جادوی ِ خاطرات
هر کسی از ظن خود شد یار من ... از درون من نجست اسرار منجادوی ِ خاطرات
هر کسی از ظن خود شد یار من ... از درون من نجست اسرار منکتاب
http://img8.irna.ir/1396/13960803/82707933/n82707933-71949058.jpg
کتاب
هنوز چهار تا کتابی که این هفته از کتابخانه گرفتم، نگاه نکردم.
گذاشتم رو سه کشو.
همین طوری دارن بِرُ بِرْ من رو نگاه می کنن.
من هم اصلا به روی خودم نمیارم.
تنبلی شدید.
پسران برتر از گل
http://7eghlim.hamvar.ir/userimages/ttni5e532l.jpg
پسران برتر از گل
دارم ورژن ژاپنی سریال (پسران برتر از گل) می بینم.
انیمه ش رو دیدم.
انگاری دو فصل داره.
پس چرا من یه فصل گرفتم؟
فیلم ش هم گرفتم.
چی شده بوده فصل دوم نگرفتم؟
یادم نمیاد.
میگن ورژن کره یی ش خیلی خوب است.
من ندیدم.
الان رسیدم به جایی که هانزاوا رویی از فرانسه برگشته و داره به ماکینو ابراز احساسات میکنه.
دموجی هم صحنه رو دید.
در انیمه از روی خوشم میاد.
ولی در این سریال، از دموجی خوشم میاد.
هاهاها
جاروبرقی
جاروبرقی
راستش اتاق زیادی کثیف شده.
هر طرف نگاه میکنی، گرد و خاک نشسته.
آشغال جمع شده.
وقت نمی کنم جاروبرقی بکشم.
اگه بشه، باید امشب جارو بزنم.
وایییی.
چه کار سختی.
مدیونی فکر کنی تنبلی م میاد.
تبخال
http://vista.ir/include/articles/images/1b6f1ff23bbda4b178bc84e54c7cccab.jpg
تبخال
نه، خدایی!
الان وقت تبخال زدن بود؟
اون هم به این بزرگی!
خب چی میشد پنجشنبه بعدی تبخال میزد.
ایشششششش
ضدحال!
پ.ن: اااا، دقیقا عین همین عکس که پیدا کردم!
باید ادیت بکنم
http://img.dalfak.com/69/694780292-7714356651.jpg
باید ادیت بکنم
چرا اینقدر تنبل شدم؟
باید زودتر ادیت کنم.
این طوری که نمیشه.
چقدر دیگه قراره فاز تنبلی داشته باشم؟
ایششششش
تنبل
تنبل
تنبل
Kobayashi-san Chi no Maid Dragon
https://myanimelist.cdn-dena.com/images/anime/5/85434.jpg
Kobayashi-san Chi no Maid Dragon
نام انیمه: Kobayashi-san Chi no Maid Dragon
نام انیمه: Miss Kobayashi's Dragon Maid
نام انیمه: The maid dragon of Kobayashi-san
نام انیمه: 小林さんちのメイドラゴン
ژانر: Slice of Life, Comedy, Fantasy
تاریخ پخش: زمستان 2017
وضعیت: تمام شده
تعداد قسمتها: 13 قسمت
مدت زمان هر قسمت: 24 دقیقه
منبع: Manga
کارگردان: Takemoto Yasuhiro
استودیو: Kyoto Animation
زیرنویس فارسی و انگلیسی دارد
لینکهای مربوط به انیمه
+ نقد و بررسی، توضیحات، خلاصه قسمتها
+ اطلاعات بیشتر: سایت // سایت // سایت // سایت
+ لینک فایل تورنت (MKV, 1080P, EN Sub, 6.9GB)
+ لینک فایل تورنت (MKV, BD, 1080P, EN Sub, 3.8GB)
+ لینک فایل تورنت (MKV, x265, 1080P, BDRip, RAW, 23GB)
+ لینک فایل تورنت (MKV, BDRip, 1080P, EN Sub, 31GB)
+ لینک فایل تورنت (MKV, BD, 720P, EN Sub, 4.2GB)
+ لینک فایل تورنت (MKV, 1080P, EN Sub, 10bit, 9.1GB)
+ لینک دانلود انیمه (MKV, 480P, EN Sub, ~75MB)
+ لینک دانلود انیمه (MKV, 720P, EN Sub, ~125MB)
+ تصاویر انیمه: عکس // عکس // عکس
+ لینک دانلود انیمه (MKV, EN Sub, BD, 720P, ~170MB)
+ لینک دانلود انیمه (MKV, 1080P, ~700MB)
+ لینک دانلود انیمه (MKV, BD, 720P, ~200MB)
+ لینک دانلود انیمه (MKV, Dual Audio, BDRip, 720P, ~600MB)
+ لینک دانلود انیمه (MKV, Dual Audio, BDRip, 1080P, ~2GB)
خلاصه داستان (منبع: دنیای انیمه)
کوبایاشی سان یه خانوم تنهاست که توی یه آپارتمون یه زندگی کارمندی ساده و چرت و بی خودی داره. روزها همینطور در پی هم در میگذرند تا اینکه یهویی یکی ظاهر میشه که اصرار به زندگی کردن با اونُ داره! حالا این "یکی" چه مرگشه؟ چی میگه؟ ظاهرا کوبایاشی سانِ قصه ما جونشون رو نجات داده و ایشون هم قصد جبران این موهم رو دارند. "یکی" داستان ما هر کاری برای کوبایاشی سان از دستش بر میاد انجام میده ، ولی خب همه چیز طبق برنامه پیش نمیره...
تا هنوز یادم نرفته بگم که همون "یکی" قصه ما هم یه تختهش کمه و هم یه اژدهاست که به شکل آدم در اومده!
اینجاست که زندگی ساده و چرت خانوم ما دست خوش تغییراتی شگرف میشه...
Seiren
Seiren
نام انیمه: Seiren
نام انیمه: セイレン
ژانر: Romance, School Life
تاریخ پخش: زمستان 2017
وضعیت: تمام شده
تعداد قسمتها: 12 قسمت
مدت زمان هر قسمت: 24 دقیقه
منبع: Original
کارگردان: Kobayashi Tomoki
استودیو: Studio Gokumi, AXsiZ
زیرنویس فارسی و انگلیسی دارد
لینکهای مربوط به انیمه
+ نقد و بررسی، توضیحات، خلاصه قسمتها
+ لینک فایل تورنت (MKV, 1080P, BDRip, RAW, 6.9GB)
+ لینک فایل تورنت (MKV, Web, 720P, EN Sub, 3.8GB)
+ لینک فایل تورنت (MP4, BD, 720P, RAW, 2.8GB)
+ لینک فایل تورنت (MKV, x264, 720P, EN Sub, 2.9GB)
+ لینک فایل تورنت (MKV, 720P, EN Sub, 1.2GB)
+ اطلاعات بیشتر: سایت // سایت // سایت // سایت // سایت
+ لینک دانلود انیمه (MKV, 480P, EN Sub, ~75MB)
+ لینک دانلود انیمه (MKV, 720P, EN Sub, ~125MB)
+ لینک دانلود انیمه (MKV, x264, 720P, ~250MB)
+ لینک دانلود انیمه (MKV, ~350MB)
+ لینک دانلود انیمه (MKV, 720P, ~100MB)
https://youtu.be/o9SwzMgwRns
خلاصه داستان (منبع: دنیای انیمه)
شویچی کامیتا یک پسر دبیرستانیه که دید روشنی از آینده خودش نداره و میخواد تلاش کنه تا بتونه به زندگیش جهت بده. رابطه اون با دخترا هم زیاد تعریفی نداره و باهاشون کم حرف میزنه و حتی یکی از اونها اونو دست میندازه و مرتب ایستگاش رو میگیره. این انیمه از سه آرک چهار اپیزودی تشکیل شده و در هر آرک داستان شکل گیری رابطه عاشقانه قهرمان داستان با یکی از دختران انیمه ای روایت میشه.
گربهی تنبل
Cat [22 Apr 2018]
گربهی تنبل
http://s9.picofile.com/file/8329049534/Cat_Tanbal_1.jpg
http://s9.picofile.com/file/8329049584/Cat_Tanbal_2.jpg
http://s8.picofile.com/file/8329049618/Cat_Tanbal_3.jpg
http://s8.picofile.com/file/8329049650/Cat_Tanbal_4.jpg
#Cat
توطئه روز رستاخیز – سیدنی شلدون
توطئه روز رستاخیز – سیدنی شلدون
نام کتاب: توطئه روز رستاخیز
نام اصلی کتاب: The Doomsday Conspiracy
نویسنده: سیدنی شلدون (Sidney Sheldon)
مترجم: هادی عادلپور
ناشر: انتشارات کوشش
تعداد صفحات: 431 صفحه
+ دانلود کتاب: لینک // لینک // لینک
+ اطلاعات بیشتر در مورد کتاب: لینک // لینک
خلاصه داستان (منبع)
زمان: ۱۹۷۴ میلادی
مکان: آمریکا (شهر واشنگتن)، سوئیس و …
با سقوط یک بالون هواشناسی مرموز حاوی تجهیزات نظامی محرمانه در ارتفاعات آلپ در سوئیس، سازمان امنیت ملی آمریکا (NSA) فرمانده ای باتجربه به نام “رابرت بلامی” را به یک ماموریت فوق محرمانه اعزام می کند: “شناسایی ده مسافری که به طور اتفاقی در صحنه تصادف حضور داشتند و شاهد ماجرا بودند.”
بلامی مامور می شود مکان این ده مسافر را یک به یک برای سازمان پیدا کند. با شناسایی شاهدان توسط رابرت حادثه ای عجیب به وقوع می پیوندد. هر کدام از شاهدان که شناسایی می شوند، بلافاصله به طور اسرارآمیزی به قتل می رسند. تمام قتل ها به گونه ای به وقوع می پیوندند که شکل یک حادثه را به خود بگیرند. کم کم شک رابرت برانگیخته می شود.
همچنین متوجه می شود که خود او نیز توسط نیرویی مرگبار تعقیب می شود. بهترین دوستانش به دشمنان خونی اش تبدیل می شوند. رابرت جزئی از توطئه شومی می شود که سقوط بالن هواشناسی فقط مقدمه شروع آن بوده است. او مجبور می شود برای نجات جانش از واشنگتن تا زوریخ، رم و پاریس را زیر پا بگذارد؛ اما بالاخره می فهمد این داستان در جایی پایان می یابد که از آنجا شروع شده است: ارتفاعات آلپ در سوئیس …
Legend of the Galactic Heroes: Die Neue These - Episodes 1 ~ 3 [Review]
https://www.youtube.com/watch?v=EFMwstsrN0c
Legend of the Galactic Heroes: Die Neue These - Episodes 1 ~ 3 [Review]
The original Legend of the Galactic Heroes anime is a storied series, known as much for the amount of time you have to put into it as for how rewarding it is when you do. At a whopping 110 OVA episodes, the original adaptation of Yoshiki Tanaka's novels would seem comprehensive in its existence already. As such, the major question for Legend of the Galactic Heroes: Die Neue These, is what it can bring to the table at all.
‘A new coat of paint’ is the obvious answer, but the impact of this show's shiny new production values shouldn't be understated. Production I.G are a natural fit for the style of the show to begin with, and they bring a sharp sensibility to its aesthetic. LOGH is dry by nature most of the time, so the modern sheen will be welcome for new viewers who might find the old look of the original intimidating. The massive spaceship armadas and their intricate battles are rendered in CGI now, which actually works in the design's favor, letting the battlefield be seen in all its full glory. The battles themselves are a treat in the portions we get to see of them, where smaller fighters zip between larger ships as the camera follows them dynamically in ways the original series could only dream of due to the limitations of its own short space-battle cuts.
However, LOGH fans know that the direct action of the space battles aren't the main draw of the series. Rather, it's the strategic work of the high command in their flagships that draws the most focus. LOGH is a very big-picture series, where the outcome of battles is calculated by their raw number of participants, and ace pilots in more typical space-action anime wouldn't make a bit of difference at this scale. It's in this regard that the first issues of LOGH:DNT's presentation crop up, mostly in the first episode.
The first two episodes of this new series cover the same ground as the first two of the original series, at The Battle of Astate. However, the events are re-ordered so that the new first episode focuses entirely on Reinhard and his command of the Imperials. The idea is seemingly to demonstrate Reinhard's overwhelming tactical strength, which lays the groundwork for Yang's appearance in the second episode to have more dramatic impact. In practice, this likely would have worked better with both episodes airing at once in a ‘one-hour premiere’ fashion, since the first episode on its own quickly becomes interminably dull. Even with the slicker production values and cuts to acrobatic spaceship battles, there's almost no excitement to be had in Reinhard blowing through Alliance fleets, taking advantage of their own incompetence and bloviating on his obvious strategies with his skeptical subordinates and devoted right-hand-man Sieg. Without any context for the other side, anyone new to the franchise would wonder why we have to focus on Reinhard at all, since he's only characterized by being doubted by crusty old guys, and that isn't really enough to be compelling.
The second episode throws that presentation into sharp contrast by introducing Reinhard's Alliance nemesis Yang Wen-Li and rolling back the clock on his own actions during this battle. It helps that Yang is much more engaging as a focal character, coming across more like an everyman with a knack for observation and strategy than a calculated prodigy like Reinhard. This new take on the material even slips in some pre-planning communication maneuvers by Yang that make him seem more strategically savvy than before. The time-jumping buildup between the two sides works so that when we get the big payoff of Yang's plan against Reinhard's charge, it lands in a dramatically solid way. The glossy production values finish the job, showing the absurd circular ship-battle formation in a manner that's equal parts breathtaking and hilarious in a way the original series could only hint at.
As the second episode's pacing rolls in to cover for what the first was setting up, there still are some noticeable cuts. This introduction dispenses with the full explanation of why the Imperials were invading the space around Astate, and it passes with barely a mention of the neutral Dominion of Fezzan (whose maneuvers are known to be quite important to the events of the story). On top of that, much of the lower-deck elements featuring crew members used for detailed world-building have been jettisoned as well, which is especially noticeable in the parts focusing on the Alliance. To some degree this would be expected given the condensed length of this new series compared to the original, and it does help to make the story feel more focused on the core characters. However, it also reinforces that detached procedural feeling, the biggest issue of the series so far.
After the first two episodes cover for each other, the third episode brings some background details to fore. This one skips to the flashback of Reinhard and Sieg meeting as children and becoming friends, and how the events in that early part of their lives set them on their current paths. At least for the Imperial side, this episode is peppered with that welcome world-building, from a chief of staff's cybernetic eyes and subsequent description of the Empire's history of eugenics, to the flashback giving a tour of how the layers of the Empire function. It's wrapped up in some solid personal drama for Sieg and Reinhard, as we get inside their heads and see their goals for the future.
There are some notable shake-ups in the presentation in episode three, and the new thesis of Neue These starts to become clear as a result. One divergence that most stood out to me occurs when young Reinhard fights off a pack of bullies. In the original we saw his action, a pragmatic kick to the offending kid's loins followed up by him grabbing a rock and bashing him in the head, before he was stopped by Sieg. In this new series, the focus is pointedly on Sieg, who runs into Reinhard having already chased his assailants off, dropping the rock on the ground with mere implications. The original version clearly showcases Reinhard's strategy-drive mind as well as his willingness to jump to brutality. The new version marks him with the mystique of confidence and victory to his enamored new friend. It's a significant directorial choice that's certainly different compared to the original.
That willingness to diverge in a distinctly more dramatic direction brings what we've seen of LOGH:DNT so far to new light. Its shiny new look indeed suits the tweaked tone this series is shooting for; it's less comprehensive and explanatory in its storytelling and more cinematic and intense. The adaptational changes, both obvious and subtle, gel more as the third episode concludes. Reinhard and Yang not knowing about each other until the Battle of Astate in the opening episodes makes for a more dramatic reveal in the moment. Similarly, Reinhard having his epiphany of disgust with the Empire's system of nobility while going through military academy allows that revelation to happen more effectively than seeing him suddenly become disillusioned after crashing a single garden party. Die Neue These is looking to be the big-budget Hollywood adaptation to the original show's History Channel documentary.
Granted, this shift in priorities isn't perfect. The biggest casualties of this approach thus far are any main characters who aren't Reinhard. The affable Yang has only properly appeared in one episode, and even Sieg's influence is dialed back noticeably. That's frustrating, since the script still plays up his status as a tempering influence on Reinhard's conscience, but because the show hasn't gotten the chance to actually show us those moments, it feels like exposition that hasn't been reinforced in action. It's the biggest weakness of moving around the flashback's events; in this version, Reinhard's sister Annerose has to describe him to Sieg as metaphorically falling off a cliff, while in the original we got to actually watch him fall off a cliff.
However, these shortcomings compared to the original are a natural result of its reshuffled priorities. Taken on its own, it's notable that Die Neue These's second and third episodes are far more engaging than its dry premiere. Its focus should make it approachable for newcomers, while prior fans may be able to appreciate its tonally distinct take on familiar material. If you've already watched through the original recently, you might just have the time on your hands to check this one out.
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130531/logh022.jpg
BEATLESS - Episode 14 [Review]
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130419/beatless-ep14.jpg
BEATLESS - Episode 14 [Review]
One thing that BEATLESS is better at than most anime is asking provocative questions about mankind's relationship with technology. It has done so consistently over the past several episodes, and this episode quickly shows that it's not going to change that pattern. For the first time, the police have directly come into the picture, with reasonable suspicion based on incomplete information over Arato's involvement with a number of big recent incidents. They reinforce the standing perception that Arato is pretty gullible and further indicate that they are aware Kengo was involved with the antibodies. They even answer the question about why they haven't questioned Kengo, because they're concerned about the bigger picture, correctly speculating that things haven't been covered up better as a result of dueling hyper-intelligent AIs countering each other's moves. The unspoken question is where mankind gets left in such a conflict.
This theme is also brought up in Watarai's final words, which he recorded before his death to whomever might hear them, unsure of whether or not mankind would even be around anymore. His words provide valuable new insight into the development of the Lacia-class hIE by clarifying that Lacia was designed first but finished last, since the practical tech to make her as the AI Higgins designed didn't initially exist. That casts Methode's claims about being the strongest and most refined into doubt, as it implies that Lacia has unrealized ultimate abilities that required finishing Methode first to develop; I wonder if Methode is aware of that? Watarai's explanation that he let the hIEs loose because he felt that they could only achieve their full potential among humans also explains why all of this is happening in the first place. Of course, it's left unanswered what Higgins' ultimate goal with Lacia might be; my suspicion is that he actually wanted to make a true artificial human and not just an hIE, but we'll see.
The way this information is presented could be considered an info dump, but the justification for its existence is stronger than most such cases. Watarai making this kind of recording is absolutely in character, and some scenes in retrospect seem like setup for this moment. The Ryo/Shiori relationship also gets the development it needs, revealing that the two have been nowhere near as close as Arato and Yuka and exploring the tension that results from their situation. We also see how Ryo cut a devil's bargain with Methode and that the resulting pressure has left him feeling strung-out. Combine that with the earlier police scenes and the story is tightly covering all its bases. The gathering at the end hosted by Erika gives the series a chance to show off the key characters all dressed up while also establishing where Erika stands; she's not particular about how things will change, but she wants to see change happen. It makes sense for someone who was in cold sleep for most of a century and provides a tense cliffhanger for next episode.
The one weak part of the episode is the banter involving Arato, Lacia, and Yuka at home, with Yuka now regarding them as a couple, eliciting distress from both siblings when Lacia admits that sexual acts are possible once Arato turns 18. As silly as the sequence is, I think it's the first time that the series has explicitly acknowledged that hIEs could be used for sex, which plugs another hole in our understanding of the series' world. That may not entirely be a rabbit trail either, especially if Higgins' goal was to make a true artificial human. Disappointingly, the artistic effort falls apart during this scene, but at least it picks back up to standard BEATLESS levels afterward.
And that's all we have for now, as I leave weekly coverage for this series to write about the bigger titles of spring. BEATLESS has had plenty of interesting developments, so I intend to finish it and write an overall review at the end of the season. Until then, this humble science fiction series remains promising, even if it never quite got the attention that it deserved.
https://www.youtube.com/watch?v=zxIJAJQ-v0I
BEATLESS - Episode 14 [Review]
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130419/beatless-ep14.jpg
BEATLESS - Episode 14 [Review]
One thing that BEATLESS is better at than most anime is asking provocative questions about mankind's relationship with technology. It has done so consistently over the past several episodes, and this episode quickly shows that it's not going to change that pattern. For the first time, the police have directly come into the picture, with reasonable suspicion based on incomplete information over Arato's involvement with a number of big recent incidents. They reinforce the standing perception that Arato is pretty gullible and further indicate that they are aware Kengo was involved with the antibodies. They even answer the question about why they haven't questioned Kengo, because they're concerned about the bigger picture, correctly speculating that things haven't been covered up better as a result of dueling hyper-intelligent AIs countering each other's moves. The unspoken question is where mankind gets left in such a conflict.
This theme is also brought up in Watarai's final words, which he recorded before his death to whomever might hear them, unsure of whether or not mankind would even be around anymore. His words provide valuable new insight into the development of the Lacia-class hIE by clarifying that Lacia was designed first but finished last, since the practical tech to make her as the AI Higgins designed didn't initially exist. That casts Methode's claims about being the strongest and most refined into doubt, as it implies that Lacia has unrealized ultimate abilities that required finishing Methode first to develop; I wonder if Methode is aware of that? Watarai's explanation that he let the hIEs loose because he felt that they could only achieve their full potential among humans also explains why all of this is happening in the first place. Of course, it's left unanswered what Higgins' ultimate goal with Lacia might be; my suspicion is that he actually wanted to make a true artificial human and not just an hIE, but we'll see.
The way this information is presented could be considered an info dump, but the justification for its existence is stronger than most such cases. Watarai making this kind of recording is absolutely in character, and some scenes in retrospect seem like setup for this moment. The Ryo/Shiori relationship also gets the development it needs, revealing that the two have been nowhere near as close as Arato and Yuka and exploring the tension that results from their situation. We also see how Ryo cut a devil's bargain with Methode and that the resulting pressure has left him feeling strung-out. Combine that with the earlier police scenes and the story is tightly covering all its bases. The gathering at the end hosted by Erika gives the series a chance to show off the key characters all dressed up while also establishing where Erika stands; she's not particular about how things will change, but she wants to see change happen. It makes sense for someone who was in cold sleep for most of a century and provides a tense cliffhanger for next episode.
The one weak part of the episode is the banter involving Arato, Lacia, and Yuka at home, with Yuka now regarding them as a couple, eliciting distress from both siblings when Lacia admits that sexual acts are possible once Arato turns 18. As silly as the sequence is, I think it's the first time that the series has explicitly acknowledged that hIEs could be used for sex, which plugs another hole in our understanding of the series' world. That may not entirely be a rabbit trail either, especially if Higgins' goal was to make a true artificial human. Disappointingly, the artistic effort falls apart during this scene, but at least it picks back up to standard BEATLESS levels afterward.
And that's all we have for now, as I leave weekly coverage for this series to write about the bigger titles of spring. BEATLESS has had plenty of interesting developments, so I intend to finish it and write an overall review at the end of the season. Until then, this humble science fiction series remains promising, even if it never quite got the attention that it deserved.
https://www.youtube.com/watch?v=zxIJAJQ-v0I
Steins;Gate 0 - Episodes 1 & 2 [Review]
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Steins;Gate 0 - Episodes 1 & 2 [Review]
Steins;Gate 0 occupies the wonderfully weird kind of space that only time-travel stories can, in that it is both an alternate universe what-if story that diverts from the original series' ending and and a precursor to the events of Steins;Gate Prime. So on the one hand, S;G0's place in the grand scheme of franchise continuity is a foregone conclusion. Eventually, Steins;Gate 0's version of Rintaro Okabe is going to be the one that reaches out to the Okabe of Steins;Gate episode 23 and convinces his past self to take the necessary steps to save the life of Kurisu Makise. On the other hand, Steins;Gate 0 seeks to sidestep the pitfalls that stymie other series' prequels and AU spinoffs by establishing a story that feels fresh and exciting, even to fans that have watched through the original series multiple times.
In the season premiere, the show took the time to catch viewers up on the world line where Kurisu was never rescued from her bloody fate, and Okabe has grown as weary and cold as we've ever seen him. He's abandoned his old mad scientist moniker of “Hououin Kyouma”, and he never stops by the Future Gadget Lab anymore. The show has really run with Okabe's grim new perspective, employing a slower pace and dynamic camera angles to reflect its protagonist's inner torment in a manner that feels appropriately muted without crossing the line into suffocating dourness.
While the first episode did an excellent job of reorienting viewers to this new Kurisu-less reality, the second episode ironically sets the main plot into motion by bringing Kurisu back – or rather, a simulacrum of Kurisu brought to life by the Amadeus AI system that Alexis Leskinen and Maho Hiyajō introduced last week. What I especially enjoyed about this turn of events is that S;G0 never plays coy about what a bombshell this would be for Okabe; after spending some time developing a rapport between Maho and Okabe, the diminutive researcher takes our wary hero to meet a program that has the face, voice, and memories of the woman he watched die in his arms. For anyone who was invested in the original Steins;Gate's primary romance, the moments leading up to Okabe's pseudo-reunion with his lost love contain a palpable sense of dread. Even Maho can feel it, despite only being able to guess at the true depths of the relationship she's helping to reanimate.
Leading up to Okabe's fateful meeting with Amadeus, S;G0 does an excellent job of establishing these new characters, who slide comfortably into Steins;Gate's universe. Maho is especially likable in these episodes, and I'm glad to see that the show doesn't lean too much on her stature to characterize her, instead setting her apart from Kurisu as a whip-smart scientist in her own right; I hope to see her interact with the rest of the Future Gadget Laboratory as the series continues. Aleksis is also an interesting addition to the roster; these episodes establish him as an affable man who just wants to see the late Kurisu's work flourish, but this being Steins;Gate, I'm sure there's more to him than meets the eye.
Ultimately, the highlight of episode two is Amadeus Kurisu's big introduction, which immediately recaptures memories of the original character's effortless likability and tsundere charm, while still sowing the seeds for the digital doppelganger's place in the larger story. While the production values are rough around the edges compared to Steins;Gate, S;G0's writing is in top form, and this one scene captures the skillful character chemistry and intriguing sci-fi themes that made this series successful to begin with. All of the big emotions and big ideas are present, from Maho and Amadeus Kurisu's cute back-and-forth to Okabe's frazzled attempt to separate the Kurisu on the computer screen from the one who helped him survive his eternal summer.
This is where I got the most excited to see where Steins;Gate 0 is headed, as Maho warns Okabe: “She's not the girl you became friends with, and she's not alive.” Many science-fiction stories in the past have dealt with the ramifications of replicating a real human's consciousness in the form of an AI, and it's reassuring that S;G0 has the wherewithal to address those tropes head-on. Maho and Okabe are both all too aware of how dangerous it could be for Okabe to start treating this virtual copy of Kurisu as the real deal. “The more you talk with Amadeus, the more that truth will sting,” Maho says. “You'll realize that she's gone forever, and there's nothing you can do about it.”
Except for Okabe, and those of us who followed his journeys across time, that isn't true at all. If the scientist formerly known as Hououin Kyouma has learned anything, it's that there are an infinite number of ways to potentially bring Kurisu back. Even knowing this, it's the deeper cost of time travel that Okabe is no longer willing to tamper with. While the Okabe of Steins;Gate 0 will eventually change his mind, we don't yet know what must happen to get him to that point. If the brief glimpse of this future we got back in 2011 is any indication, things are about to become much more complicated for the members of the Future Gadget Laboratory, and I can't wait to watch it all play out.
One Piece - Episode 832 [Review]
One Piece - Episode 832 [Review]
https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130384/op832.png.jpg
When it comes to Eiichiro Oda, fans are always ready for that other shoe to drop. What we're never quite ready for, however, are the five or six other shoes he seems to keep tucked under his arm at any given time.
Truly unadorned build-up aside, the conversation around this episode begins and ends with one main scene; the moment of truth during Sanji and Pudding's wedding, when it's time for the groom to kiss the bride. All the various evil plans are designed to intersect at this time, so obviously what will happen must be a surprise, right? As a manga reader, I've been anticipating seeing this part of the story adapted because it was a massive turning point in my experience with the Whole Cake Island arc, as well as a rather controversial one among my group of friends. In a matter of days, it will have been a year since this twist debuted in the manga, and I've continued to digest my feelings since then.
Charlotte Pudding is a roller coaster of a character. There's a real magic trick at play with her and the millions of twists surrounding whether she's "good" Pudding or "evil" Pudding, and just when you think the answer's been handed to you on a silver platter, that's when the story hits you with the next surprise. When we first met "good" Pudding, we were suspicious of her. She seemed way too nice. Then, we got to know her a little more and the idea of her tricking Sanji and the crew stopped making sense. And then BAM, malevolent three-eyed actress Pudding revealed herself! All right, everything's on the table now. What else could we possibly learn about her?!
And then her diabolical plan to shoot Sanji's brains out after he lifts her veil falls apart, because rather than recoiling in disgust at the sight of her third eye like she expected, he blushes and calls it beautiful. It's certainly something. There's a significant presence of "female villain defeated by love" tropes in One Piece, which I go back and forth on when I think about it. Many people do not like it. Hell, I don't like it most of the time, but Pudding is a case where I'm kind of infatuated with it. Problematic warts and all, I think Pudding represents so much of what I find compelling about Oda as a writer.
However, I feel the need to say that I don't think this episode actually does the scene justice. It's extremely straightforward in its adaptive choices, to the detriment of a quality I think is present in the source material. The manga version is fairly bizarre, opting out of any connective tissue that could have added some tenderness and made this romantic gesture seem more grounded and human. Instead, possibly to keep the pace of the story moving, it plays out as a series of big moments. Even with Sanji doing a very Sanji thing, we can't get inside his head at all during this scene. Was this his genuine reaction to seeing her eye up close? Did he recognize something familiar in her ahead of time, and now he's making a calculated decision to speak to that? Pudding's emotional breakdown at the compliment feels right at home with the sudden bursts of crying we see in this series all the time, but in the context of this scene and the general touchiness of the trope being employed, it easily reads much more tawdry.
These are problems that the version of this scene that I like in the manga was already dealing with. That said, I do appreciate the way that the manga leaves the tone open for interpretation, all while sticking to its broad and wacky style of tackling human emotions. Watching it play out in the anime, which is almost lifelessly faithful to the pacing and structure of the manga version, started to sway me in the other direction. I began wondering if I was reading too much into the scene this whole time, that maybe it really was as shallow and tacky as it seemed at face value, but writing my thoughts out is drudging up old feelings again.
More important are the snippets of Pudding's backstory that unravel as a result of this, where we see her being ruthlessly bullied for her third eye. This is the point where the crude selfishness of Big Mom and the people of Totto Land goes from being an amusing characterization to the entire point of the story. Everything about Whole Cake Island is a lie; the promise of safety and racial harmony is nothing but an appeal to a monster's ego, and the deliberate and inescapable cycle of abuse becomes crystal clear. The country's motto is "Leave or Life." Make Mom happy and die slowly, or stand against Mom and die now.
And then there are the obvious parallels between Sanji and Pudding, who are now both unambiguously victims of their own families: two peas in a pod, just like their fake relationship began. The series aimed for a similar scene back in Dressrosa, when it was between Sanji and Viola. There's a clear desire to take the joke of Sanji's chivalry and weakness for women (something villains have historically been able to exploit) and turn it inside out to give him a win. I found the Viola example embarrassing and insincere, but here in Whole Cake Island it threads into the larger story in a more compelling way. Whole Cake Island is about how our parents—biologically or otherwise—create us. It's about how the flaws that we're born with or get bred into us impact our ability to understand each other. Sanji's relationship with his mentor Zeff is hugely important in understanding what motivates him, and what allowed his weaknesses to occasionally become strengths, and I assume we'll learn something similar to be true about Pudding's relationship with her big sister Lola.
At the time that the manga version of this scene came out, my relationship with One Piece had simmered in the wake of the Dressrosa arc, but it was this moment that brought the passion roaring back. It felt like there was something ambitious in the works, a desire to string one of the more eyeroll-worthy elements of the series into some kind of poetry that would pay off as the arc fired towards its climax. At a time when the audience is already expecting the wedding to explode in spectacular ways, this direction feels the most like a crazy gamble, committed to sympathizing with a character who's designed head-to-toe to be unlikable. But I do like her! I find the whole "embarrassed by romantic affection because you're used to acting a certain way around family" thing a little too relatable, and from this point forward I'm invested in finding out where the rest of her character arc goes, because what we've gotten so far is bananas.
So I've got a lot of feelings about Pudding and what Whole Cake Island becomes as we continue to move into the second half, because the weirdness is far from over. For what's such an important chapter to me, I don't think the anime does a satisfactory job adapting it. It's already a challenging story to review, since it's worth breaking down all the ways in which it's going to be unpalatable for a lot of people, but my own response is so passionate and warm regardless. I don't think this episode's direction quite delivers what I see in it, but it's got that One Piece fire in my belly flaring up all the same.
High School DxD Hero - Episode 1 [Review]
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High School DxD Hero - Episode 1 [Review]
Note: DxD Hero's episode 0 was covered here for our Spring Preview Guide. Ratings for that episode can be made on that page.
After the part-replay, part-retcon episode 0, this first episode is about as stereotypical for the DxD franchise as you can get. Take generous doses of fan service-laden harem shenanigans and mix them with action sequences and a wonky interpretation of metaphysics from across various mythologies (Valkyrie devil school?), and you more or less have the High School DxD experience. The episode opens with a practically obligatory fan service scene in Issei's bed that starts with one girl and winds up with all of the main love interests, but since they all have their clothes on, it's bound not to make much impression in a franchise that's previously opened seasons with rampant nudity. Issei later gets more individual snuggle time with Koneko as part of his healing from using Juggernaut Drive, reinforcing that keeping other girls off Issei is practically a full-time job for Rias these days. He does get some naked time with Rias later, in a scene that's more suggestive than most previous instances of them being in bed together.
The bulk of the episode to follow is a low-stakes fight scene, with Issei matching up against the powerhouse Sairaorg, who was previously described as the most powerful young devil, and he's Rias's next opponent in the Rating Game. As a prelude to that, Sairaorg challenges Issei to some “light” sparring, which results in surprisingly dramatic back-and-forth combat; some of the serious fight scenes in previous installments aren't as crisp as this one. It's a good match-up for both, since they have similar fighting styles. More importantly, Sairaorg isn't the arrogant blowhard that most of Issei's diabolical opponents have been in the past. The writing does a good job of showing that the two could easily be friends if they weren't on rival sides, and Issei certainly seems to have more in common with him than with Gaspar or Yuto. But it looks like some action is going to take place in Kyoto first – because isn't there always trouble when characters in supernatural anime go to Kyoto?
As I noted in the preview guide review for episode 0, the change in staff has resulted in some tweaks to the character designs. While this isn't a big problem, I'm still not comfortable with Rias's visual update, as she seems to be lacking some of the imperious air she's always had. A softer portrayal of Rias just makes her feel like any other busty anime girl, rather than the dynamic leader she's supposed to be. Asia also looks bustier than normal in a couple of shots, which would not be a welcome change since she's long filled the niche of the more modestly-proportioned girl in the cast. It's also possible that the artistic inconsistency problems which plagued the third series are already starting to show here.
On the whole, the series is settling in nicely – if also unexceptionally – for its fourth season.
Boruto: Naruto Next Generations - Episode 54 [Review]
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Boruto: Naruto Next Generations - Episode 54 [Review]
Boruto -Naruto the Movie-'s small-screen adaptation rolls on this week as Sasuke reveals danger on the horizon and Boruto begins learning his father's signature technique. In addition to rooting for Sarada in the upcoming Chunin exams, Sasuke the eternal wanderer returned home to deliver a scroll he obtained from Kaguya's palace to Naruto. In order to escape the palace with the scroll in tow, Sasuke had to duke it out with Momoshiki and Kinshiki. Meanwhile, frustrated with his inability to master the Rasengan in a timely manner while training under Konohamaru, Boruto begins using the revolutionary new invention provided by Katasuke (who's clearly been possessed by an unknown enemy), which enables him to effortlessly produce the Rasengan. Although Sasuke agrees to take Boruto on as a student, he's quick to take notice of the mysterious device on the young man's wrist.
Episode 54 is notable for featuring an abundance of top-shelf visuals and animation. Although Sasuke's frenetic, fluidly-animated battle with Momoshiki and Kinshiki serves as the highlight, the general aesthetics and character movement are of fairly high quality throughout the episode. Since the current arc is reasonably important, even if this is its second anime adaptation, it makes sense for the series' A-team to oversee game-changing episodes. While it's doubtful this level of quality will be present in each subsequent chapter, perhaps this week's outing is indicative of what we can expect from upcoming battle episodes.
The episode also does a good job of illustrating the similarities Boruto shares with his old man, as well as the things that make them different. Even though Boruto makes surprisingly rapid progress in learning the first phase of the Rasengan, he's unsatisfied by Sasuke's lack of praise, prompting him to use Katasuke's invention. Even Sasuke, who's constantly critical of Naruto, opines that he wishes Boruto were more like his father, despite the fact that he has more natural talent and a higher aptitude for learning. In all likelihood, Boruto is being set up to learn a lesson about hard work and perhaps even come to respect the work ethic that takes Naruto away from his family so often. While this is certainly a lesson befitting a children's action series, it doesn't quite fit Boruto's personality as established in the TV series. Sure, he's not the most studious member of the cast, but he's never seemed outright averse to hard work.
Boruto's vulnerable side is also on full display this week. At the beginning of the episode, he has no qualms about venting his anger toward his father in front of Sasuke, someone he's just meeting for the first time. When Sasuke seems unimpressed with his progress on the Rasengan, he runs away while forcing back tears. Although it's meant to provide the “ah-ha” moment for his training, the scene in which he makes pancakes with Himawari is a touching example of the familial love that drives many of Boruto's actions. He may be quick to anger and rude to Naruto and Sarada, but he does care deep down, and he'll go out of his way to make those he loves happy. He's never embarrassed about how much he cares for his sister either, as many boys that age are in other works of fiction.
With Sasuke reappearing in the Hidden Leaf, the Otsutsuki clan lurking in the shadows, and Boruto electing to take the easy way out, the stage is being set for an action-packed emotional rollercoaster. The perpetually rocky relationship between Naruto and his son has been swept into the background in recent arcs, but it looks like things will come to a head in the coming weeks. Though brash and impatient, Boruto is also shown to possess deeper levels of empathy this week, making him an easier character to root for.
اندر احوالات من
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اندر احوالات من
سلام.
خیلی فکر کردم چی بنویسم. چی بگم!
یه جورایی موقع فکر کردن، متوجه بعضی موارد شدم!
خیلی برام سنگین بود! خیلی!
یاد یه چیزهایی افتادم.
حساب کن از سال 82، به عنوان "ویروس" زندگی کنی!
تا همین عیدی 97!
خیلی حرف است هاااا!
نزدیک به 13 سال هویت "ویروس" داشتن ...
بالاخره بعد از 13 سال به کل از دنیا محو بشه ...
هویتم! اسمم!
هنوز که هنوز است نمیدونم اسمم چی است.
من کی هستم!
اولین بار که پرشین بلاگ من رو فیلتر و حذف کرد، رفتم بلاگ اسکایی.
چند سال اینجا بودم، که بالاخره اینجا هم فیلتر و حذف شدم.
و هیچ وقت دلیل ش رو نفهمیدم!
پرشین بلاگ که زمان بگیر بگیر قضایای اون انتخابات تقلب شده بود...
همون موقعها فیلتر و حذف شدم...
بلاگ اسکایی هم احتمالا به خاطر حساسیت روی انیمه و مانگا بوده.
با خودم گفتم برم بلاگر، سرویس خارجی که لااقل مشکل پیش نیاد.
کسی بهشون گیر نمیده بیا فلانی رو فیلتر کن ... کلا خودش فیلتر است...
و بلاگر هم بعد از چند وقت، من رو حذف کرد.
(تقصیر خود ِ بی سوادم بود که متن اخطارها رو متوجه نشده بودم!)
درسته، برای بار چهارم از صفر شروع کردم.
سرویس دهندههایی مثل LiveJournal و WordPress رو تست کردم.
اصلا راضی نبودم. وردپرس خیلی بهتر بود. ولی نمیشد راحت کار کرد.
اون یکی و بقیهی سرویس دهندههای معتبر و معروف هم بی خیال ...
هر کدوم یه چی کم داشتن ...
برگشتم دوباره بلاگر. اکانت جی.میل که داشتم. با اون یک وبلاگ دیگه ساختم ...
ولی کلا یه چی دیگه شدم ...
منی که 13 سال "ویروس" بودم، حالا حتی اسمی ندارم که برای خودم بگذارم.
ولی به هر حال برای بار چهارم شروع کردم.
آدرس جدید وبلاگم:
https://ildiario2020.blogspot.com/
توضیح: Il Diario یک کلمهی ایتالیایی به معنی "دفتر خاطرات" است. اون عدد هم برای این بود که باید یه پسوندی به اسم بدم تا قبلا ثبت نشده باشه.
داشتم فکر میکردم حالا که دیگه "ویروس" نیستم (بعد از این همه سال ...) میتونم خودم رو یک اوتاکو معرفی بکنم. نه؟
اگه یکی پرسید تو کی هستی، خیلی راحت بهش بگم (من یه اوتاکو هستم ...)
یا اسمم Otaku است.
حالا بعد این همه سال باید اون عکس پروفایل خوشگلم که یه دایره گرد بود و ویروس نوشته بود، اون رو حذف کنم ...
"ویروس" مُرده ... دیگه توی این دنیا "ویروس"یی وجود نداره ...
خیلی راحت ... بعد از 13 سال و خوردهیی ...
97/02/01
21 Apr 2018
اندر احوالات من
http://s9.picofile.com/file/8324275368/MyNewWeblog.jpg
اندر احوالات من
سلام.
خیلی فکر کردم چی بنویسم. چی بگم!
یه جورایی موقع فکر کردن، متوجه بعضی موارد شدم!
خیلی برام سنگین بود! خیلی!
یاد یه چیزهایی افتادم.
حساب کن از سال 82، به عنوان "ویروس" زندگی کنی!
تا همین عیدی 97!
خیلی حرف است هاااا!
نزدیک به 13 سال هویت "ویروس" داشتن ...
بالاخره بعد از 13 سال به کل از دنیا محو بشه ...
هویتم! اسمم!
هنوز که هنوز است نمیدونم اسمم چی است.
من کی هستم!
اولین بار که پرشین بلاگ من رو فیلتر و حذف کرد، رفتم بلاگ اسکایی.
چند سال اینجا بودم، که بالاخره اینجا هم فیلتر و حذف شدم.
و هیچ وقت دلیل ش رو نفهمیدم!
پرشین بلاگ که زمان بگیر بگیر قضایای اون انتخابات تقلب شده بود...
همون موقعها فیلتر و حذف شدم...
بلاگ اسکایی هم احتمالا به خاطر حساسیت روی انیمه و مانگا بوده.
با خودم گفتم برم بلاگر، سرویس خارجی که لااقل مشکل پیش نیاد.
کسی بهشون گیر نمیده بیا فلانی رو فیلتر کن ... کلا خودش فیلتر است...
و بلاگر هم بعد از چند وقت، من رو حذف کرد.
(تقصیر خود ِ بی سوادم بود که متن اخطارها رو متوجه نشده بودم!)
درسته، برای بار چهارم از صفر شروع کردم.
سرویس دهندههایی مثل LiveJournal و WordPress رو تست کردم.
اصلا راضی نبودم. وردپرس خیلی بهتر بود. ولی نمیشد راحت کار کرد.
اون یکی و بقیهی سرویس دهندههای معتبر و معروف هم بی خیال ...
هر کدوم یه چی کم داشتن ...
برگشتم دوباره بلاگر. اکانت جی.میل که داشتم. با اون یک وبلاگ دیگه ساختم ...
ولی کلا یه چی دیگه شدم ...
منی که 13 سال "ویروس" بودم، حالا حتی اسمی ندارم که برای خودم بگذارم.
ولی به هر حال برای بار چهارم شروع کردم.
آدرس جدید وبلاگم:
https://ildiario2020.blogspot.com/
توضیح: Il Diario یک کلمهی ایتالیایی به معنی "دفتر خاطرات" است. اون عدد هم برای این بود که باید یه پسوندی به اسم بدم تا قبلا ثبت نشده باشه.
داشتم فکر میکردم حالا که دیگه "ویروس" نیستم (بعد از این همه سال ...) میتونم خودم رو یک اوتاکو معرفی بکنم. نه؟
اگه یکی پرسید تو کی هستی، خیلی راحت بهش بگم (من یه اوتاکو هستم ...)
یا اسمم Otaku است.
حالا بعد این همه سال باید اون عکس پروفایل خوشگلم که یه دایره گرد بود و ویروس نوشته بود، اون رو حذف کنم ...
"ویروس" مُرده ... دیگه توی این دنیا "ویروس"یی وجود نداره ...
خیلی راحت ... بعد از 13 سال و خوردهیی ...
97/02/01
21 Apr 2018
Onihei
https://myanimelist.cdn-dena.com/images/anime/2/83758.jpg
Onihei
نام انیمه: Onihei
نام انیمه: 鬼平
ژانر: Historical, Seinen
تاریخ پخش: زمستان 2017
وضعیت: تمام شده
تعداد قسمتها: 13 قسمت
مدت زمان هر قسمت: 23 دقیقه
منبع: Novel
استودیو: M2
کارگردان: Miya Shigeyuki
زیرنویس فارسی و انگلیسی دارد
لینکهای مربوط به انیمه
+ اطلاعات بیشتر: سایت // سایت // سایت // سایت // سایت
+ لینک فایل تورنت (MKV, EN Sub, 3.6GB)
+ تصاویر انیمه: عکس // عکس // عکس // عکس
+ لینک دانلود انیمه (MKV, 480P, EN Sub, ~75MB)
+ لینک دانلود انیمه (MKV, 720P, EN Sub, ~125MB)
+ لینک فایل تورنت (MKV, RAW, 15GB, 1080P, BD, x264)
+ لینک فایل تورنت (MKV, EN Sub, 1080P, 8.3GB, Web-Dl)
+ لینک فایل تورنت (MKV, x264, 720P, Rus Sub, 5.2GB)
+ نقد و بررسی، خلاصه قسمتها، توضیحات
خلاصه داستان (منبع: دنیای انیمه)
هاسگاوا هیزو یک افسر ارشد در ادو هست که از اون با تمام وجود در برابر جرایم و جنایات محافظت میکنه و بزرگترین دزدها و جنایتکاران رو به دام میندازه و به قدری ازش میترسیدن که بهش لقب هیزو شیطانی رو دادن.
توضیحات من
چه انیمه جالبی بود هاااا
به نظرم خیلی آروم بود.
ولی کلیت کار خیلی خوب بود.
پلیس های ادو در زمان قدیم که سامورایی بودن.
شمشیر داشتن.
خیلی باحال بود.
کاملا راضی بودم ازش.
Apple Cake
Apple Cake
21 Apr 2018
http://s9.picofile.com/file/8326557000/Apple_Cake_21Apr2018_01.jpg
http://s8.picofile.com/file/8326557034/Apple_Cake_21Apr2018_02.jpg
http://s8.picofile.com/file/8326557076/Apple_Cake_21Apr2018_03.jpg
http://s9.picofile.com/file/8326557092/Apple_Cake_21Apr2018_04.jpg
http://s8.picofile.com/file/8326557118/Apple_Cake_21Apr2018_05.jpg
#Apple_Cake #Cake #Apple