جادوی ِ خاطرات

Of all of the things Arte has had to think about since her arrival in Venice, the hardest has been herself. That's not what she had expected – especially after meeting Katarina, Arte (and some of the viewers) thought that the biggest challenge she'd face was getting the little girl into shape, with painting Signora Sofia's portrait as a pleasant distraction from that task. But the more she got to know Katarina, the more Arte began to really think about her own position from an angle she hadn't considered before: that truly, in the context of other women of her social standing, she's been incredibly fortunate.

As I discussed last week, Arte's caring father (and to a lesser degree her worried/frustrated mother) gave her the chance to indulge herself in what she loves and is good at. Yes, she had to give up her more pampered lifestyle as a noblewoman, but the tradeoff was that she got to paint and study fine arts. That's not an opportunity Katarina had and, as Matei pointed out this week, not one that most women, noble or otherwise, ever get. (Insert rant about butchering Darcia's storyline here. It would have made a major difference to how this element of the Venice arc played out.) It was one thing for Arte to learn Katarina's story, because Katarina does have her uncle Yuri; it's entirely another to listen to Matei because what he notices isn't that Arte is lucky “for a woman,” it's that Arte's social status and gender are actually helping her to get work because she stands out as an anomaly in the art world. Matei, who is clearly older than Arte and has likely been an apprentice much longer than she has, remains essentially trapped in his master's workshop because he hasn't stood out sufficiently in his skill or by other means and hasn't caught a patron's eye. Arte, by virtue of her differences, has been hired six months-to-a-year after starting her apprenticeship, and by a major family of Venice to boot. Where all Arte saw were her struggles, Matei sees her good fortune, and that's less of a wakeup call and more of a physical blow to her.

Not that she thinks Matei is being cruel, which is how Katarina interprets his words. Instead Arte takes his statements and uses them as a lens through which to view her Venetian life…and what she sees isn't something that makes her proud as an artist. It's hard to deny that things have been much cushier in the Falier palazzo than they were for quite some time, and given her family's lesser-noble status, it's entirely possible that she's never lived like she is at Chez Falier. Unlike her time at Leo's she doesn't have errands to run or cleaning to do because there are servants for that sort of thing, darling, and her only actual artistic tasks are painting Sofia's and Katarina's portraits. We've seen her sort of wander into the odd church to sketch, but it's obviously been nowhere near the level of artistic practice that she was engaged in at Leo's workshop. Seeing Matei's hard work come to basically nothing – and looking at his battered and calloused hands – forces Arte to wake up and realize what she started to be more aware of last week: her privilege.

To us in the 21st century it doesn't necessarily look like that, but in Renaissance Italy, Arte really is pretty fortunate – she could conceivably be married to someone like Leo's gruff patron back in Florence, only much more abusive. Instead she's able to work at what she loves, and after her talk with Matei, she doubles down on that, racing to finish the portraits of the Falier women. Although she doesn't ever say it, there's a definite feeling that she might be doing this not just because she's moderately ashamed of her good fortune compared to many other apprentices, but because what she truly wants to do is go home – home to Florence, yes, but also home to Leo. Even if we assume that she's largely over her crush (please, please be largely over your crush), he's still her family in that he has become her main support in life, where in Venice she's had to be Katarina's. That Leo, Angelo, and everyone else in Florence miss her too is sweet, and almost certainly a sign that she'll decide with her heart rather than her head to go back next week (the episode title “apprentice” seeming to signal that that's how she sees herself). That feels like it would be a fitting end, and we'll find out if it's true next week.

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Kaguya-sama: Love is War Season 2 - Episode 10 [Review]

With Shuchiin's annual sports festival on everyone's mind, this week's Kaguya-sama: Love is War delivers a more thematically unified string of segments than usual. The sole exception is episode 10's introductory story, which shines a spotlight on Kei, who's torn between offering comfort to her dejected brother and remaining beholden to her newly-awakened rebellious phase. However, when Miyuki, who's crestfallen by Kaguya's recent avoidance, receives depressingly impractical advice from their father, Kei overcomes her teenage angst to reassure her brother that everything is probably okay between him and his crush. When Kaguya utilizes her new calming ritual at school the following day and resumes regular interaction with him, Miyuki sees that he was ultimately worried over nothing.

In addition to offering up a number of amusing Kei moments, this segment provides us with our first extended look at Miyuki's home life. The manner in which Miyuki continually nags his sister—and Kei's reaction to said nagging—nicely illustrates how differently Miyuki's bullheaded personality and desire to be in control come across in a domestic setting than at school. Still, given that he and Kei have very little in the way of parental supervision, it's not surprising that he would take on such a role. The revelation that Miyuki and Kei's mother walked out on them and that Papa Shirogane is largely undependable also shine some light on how Miyuki developed his take-charge attitude and knack for hard work. While primarily used as a vehicle for comedy, Miyuki's depression over Kaguya's behavioral changes is certainly palpable. When someone you care about seemingly wants nothing to do with you, it can be difficult to consider reasons for this that don't involve them hating you—even though this might not be the case.

The second segment finds the perpetually rhythmless Miyuki struggling to learn the soran dance, which the second-years will be performing at the upcoming sports festival. In light of her struggles to tutor Miyuki in the past, Chika peaces out almost immediately, leaving Kaguya to step into the teacher role. However, upon seeing how quickly Miyuki moves on and how mechanical Kaguya's teaching technique is, Chika becomes jealous, inciting a fight between the two girls. Luckily, their conflict turns out to be a blessing in disguise, as breaking free from their combined grasp inadvertently helps Miyuki perfect the movements of the dance.

At the onset, this segment seems like it will be the usual “Chika struggles to teach Miyuki a basic skill” story, but by bringing Kaguya into the mix, the series does an entertaining job of shaking things up. While previous stories that followed this formula have been funny, the supply of jokes that can stem from Chika's exasperation at Miyuki's ineptitude seems to have been exhausted. Not only do we get a look at Chika's devious side in her criticisms of Kaguya's methods, we also see what is arguably the most direct conflict between Chika and Kaguya to date. Kaguya's beefs with Chika are usually one-sided and take place entirely in her mind, so seeing the two practically come to blows is an interesting change of pace. Furthermore, the differences in the girls' respective teaching techniques (Kaguya—whose motivation is really a desire to touch her crush—wants Miyuki to mechanically mimic the dance moves, whereas Chika wants him to appreciate the art behind the dance) serve as an adept microcosm of their personality gap. Hopefully, any future stories that involve Miyuki being tutored will follow a similarly chaotic path.

In this week's third segment, we're given some additional insight into Ishigami's largely unexplored past. While observing one of Miko's usual scuffles with Ishigami, Kobachi opines on how the latter was accused of stalking a girl and beating up her boyfriend in middle school and earning a lengthy suspension as a result. However, when Ishigami was in danger of not being able to enter Shuchiin's high school division in response to this incident, Miko went to bat for him and made his case to the headmaster. As we learn, Ishigami is still dealing with the fallout of all this and is widely reviled by his peers, and in spite of everything that's happened, he still refuses to share his side of the story. He's also covertly tried to stop the bullying of Miko over the years, leading Kobachi to conclude that the two have a lot in common.

While relatively short on laughs, this segment helps cast Ishigami in a new light. His lack of popularity was always assumed to stem from his extreme cynicism and edgelord demeanor, but learning that his status as a social pariah isn't comedic in nature adds a new layer of depth to his character. Despite constantly acting like he's above it all, Ishigami has been dealing with full-scale ostracization, and to some extent, it's possible that his usual abrasiveness serves as an emotional shield. Seeing both Miko and Kobachi stick up for Ishigami is touching, especially in light of all the bad blood between them, and it would nice (albeit not conducive to comedy) to see Ishigami and Miko become aware of the kindness they've shown one another at some point in the future. (It would also be a shame for the season to conclude before we're given the full story behind the purported stalking incident.)

The sports festival is in full-swing in this week's final segment. Thanks to a lack of steady employment, Papa Shirogane is able to attend—and begins embarrassing his son almost immediately. When Miyuki is able to get his father away from the festivities, the elder Shirogane encounters Kaguya, and after recognizing her as the girl he briefly spoke with on the phone the previous summer, needles her into revealing how she really feels about his son. After discovering the true identity of the man she's been talking to, Kaguya is predictably flustered, prompting a furious Miyuki to demand to know what his old man did to her. Meanwhile, encouraged by scores of cheering peers, Ishigami and Kazeno, the cheerleading squad's president, take first place in the two-legged race as a mysterious figure (presumably the girl from the stalking incident, who has since transferred schools) watches from a distance.

After learning more about his backstory, seeing Ishigami take first place and flash a genuine smile as he crosses the finish line feels incredibly gratifying. However, while the unanswered questions about Ishigami's past are still very much a point of interest, Papa Shirogane emerges as the final segment's MVP. When he tricks Kaguya into defending Miyuki, he reveals that his surface quirks belie a penchant for manipulation that rivals his son's. Although Kaguya's true feelings for Miyuki are no secret to the viewer, her reiteration that Miyuki—and by extension, Chika and Ishigami—essentially restored her faith in humanity is a touching reminder of the beating heart that lurks beneath all psychological warfare and constant one-upmanship.

With a figure from Ishigami's past potentially set to reemerge, Kaguya-sama: Love is War once again leaves the audience hungry for more. Whether laughs are on the horizon or the forthcoming events take on a more dramatic tone, Kaguya-sama is likely to have no trouble sticking the landing.

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Princess Connect! Re:Dive - Episode 11 [Review]

“In which we learn Pecorine's biggest strength is, in fact, a double-edged sword.”

This episode begins lazily enough with Karyl attempting to sleep in even as the others call her to breakfast. What she doesn't expect is that by not responding, she sends Pecorine into panic mode.

As someone who lives to eat, the only reason Pecorine can imagine that someone wouldn't come down to breakfast is that there is something physically stopping them from doing so. Thus, she runs outside and breaks into Karyl's room through the window to “save” her from this non-existent threat—damaging Karyl's favorite stuffed animal in the process.

While a bit of a silly scene and little more than the impetus to get our heroes into the city for the rest of the episode on the surface, it's also a stark reminder of the big issue with Percorine. Karyl tries to sum it up by saying that Pecorine has no sense of personal privacy—but that's just a side-effect of the real problem. Pecorine is unable to see the world from any viewpoint other than her own. Hell, it's more than that: she is completely unable to understand that people as a whole do not share her worldview.

It is her greatest strength and also her greatest weakness. Time and again we've seen her basically bully reality into fitting her ideal—be it Karyl's aversion of her or the two thugs stealing her sword. Most of the time, due to her sheer force of will and her pure spirit, it works out for the better. But as we see in this episode, sometimes it does not. This time the result is just the destruction of a window and a stuffed animal, but what happens next time?

The majority of the episode, on the other hand, deals with Yuuki's encounters with his pre-amnesia companions Shizune and Rino. With the shadow monsters from the woods now attacking people in the city, Shizune and Rino have been sent to make sure that Yuuki remains safe.

What's odd is that the pair are not aware of the identities of Yuuki's new companions. Rino, for one, looks at Kokkoro as a rival in love—unaware that she has received a message from God to act as Yuuki's guide and servant. This in turn begs the question of how much of what's going on are they actually aware of. They know about Yuuki's amnesia and the shadow monsters but are unaware of the specifics of Yuuki's new life. It'll be interesting to discover why this is, as well as why they're supposed to protect him without interacting with him.

The rest of the episode is setup for what is to come. Karyl's master has created a super shadow monster that drains life force from anything in its proximity and sends it out into the city. At the same time, ominous forces with unclear goals are coalescing on the city—and seemingly at cross purposes to each other.

All in all, this episode is a collection of tantalizing hints with very few solid answers—be they about Yuuki's backstory or setting the stage for the final two episodes. At the same time, it manages to introduce four new characters and explore the problematic aspect of one of our main heroines. Solid stuff.

Source

Review

کارآگاه کونان پنج‌شنبه 29 خرداد 1399 ساعت 20:15

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The God of High School Anime Reveals Final Trailer, July 6 Premiere

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The God of High School Anime Reveals Final Trailer, July 6 Premiere

Crunchyroll revealed the final trailer and July 6 premiere for the television anime of Yongje Park's The God of High School manhwa on Tuesday. The video features the opening theme song "Contradiction feat. Tyler Carter" and band CIX's ending theme song "WIN."

https://youtu.be/8i3Xvs4R0WY

The anime will also premiere on television in Japan in July. The Crunchyroll Original series will stream exclusively on Crunchyroll, and it describes the story:

This action-packed series follows a high schooler and his friends as they compete in an epic tournament, borrowing power directly from the gods and uncovering a mysterious organization along the way… With the promise of their heart's deepest desires, motivating their tournament victory.

The cast members include:

Tatsumaru Tachibana as Jin Mori

A sixteen-year-old whose taekwondo, which he learned from his grandfather, makes him undefeatable. Nothing is more important to him than being the best fighter of all, and his current record out of 299 fights is 297 wins and 2 draws. He decides to participate in the God of High School tournament, an interdisciplinary martial arts competition, after suffering the first loss of his life against Judge R, one of the tournament's judges.

Kentarō Kumagai as Han Daewi

One of the “Mad Cows,” a duo that once controlled the entire Gangnam area. He's been working part-time jobs to pay the medical bills for his partner in the duo, who fell ill with an incurable disease, but the part-time work available to high schoolers is barely enough to cover the daily medical bills and won't cover a cure. He joins GOH after being told that he can save his friend if he wins.

Ayaka Ohashi as Yoo Mira

The 25th Master of the Moon Light Sword Style. She pretends to be a fragile high schooler, but she has the strength to easily overpower an entire group of delinquents in a fight. She prefers guys who are macho, because she's been told that she needs to marry a man strong enough to help her resurrect her family's sword style. For that reason, she's participating in GOH to find a potential husband.

Daisuke Namikawa as Park Mujin

Tomokazu Sugita as Gang Manseok

Yuki Kaida as Commissioner O

Asami Tano as Commissioner P

Kenji Hamada as Commissioner Q

Chikahiro Kobayashi as Commissioner R

Tomokazu Seki as Announcer T

Sunghoo Park (Garo -Vanishing Line-) is directing the series at MAPPA, and Manabu Akita (Kakegurui) is designing the characters. Sola Entertainment is providing production management. Kiyoko Yoshimura (Dogs: Bullets & Carnage, Last Exile -Fam, The Silver Wing-, Riddle Story of Devil) is in charge of series composition. Arisa Okehazama is composing the music.

WEBTOONS started publishing the comic in English in July 2014.

Source

خبر

کارآگاه کونان پنج‌شنبه 29 خرداد 1399 ساعت 19:30

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نان

نان

28 خرداد 1399

17 ژوئن 2020

* نان با پنیر، خُرفه، تخم آفتابگردان، پودر بادام زمینی، شکلات چیپسی

عکس // عکس // عکس // عکس // عکس // عکس // عکس // عکس // عکس

https://MyNote83.BlogSky.com

عکس

کارآگاه کونان چهارشنبه 28 خرداد 1399 ساعت 23:56

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اینا رو دیدم

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Bakumatsu Kikansetsu Irohanihoheto - Historical - EP01 ~ 12

Shakugan no Shana - Supernatural - S01 - EP05 ~ 06

Yakata Jukujo - Hentai – EP01

Yowamushi Pedal: Re:ROAD – 2015 - Sport - Movie - 1EP

Binbou Shimai Monogatari - Slice of Life - 10EP

Inuyashiki - Sci-Fi - 11EP

کارآگاه کونان چهارشنبه 28 خرداد 1399 ساعت 23:00

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اینا رو خوندم

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Beast Master [Manga] - 7 Chapter

Kubera [Manhwa] - Chapter 341 ~ 371

Twenty Twenty [Manhua] - Chapter 01 ~ 22

The Descent of the Demonic Master [Manhwa] - Chapter 16 ~ 39

Salad Days [Manhua] - Chapter 01 ~ 24

Magi - Sinbad no Bouken [Manga] - Chapter 176

Tsubaki-chou Lonely Planet - Chapter 77

The 10 Years I Loved You the Most [Manhua-Yaoi] - Chapter 61 ~ 64

Super Lovers [Manga-Yaoi] - Chapter 31 ~ 33.5

Totally Captivated [Manhwa-Yaoi] - Chapter 108 ~ 126

K's Secret [Manhwa-Yaoi] - Chapter 13 ~ 36

Somewhere in Time [Manhua] - Chapter 01 ~ 42

See You Again [Manhwa-Yaoi] - Chapter 24 ~ 43

Glen [Manhwa-Yaoi] - Chapter 01 ~ 18

Shame♡Application [Manhwa-Yaoi] - Chapter 01 ~ 11

Sensei wa Butchozura Shite Yatte Kuru [Manga-Yaoi] - Chapter 01 ~ 05 [v02]

Free-dj: Halloween no Yoru ni [OneShot-Yaoi]

Free-dj: Love Bees [OneShot-Yaoi]

Free-dj: You Can't Beat Me [OneShot-Yaoi]

Hakase To Neko [OneShot-Yaoi]

Amai Jouken - dj [OneShot-Yaoi]

Boku No Hero Academia - dj: Anakura Komu Bunny Boy Bakugou san [OneShot-Yaoi]

Boku Wa Sakana [OneShot-Yaoi]

Mellow Pillow [OneShot-Yaoi]

Saha (Lee Uin) [Manhwa-Yaoi] - 52 Chapter

Heartless [Manga-Yaoi] - 06 Chapter

Hidamari ga Kikoeru - 6+1 Chapter [v02]

کارآگاه کونان چهارشنبه 28 خرداد 1399 ساعت 22:15

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معرفی و لینک دانلود بازی Samsara Room

معرفی بازی موبایل Samsara Room؛ اتاق سامسارا

Samsara Room نام یک بازی پازل محور در سبک اشاره و کلیک از استودیوی نام آشنای Rusty Lake است که مانند بازی‌‌های دیگر این استودیوی، شما را با انبوهی از معما‌های مختلف و سخت روبه‌رو خواهد کرد. استودیوی Rusty Lake از محبوبیت خاصی میان علاقه‌مندان به بازی‌های پازل محور برخوردار است و همیشه با آثار جذاب و چالش‌برانگیز خود، موفق به دریافت بازخوردهای خوبی از سمت مخاطبان خود شده است. حال، بازی Samsara Room با همان فرمول همیشگی و موفق استودیوی Rusty Lake، یکبار دیگر شما را به‌جهانی متفاوت و تشکیل شده از معما‌های چالش‌برانگیز و عجیب خود می‌برد.

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روند بازی اندروید و آیفون Samsara Room به شکلی است که باید با کمترین اطلاعات و حتی گاهی بدون اطلاعات، پازل‌های مختلفی را حل کنید. علاوه‌بر این همیشه یک ارتباط منطقی در حل پازل‌ها وجود دارد؛ هرچند که دنیای بازی کاملا عجیب و تخیلی است. شما در شروع بازی موبایل Samsara Room کار خود را با جمله‌ی من کجا هستم، شروع می‌کنید و در ادامه خود را در اتاقی پیدا می‌کنید که هیچ اطلاعاتی از آن ندارید. حال، شما با استفاده از هوش خود و جست و جوی در فضای اتاق، باید راه خروج از اتاق را پیدا کنید.

تمام اجسام موجود در محیط بازی قابل برسی هستند و هرکدام به نحوی در حل معما به شما کمک می‌کنند

زمانی‌که در عمق ماجرای موبایل Samsara Room قرار می‌گیرید؛ متوجه خواهید شد که تمام وسایل موجود در اطراف شما، اهدافی را دنبال می‌کنند و هیچ جسم بی‌ارزشی در اتاق وجود ندارد. یکی از ویژگی‌های جذاب بازی، وجود ارتباط بین پازل‌ها است که به خوبی در بازی جای ‌گرفته است. کل داستان بازی موبایل Samsara Room در یک اتاق دنبال می‌شود، اما باید انتظار هر شرایط یا اتفاقی را داشته باشید، زیرا فضای تخیلی بازی هر چیزی را ممکن می‌کند. سیستم گیم‌پلی بازی موبایل Samsara Room به‌صورت اشاره و کلیک طراحی شده است. شما می‌توانید با لمس تمام اشیاء موجود در اطراف خود، آن‌را برسی کنید و به حل معما‌ها بپردازید. بازی گرافیکی ساده و مشابه با دیگر آثار استودیوی Rusty Lake دارد. همچنین بازی از موسقی زیبایی نیز بهره می‌برد که در طی بازی به خوبی با روند داستان همخوانی پیدا می‌کند.

https://cdn.zoomg.ir/2020/6/6f63c9c6-9608-4a5b-9518-0763b3c363f2.jpg

بازی اندروید و آیفون Samsara Room در سریع‌ترین حالت، حدود نیم ساعت تا یک ساعت گیم‌پلی خواهد داشت. اما باز هم همه چیز به سرعت و هوش شما بستگی دارد. بازی موبایل Samsara Room یک تجربه‌ی لذت بخش از یک بازی معما محور به شما ارائه می‌کند و می‌تواند انتخاب بسیار خوبی برای دوست داران سبک پازل باشد. هم‌اکنون می‌توانید بازی موبایل Samsara Room را به‌صورت رایگان از پلی‌استور و اپ‌استور دانلود کنید. همچنین در ادامه می‌توانید با دیدن تریلر بازی نظرات خود را با ما درمیان بگذارید.

+ لینک دانلود تریلر بازی

+ لینک دانلود بازی از پلی استور

+ لینک دانلود بازی از اپ استور

منبع: زومجی

Game Samsara Room

کارآگاه کونان چهارشنبه 28 خرداد 1399 ساعت 09:10

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افزوده شدن قابلیت استفاده همزمان چهار دستگاه از واتس‌اپ

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افزوده شدن قابلیت استفاده همزمان چهار دستگاه از واتس‌اپ

تازه‌ترین گزارش‌ها حاکی از آن است که واتس‌اپ استاندارد قابلیت جدیدی را به پلت‌فرم خود بیفزاید تا کاربران بتوانند از یک اکانت بر چهار دستگاه به طور همزمان استفاده کنند.

به گزارش ایتنا از ایسنا به نظر می‌رسد که واتس‌اپ قابلیت و امکان جدیدی را به پلت‌فرم خود اضافه کند تا بدین ترتیب کاربران بتوانند از یک حساب کاربری یا اکانت خود در این پیام‌رسان به طور همزمان بر روی چهار دستگاه مختلف استفاده کنند.

واتس‌اپ که بزرگ‌ترین و محبوب‌ترین اپلیکیشن پیام‌رسان در جهان به شمار می‌رود و میزبان بالغ بر دو میلیارد نفر کاربر در کشورهای مختلف جهان است ،هر از گاهی به منظور جلب نظر و رضایت کاربران قابلیت‌های جدیدی را به پلتفرم خود اضافه می‌کند تا آنها با دریافت به روزرسانی های جدید بتوانند از امکانات بهتر و جدیدتری برخوردار شوند.

این پیام‌رسان که زیرمجموعه شرکت فیس بوک به شمار می رود، هم‌اکنون در حال توسعه این قابلیت جدید و کاربردی در پلت‌فرم خود بوده و کارشناسان فعال در WABetaInfo با انتشار پستی در توییتر که حاوی تصویر اسکرین‌شات از این قابلیت است، از اضافه شدن ویژگی جدید واتس‌اپ در ماههای آینده خبر داده و سخن گفتند.

همچنین به نظر می‌رسد که واتس‌اپ در نسخه بتای این اپلیکیشن در حال تست قابلیت دیگری است که این کاربران می‌توانند به واسطه آن با استفاده از تاریخ مکالمات، چت‌های خود را با دوستان و مخاطبان خود جستجو و پیدا کنند.

منبع: ایتنا

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مشخص شدن تاریخ انتشار بازی Jump Force برای نینتندو سوییچ

از زمان عرضه نینتندو سوییچ تابه‌امروز، شرکت باندای نامکو (Bandai Namco Entertainment)، بخشی از بازی‌های خود را روی این کنسول هیبریدی منتشر کرده است. در میان بازی‌های باندای نامکو، Jump Force جزو آن دسته از بازی‌هایی است که می‌تواند نظر مخاطبان نینتندو سوییچ را جلب کند.

طبق جدیدترین اخبار بازی، شرکت باندای نامکو به‌تازگی تاریخ انتشار بازی Jump Force برای نینتندو سوییچ را اعلام کرده است. علاقه‌مندان به این بازی مبارزه‌ای می‌توانند در تاریخ هفت شهریور ماه (۲۸ آگوست) آن را خریداری و تجربه کنند. در ادامه مشخص شده که نسخه دیلاکس ادیشن بازی برای نینتندو سوییچ عرضه می‌شود و شامل تمامی محتویات کاراکتر پس فصل اول بازی است.

باندای نامکو یک ویدیو هم به مناسبت اعلام تاریخ انتشار بازی در دسترس قرار داده است. در جریان ویدیو منتشر شده، کاربران می‌توانند به‌خوبی با ساختار بازی آشنا شوند. نسخه نینتندو سوییچ Jump Force، از نظر بصری دستخوش تغییراتی شده است، اما همچنان جلوه‌های بصری خوبی دارد و انتظار می‌رود در نسخه نهایی هم شاهد کیفیت خوبی باشیم.

https://www.youtube.com/watch?v=Lu_ZZfY-8Mk

منبع: زومجی

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تکلیف هزینه‌های کلاهبرداری‌ شده خدمات ارزش افزوده چه می‌شود؟

رئیس سازمان تنظیم مقررات و ارتباطات رادیویی درباره زمان بازگشت هزینه‌ کلاهبرداری‌های صورت‌گرفته در حوزه خدمات ارزش افزوده گفت: ما شکایتی را تنظیم کرده و به قوه قضاییه فرستادیم و آن‌ها هم در دستور بررسی‌های خود قرار دادند.

به گزارش ایتنا از ایسنا، خدمات ارزش افزوده (Value Added Services) که به اختصار VAS نامیده می‌شوند، شامل مواردی غیر از خدمات استاندارد اپراتورها همچون تماس صوتی و پیامک معمول است، از جمله شامل مسابقات و رای‌گیری، تبلیغات موبایلی، تلویزیون آنلاین، پخش یا دانلود موسیقی و اطلاع‌رسانی. اگرچه استفاده از این خدمات ارزش افزوده باید اختیاری و توسط کاربر انتخاب شود، اما ارائه این خدمات برای برخی از شرکت‌های ارزش افزوده، به روشی برای کلاهبرداری از کاربران تبدیل شد.

پس از آن، محمدجواد آذری جهرمی -وزیر ارتباطات و فناوری اطلاعات- مهر ماه سال گذشته درباره کلاهبرداری‌های ارزش افزوده گفت پنج شرکت در این زمینه شناسایی شده که یک شرکت پشت همه اینهاست و حتی در یک پرونده ۳۳ میلیارد کلاهبرداری انجام‌شده، به مردم برگردانده شده است. پس از آن نیز اعلام کرد شرکت‌های خدمات ارزش افزوده در این‌مدت به ادعای خودشان ۱۳ هزار میلیارد تومان درآمد داشتند.

آذری جهرمی همچنین اعلام کرد اگر خدمات واقعی ارزش افزوده که در حمایت از کسب‌وکارها صورت می‌گیرد از کلاهبرداری‌ها جدا نشود، کل سرویس‌های ارزش افزوده برای همیشه تعطیل خواهد شد. در نهایت ضوابط استفاده از خدمات ارزش افزوده در مصوبه ۳۰۰ کمیسیون تنظیم مقررات ارتباطات موسوم به «پایان وس» تصویب و از ۱۹ خرداد لازم‌الاجرا شد.

التزام اپراتورها به رعایت مصوبه پایان وس

در این راستا حسین فلاح جوشقانی با اشاره به مصوبه موسوم به پایان وس اظهار کرد: پس از ابلاغ مصوبه ۳۰۰ کمیسیون تنظیم مقررات، اپراتور رایتل اعلام کرد قصد دارد خدمات ارزش افزوده را از طرح تجاری خود حذف کند، چون ارائه خدمات ارزش افزده الزامی ندارد و رایتل بر اساس بررسی‌های خود به این نتیجه رسیده است. البته اپراتورهای دیگر هم بر اساس مصوبه عمل می‌کنند.

وی توضیح داد: بر اساس این مصوبه، مشترکان می‌توانند برای ارزش افزوده اعتبار ویژه بخرند، همان‌طور که برای خدمات پایه هم سیم‌کارت خود را شارژ می‌کنند. دیگر اینکه قبوض مشترکان در حوزه ارزش افزوده و خدمات پایه به‌صورت جداگانه محاسبه می‌شود که مردم بدانند هزینه هر کدام از این خدمات چقدر است و نهایتا به دلیل سرویس‌های ارزش افزوده، سرویس‌های پایه‌شان هم قطع نشود.

فلاح جوشقانی خاطرنشان کرد: ما از کسب‌وکار شفافی که روندش مشخص باشد و به روش‌های فریبنده عمل نکند، بلکه با روش‌های سالم، مردم را به سرویس‌های ارزش افزوده جذب و نیازشان را برطرف کند، حمایت می‌کنیم و مصوبه ۳۰۰ هم در همین راستاست. بدین ترتیب مردم حاضرند برای سرویسی که به آن نیاز دارند، اعتبار بخرند و هزینه بدهند و سرویسی هم که به روش‌های مختلف ممکن است کلاهبرداری کند، حذف می‌شود.

رئیس سازمان تنظیم مقررات و ارتباطات رادیویی در پاسخ به این سوال که هزینه‌ کلاهبرداری‌های صورت‌گرفته چه زمانی به مشترکان برگردانده می‌شود، گفت: ما شکایتی را تنظیم کردیم و به قوه قضاییه فرستادیم و آن‌ها هم در دستور بررسی‌های خود قرار دادند.

معاون وزیر ارتباطات و فناوری اطلاعات درباره علت کند بودن روند انجام بررسی‌ها اظهار کرد: علت را باید از مسوولان قوه قضاییه پرسید. آنجا هم حتما فرآیندهای خودش را دارد و من اطلاعی ندارم و نمی‌توانم درباره آن قضاوت کنم اما ما وظیفه‌مان این بود که این موارد را اعلام کنیم.

فلاح جوشقانی پیش از این درباره شکایت مشترکان از سرویس‌های ارزش افزوده و برگشت هزینه‌ها بیان کرده بود: ما اعلام کردیم این سرویس‌ها از مردم دریافت شده و لیست این شکایات را به قوه قضاییه فرستادیم که در نوبت بررسی قرار دارد. اگر قوه قضاییه حکم کند که هزینه‌ها برگردانده شود، به اپراتورها اعلام می‌کنیم. البته بسیاری‌ از این هزینه‌ها را هم اپراتور خودش دریافت نکرده و سهم شرکت‌های دیگر بوده است.

رئیس سازمان تنظیم مقررات و ارتباطات رادیویی همچنین به‌تازگی در توییتر نوشت: تقاضای صدور دستور موقت برای توقف اجرای مصوبه موسوم به پایان وس در دیوان عدالت اداری رد شد. برای صیانت از حق‌الناس نظارت بر اجرای مصوبه با تمام توان ادامه دارد.

منبع: ایتنا

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دانشجویان هدف باج‌افزار جدید

مرکز ماهر از انتشار گسترده نسخه جدید باج افزار STOP در کشور خبر داده که در نرم‌افزارهای مرتبط با پایان‌نامه‌ها جاسازی می شود و بیشتر، قشر دانشجو و کاربران خانگی را هدف قرار داده است.

به گزارش ایتنا از مهر، ‫باج‌افزار STOP برای نخستین بار در تاریخ ۲۵ دسامبر ۲۰۱۷ میلادی مشاهده شده است.

این باج‌افزار تاکنون با اسامی مختلفی از جمله STOP، Djvu، Drume و STOPData در فضای سایبری معرفی شده است.

اما به طور کلی به دو دسته STOP و Djvu تقسیم می‌گردد. Djvu در واقع نسخه جدیدتر این باج‌افزار بوده که از نظر عملکرد شبیه والد خود (STOP) است و امروزه آن‌ها را با نام STOP/Djvu می‌شناسند.

تعدد نسخه‌ها در فواصل زمانی کوتاه در واقع تکنیکی است که باج‌افزار STOP/Djvu از آن برای نفوذ و اثرگذاری بیشتر استفاده می‌کند.

تاکنون بیش از ۲۰۰ پسوند مختلف از این باج‌افزار مشاهده شده و بر اساس آمارهای منتشر شده در وب‌سایت Emsisoft تنها در سه‌ماهه اول ۲۰۲۰ بیش از ۶۶ هزار مورد گزارش آلودگی به این باج‌افزار توسط قربانیان به ثبت رسیده است.

این رقم حدوداً ۷۰ درصد از موارد آلودگی به باج‌افزارها در سطح جهان را به خود اختصاص داده است. نسخه‌هایی از این باج‌افزار با پسوندهای alka، nbes، redl، kodc، topi، righ، bboo، btos و … در کشور ایران نیز مشاهده شده است.

باج‌افزار STOP/Djvu با زبان برنامه‌نویسی C++ نوشته شده است. نسخه‌های جدید این باج‌افزار در کد نویسی خود به شدت مبهم‌سازی (Obfuscate) شده‌اند و از انواع روش‌های anti-emulation و anti-debugging برای جلوگیری از تحلیل توسط تحلیلگران بدافزار استفاده کرده‌اند. برخی از نسخه‌های این باج‌افزار نیز با توجه به منطقه زمانی و موقعیت جغرافیایی میزبان فرآیند رمزگذاری را انجام می‌دهند و بدین ترتیب به صورت هدفمندتر قربانیان خود را انتخاب می‌کنند.

این باج‌افزار به محض اجرا در سیستم قربانی ابتدا یک نسخه از فایل اجرایی خود را در مسیر %AppData%\Local\ کپی کرده و با افزایش سطح دسترسی خود به کاربر Administrator و اجرای دستوراتی در محیط CMD با سرور فرمان و کنترل (C&C) خود ارتباط می‌گیرد و فایل‌ها را با کلید آنلاین و الگوریتم نامتقارن RSA-۲۰۴۸ رمزگذاری می‌کند. در برخی نسخه‌ها از الگوریتم Salsa۲۰ نیز برای رمزگذاری فایل‌ها استفاده شده است.

در صورتی که باج‌افزار به هر دلیل موفق به برقراری ارتباط با سرور خود نشود از روش آفلاین (الگوریتم AES-۲۵۶) برای رمزگذاری فایل‌ها استفاده می‌کند. نسخه‌های اولیه این باج‌افزار از روش آفلاین برای رمزگذاری فایل‌های قربانیان استفاده می‌کردند و شرکت‌هایی مثل Emsisoft توانستند برای این نسخه‌ها رمزگشا ارائه دهند.

اما از آگوست ۲۰۱۹ شیوه رمزگذاری باج‌افزار STOP/Djvu تغییر کرد و در حال حاضر تنها به روش آنلاین رمزگذاری را انجام می‌دهد. لذا بدون کلید خصوصی مهاجم که در سرور C&C باج‌افزار ذخیره شده است عملاً رمزگشایی فایل‌ها غیرممکن خواهد بود.

در مواردی مشاهده شده که باج‌افزار STOP/Djvu پس از ارتباط با سرور C&C، سیستم قربانی را به انواع تروجان‌ها و جاسوس‌افزارها از قبیل Vidar و Azorult که اطلاعات حساس سیستم قربانی را سرقت می‌کند نیز آلوده کرده است. لذا توجه به این نکته، در زمان ارائه خدمات، امداد به قربانیان این باج‌افزار ضروری است.

باج‌افزار STOP/Djvu برای جلوگیری از شناسایی و دور زدن آنتی‌ویروس‌ها به صورت مداوم پسوند و ساختار خود را تغییر می‌دهد. به همین دلیل است که حتی از سد به‌روزترین آنتی‌ویروس‌ها نیز عبور می‌کند.

بر اساس گزارش‌های رسیده از قربانیان این باج‌افزار در سرتاسر جهان، باج‌افزار STOP/Djvu معمولاً از طریق کرک و فعال‌سازهای ویندوز (KMSAuto، KMSPico)، آفیس و سایر نرم‌افزارها (از قبیل اتوکد، فتوشاپ، دانلود منیجر و …) و همچنین لایسنس‌های تقبلی و حتی آپدیت‌های جعلی ویندوز منتشر می‌شود.

نسخه‌هایی از این باج‌افزار حتی در قالب اسناد آفیس و فایل Setup نرم‌افزارهای مرتبط با پایان‌نامه‌ها جاسازی شده و قشر دانشجو را مورد هدف قرار داده است. باتوجه به موارد فوق می‌توان اینگونه نتیجه‌گیری کرد که جامعه هدف باج‌افزار STOP/Djvu کاربران شخصی و خانگی بوده و برای سرورها و سازمان‌ها تهدید کمتری محسوب می‌شود.

بنابراین اطلاعات از دست رفته ارزش مادی بالایی ندارند. دلیل آن هم روش انتشار این باج‌افزار است که بیشتر مبتنی بر دانلود فایل‌های آلوده در اثر بی احتیاطی کاربران است.

طبق بررسی‌های صورت گرفته از سوی مرکز ماهر، می‌توان گفت که رفتار باج‌افزار STOP/Djvu در کشور ایران به صورت فصلی است و در فصولی که دانشجویان به دنبال یافتن قالب برای پایان‌نامه‌ها یا سایر مقالات و ارائه‌های خود هستند، رخدادهای بیشتری مشاهده می‌شود.

از این رو به منظور پیشگیری از آلودگی و مقابله با این باج‌افزار توصیه می‌شود که در مرحله اول سیستم‌عامل، آنتی‌ویروس و سایر نرم‌افزارها به صورت مداوم به‌روزرسانی شوند.

همچنین کاربران باید از دانلود هرگونه فایل یا نرم‌افزار از وب‌سایت‌های ناشناس خودداری کرده و قبل از اجرای فایل‌ها روی سیستم خود حتماً آن‌ها را با آنتی‌ویروس‌های به‌روز و سامانه‌های آنلاین مثل VirusTotal اسکن کنند.

مرکز ماهر تاکید کرد: پشتیبان‌گیری منظم از اطلاعات به صورت آفلاین تنها راه قطعی مقابله با هرگونه تهدید سایبری خصوصاً باج‌افزارها است.

منبع: ایتنا

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افزوده شدن قابلیت جابجایی پول به واتس‌اپ

واتس‌اپ که بزرگ‌ترین و محبوب‌ترین اپلیکیشن پیام رسان در جهان به شمار می‌رود، پس از ماهها تلاش، تست و بررسی، سرانجام قابلیت و امکان پرداخت پول را در پلتفرم خود ارائه و فعال کرد تا کاربران بتوانند از این پس سپس تحت نظر فیس بوک به عنوان شرکت مادر واتساپ و با استفاده از قابلیت فیس بوک پی (Facebook Pay) برای کاربران این اپلیکیشن پول واریز و منتقل کنند.

به گزارش ایتنا از ایسنا، فیس‌بوک سال گذشته بود که سرویس پرداخت درون شبکه ای فیسبوک پی (Facebook Pay) را معرفی و و ارائه کرده بود.

در پست وبلاگ رسمی واتس‌اپ همچنین به رایگان بودن این سرویس اشاره شده است که این بدان معناست که کاربران عادی هیچ کارمزدی را برای نقل و انتقالات مالی در این پلتفرم نخواهند پرداخت. البته لازم به ذکر است که کسب و کارها برای دریافت پول باید هزینه پردازش تراکنش را به فیس‌بوک پرداخت کنند.

این قابلیت هم‌اکنون تنها برای کاربران برزیل فعال سازی شده و در صورت استقبال و موفقیت، در سایر کشورهای جهان نیز ارائه خواهد شد.

بر اساس گزارشی که در وبسایت تک کرانچ آمده است، کاربران واتس‌اپ برای استفاده از این قابلیت پرداخت باید حساب کاربری خود را به کارت اعتباری خود متصل کنند و بخش امنیتی شامل رمز شش رقمی یا ورود با اثر انگشت را در این اپلیکیشن پیام‌رسان فعال سازی کنند.

منبع: ایتنا

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شکایت کاربران اروپایی شیائومی از ردمی نوت ۹ اس

سری گوشی‌های هوشمند شیائومی ردمی نوت ۹ اس که به تازگی در بازار کشورهای اروپایی و انگلستان عرضه شده است، به نظر می‌رسد که یکی از مدل‌های آن صدای خیل عظیمی از کاربران را درآورده است؛ چراکه آنها در شبکه‌های اجتماعی و فضای مجازی از مشکل قطع خودکار اتصال به اینترنت وای‌فای در این گوشی‌ها سخن گفته و خبر داده‌اند.

به گزارش ایتنا از ایسنا، بر اساس گزارش‌های منتشر شده از سوی کاربران این گوشی‌های چینی پس از گذشت ۱۰ الی ۱۵ دقیقه از قفل شدن صفحه نمایش، اتصال وای‌فای را از دست خواهد داد و در صورتی که صفحه دوباره روشن شود، اتصال برقرار می‌شود.

به نظر می‌رسد که این نقص بسیاری از کاربران را به در سراسر اروپا به ستوه آورده و مراکز و نمایندگی‌های شیائومی نیز از گله و شکایت مکرر و مداوم کاربران اروپایی خبر داده‌اند.

هنوز گزارشی از مشکل کاربران در سایر مناطق و کشورهای جهان منتشر نشده و در دسترس نیست.

شرکت شیائومی برای رفع این مشکل به کاربران پیشنهاد کرده که گوشی یا روترهای وای‌فای خود را ریست کنند که البته به گفته بیشتر کاربران این راهکار مفید و سودمندی نبوده است.

با اینکه برخی از کاربران اعلام کرده‌اند که مشکل اتصال وای فای گوشی‌های آنها پس از دریافت به روزرسانی MIUI ۱۱.۰.۸.۰ برطرف شده است، اما برخی دیگر از آنها عنوان کردند که حتی پس از دریافت آپدیت مذکور مشکل آنها رفع نشده است.

هنوز معلوم نیست که این مشکل نرم‌افزاری است یا سخت‌افزاری و اینکه آیا شیائومی می‌تواند نقص مذکور را با انتشار یک به‌روزرسانی دیگر برطرف کند یا خیر.

منبع: ایتنا

خبر

کارآگاه کونان چهارشنبه 28 خرداد 1399 ساعت 08:30

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Hiro Mashima's Edens Zero Manga Gets TV Anime

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Hiro Mashima's Edens Zero Manga Gets TV Anime

Manga creator Hiro Mashima announced on Friday that his Edens Zero manga is getting a television anime adaptation. He asked fans to "Stay tuned for incoming updates!"

This year's 28th issue of Kodansha's Weekly Shōnen Magazine teased on Tuesday that the manga would have an "important announcement" in the magazine's next issue on June 17.

Kodansha Comics publishes the manga in English both digitally and in print, and it describes the story:

At Granbell Kingdom, an abandoned amusement park, Shiki has lived his entire life among machines. But one day, Rebecca and her cat companion Happy appear at the park's front gates. Little do these newcomers know that this is the first human contact Granbell has had in a hundred years! As Shiki stumbles his way into making new friends, his former neighbors stir at an opportunity for a robo-rebellion…And when his old homeland becomes too dangerous, Shiki must join Rebecca and Happy on their spaceship and escape into the boundless cosmos.

Mashima launched the manga in Weekly Shōnen Magazine in June 2018. Kodansha published the manga's ninth compiled book volume on April 17, and will publish the 10th volume on June 17. North American publisher Kodansha Comics is releasing the series simultaneously digitally. The eighth English volume shipped in print on Tuesday.

Mashima's Fairy Tail manga series follows the adventures of world's most notorious mage guild, Fairy Tail. The manga launched in 2006 and ended in July 2017.

The most recent and final anime season based on Mashima's manga premiered in Japan in October 2018. The anime series ended last September with 328 episodes. Crunchyroll and Funimation streamed the anime with English subtitles. Funimation also streamed an English dub. The manga has inspired two earlier television anime, two anime films, several original video anime projects, and spinoff manga. Kodansha Comics publishes the original manga and a number of its spinoffs in North America.

Source

https://www.animenewsnetwork.com/news/2020-06-12/hiro-mashima-edens-zero-manga-gets-tv-anime/.160557

خبر

کارآگاه کونان شنبه 24 خرداد 1399 ساعت 20:41

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نان

نان

23 خرداد 1399

12 ژوئن 2020

نان با پنیر و تخمه آفتابگردان

عکس // عکس // عکس

https://MyNote83.BlogSky.com

عکس

کارآگاه کونان جمعه 23 خرداد 1399 ساعت 23:54

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کیک شکلاتی

کیک شکلاتی

23 خرداد 1399

12 ژوئن 2020

عکس // عکس // عکس // عکس // عکس // عکس

https://MyNote83.BlogSky.com

عکس

کارآگاه کونان جمعه 23 خرداد 1399 ساعت 23:54

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Fruits Basket - Episode 35 [Review]

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Fruits Basket - Episode 35 [Review]

Don't look now but Fruits Basket just dropped a major reveal. There is no longer any ambiguity about the nature of Akito's power over the Zodiac. From the kids' unquestioning obedience to Shigure's fawning, the Sohma family's dynamic now makes a simple, terrible sense. Low lighting and rainy nights amplify Akito's power in a physical sense this episode, but the tense, melodramatic storytelling offers room for hope. Amidst a grandiose, violent gesture to lord his power over Tohru, Akito doesn't realize that he's actually given her ammo against him. Since the beginning, Tohru has brightened her found family's home through kind words and acts of service. But now that Akito has clued her in, she's found a higher calling: to break their curse.

Look up “emotional vampire” in the dictionary and you'll probably find Akito's picture. The Sohma family head is a pro at sucking all the joy out of any situation, even a fun beach retreat. His toxic personality is so outsized that even though the last episode was supposed to be about Tohru and Kyo, I spent most of my review talking about him. It helps that this tyrant is surrounded by enablers, the most disturbing of which is Shigure. The laid-back, always-joking dog of the Zodiac has emerged during this summer vacation as a surprise agent of chaos in Akito's court. In an unsettling, almost incestuous scene in a darkened room, Akito chides Shigure for being cold to him and commands a return to the days when “you looked only at me.” This scene is set in a timeless traditional Japanese room, which serves to distance Akito's twisted realm from the real world.

The divide between Akito's inner court and the beach house where the others are staying with Tohru is further emphasized when Akito changes from a kimono into Western-style clothing in order to make an impromptu visit to “that woman.” It's raining, it's the middle of the night, and yet Akito feels compelled to wake up Tohru and give her a piece of his mind. Akito's most self-aware moments are whenever he realizes that Tohru is a threat to his hold over the Sohmas—but these are also the times he is most dangerous. It's no surprise that this encounter culminates in assault. But before Akito literally digs his claws into Tohru, he drops a few shocking truths. Missing, however, is what exactly marks Akito's godhood over the Zodiac—is he an incarnation of the original god, like the others are incarnations of each animal? Is his pull over the Sohmas merely psychological, or supernatural? For such a major discovery, I was hoping for concrete details. And another bomb: Tohru now knows that Kyo is going to spend the rest of his life in confinement. Though Akito may think he's crushing her spirit here, he's actually giving her strength. Tohru's mission changes as a direct response to this conversation. Up until now, she's worked to cheer up the Sohmas. But after Akito's threats, Tohru no longer questions her place in the Sohma family. Now she knows she's there to break Akito's hold over the people she loves.

Though Akito loomed over this episode like a dark shadow, it was Momiji who was the MVP. The childlike rabbit of the zodiac proved he has wisdom beyond the innocent front he usually presents. At the beginning of the episode, Tohru overhears a conversation between him and Kyo, in which Kyo puts two and two together: the kids are all spending their days with Akito because if they refused, they'd make Tohru more of a target. Later, Momiji gets a chance to defend Tohru directly, taking Akito's punch rather than bring him to her. And in the end, it's Momiji who gets the others to defuse the situation. When Hiro asks why the two of them are injured in the fireworks scene, Tohru lightly conceals the truth and presses her forehead to Momiji's in a sisterly gesture—he protected her, and now she's following his lead. I think this marks a turning point in Fruits Basket. From here, the story becomes her hero's journey, documenting her efforts to break the curse.

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Gleipnir - Episode 10 [Review]

There are a lot of good romances currently airing. Kaguya-sama's uproarious second season easily solidifies the series as one of the funniest comedies of the past few years. My Next Life As A Villainess is a feel-good and refreshing take on both anime harems and otome games. Only Gleipnir, however, is brave enough to test the mettle of its main couple with a literal war crime.

This story has so far relished in the over-the-top grotesqueries of its body horror and ultraviolence, but this episode quite deliberately reigns itself in to articulate the subtler and more familiar terrors that slither under Gleipnir's flamboyant surface. Clair herself explains it best: “Special powers, incredible strength — these things aren't scary. What's scary are the people who use those powers.” While we all know by now that great power comes with great responsibility, Gleipnir takes this idea a step further and interrogates the inherent horror of such responsibility. Shuichi has been attacked by all kinds of monstrosities, and he himself contains a monster he still doesn't fully understand. In fact, every one of the gatherers has a deeply embedded desire that informs and defines their transformations. An iceberg, no matter how intimidating its tip appears to be, hides most of its goliath form in the dark water of the ocean. Beneath every bizarre ally or enemy is a person who decided to use their powers, and a person's resolve can be both beautiful and terrifying.

It's extremely appropriate, then, that the villain of this arc is Madoka, an enemy whom Gleipnir refuses to color with black-and-white morality. He's obviously not a good person, but he's not a moustache-twirling villain either. As we saw last week, he behaves like a natural and charismatic leader with a strict set of codes and a genuine sense of duty when it comes to fellow pieces of shit like himself. His self-identification as a loser is important, and I really like his off-the-cuff remark that he only discovered his first chip because he had gotten so used to staring at the ground instead of looking at other people. The very nature of this game seems to select for outsiders. Madoka's frustrations from his prior life inform his creation of a collective where outcasts like himself could band together and earn everything that society had denied them. Like many groups that define themselves by a mutual sense of indignation, it gets filled with a lot of unsavory and selfish characters, but that desire for camaraderie is not intrinsically toxic.

It's similarly appropriate that the peril Sayaka's group finds themselves in is not a result of any one gatherer's special powers, but a simple matter of being surrounded and outnumbered. And the choice Madoka gives them is just a variation of the good old-fashioned trolley problem: is it more ethical to choose a sacrifice for the survival of the group, or for the whole group to go down together. Yota is quick to bark some shonen-flavored bombast about overpowering Madoka's team with pure moxie, but Gleipnir refuses to let our heroes off that easy. In fact, Clair takes the reins of the conversation and Socratically tears down the other members' attempts to rationalize their way out of the situation. There's a kindness in her cruelty, however; she wants these people to understand that they are fundamentally unequipped to handle a person like Madoka. Luckily for them, she is.

Clair's statement about the frightening people behind these powers is a bit misleading. She's certainly talking about other gatherers — especially smart and ruthless ones like Madoka — but she's primarily talking about herself. It's ironic that, despite having no powers of her own, she's been able to survive and thrive in this world better than most just by utilizing the powers of those around her. It's an irony that doesn't escape her, and it foments the kind of self-hatred that compels her to see herself as frightening. Her way of coping is to turn that into her strength, to become the cold, calculating, Machiavellian anti-hero behind some of the series' most outrageous moments. That's a genuine part of who she is, and it's part of what makes Gleipnir so much fun to watch, but she's a much more three-dimensional character than her menacing Glasgow grin. The wistful pain on her face as she asks Isao to grow the oleander says it all.

Clair's playing the role she believes is expected of her. She takes the yoke of villainy to spare others the pain of wrestling with their own morality. She does so with the knowledge that she will be feared and hated for it. It's a terrible burden, but despite her depressive impulse towards self-flagellation, it's not one she has to bear on her own. This whole episode is built around this one moment where Shuichi repeats the words back to her about the two of them being one, followed by a long embrace that allows Clair some momentary yet momentous emotional release. It's the single most romantic gesture in the show to date, and it's about our heroes enabling each other to commit a literal war crime. This is why I love Gleipnir.

Love is powerful. Even swept up in the swell of emotions brought on by Shuichi's conviction, Clair ruminates how that kind of love and support will only further foster her ruthlessness, but she respects him for it all the same. After all, Shuichi does here for Clair what Clair was unable to do for Elena back when she received her first chip. Elena might be stronger than the two of them, but she also doesn't have anybody to share or relieve her of her own burdens. That will likely be the deciding factor when and if the two sisters confront each other again, and it also may be Clair's own personal undoing. Whether she and Shuichi can channel the strength of their bond into something healthy and sustainable remains to be seen, but for the time being, it's weird, passionate, and exactly what they need to survive.

This proves to be Gleipnir's most compelling episode yet, letting its character drama do all the heavy lifting while solidifying its main couple as the fascinating and delightfully problematic emotional core of the series. In other words, I wanna see these two depressed horny teens do even more war crimes together. There's a liberating toxicity to their dynamic, reminiscent of why I couldn't help but root for Nakamura and Kasuga in Flowers of Evil, despite their inevitable self-destructive destination. That's a very tough needle to thread, but Gleipnir has no fear of getting messy, and that continues to be its greatest asset.

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Kaguya-sama: Love is War Season 2 - Episode 9 [Review]

This week, Kaguya-sama: Love is War changes things up a bit by taking a small break from the two leads and devoting two-thirds of its runtime to supporting characters. Although viewers have become well-acquainted with the show's supporting cast, we seldom get a chance to see how they function outside of the usual setting and away from Kaguya and Miyuki. While the vast majority of the series' humor stems the main duo's ongoing conflict, it's nice to get the occasional reminder that Kaguya-sama's world is populated by other characters who are funny and fascinating in their own right.

The first segment finds Miko, who's considering a departure from the student council, unloading her anxieties on Kobachi. From Miko's perspective, she's a tragic heroine, and the student council is made up of oppressive bullies and depraved perverts (with the exception of Chika, of course). However, since her friend has an overactive imagination and is prone to jumping to conclusions, Kobachi posits that Miko has simply misinterpreted the gang's words and actions, prompting Miko to carefully reflect upon her recollections of recent events. After thinking things through, Miko once again allows her imagination to run wild and concludes that Kaguya is the primary cause of all the student council's chaos and is hellbent on wresting the presidency from Miyuki — effectively replacing one misguided train of thought with another. Newly enlightened, Miko goes on the offensive against the unsuspecting vice president, only to find herself on the losing end of the episode's battle when Kaguya reacts unexpectedly to Miko demanding to know how she feels about Miyuki.

Miko's extended fantasy sequence and knack for exaggeration demonstrate that she's a much better fit for the student council than she thinks. She's partial to flights of fancy and has a very specific plan for how things should be — but she's not necessarily able to execute said plan to her liking. Still, it's strange that she's been established as a stickler for the rules when her deepest desire seems to involve revolutionizing a strict, out-of-touch student council and becoming the student body's hero. Her desire for adoration fits well with her character, but standing by her principles seemed to be central to her personality as well. Perhaps she thinks she knows the ideal level of discipline, and the student council of her fantasies have simply become too strict — which, again, is odd, considering her belief that the gang has no respect for the rules.

Picking up from the conclusion of last week's installment, the second segment finds Kaguya unable to face Miyuki following her bout of lovesickness. To help make herself less nervous in his presence, Kaguya develops a calming ritual that involves touching her left cheek with her right hand. However, when Miyuki grabs her right hand and insists that she explain why she's been so evasive, Kaguya is unable to use her new ace in the hole. More flustered than ever, Kaguya violently throws Miyuki to the ground, thereby freeing her hand and enabling her to perform her ritual. Unfortunately, her calmness quickly dissipates when she realizes how badly she's injured Miyuki, though it may have been virtual reality, judging by the brief scene of her in VR goggles at the end.

Fast-paced and laden with winning gags, this segment is the sole portion of episode 9 that centers on Kaguya and Miyuki, and it truly makes the most of its brief runtime. Presenting Kaguya's confrontation with Miyuki as a fighting game is both a funny visual choice and accurate portrayal of ballooning embarrassment and out-of-control emotions. It's also surprisingly hard to take sides this time around, as neither party is trying to coax a confession out of the other or engaging in emotional blackmail. Both Kaguya's desire to avoid embarrassing herself and Miyuki's concern for Kaguya's wellbeing are malice-free, which makes for an interesting change of pace. Kaguya achieving mental clarity in Miyuki's presence — but only for a few seconds — serves as yet another darkly comic reminder that true victories are rare in this series.

In this week's final story, Ishigami decides to come out of his shell and join Shuchiin's cheerleading squad in the hope of becoming a “normie.” However, after seeing how gung-ho and extroverted the rest of the squad is, he quickly comes to regret this decision. For the school's upcoming sports meet, the squad decides that all male members will wear female uniforms, and all female members will wear male uniforms. While the prospect of borrowing a uniform from one of the girls on the student council fills Ishigami with dread, Kaguya proves surprisingly sympathetic and volunteers the use of one of hers. (Although she intentionally botches his makeup job in response to him claiming that the chest area is too tight.) Energized by Kaguya's support, Ishigami decides to honor his commitment to the cheerleading squad, and the narrator promises that his story will continue next week.

This story provides us with our first extended look at Ishigami on his own, giving us a chance to see how he interacts with peers outside of the student council. In spite of his usual antisocial behavior and judgmental observations, we learn that he harbors a genuine desire to grow as a person and step outside of his comfort zone. Having unfairly looked down on the cheerleading squad in this past, he wishes to right this wrong and possibly become a better-rounded person in the process. The segment also shines a light on the evolving relationship between Kaguya and Ishigami. Although he still claims to be terrified of her, Ishigami is receptive to Kaguya's help and is quick to confide in her. For Kaguya's part, she no longer appears to regard Ishigami with the same level of disdain she had for him at the outset and doesn't hesitate to provide assistance after being briefed on the situation. Among this segment's stand-out jokes are Miyuki becoming jealous by the level of physical contact between Kaguya and Ishigami, and Miko reacting to the sight of Ishigami in a dress with detached indifference instead of her usual panic.

This week's Kaguya-sama: Love is War starts strong and manages to entertain throughout. Miko shows that she's more at home on the chaotically dysfunctional student council than she might think, Kaguya continues to tackle the physical symptoms of her lovesickness, and Ishigami makes baby steps towards self-improvement. For a series whose central gimmick largely depends on the status quo being upheld, this episode contains a fair amount of character development.

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Plunderer - Episode 22 [Review]

“In which a love goes unrequited but might actually save the world.”

Most of this episode is focused on bringing Lynn and Licht's relationship to its final conclusion. Lynn has been in love with Licht since he saved her back in episode 3—despite his constant sexual harassment. Yet, ever since Hina re-entered the picture, Lynn has been a bit of a third wheel. When Licht needed someone, it was always Hina who rushed to his side. And this is why Lynn's relationship with Licht was doomed to never move beyond a crush.

Lynn fell for Licht because he supported her when she needed it. But Licht isn't looking for people to rely on him. In fact, that's the thing he wants the least. After all, the last time that happened and he took on all the responsibility, it ended with his friends dead and him in a catatonic state. He's Looking for the opposite: someone who could support him.

While Nana tried to be this, her guilt, self-loathing, and shared history with Licht made this impossible. Hina, however, just steamrolled in, determined to give him unconditional support. She didn't see the man he was, she saw the man he could be—and was prepared to help him become that. Lynn never really had a chance.

But while she couldn't win Licht's heart, that doesn't mean she hasn't touched the lives of others. Lynn may be a klutz and not the sharpest tool in the shed but no one in the series exhibits the heart that she does. And in her lowest moment, as she's bleeding out and unable to rouse Licht, she gets proof of this. Seemingly out of nowhere the villagers she befriended arrive to bandage her wounds—giving her a chance to convey her feelings and bring Licht out of his coma. She may not be the love of his life but her connection to him is more than strong enough to save those they both care about.

The rest of the episode is mainly about Doan: He is not the high school bully we remember. He's not motivated by some survival of the fittest mentality—exploiting the weak to get a comfy life. The war changed him—and it's obvious that he did as much killing as Licht with his talk of killing women and children. However, that doesn't mean he's proud of what he did. He merely thought that it had to be done.

However, now Licht has decided what they did wasn't worth it. Doan can't accept this. The only way he was able to get through what happened—the abandonment of his friends, family, and the rest of humanity on the barren planet below (in addition to the killing)—was to hold onto the idea that the alternative was worse. Either everyone starves together or some live happily while others starve.

Over the centuries, he has clung to this idea as his personal dogma. He is enraged that anyone, even Licht, would seek to undo what has been done and make their sacrifices moot. He would even kill his classmates from long ago to stop the destruction of the world—and the fact that they have an original ballot implies they are planning to do just that.

However, deep down he knows that his world is built upon the lesser of two evils—and the lesser of two evils is still evil. This is why he holds out hope that Licht is not dead—sparing Hina and the others till morning. He wants Licht to prove to him there is a better way after all this time—regardless of what that means for his conscience. Unfortunately, the bad guys have an additional leash on Doan: Sonohara.

Back in the past, Doan claimed that he bullied Sonohara to keep her safe. Whether that was true at the time or only became true as the war went on, he certainly cares for her now. He is dismayed to see her under the control of the drug again but feels that on the baddies side with him, she will be safe.

And so Licht is set to fight a battle he has little chance of winning—with the lives of Lynn, Nana, Hina, and Pele hanging in the balance. Good thing there's a hero on the way that's more than able to even the odds.

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Tower of God - Episode 11 [Review]

Just who is being tested this week on Tower of God? Bam and Rachel have been cleared to take the Administrator Exam, but all they have to do during the test is sit tight and trust in their friends. “Underwater Hunt (Part One)” gives our protagonists time to reflect in a bubble while everyone around them risks their lives. As usual, an initially simple test premise gives way to a convoluted tangle with plenty of places for contestants to slip through the cracks. Even a Princess of Jahad could find herself in danger here. All this action keeps the story chugging along even as the plotline becomes confusing to the point of unknowability. I'm starting to perceive the anime as an exciting companion piece to the webtoon, because the further it delves into politics and intrigue, the less I can understand it on its own.

Being surrounded by gorgeous glowing schools of fish only serves to emphasize the flat color and crude line art that make up Rachel and Bam. It's really not fair that they're the ones who are ostensibly being tested, yet get to reminisce about old times in a quiet undersea bubble. If I didn't know better, I'd say that the pair are finally about to make amends. Even though Rachel clearly doesn't feel the way about Bam as he seems to about her (while he acts like her tough protector, she ruffles his hair as if he were a child), they seem to be coming to an understanding. Little do they know that all around them, hell is breaking loose.

The competitors' team mission feels like one of those logic problems where you have to transport grain, chickens, and a fox all in the same boat. They need to protect the dolphins, fight the earthpigs, avoid the goblins and worms, and there's also a superpowered freak of nature called the Bull? Luckily Khun's there to coordinate everyone into a plan, because I have no idea how they'd strategize around all those working parts. This is definitely one of those places where the complexity that lends richness to the webtoon struggles in animated form. It clearly was designed for pages of explanation, not an easily-digestible half-hour of TV.

But even with so much going on, Tower of God manages to develop its characters through their relationships and dialogue. Parasol—I mean Paracule has quickly become a member of Rak's formerly one-man comedy troupe. Shibisu and Khun, two completely different character types, acknowledge each other's strengths as equals. And Anaak and Endorsi both prove that they have more strength than smarts as they completely ignore Hansung Yu's warning about the Bull and eventually pay the price. In each of these scenes, it's riveting to watch the tone flash from comedy to life-threatening suspense within seconds.

The episode concludes on a cliffhanger with nearly everyone in danger, and Tower of God's bloody track record suggests that at least some characters will face real consequences. There's definitely more afoot in this test than we know about—it includes secrets that Hansung, Ren, and perhaps Lady Yuri alone comprehend. But I'd probably have to read the webtoon to know for sure what's going on, and that's an adaptation problem. While I don't envy the staff's task at distilling a massive webtoon season into 13 episodes, I do think that for it to be a success, it needs to be something even a newcomer can understand.

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کارآگاه کونان جمعه 23 خرداد 1399 ساعت 23:30

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کارآگاه کونان جمعه 23 خرداد 1399 ساعت 10:16

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کارآگاه کونان جمعه 23 خرداد 1399 ساعت 06:15

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