. This lengthy sequence is well-directed, doing a good job of communicating Mobius' unease and SweetP's particular brand of maniacal charm. Also invited to the tea party is the obsessive blogger Naruko, and I appreciated finally seeing her get involved in the action. SweetP herself serves as a convenient introduction to the series' set of antagonistic fashionistas, the Ostinato Musicians. We still have no idea what their goals are, outside of working vaguely to oppose our protagonists, but the presence of more traditional villains helps provide Caligula with a stronger narrative foundation.

However, the episode takes a turn when SweetP and her cronies begin grotesquely indulging in mountains of food, with the underlings becoming more engorged and misshapen as they wolf down bowls of ramen and cakes. This leads to Mifue completely breaking down, as she angrily raves against not just the girls in front of her, but all fat people in general, as she finds them inherently disgusting. We also learn that she inadvertently wished her gaunt and sickly mother away, since she was sick of being unable to eat comfortably around her. It's still unclear whether or not the sickly mother was just as much of a fake as the replacement, but otherwise this jarring character turn does make sense on paper, despite being presented so poorly.

The Persona influences remain obvious here, as Mifue's story feels right at home with the introductory dungeons of games like Persona 4, which used the psychological nature of their dungeons to set up the main cast of characters. The main difference between Caligula's approach vs. Persona's has to do with economy of characterization. Mifue's story isn't given enough time to be properly established before we see the cracks in her personality show; outside of her issues with her mother's eating disorder, we've gotten to know almost nothing about her personality or life before this week. Because of this, her disdain for obese people makes her incredibly unlikable, where it might have played differently if we had seen how her relationship with her mother and anxieties over her own body image might have led to these issues. There's a line or two from SweetP that suggests Mifue might be overweight in the real world, but it just isn't clear enough to pay off emotionally yet.

The conclusion of the episode rings false too, as SweetP is herself revealed to be an overweight and unpopular male blogger, but only because Naruko conveniently remembers some of the real SweetP's tics and catchphrases. This makes SweetP's embarrassment and retreat feel both unearned and lacking in context. What did SweetP stand to gain from any of this? What have she and the other Musicians lost in their defeat? Mifue seems to have learned nothing of importance this week; she's already figured out that she lives in a digital construct of a world and that her mother has been taken from her due to μ's meddling. Everything beyond is lacking too much context to feel worthwhile yet.

By the time Ritsu makes his way to Shogo at the end of the episode, it feels like remarkably little has been accomplished. We know a little more about Mifue, but that knowledge doesn't shed light on anything meaningful just yet. Naruko has bumbled her way into the plot, but it's difficult to get excited about adding new members to the cast when the ones we've already met still haven't had the chance to do anything important. There's still time for Caligula to pull its disparate pieces together into something more cohesive, but this kind of haphazard plotting is never a good sign.

Source

https://www.youtube.com/watch?v=5_VNI2ENlQM

Review Caligula

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 10:00

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Black Clover - Episodes 28 & 29 [Review]

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Black Clover - Episodes 28 & 29 [Review]

After taking a week off, I assumed that I'd have two episodes of Black Clover to digest, which I was honestly looking forward to, but to my dismay the second episode in this batch is yet another clip show. So functionally, I've only got one episode to review! Guess I can't complain about my timing.

Episode 28 has the makings of a filler episode (it's not), by virtue of not moving the plot forward and instead focusing on throwing the characters into a wacky sitcom scenario. Finral, the ladies' man of the Black Bulls, has organized a mixer with some local women, dragging Asta and Luck along with him since they seemed like they'd be the least intense company and therefore least likely to scare the girls away. In practice, this proves to be true by only the tiniest margin.

As a comedy episode, this one is kind of great. Asta and Luck being obviously unfit for their environment allows for plenty of great jokes, and they're bouncing right off the girls who churn out lots of deadpan humor as a result. Shonen tends to be more fun when its most colorful cast members are forced to contrast with the more normal world around them. This trio of girls does their best to keep the conversation going, and there are brief glimmers of hope that the guys' better qualities will start to shine, but it's all inevitably upended by some joke about how violent and socially clueless they are. My favorite joke is when the girls are almost impressed by Asta's story about fighting at the Royal Capital, but then he shows off his battle wounds and they're so gross that the show has to digitally blur them out. The pacing and energy is generally good, ensuring that humor can come from around any corner.

Eventually, everyone else at the mixer starts to hit it off, leaving Asta alone with the redhead Rebecca, who goes from being the coldest in the group to really opening up once the two of them are chatting about what it's like to have younger siblings. As the episode transitions from funny to sweet, it's all blushing girls and talk over what a great guy Asta is. There's kind of no way that this series can sell Asta as a potential love interest to at least three girls, but if you can swallow Black Clover's unrelenting approach to romance, I think it comes off well this week. There's also Noelle spying on the whole thing and acting jealous, just in case you weren't sure this show was going to triple down on that element.

It's a real bummer that episode 29 is a recap, because that's the kind of thing that forces you to acknowledge these shows as products designed to fill time slots first and foremost. Black Clover now has a higher episode count than most anime these days, and yet so little has actually happened. There's some new content in the framing devices for the clips, but beyond learning about Gordon's alarmingly creepy diary about Asta, there's not much worth checking out.

We're beginning a new cour, which likely means a new arc is on the horizon. For now, I think it's worth mentioning that the new opening, 'Black Rover' by Vickeblanca, might be the series' best one yet. The song's cool, but the visuals are shockingly beautiful, full of movement and neat ideas that I think would have me coming back to this show if I was a teenager watching this. It's not like I don't enjoy most of this show's cast and world-building, so there's always going to be chances to keep me invested moving forward even if the story is moving slow. I don't know enough about what's coming to say that I'm entirely excited to find out what's next, but as usual the show can offer some harmless fun while we wait to find out.

Source

https://www.youtube.com/watch?v=cwr9wX1aIW4

https://www.youtube.com/watch?v=mPm7JE0qS2g

Review Black Clover

کارآگاه کونان چهارشنبه 5 اردیبهشت 1397 ساعت 01:25

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Beast of Burden - 2018

Beast of Burden - 2018

نام فیلم: Beast of Burden

کارگردان: Jesper Ganslandt

بازیگران: Grace Gummer, Daniel Radcliffe, Pablo Schreiber, Robert Wisdom

محصول کشور: آمریکا

ژانر: اکشن، جنایی، درام

+ اطلاعات فیلم در IMDB

+ لینک دانلود فیلم (Web-Dl, 1080P, 3.11GB)

+ لینک دانلود فیلم (Web-Dl, MKV, 720P, ~800MB)

+ لینک دانلود فیلم (MKV, 480P, ~400MB, Web-Dl)

خلاصه داستان (منبع: @CinemaAW)

شان (دنیل ردکلیف) یک ساعت فرصت دارد تا محموله غیرقانونی خود را تحویل دهد. یک ساعت تا یک کارتل مواد مخدر، یک آدمکش و یک مامور مبارزه مواد مخدر را متقاعد کند که اوضاع متعادل است. یک ساعت تا زندگی خود را امن نگه دارد...

فیلم Beast of Burden Jesper Ganslandt Daniel Radcliffe

کارآگاه کونان سه‌شنبه 4 اردیبهشت 1397 ساعت 22:18

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Ao no Exorcist: Kyoto Fujouou-hen

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Ao no Exorcist: Kyoto Fujouou-hen

نام انیمه: Ao no Exorcist: Kyoto Fujouou-hen

نام انیمه: Blue Exorcist: Kyoto Impure King Arc

نام انیمه: Blue Exorcist: Kyoto Saga

نام انیمه: 青の祓魔師京都不浄王篇

ژانر: Action, Demons, Supernatural, Fantasy, Shounen

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 12 قسمت

کارگردان: Iida Satoki

استودیو: A-1 Pictures

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ نقد و بررسی، خلاصه قسمت‌ها، توضیحات

+ اطلاعات بیشتر: سایت // سایت // سایت // سایت // سایت

+ لینک دانلود زیرنویس فارسی

+ لینک دانلود انیمه (MKV, 480P, ~75MB)

+ لینک دانلود انیمه (MKV, 720P, ~125MB)

+ لینک دانلود زیرنویس فارسی

+ لینک فایل تورنت (MKV, 10bit, 720P, EN Sub, 6.1GB)

+ لینک فایل تورنت (MP4, BD, 720P, RAW, 4.5GB)

+ لینک فایل تورنت (MKV, 4.8GB)

+ لینک فایل تورنت (MKV, 720P, Dual Audio, 6.6GB)

+ لینک فایل تورنت (MP4, 720P, 3.5G)

+ خواندن آنلاین مانگا – ترجمه انگلیسی

+ لینک فایل تورنت (MKV, 1080P, 6.5GB)

+ لینک فایل تورنت (MKV, 720P, EN Sub, 2GB, x265)

+ لینک فایل تورنت (MKV, 720P, x265, 10bit, EN Sub, 1.4GB)

+ تماشای آنلاین انیمه: لینک // لینک // لینک

+ موزیک ویدئوهای انیمه: لینک // لینک // لینک // لینک // لینک // لینک

+ معرفی و لینک دانلود انیمه‌ی «Ao no Exorcist» - فصل اول

https://youtu.be/IV6BY5w9b9o

داستان (منبع: دنیای انیمه)

آسیا، قلمروی انسان‌ها و گهینا، قلمروی شیطان‌ها. از ازل دیواری میان این دو قلمرو وجود داشته تا هیچ‌یک از این دو قلمرو در حوزه‌ی دیگری رسوخ نکنند اما شیاطین که به عناصر مادی دست یازیدند، حال به دنبال دست‌اندازی به خود جهان ماده‌اند. اما در میان انسان‌ها، هستند کسانی که توانایی قلع‌وقمع کردن این شیاطین را دارند! جنگیرها!

اوکومیرا رین پسر پادشاه شیاطین بود، هویت خودش را از همه مخفی کرد و تصمیم گرفت در وادی جنگیر شدن قدم بگذاره. آموزشش را در آکادمی صلیب مقدس شروع کرد اما بعد از اتفاقی که آمایمون هم در آن دست داشت هویتش معلوم شد و هم‌کلاسی‌های رین که حالا هم از هویت واقعیش و هم از شعله‌های آبی فروزانش که گویای ارتباطش با گیهناست می‌ترسیدند، ازش دوری می‌کردند. در همین اثنی چشم چپ پادشاه ناپاک ربوده شد و تمامی آکادمی صلیب مقدس در حالت آماده‌باش بود‍! حالا با این وضعیت این‌بار چه اتفاقاتی منتظر رین و هم‌کلاسی‌هاش هست؟

ویروس

وقتی داشتم نگاه می‌کردم، هی میگفتم چرا آشنا است! چرا تکراری است.

یادم رفته بود اینا رو تو مانگا خوندم.

درسته، این فصل، داستانش در مانگا وجود داره.

یوهاهاها.

نکته: دارم از آرشیو وبلاگ قبلی میارم اینجا. بعضی لینک‌ها کار نخواهد کرد.