جادوی ِ خاطرات

زندگی در ژاپن فئودال آسان نیست... خصوصا حالا که فضایی‌ها آمده و همه‌ چیز و همه‌ جا را به تصرف خود درآورده‌اند! خب البته، اوضاع بیمه و بهداشت عالی شده، اما ممنوعیت عمومی استفاده از شمشیر، بسیاری از سامورایی‌های شکست‌خورده را با تصمیم سختی رو‌به‌رو ساخته که همانا انتخاب مسیر زندگی آینده‌شان است! این موضوع، خصوصا در مورد افرادی از جمله گینتوکی ساکاتا صدق می‌کند که به شغل درازمدت و منظمی پایبند نیستند. این شد که گینتوکی، دنبال شغل آزاد رفته و هر کاری به او پیشنهاد شود، می‌پذیرد، البته تا جایی که حقوق آن به اندازه‌ی کافی باشد. اما چه می‌شود کرد که در این دنیای تازه که پر از هیولاهایی با چشم‌های حشره‌ مانند، یاکوزایی که روز به روز پیشرفت می‌کند و جاه‌ طلبی‌های بی حد و حصر فضایی‌هاست، هیچ کاری آن‌قدر که رنج و درد و بدبختی برای گینتوکی به همراه می‌اورد، پول چندانی عایدش نمی‌کند!

این انیمه ادامه ی فصل های گذشته انیمه گینتاما میباشد.

توضیحات و خلاصه قسمت ها (اسپویل شدید)

هااااااااااااااااااااایییییییییییییی

مُردم از خنده. قسمت 275 رو دیدم. یه موجوداتی اومدن، یه نور انداختن منطقه، جنسیت همه عوض شده! فعلا اوتائه-سان تنها کسی است که عوض نشده.

وووااااااااااااایییییییییییی، بروبچ شینسنگومی، همه تبدیل به دختر شدن. کوندو-سان یه جیگری شده واسه خودش.

آخی، آخی، توشیرو بیچاره! چرا اینقده داغون درستش کردن؟ گین-سان هم همچین مالی نشده. قبلا که می رفت نقش بازی می کرد، خیلی خوشگل تر بود. اون موقع ها که لباس زنونه می پوشید.

اصلا این انیمه فوق العاده است.

قسمت 288 رسیدم.

بعد از تصادف با کامیون، روح گینتوکی و توشیرو جابجا شده! حالا هم یوزویا گند خورده بهش، هم شینسنگومی.

کرکره خنده س! من چقده این انیمه رو دوست دارم.

قسمت 302 هم دیدم.

در مورد ترور شوگان است. میشه گفت جزء معدود قسمت هایی است که شخصیت این شوگان رو نیست و نابود نکردن.

یعنی قراره در قسمت بعدی گینتوکی هم با تاکاسوگی مبارزه کنه؟ نه؟

قسمت 304

گینتوکی با تاکاسوگی مبارزه کرد.

در حین مبارزه، داستان آشنا شدن شون رو نشون داد.

این تاکاسوگی از بچگی شر بوده ها، ولی قوی.

دوباره به مبارزه برگشتیم ... گینتوکی افتاده روی زمین.

تاکاسوگی وایستاده ...

یعنی چی شد! یعنی تاکاسوگی پیروز شد؟

قسمت 305

یعنی میخوام زار زار گریه کنم هاااا. بالاخره تاکاسوگی هم افتاد زمین.

مساوی شدن! ولی ولی ولی ...

دوباره گذشته رو نشون داد. گینتوکی برای نجات کاتسورا و تاکاسوگی، مجبور شده بود سنسه رو بکشه!

تاکاسوگی و کاتسورا ازش متنفر نشدن، ضعیف بودن!

برای همین استکه تاکاسوگی اینقده از باکوفو متنفر است و میخواد اونا رو نابود کنه.

برای همین است که کاتسورا جزء شورشی هاست و می خواد شوگان رو شکست بده...

گینتوکی بیچاره! چه زجری کشیده!

نههههههههههههههههههههههههههههه، سروکله ی پیشگویان یاتاگاراسو پیدا شد!

به تاکاسوگی از پشت حمله کردن...

یعنی حالا چی میشه؟ گینتوکی با اون همه زخمی که داره، چی جوری میخواد باهاشون مبارزه بکنه؟ چرا همچین شد!؟

قسمت 307

شوگان زنده مونده، ولی از مقامش رفته کنار. دشمن خودش رو به عنوان شوگان معرفی کرده. کاموئی و کاگورا به موقع جنگیدن رو متوقف کردن و به کمک گینتوکی و تاکاسوگی اومدن.

افراد شینسنگومی هم وارد صحنه شدن. جنگ متوقف شد!

شوگان و خواهرش به محل امپراطوری رفتن تا ازشون محافظت بشه و بتونن دوباره نیرو جمع بکنن و به ادو برگردن.

همممم، از کدوم قسمت بود که خواهر شوگان وارد انیمه شد؟ اصلا یادم نمیاد چی جوری با کاگورا دوست شده بوده!

قسمت 308

شوگان بالاخره ترور شد! از طرف یه دوست قدیمی.

اون یارو جدیده، خودش رو شوگان معرفی کرده.

شینسنگومی منحل شد! رئیس کل و کوندو سان دستگیر شدن.

یه صحنه نشون داد که سر کوندو-سان قطع شده و گذاشتن برای تماشا.

...

مگه میشه شینسنگومی نداشته باشیم؟

مگه میشه دیگه کوندو-سان ِ گوریل رو نداشته باشیم؟

یعنی دیگه کسی نیست که اوتائه بتونه با خیال راحت دهنش رو سرویس کنه؟

توشیرو و سوگو چی؟ میخوان چی کار کنن؟ همه شون الان آواره هستن.

آقا مگه این انیمه کمدی نبود؟ چرا اینقده تراژدی شده این قسمت ها؟!

قسمت 309

کوندو-سان هنوز زنده س؟ این که توو زندان است.

تازه کاتسورا و شورشی ها رفتن کمک شینسنگومی.

قراره با هم متحد بشن و این دشمن های جدید رو بیرون بکنن.

این کت سفید ها هم بد نیستن ها.

ولی فعلا رفتن طرف دشمن.

کاتسورا ترتیبی داد که زندانی بشه. تا بتونه با کوندو-سان ملاقات بکنه.

حالا ببینم در قسمت بعدی چی میشه.

قسمت 316 (آخرین قسمت این فصل)

وای خدای من! شینسنگومی کلا تعطیل شد! مجبور شدن از ادو برن.

چه مبارزه ی وحشتناکی بود.

اون کلاغ های عوضی، چی کار کرده بودن؟

چی جوری بود که رئیسشون قیافه ی شویو رو داشت!

توو اون لحظه یی که گینتوکی نقابش رو شکست، قیافه ی شویو رو دید، سکته زد.

من هم سکته زدم!

اصلا منطقی نمیشه که توشیرو، سوگو و کوندو سان نباشن!

اون وقت کی دیگه می خواد با کاگورا بازی بکنه؟ کی می خواد منحرف بازی در بیاره و چشم چرونی اوتائه رو بکنه؟

دیگه سلطان مایونز نداریم؟ نگوووووووووووووووووووو.

این فصل هم تموم شد.

باید منتظر موند و دید، فصل جدید می خواد چی بشه.

قسمت یک از فصل جدید، پخش شد.

باید صبر کنم وقتی تموم شد کلا، دانلود کنم.

لازم باشه، میشینم از اول گینتاما نگاه می کنم.

چقدر این فصل داستان داشت. سری های قبلی، بعضی قسمت های تکی داشت. ولی این سری خیلی منسجم شده بود.

شاید بد نباشه دوباره همین فصل رو از اول نگاه کنم.

انیمه Gintama° (2015) 銀魂° (2015) Action Historical Comedy Parody Samurai Sunrise Sci-Fi

کارآگاه کونان سه‌شنبه 18 اردیبهشت 1397 ساعت 00:18

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Anime – New Episode [07 May 2018]

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Anime – New Episode [07 May 2018]

480P, 720P, 1080P, Multi Server, MKV, AVI, MP4

Download Links, Torrent Files, Watch Online

The Loud House Season 3 Episode 14

Black Clover Episode 28 English Dubbed

full Metal Panic! Invisible Victory Episode 1

Camp WWE Season 2 Episode 1

Ben 10 Season 2 Episode 20

Caligula Episode 5 Subtitle Indonesia

Shokugeki no Souma Season 3 Episode 17

Nil Admirari no Tenbin: Teito Genwaku Kitan Episode 5

Basilisk: Ouka Ninpouchou Episode 17

Neon Genesis Evangelion Series [HEVC, | BD 1080p]

Animegataris [720p]

Gintama Live Action 2017 – 1080p Eng Sub x265

Gintama Live Action 2017 – 720p Eng Sub x265

Gintama Live Action 2017 – 480p Eng Sub x265

[HorribleSubs] Cutie Honey Universe - 05 [720p].mkv

[HorribleSubs] Binan Koukou Chikyuu Bouei-bu Love! S3 - 05 [1080p].mkv

[Golumpa] Black Clover - 28 [FuniDub 720p x264 AAC]

[Golumpa] Black Clover - 28 [FuniDub 1080p x264 AAC]

[FFF] Shokugeki no Souma S3 - 12 [1080p].mkv

[Manjiknights] Youkai Watch 147 [English Softsub]

[Commie] your name. [BD 1080p AAC] [1D072CF2].mkv

Little Busters! + Refrain + EX + OVA [10bit BD 720p]

[HorribleSubs] Puzzle and Dragons Cross - 66 [1080p].mkv

The shape of voice (Koe no katachi) - 720p x264 ac3 5.1

Naruto Shippuden Movies [1080p]

[HorribleSubs] Mahou Shoujo Ore - 06 [720p].mkv

[HorribleSubs] Uma Musume - Pretty Derby - 07 v2 [480p]

[HorribleSubs] Mahou Shoujo Ore - 06 [1080p].mkv

[HorribleSubs] Kakuriyo no Yadomeshi - 06 [1080p].mkv

[HorribleSubs] Basilisk - Ouka Ninpouchou - 18 [1080p].mkv

انیمه

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 23:50

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Manga – New Chapter [07 May 2018]

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Manga – New Chapter [07 May 2018]

Manga, Manhwa, Manhua, Comic

Download Links, RAW, En Translation, Read Online

Tower of God – S02 – Episode 300

Nanatsu no Taizai #265

Nakayoshi - なかよし Chapter 2018-04

The Seven Deadly Sins 265

Tokyo Ghoul:re 171

Devil Survivor 2 - Show Your Free Will Vol 01 Ch 004

Demian Shoukougun Vol 07 Ch 020

Yume de Mita Ano Ko no Tame ni Ch 003

Sensei Lock On! 2nd Ch 007

Holy Ancestor Ch 001

Kamitachi ni Hirowareta Otoko Ch 001

Kokuei no Junk Ch 001

World of Immortals Ch 001

Hero? I Quit A Long Time Ago Ch 001

Campione! Vol 02 Ch 006

Ganbare! Memeko-chan ch.007

Yuusha ga Shinda! ch.120

Yin Zhi Shoumuren ch.190

Runway de Waratte ch.018

A "Dimwitted" Monk fell from Heaven ch.051

God of Martial Arts ch.047.3

Kento Ankokuden Cestvs ch.136

Pochi Kuro ch.037

Beloved days ch.008

Isekai Tensei ni Kansha o ch.003

Kanojo, Okarishimasu ch.024

Swap Swap ch.040

Zero Point Idol ch.061

Minamoto-kun Monogatari ch.238

High Score Girl ch.047

Sensei Lock On! 2nd ch.007

Maou no Hajimekata ch.018

Nijiiro Days (MIZUNO Minami) ch.052

Red Night Eve ch.012

Mitsuboshi Colors ch.037

Jaku-chara Tomozaki-kun ch.005

Living no Matsunaga-san ch.016

I The Female Robot ch.090.2

Ramen Daisuki Koizumi-san ch.021

Gwijeongudam ch.015

Kamitachi ni Hirowareta Otoko ch.001

Kokuei no Junk ch.001

Trinity Wonder ch.064

Ashitaba-san Chi no Muko Kurashi ch.039

Oh! Lord Jesus ch.084

Jagaaaaaan ch.040

Noah's Notes ch.005

Super Dog Rilienthal ch.128

Dagashi Kashi ch.126

Ao no Flag vol.04 ch.029

Volcanic Age ch.036

Senryuu Shoujo vol.01 ch.037

Tokyo Ghoul:re ch.171

The Scholar's Reincarnation - 71 - Chapter 71

Shen Yin Wang Zuo - 157 - Chapter 157

Wind Breaker - 176 - Chapter 176

Tower of God - 380 - Chapter 380

Toukyou Ghoul:re - 171 - Chapter 171

Miao Shou Xian Dan, Chapter 16.1

New Game!, Chapter 75

One Step from the End, Chapter 7

Pochi Kuro, Chapter 37

Beloved days, Chapter 8

Dasadanan, Chapter 31

Tabegoro Girl, Chapter 220

Haruka 17, Chapter 49

Liberty, Chapter 1

Super Dog Rilienthal, Chapter 128

Tomo-chan wa Onnanoko! ch.756

Baki Dou ch.140

Isekai Tensei Soudouki ch.034

Tomo-chan wa Onnanoko! ch.755

Toukyou Ghoul:re ch.171

Beauty Bunny Ch 013

Autophagy Regulation, Chapter 188

Ao no Flag, Chapter 29

Babel 2, Chapter 22

مانگا

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 22:10

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ChäoS;Child

See the source image

https://myanimelist.cdn-dena.com/images/anime/1310/90137.jpg

ChäoS;Child

نام انیمه: ChäoS;Child

نام انیمه: Chaos Child

نام انیمه: CHAOS;CHILD

ژانر: Sci-Fi, Mystery, Psychological, Supernatural

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 12 قسمت

مدت زمان هر قسمت: 23 دقیقه

منبع: Visual novel

کارگردان: Jinbo Masato

استودیو: Silver Link.

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ نقد و بررسی، خلاصه قسمت‌ها، توضیحات

+ اطلاعات بیشتر: سایت // سایت // سایت // سایت

+ لینک دانلود زیرنویس فارسی

+ لینک دانلود انیمه (MKV, 720P, EN Sub, ~ 100MB)

+ لینک فایل تورنت (MKV, 720P, Web, 3.9GB)

+ لینک دانلود انیمه (MKV, 1080P, EN Sub, ~540MB)

+ لینک دانلود انیمه (MKV, 720P, EN Sub, ~350MB)

خلاصه داستان (منبع: دنیای انیمه)

شش سال پس از اتفاقات ChäoS;HEAd، با رخدادهایی غیر طبیعی من جمله قتل(هایـ)ـی مرموز داستان کیاس;چایلد شروع میشه! داستان حول پسری به نام میاشیرو تاکارو که والدینش توی زمین لرزه شش سال پیش فوت شدند میگرده. تاکارو ی داستان ما سردبیر انجمن روزنامه مدرسه خودشونه. تو این انجمن خواهرش کوروسو نونو و دوست دوران بچگیش اونوئه سِیریکا و تنی چند از دختران دیگه هم حضور دارند. البته تعدادی از این کارکترها هم دارای توانایی‌های فرا انسانی هستند...

توضیحات من

تا اینجا که شش قسمت اول رو دیدم.

خیلی مرموز و دلهره آور است.

این جور قدرت های ماوراء طبیعی، اصلا خوب نیست.

این قدرتی که پسره هر چی می بینه، می تونه واقعی بشه و ...

اه اه اه. ترسناک است.

این یکی از این انیمه‌هایی است که خون و خونریزی زیادی داره.

قتل، تیکه تیکه کردن و ...

این انیمه رو دیدم و تمام شد.

از خشونت کار راضی بودم.

نمی دونم چرا فایل تورنت نتونستم پیدا کنم. فقط یه دونه بود.

البته تورنت هست ها، ولی قسمت قسمت است. این طوری کلی نیست.

من معمولا تورنتی رو می گذارم که کل انیمه رو داشته باشه.

Sci-Fi Mystery انیمه Psychological Supernatural Jinbo Masato Silver Link. ChäoS;Child

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 20:34

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New Free! TV Anime's Announcement Video Streamed

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Tokyo Alien Bros. Manga Gets Live-Action TV Series in July

NTV announced on Sunday that Keigo Shinzō's Tokyo Alien Bros. manga is getting a live-action television series that will premiere on July 23.

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The show will star Hey! Say! JUMP's Kei Inoo (live-action Peach Girl's Kairi Okayasu) as the younger brother Fuyunosuke (pictured left in image above), and A.B.C-Z's Shota Totsuka (Kono Koe wo Kimi ni, Bye Bye Blackbird) as the older brother Natsutaro (right). Michael Arias (Tekkonkinkreet, Harmony) and Shintarō Sugawara (Sekai Ichi Muzukashii Koi, Rental Kyūseishu) are directing the series, and Shō Kataoka (Kiiroi Zō, Natumi no Hotaru) is writing the scripts.

The sci-fi comedy manga follows Fuyunosuke and Natsutaro, two friendly students who are actually aliens sent to find out if Earth is a hospitable planet for their species.

Shinzō serialized the manga in Shogakukan's Monthly! Spirits magazine from 2015 to 2017. Shogakukan published the manga's third and final volume in March 2017.

The manga was nominated for Best Comic at the 45th Angoulême International Comics Festival this year.

Source

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New Free! TV Anime's Announcement Video Streamed

Kyoto Animation began streaming the announcement video on Monday for the Free! anime franchise's new television anime series. The video originally debuted via the Sony Vision Shibuya screen at Tokyo's Shibuya district last October when Kyoto Animation announced the anime.

https://youtu.be/9KOD4SCn32c

The new anime premieres this summer.

The official website for the franchise announced on April 16 that the screenings for the show's unaired "episode 0' that are slated for June 23 will also screen the first episode of the new series.

Kyoto Animation's first Free! anime about the Iwatobi High School Swim Club premiered in July 2013, and Crunchyroll streamed the anime as it aired in Japan. Discotek released the first season on DVD with English subtitles in North America in May 2015. Crunchyroll streamed an English dub of the first season in December 2015, and the company released the season with Funimation on both Blu-ray Disc and DVD in May 2017.

Free! Eternal Summer, the second television anime season, premiered in July 2014. Funimation streamed the second season as it aired, and released the series on DVD and Blu-ray Disc in North America with an English dub in February 2016.

The High Speed! -Free! Starting Days- film, which was directly inspired by the High Speed! novel that had been loosely adapted into the original Free! television anime, opened in Japan in December 2015. Whereas the Free! anime centers on Haruka and the other swimmers during high school, High Speed! followed the characters during middle school.

The Free! -Timeless Medley- Kizuna compilation film opened in April 2017, and the second compilation film, Free! -Timeless Medley- Yakusoku, opened last July. Free! -Take Your Marks-, a sequel to the compilation films, opened in Japan last October. Funimation screened the film in U.S. theaters for one night on March 14.

Source

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Live-Action Kakegurui Series Streams on Netflix

Netflix is streaming the live-action Kakegurui series in territories including the United States and the United Kingdom. In the U.S., the show is available with subtitles in English, Japanese, Spanish, and Simplified and Traditional Chinese.

The 10-episode show premiered in Japan on MBS on January 14, and on TBS on January 16. Tsutomu Hanabusa (Heroine Shikkaku, Asahinagu) directed the series.

The manga launched in Square Enix's Gangan Joker magazine in March 2014. Yen Press licensed the manga and describes the story:

Hyakkaou Private Academy. An institution for the privileged with a very peculiar curriculum. You see, when you're the sons and daughters of the wealthiest of the wealthy, it's not athletic prowess or book smarts that keep you ahead. It's reading your opponent, the art of the deal. What better way to hone those skills than with a rigorous curriculum of gambling? At Hyakkaou Private Academy, the winners live like kings, and the losers are put through the wringer. But when Yumeko Jabami enrolls, she's gonna teach these kids what a high roller really looks like!

The manga inspired a television anime series that ran from last July to September in Japan. The series premiered outside of Japan on Netflix in February. The anime is getting a second season.

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Ghibli's Joe Hisaishi Composes for In This Corner of the World Live-Action Series

The staff for the live-action television series adaptation of Fumiyo Kouno's In This Corner of the World (Kono Sekai no Katasumi ni) manga unveiled the main cast and staff on Saturday. Joe Hisaishi (Studio Ghibli films) is composing the music, Nobuhiro Doi (Jūhan Shuttai!, Season of the Sun) is directing the series, and Yoshikazu Otada (Hyokko) is writing the script.

The cast includes:

Honoka Matsumoto as the protagonist Suzu

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Tohri Matsuzaka as Suzu's husband Shūsaku

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Sairi Itō as original character Sachiko Kariya

Kaho Tsuchimura as Shino Dōmoto, a housewife whose husband is at the front

Sayu Kubota as Suzu's younger sister Sumi

Machiko Ono as Shūsaku's older sister Keiko Kuromura

Tomorowo Taguchi as Shūsaku's father Entarō Hōjō

Ran Itō as Shūsaku's mother San Hōjō

Filming will take place from early May to early September. The series will premiere in July and air Sundays at 9:00 p.m.

Sunao Katabuchi (Black Lagoon, Mai Mai Miracle) previously wrote and directed an award-winning anime film of the manga produced by GENCO and MAPPA. The anime premiered in Japan in November 2016. Shout! Factory and Funimation Films screened the film in the United States and Canada last August. Funimation describes the story:

The award-winning story of IN THIS CORNER OF THE WORLD follows a young lady named Suzu Urano, who in 1944 moves to the small town of Kure in Hiroshima to live with her husband's family. Suzu's life is thrown into chaos when her town is bombed during World War II. Her perseverance and courage underpin this heart-warming and inspirational tale of the everyday challenges faced by the Japanese in the midst of a violent, war-torn country. This beautiful yet poignant tale shows that even in the face of adversity and loss, people can come together and rebuild their lives.

Before the anime film, the manga had already inspired a live-action television special that starred Keiko Kitagawa and aired on NTV in 2011 .

Kouno serialized the manga in Weekly Manga Action from 2007 to 2009, and Futabasha published three compiled book volumes for the manga. Seven Seas Entertainment released the manga last October.

Town of Evening Calm, Country of Cherry Blossoms (Yūnagi no Machi, Sakura no Kuni), another Kouno manga that similarly centers on wartime events in Hiroshima, is also inspiring a live-action series adaptation this summer. The manga previously inspired a live-action film in 2007.

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Free! Dive to the Future Anime's Teaser Video Reveals Staff, Cast, July Premiere

Kyoto Animation began streaming a teaser video on Monday for Free! Dive to the Future, the Free! anime franchise's new television anime series. The video reveals the show's staff, cast, theme song artist, and July debut. The video teases the anime is a new chapter that will tell the "college student arc."

https://youtu.be/fCXaIXrIHWU

In the new series, Haruka, who is attending college in Tokyo, meets Asahi again and reawakens his memories from his middle school years, including those of Ikuya. Makoto is working toward a new dream while he is in Tokyo together with Haruka. Rin has an unexpected meeting in Sydney. As they await their new futures, will they see a new fight ahead? Or will they instead confront the past they left behind?

The returning cast includes:

Nobunaga Shimazaki as Haruka Nanase

Mamoru Miyano as Rin Matsuoka

Tatsuhisa Suzuki as Makoto Tachibana

Toshiyuki Toyonaga as Asahi Shiina

Kouki Uchiyama as Ikuya Kirishima

OLDCODEX will return to perform the show's opening theme song "Heading to Over."

Eisaku Kawanami, who served as a storyboarder and episode director for the two television anime series and director of the two compilation films and the Free! -Take Your Marks- film, is directing the series at Kyoto Animation and Animation DO. Masahiro Yokotani is returning to oversee the series scripts, and Futoshi Nishiya is returning as the character designer and chief animation director. Tatsuya Katō is also returning to compose the music.

Other returning staff members include:

Art Director: Shingo Kasai

3D Art: Joji Unoguchi

Color Design: Yūka Yoneda

Prop Design: Seiichi Akitake

Director of Photography: Kazuya Takao

3D Director: Yuji Shibata

Sound Director: Yota Tsuruoka

Sound Production: Lantis

The anime will air on ABC TV, Tokyo MX 1, TV Aichi, and BS-11.

The official website for the franchise announced on April 16 that the screenings for the show's unaired "episode 0" that are slated for June 23 will also screen the first episode of the new series.

Kyoto Animation's first Free! anime about the Iwatobi High School Swim Club premiered in July 2013, and Crunchyroll streamed the anime as it aired in Japan. Discotek released the first season on DVD with English subtitles in North America in May 2015. Crunchyroll streamed an English dub of the first season in December 2015, and the company released the season with Funimation on both Blu-ray Disc and DVD in May 2017.

Free! Eternal Summer, the second television anime season, premiered in July 2014. Funimation streamed the second season as it aired, and released the series on DVD and Blu-ray Disc in North America with an English dub in February 2016.

The High Speed! -Free! Starting Days- film, which was directly inspired by the High Speed! novel that had been loosely adapted into the original Free! television anime, opened in Japan in December 2015. Whereas the Free! anime centers on Haruka and the other swimmers during high school, High Speed! followed the characters during middle school.

The Free! -Timeless Medley- Kizuna compilation film opened in April 2017, and the second compilation film, Free! -Timeless Medley- Yakusoku, opened last July. Free! -Take Your Marks-, a sequel to the compilation films, opened in Japan last October. Funimation screened the film in U.S. theaters for one night on March 14.

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کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 20:00

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Grimm – Season 05

Grimm – Season 05

Story

The fifth season of the NBC American supernatural drama series Grimm was announced on February 5, 2015. It premiered on October 30, 2015 and concluded on May 20, 2016.[1] The season consisted of 22 episodes.[2] The series was created by David Greenwalt, Jim Kouf and Stephen Carpenter, and produced by NBC, GK Productions, Hazy Mills Productions, and Universal Television. It follows a descendant of the Grimm line, Nick Burkhardt, as he deals with being a cop, and trying not to expose his secret as a Grimm.

Stars:

David Giuntoli as Nick Burkhardt (22/22 episodes)

Russell Hornsby as Hank Griffin (22/22 episodes)

Bitsie Tulloch as Juliette Silverton/Eve (18/22 episodes)

Silas Weir Mitchell as Monroe (22/22 episodes)

Sasha Roiz as Sean Renard (22/22 episodes)

Reggie Lee as Drew Wu (22/22 episodes)

Bree Turner as Rosalee Calvert (22/22 episodes)

Claire Coffee as Adalind Schade (21/22 episodes)

Links

+ Farsi Subtitle: Link // Link

+ About Serial: Site // Site // Site // Site

+ Download Torrent File (MKV, x265, 1080P, BluRay, 14.8GB)

+ Download Torrent File (MKV, 720P, HDTV, x265, 3.64GB)

+ Download Torrent File (MKV, BDRip, x264, 6GB)

+ Download Links – All Season

توضیحات

بالاخره فصل پنج رو دیدم!

ولی، ولی، ولی ...

راستش خیلی جاها شک می‌کردم. نکنه یه وقت فصل چهار رو ندیده بودم؟

خیلی چیزها جدید بود.

و من هیچ پیش ذهنیتی نداشتم ازشون.

خیلی خیلی عجیب بودددد.

یادم نمیاد جولیت و آدلاید کی عوض شدن؟

کی جولیت هگزبیت شد؟

یا نیک و آدلاید کی با هم بودن که بچه دار شدن؟

یا مگه چند سال گذشته که بچه‌ی آدلاید و شان پیدا شده؟

این گروه جدید که همه رو نابود میکنه از کجا اومد و ...

چقدر قدرت‌های دایانا وحشتناک است!

سریال Grimm

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 19:00

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Wotakoi: Love is Hard for Otaku - Episode 4 [Review]

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Wotakoi: Love is Hard for Otaku - Episode 4 [Review]

(Before I start the review in earnest, I just want to draw attention to how cute and relatable it was when both Narumi and Hirotaka cried at a rerun of Sailor Moon R. I didn't have a good place to put this in the review itself, but I didn't want to leave it unaddressed. Bless these dorks. Thank you.)

Passions flare in this extra spicy episode of Wotakoi. The growing pains of Narumi and Hirotaka's fresh otaku dating experience take a backseat as the spotlight shifts to the seasoned and tempestuous relationship between Hanako and Kabakura. Much of that spiciness comes from the first half of the episode dedicating itself to dressing the boys in cosplay—or more specifically, crossplay. Narumi starts the day all too pleased with herself, showing off her selfie with girl mode Hirotaka to Hanako and Kabakura. Hirotaka is understandably kind of embarrassed, but to his credit, he owns it and later brags about how cute he ended up looking. Kabakura is much more resistant to the idea, despite dating a famous cosplayer (or precisely because of that).

I get the impression that Hanako has been relentless in her drive to get her boyfriend to cosplay since they started going out, and their friends' impromptu photo session finally pushes her over the edge to rather forcefully persuade him into doing it. I do like that Kabakura's apprehension isn't solely based in some hackneyed fear of wearing girly stuff, but rather more general anxiety about his looks. Cosplay is about performance, and he doesn't want people to look at him because he doesn't think he's handsome. But Hanako does think he's handsome (come on, look at him), so she wants him to feel more confident and understand why cosplay is so important to her. Also I think she just really wants to see girl mode Kabakura, and the results are to be expected from somebody of her prestige and talent. Plus, Kabakura got a Kan Colle figure out of it, so it's a win-win for everyone!

The gang goes out for drinks in the second half, and believe it or not this is actually the first time they've all gone out drinking together. They have such a great rapport that it's easy to forget Narumi only started working with them recently, and they've been existing as a pair of otaku couples for even less time. However, Narumi quickly learns that Hanako is one heck of a lightweight, becoming affectionate and talkative the minute the buzz hits. She lets her proverbial guts spill almost immediately, reminiscing about the time she and Kabakura started dating, which quickly leads into an argument about which one of them asked the other out first. Despite Narumi's best efforts, the two of them get into an actual fight over this, but thankfully the evening ends with everything patched up.

Wotakoi was on some of its strongest game with these two storylines. The comedy succeeds because it's not just a parade of otaku in-jokes; the humor mostly comes from the pace of the dialogue. Everything's snappy, but it still manages to flow naturally, and everyone gets equal opportunity to throw out their jabs and japes. It can get a little mean sometimes, but it's playfully mean in the way that friendships and flirtations can be. Hirotaka's bone-dry zinger delivery often steals the show, but it's also wonderful to see Hanako's face light up with a devilish grin as she shows off her lovey-dovey phone background. Wotakoi doesn't have the virtuoso character animation of a Kyoani production, but it still has a good sense for the body language and expressions of its couples. Angry Hanako gets some quick cuts of getting ready to give Kabakura a piece of her mind (and fist), while a crying and vulnerable Hanako gets a series of lingering shots as she hugs Narumi. Both the storyboarding and directing were above average this episode, which went a long way toward making it so memorable.

Beyond the comedy part of its romcom equation, Wotakoi continues to be surprisingly thoughtful in its approach to nerd romance. The big pratfall it tackles this time is the concern over building a relationship purely out of convenience. Nerd communities tend to be insular, which can contribute to a culture of forging both friendships and romances out of a few specific shared interests. There's nothing wrong with this, and most relationships of any kind start out this way, but it's narrow-minded to prioritize these common interests unilaterally, especially when it's something like a shared interest in media. Just because someone likes the same anime you do doesn't mean that they're going to be a good friend or lover. Amusingly, Hirotaka did propose a relationship based on shared otakuness, but their success as a couple is based on a chemistry that goes beyond this. As this episode points out, even as otaku, the two of them have mostly non-overlapping interests, but that's okay! It's healthy to have differences, because you're different people, and learning new things from each other is one of the best parts of being in a relationship.

However, with differences comes friction. Hanako and Kabakura's penchant for silly arguments clearly comes from a degree of comfort they've achieved by going out for almost a decade, but that doesn't mean they can't hit each other's weak spots. She still has insecurities about not being desirable enough, or that the two of them are stuck settling for each other. These worries might be unfounded, but they stem from real raw feelings. That said, I wish we could have seen more of her make-up conversation with Kabakura. He plays it cool, but it's only fair that we should see some of his vulnerable and conciliatory side too. I'll just imagine that he managed to convince Hanako he loves her by saying there's no way he'd miss out on dating the hottest bishounen cosplayer in the country.

Narumi has similar worries, but unlike Hanako she doesn't have years of dating Hirotaka under her belt to assuage her. She does at least possess the gumption to bring it up to him, and he has the courage and clarity to tell her that he genuinely likes her for who she is. Their relationship might be one of compromise, but it's also one of mutual joy and respect. There's no one-size-fits-all equation for any romance, even otaku romance. What Narumi and Hirotaka do have is an indelible spark that's as brilliant as their pair of smiles in the episode's epilogue. And in a show that's full of adorable moments, seeing Hirotaka finally smile was perhaps the most adorable of them all. I'm really glad we have a show as funny, realistic, and tender as Wotakoi this season.

https://www.youtube.com/watch?v=nHCS0kKNYDI

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Today's Menu for the Emiya Family - Episode 5 [Review]

Seasons change, the calendar's pages turn, and as April gives way to May, a new episode of Today's Menu For the Emiya Family drops into my CR queue for me to review. This month's premise is that, as thanks for feeding those folks at the temple last episode, Issei gives Shirou a bucket of freshly harvested bamboo shoots. Later in the day, Sakura is doing some grocery shopping and happens to run into Ayako. This encounter gives her the idea to make gratin for dinner, so she heads over to Shirou's house in order to make it with him. They combine their foodstuffs in order to create a tasty dish that succeeds in satisfying their servants' hunger—for now.

Unfortunately, this episode has something like the opposite problem of last month's in that it features popular characters, but little in the way of a seasonal hook to make their antics interesting. As a result, it comes off like a less focused version of the very first episode, in that it's just some people making ordinary dinner in Shirou's house again. I think this was supposed to be Sakura's spotlight episode, but I found it pretty disappointing on that front, as her interactions with other characters – from Shirou to Rider to Ayako – just weren't that interesting or novel to watch. It feels like we got more of that way back in Ilya's dedicated episode, which showcased stuff like Rider's protectiveness of Sakura or the lingering awkwardness between Sakura and Rin. This is a shame, since Sakura/Rider is the dynamic I'm most eager to see more of in this show. After everything that Sakura has gone through, it's especially nice to see the two of them living a happy, normal life together.

This brings us to the episode's conclusion. I don't even really want to talk about it, but I know I gotta, so here goes. It is an odd choice to say the least for this show to revise Sakura and Shinji's relationship into the form it takes in this episode, where Sakura happily cooks for her brother while hiding from him in fear/anticipation that he won't like it. Remember that in Fate/stay night, Shinji is at best Sakura's abuser and at worst her rapist. Unless he's just a totally different character in this canon, Sakura shouldn't be anywhere near him, much less trying to please him with odd trepidation. I don't appreciate the attempt to recast Shinji as a benign grouch who Sakura will eventually get through to with her earnest kindness. That's not the sort of thing that you can sweep under the rug in your iyashikei cooking show.

For the sake of my own sanity, I'll just pretend that Sakura slipped poison into his dish, and that that's why Sakura and Medusa were watching him eat with such anticipation. Hopefully, he won't appear again, so I can just quietly assume that he died without anybody noticing or caring.

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Tada Never Falls in Love - Episode 5 [Review]

The majority of this week's Tada Never Falls in Love follows the sweet yet bland formula the show has developed so far, focusing on one or two characters to show that they're slightly more than they initially appeared to be. This week, the spotlight fell on Kaoru Ijuin, Tada's annoying friend who likes to hang out at his family's café. Kaoru may have seemed like a self-centered goofus, but it turns out that he has a hidden heart of gold when it comes to his lifelong best friend. Deepening these supporting characters is all well and good since it makes us care about them more, but this pattern can only hold for so long. As charming as Tada's friends can be—and I was plenty charmed by Kaoru in this episode—they aren't interesting enough to carry the entire series on their own. They make for good one-off episodes, but I'm glad that we're moving back to the main couple next episode.

This episode already showed some movement in that direction. While Kaoru is the star of the show, the reasoning for his behavior entails revealing important information about Tada's past. We already knew that he had mysteriously absent parents, but now we know the full details; they both died on the same day, and this is ever-present in Tada and his sister's minds on the anniversary of their parents' death. Kaoru has been Tada's friend since he was young, so he makes sure to liven up that gloomy day by distracting them with fun activities. Awww. This also helps explain why Tada puts up with Kaoru so much. We're generally more tolerant of our friends' foibles the longer they've been our friends, but Tada understood that Kaoru had positive traits that others couldn't readily see.

I'll be honest though, this particular detail about Kaoru wasn't that shocking to me. He'd never seemed like a bad dude, just melodramatic and obnoxious. The worst you could say was that he was self-centered, but a lot of his histrionics seemed centered on impressing other people. So while the episode presents this as "shocking" new information, it doesn't really come as a surprise, any more than the gravure-idol-obsessed geek being secretly shy when he actually meets his celebrity crush. (I mean, who wouldn't be?) Perhaps the revelation about shy Hasegawa being HINA is more surprising, but it's hardly incongruous with her character. Heck, blending into the background at school is the ideal way to hide a Hannah-Montana-style secret.

You know what did surprise me? That Teresa is a princess.

For all that happened this week, none of it really stands up to this episode's last-second twist. I'd seen some comparisons elsewhere to Roman Holiday, but I hadn't quite picked up on that myself, given that foreigners falling in love while on vacation is basically a romance sub-genre on its own. As of this twist, the direct homage is unmistakable. Not only is Tada a reporter photographer (to be fair, photography plays a role in Roman Holiday too), but Teresa is really a princess. Some viewers may find this direct riff worrisome, but I think there are enough differences in Tada Never Falls in Love to avoid retreading the plot of a classic film. Tada is a citizen of Japan rather than another traveler, Teresa already seems far more integrated into his life and not like she's deliberately hiding her identity, and so on. If anything, I think this opens up more potential to explore their relationship.

We already got more exploration into Tada himself this week, so I wonder what we'll learn about Teresa next time. She seems just kind of happy-go-lucky and perfect, but certainly there's more to a princess who just decides to spend a year in another country for some reason. This also complicates her relationship with Alec. At first it just seemed like she was another student in her exchange program, but now it's clear she's probably some type of handler or bodyguard. And what does this mean for the fact that Alec might have romantic feelings for her princess? I'm not so convinced anymore that Teresa is only here for a "Rainbow Shogun" pilgrimage. This reveal raises so many intriguing questions.

The presence of Charles is another big question mark. As Teresa's suitor, what will he make of her life in Japan? Was she hiding this trip from him? Will he get in between her and Tada? Maybe he could force an epiphany for one or both of them instead? Next episode's preview suggests that Tada and Teresa will be on some romantic date, which is sure to complicate matters.

Tada Never Falls in Love has been cute and fun so far, but it was starting to seem like "nothing special" despite its initial promise. It was a fun weekly diversion, but it ultimately developed just like any other cute school comedy we've seen already. With this latest nugget of info, Tada Never Falls in Love could turn out to be something entirely different. It still probably won't set the world on fire, but I appreciate a good fish-out-of-water travel romance, and I'm glad that the show seems to be returning to that strength.

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Record of Grancrest War - Episode 17 [Review]

I assure you it was merely coincidence that we got to see Theo and Milza duel to the death with glowing red and blue sabers on May the 4th. (For one thing, by the time it aired it was already May 5th in Japan.) Of course, that didn't make it any less cool. We finally got to see the showdown that's been telegraphed for what seems like half the series. I've always thought that Record of Grancrest War was at its strongest during bouts of action, but I suspect this episode will be divisive with fans due to its use of multiple animation and art styles. At least two different artists lent their own perspectives to the making of this episode.

Who are the “Two Heroes” of this episode's title? Certainly one is Theo, who gets more dashing and self-confident every week. Now called the Earl of Sistina, this decorated lord is growing into the hopes that people have for him. He's a textbook hero who's clearly grown a lot over the course of the show—just look at the size of his crest at the end! And though we love to hate him, I'd say the second hero is Milza. He's sort of an idiot this week, opting for a suicide mission in lieu of waiting for Marrine's troops, but the show plays it off like a chivalrous act. (Not that Marrine herself is impressed; it's clear that she would have much rather had him come back alive.) When Milza meets his extremely telegraphed end, he does not lose his dignity with it. As Theo points out, it's Milza's inexperience with leadership that leads to his demise. He's a great fighter one-on-one, but he uncharacteristically shared his crest with his soldiers, leaving less strength over for himself. This feels like such a rookie error! RIP Milza, you were a fearsome swordsman and an extremely bad tactician.

I thought the duel looked fantastic, and that's partly because it was animated in a different style than usual. There were a lot of high-contrast shots, filling out Theo's murderous expression in broad black strokes and at one point depicting Milza as a black silhouette with one gleaming eye. It gave the battle a grittier look than usual. Sections of the skirmish also had a much looser and more fluid look. Remember that duel between Jana and Siluca in episode 14? We can once again credit up-and-coming web animator Nakaya Onsen for these scenes, characterized by fine-line drawing, flat colors, and character shapes that twist and morph onscreen. (Onsen has also been tweeting about his animation whenever it appears in Record of Grancrest War.) This style, along with the standard Record of Grancrest War look, made for an episode that was inconsistent but stunning in moments.

Watching this story shift between visual styles will be seen as experimental by some, but inconsistent by others. It reminds me of Samurai 7, a 2004 Gonzo show that suddenly altered its art style specifically for episode seven—fans debated whether it was intentional or a last resort. I liked seeing these disparate styles united by a stronger-than-usual episode plot, but it's hard to tell if this was the original vision or not.

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Megalobox - Episode 5 [Review]

After this episode opens on soldiers working their way through the dusty roads and ruined buildings of a war-torn country, you could be forgiven for thinking they were watching the wrong show at first. The faux-low-res haze and grimy aesthetic of MEGALOBOX are all there onscreen, but there's still something to be said for the way “The Man from Death” so capably upends expectations, and this cold open is just a taste of things to come. Once again, MEGALOBOX goes out of its way to take a familiar sports drama plot, where our protagonist goes up against his mentor's old protégé, and infuses it with enough style and drama to make the whole story feel visceral and compelling.

A big part of what makes “The Man from Death” such a fascinating episode is just how much it commits to selling the pain, both physical and emotional, that broke the foundation of Nanbu and Aragaki's relationship. Last week, I assumed that the scary-looking bruiser was someone who had been burned by Nanbu's penchant for chicanery and back-room dealing, but the truth turns out to be much more harrowing. Aragaki is a veteran who lost both of his legs and suffered terrible burns in a bombing incident that took out the rest of his crew, and for a long time he was thought to be dead. Before this awful incident, he worked with a very different Nanbu from the one we know today, a legitimate trainer who offered Aragaki the only home he could depend on. When Aragaki returns to Nanbu to challenge Joe to a fight, he isn't doing his old mentor a favor. Aragaki hates Nanbu for shutting down the gym and fleeing when he needed him most. Aragaki doesn't simply want to fight Nanbu's new protégé; he wants to destroy him.

Indeed, destroying his opponents is what Aragaki has become famous for, as Sachio ominously discovers after some internet sleuthing. The fighters who face off against him aren't just beaten, they're left broken, bruised, bleeding, and unconscious after just one round. This plot works on a number of levels. First, and most predictably, this conflict elevates the stakes for Joe, who has quickly risen up the ranks after his brief stumble in the ring last week. Beyond that, Aragaki's ruthlessness gives MEGALOBOX the unexpected opportunity to explore the depths of suffering that come from his physical trauma and PTSD. “The Man from Death” makes liberal use of both mabanua's electric score and MEGALOBOX's flair for surreal visuals to dive deep into Aragaki's headspace, including a particularly fraught scene where Aragaki has his finger on the trigger of a gun he's lodged in his mouth.

It's really dark and heavy material for a show about boxers with pistons attached to their arms, but MEGALOBOX pulls off this feat by drawing direct parallels between Joe and Aragaki's lives, with Nanbu caught right in the middle to reckon with his past. Like Joe, Aragaki was cast off by society, though his pain is amplified by both his physical scars and the psychological damage that comes from being tossed into a warzone, chewed up, and spit back out, only to be forgotten by the world you were maimed trying to protect. Nanbu may have thought that Aragaki was dead when he cut and run from his old life, but that offers little comfort to either of them, and Aragaki cannot help but bristle with rage and hurt when he sees that he's been replaced by a haughty young upstart. Aragaki needs prosthetics just to be able to walk, let alone fight, and here comes a kid who thinks he can become the next Megaloboxing champion without using any gear at all.

This is complex material for MEGALOBOX to throw at us out of the blue, and I can't help but be impressed with how well it turned out. The general outline of this story may be familiar, but the show goes to surprising lengths to examine the many ways its heroes have been tossed aside by the world and how they rely on acts of violence to fight their way back to claiming even a modicum of human dignity. Even though some of the imagery and direction is heavy-handed, “The Man from Death” succeeds in making Aragaki, Nanbu, and Joe's stories all gripping in their own ways, making even a routine matchup between the young blood and the ghost from the past heavy with real tension and emotional stakes. When Joe gets knocked down in the first round at the episode's end, we feel the hit land, and it ensures that the cliffhanger works despite MEGALOBOX's reliance on relatively predictable narrative checkpoints. If you were worried that the show might begin to lag as it neared the halfway point, “The Man from Death” is here to reassure you that MEGALOBOX isn't letting up any time soon.

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Full Metal Panic! Invisible Victory - Episode 4 [Review]

Episode 4 brings to fruition the moment that you had to figure was coming ever since this season started: Kaname winds up in the hands of Amalgam, probably as part of some effort on her part to protect Sousuke. It's a classic scenario that we've seen from innumerable series over the years, but it works because it's so efficient. It shows the strength of the bond between the central couple, as they each try to protect the other before the eventual catharsis of a rescue mission. Frankly, I'm a little surprised that it took Full Metal Panic! this long to bust out this plot.

The triteness of Kaname's move to protect Sousuke when he's clearly being overwhelmed by Leonard's mecha is one of only a couple minor negatives in an otherwise a stellar episode. After so much focus on one side of the Amalgam attack or another, this one fully covers both angles. As Sousuke and Kaname execute a plan to rescue Kyouko, Tessa and her people have to escape Merida Island base. Of the two, the latter plot is more successful, with Melissa arriving back at base in the nick of time to save Tessa's butt. Tessa again acquits herself well with her aggressive push against an underwater Behemoth, although the scene where the Tuatha de Danaan launches out of the water with the rammed mech on its nose was my other minor nitpick, as the moment where I felt the CG animation of these massive war machines was truly inadequate. I also thought it was odd that Tessa wasn't showing more concern for leaving Kalinin behind as well, even though she knows from experience that he can handle himself. Unless the two of them had some scheme cooked up that wasn't apparent to the audience?

The sequence involving Sousuke and Kaname was ultimately far more harrowing. The close-range action scenes between mecha were excellent, and the rooftop scene where Wraith gets involved was engrossing as well. The new villain guy being thrown off his game was quite satisfying, as was seeing Kaname apply her burgeoning Whispered power to the cause, and it was somehow fitting that Kyouko would winding up badly injured out of the deal. Prior to this, FMP! has skirted around the potentially serious consequences of Sousuke's actions on his fellow students, so that scene made a strong impression, as does the follow-up where Sousuke reveals at least some of the truth to his classmates and deals with their reactions. The retiring Student Council President getting in one more good appearance was also welcome.

So that leaves us with the next big plot going forward, where a battered MITHRIL attempts to rescue Kaname. I'm definitely curious to see how they pull this off, and I'm eager to see if Kaname being taken into Amalgam's clutches will reveal more about them and their goals, since they've remained rather obtuse so far, unless I'm forgetting any major details from The Second Raid. Whatever ends up happening, it should be fun to watch things unfold.

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Hinamatsuri - Episode 5 [Review]

This episode focuses on the younger half of Hinamatsuri's cast, and the results are remarkably funny. Anzu gets the ball rolling by enlisting Hina to help her find discarded electronics, which she's discovered are worth much more than cans and bottles. Even when Hitomi joins the search, the “help” that Anzu receives is of dubious value. Later in the episode, we spend some time with Hina and Hitomi's middle school classmates, who suspect that something is awry when they see both Hitomi and their teacher walk into the same bar. The ensuing investigation might not be well-organized, but it's effective enough to cause Hitomi plenty of stress.

The search for old televisions is the less impressive of these two storylines, but to be fair it's facing some tough competition (more on that later). Taken on its own merits, this is a solid little sequence that makes good use of the characters' personalities. Hinamatsuri's sharp comedic timing comes into play yet again as Anzu boasts about having made a friend, only for Hitomi to show up in response to Hina's summons. Both Hina and Hitomi create some fun moments as they gather TVs for Anzu to “find,” and these scenes are well-matched to each character's comedic strengths. Hitomi's terrible luck sets up a delightfully awkward encounter with a police officer, and Hina's deadpan dialogue allows her to get her way while confusing the living daylights out of every adult she encounters. All that humor is capped off with a nice little moment of friendship between the three girls, which leaves the door open for more tales of Hina, Anzu, and Hitomi getting in and out of trouble in future episodes.

As neatly-told as that story may be, it's the investigation plot that makes the most of Hinamatsuri's inspired lunacy. The basic premise of other characters trying to make sense of Hitomi's bartending gig is funny enough on its own, and the show builds on that foundation by portraying her classmates as a bumbling group of wannabe detectives. Considering we haven't seen much of these characters before, there's some impressive comedic chemistry on display from them. Kengo and Takashi lean hard into their ill-informed enthusiasm, and Aizawa balances them out as the voice of pseudo-reason. The fact that all three of them are doing this as much for their own reasons as they are to help Hitomi adds yet another layer of humor to the story. Of course, Hitomi ultimately steals the show as the target of the investigation, and her utter inability to maintain a poker face proves to be one of her greatest comedic strengths. The show's great eye for exaggerated facial expressions certainly helps in this regard, and a mix of strong writing and direction help to sell her desperate attempts at misleading her pursuers. Who would've thought that one of Hinamatsuri's saner characters would be such a good match for its crazy sense of humor?

What I find both interesting and encouraging about this episode is that it relies so little on the core duo of Hina and Nitta. Sure, they both have their parts to play in this episode, and the two of them do have a couple of brief interactions when Hina hits Nitta up for money to buy a TV, but the basic dynamic of Nitta trying to deal with Hina's super-powered whims is hardly employed at all. Instead, the two of them take on more of a supporting role, especially in the second half. Hina's main job is to repeat her initial question about what's going on whenever the opportunity arises, and Nitta joins Utako as a horrified bystander when the middle school crew confronts Hitomi at the bar. They're certainly effective in these roles, but the jokes they provide are essentially just icing on the cake. Hinamatsuri's ability to deliver strong comedic material while keeping its lead characters on the sidelines says a lot about the strength of its ensemble cast and its ability to draw humor out of any situation.

Altogether, there are many positive signs for this show's long-term potential. Instead of waiting for its initial premise to wear thin, Hinamatsuri is actively seeking out new ways to make the audience laugh, and that search has already yielded some hilarious results. Anzu and Hitomi are developing into leading characters in their own right, and minor players like the middle school crew have proven capable of pulling more than their own weight. I'm excited to see what will happen as the series continues to refine its comedic voice, and I hope it'll continue to push its creative limits as far as they'll go.

https://www.youtube.com/watch?v=ADnruW2t1OI

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Comic Girls - Episode 5 [Review]

In a similar vein to last week's Ruki-centric outing, this week's Comic Girls shines a character spotlight on Koyume. As the most boisterous and outgoing member of the group, Koyume often acts as a foil for the eccentricities of her housemates, but as episode 5 illustrates, she can also be a compelling character in her own right. This week's first segment finds the girls going to the beach at the behest of Koyume, who's instantly able to make new friends and enjoy herself while her fellow mangaka go out of their way to avoid social interaction. In the end, Koyume's enthusiasm proves infectious and draws each of the girls out of their respective shells, although Tsubasa and Kaos are too tired for any more summertime outings. In the episode's second half, Kaos, Ruki, and Ririka engineer an amusement park date for Koyume and Tsubasa. Not only will this enable Koyume to collect some research for her romance manga, it will provide her with a prime opportunity to get closer to her crush. Although Koyume is ultimately unable to confess her feelings, she winds up receiving invaluable words of encouragement from her regularly published peer.

Koyume's turn in the spotlight is decidedly less focused on her manga-making experience than Ruki's. True, she's essentially trying to get life experience to make herself a better shojo mangaka, but actual manga creation takes a backseat this week. Unfortunately, in the absence of its usual focus on the creative process, Comic Girls becomes a run-of-the-mill CGDGT show in many regards. The girls go to the beach, show off their swimwear to the viewers, and as far as Ruki is concerned, spend unrealistically long amounts of time comparing boob sizes. Two of them go shopping while the other two stay at home and game. Then Koyume sort of gets Tsubasa to go on a date with her, though she never makes it clear that's what she has in mind. At least her crush on Tsubasa is endearing—albeit vexing due to the whole "we can't date! we're both girls!" cliché.

Perhaps if we saw Koyume work on her manga more often, this kind of respite would make more sense. Instead, Koyume is known primarily for her shapely body and bubbly personality, with her interest in manga coming off as secondary. The second segment makes a good effort at tying manga creation into the main story, but at this point, not enough is known about Koyume's creative process for the emotional beats to have their intended impact. While episode 5 certainly helps add depth to her character, Koyume still comes across as a vehicle for fanservice.

Koyume's episode may not be as compelling as Ruki's, but getting a glimpse of the girls in different settings makes for an interesting change of pace. Still, taking an episode-long break from manga creation this early on may not be the wisest course of action. Unlike Tsubasa and Ruki, Koyume doesn't have a serialization, but seeing more of her actual manga may have made certain parts of episode 5 more meaningful on a number of fronts.

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DARLING in the FRANXX - Episode 16 [Review]

“Days of Our Lives” picks DARLING IN THE FRANXX up after a two-week break with a new OP and the Parasites living in an unfamiliar status quo. Not only has Zero Two's attitude toward the other pilots completely turned around, but all the kids have essentially been abandoned by their adult guardians. With only a small ration of food and a quickly dwindling fresh water supply, The Parasites must deal with running Mistilteinn themselves as they wait to be called back into battle. When even the food begins to run out, the kids have to figure out how to hunt and cook for themselves too, which turns out to be quite the bonding experience for the group. This is all perfectly fine to see unfold, and after the supercharged climax of episode 15, it makes sense that DARLING in the FRANXX would want to afford its cast a break, but at this point I have to wonder if this series can really afford to spend more time exploring the Parasites' interpersonal dynamics when its plot and world-building remain frustratingly hazy.

I will admit, it's nice to see all the kids finally getting along like friends; even in their struggle to fend for themselves while they wait around for orders, they seem happier than they've been in a long while, and that's an admittedly infectious feeling. Nobody is enjoying this newfound freedom more than Zero Two, who works tirelessly to befriend the others and uphold their rules, and even Ichigo can't help but be pleased to call Zero Two her friend. While it's nice to see these once-contentious pilots enjoying time together, the sudden shifts they've undergone over the past couple episodes feel pretty toothless, dramatically speaking. I can see how the show is getting them from Point A to Point B, but the actual development of Ichigo and Zero Two's arcs has felt too driven by narrative convenience, and I feel like some of this episode's pathos is hampered because of that.

The biggest issue that “Day of Our Lives” struggles with is that its script is just too focused on performatively indulging surface details; it's so devoted to foreshadowing all the Serious Business that each character is (not yet) facing that it becomes distracting. Miku is sprouting some conspicuous grey hairs, Futoshi has developed an eating disorder, and Ikuno seems to have fallen ill out of the blue. Mitsuru has Kokoro cut his hair before sharing an unexpected kiss with her, which is like a double-whammy of death flags. “Days of our Lives” even brings back Zero Two and Hiro's picture book at both the beginning and the end of the episode, making sure to bookend the story with reminders that our central couple is almost certainly doomed. A few minutes per episode spent on all of this portentous imagery and storytelling is usually tolerable, but devoting an entire half hour to this teasing feels gratuitous.

We've been reminded time and time again that the Parasites are designed to die young, so the audience can only watch the kids develop signs of their inevitable destruction for so long. Dr. Franxx insists that the Parasites' isolation is a part of his larger experimental goals, but we still have no clue as to what any of those goals are, and the series is well past its halfway point. DARLING's usual penchant for teasing out plot developments as slowly as possible feels frustrating rather than intriguing at present; this might not much bother the binge viewers who come into DARLING in the FRANXX late, but it certainly affects the experience of watching the show on a weekly basis.

When I'm just absorbing “Days of Our Lives” in the moment, there's a lot of fun to be had in seeing the Parasites bond and become more independent. For being such stock archetypes, the DARLING in the FRANXX cast ekes out just enough charm and chemistry to stay engaging week after week. Plus, the visuals and direction are strong as always, which means the episode is never painful to look at. But as a piece of the show's larger puzzle, “Days of Our Lives” is disappointing, an aimless and interstitial chapter in a story that cannot afford to kill any more time.

https://www.youtube.com/watch?v=O90sRP1A73U

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My Hero Academia - Episode 43 [Review]

We've gotten a big fight out of our systems with Midoriya trying to protect Kota from the villain Muscular, but the Vanguard Action Squad's attack is far from over. Last week was about as much as I could ask for from Midoriya, so the fact that he's still running around and trying to help his friends given his injuries really adds a sense of urgency to the remaining fights. Aizawa mentions that Midoriya's now fueled entirely on adrenaline, and the second he stops moving he'll be a sitting duck. His job now is mostly to convey information from group to group, but even then that feeling of his exhaustion competing with the barreling momentum of the story is exactly my jam.

This is as traditional Shonen Jump as My Hero Academia gets, where you've got the big cast sprawled throughout the scene and organically crossing paths with villains while each group strategizes on how best to deal with their circumstances, using their powers as practically as possible. Midoriya's gunning for Mandalay, who can send messages telepathically to the whole class, and the hot shots Bakugo and Todoroki are teaming up, but they have to be careful about their Quirks setting fire to the wooded area surrounding them. Muscular mentioned last week that he was looking for Bakugo, and he seems to be the League of Villains' primary target, so everybody has to be super careful about that (not to mention the implications of the League thinking they might have something in common with our ratty little anti-hero).

This is yet another case of MHA doing some pretty basic stuff for its genre, but doing it shockingly well. My attitude when it comes to the lesser-known side characters is that I'm not actively looking for them to impress me—I'd much rather just let the surprises happen over demanding that every character be fully fleshed-out—but the efficiency and confidence with which this show manages to do exactly that astounds me. Between the Class 1-B students who get a moment to shine, the swarm of memorable villains, and ending on a cliffhanger involving kids like Shoji and Tokoyami, this episode continues to make balancing this large cast look so damn easy.

At this point I'm just waiting for the day that season three delivers an episode that's simply decent, but so far it's still going as strong as the best-executed swath of long-running shonen series I think I've ever seen. We've got world-building, intrigue, small character moments, big action scenes, an ebb and flow that coherently links all the thematic elements together, and so on. I'm impressed at how much I'm enjoying a show that I already loved. If I had just read a plot synopsis of this Forest Training arc, it would probably have seemed pretty rote, but I'm head over heels for every second of the ride.

For a sprawling battle episode, you don't really get better than this. The variety in characters and fighting styles is pitch perfect, and while it isn't going for the emotional highs or bombastic animation of last week's episode, you feel the consequences of the Muscular fight all the same. Everything feels like a reaction to everything else, and Bones is doing such a fantastic job capturing the flow of the story that it doesn't leave me with much to say beyond "it's really frickin' good."

So it's really frickin' good.

https://www.youtube.com/watch?v=3KhMD7h2Tns

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Review

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 01:03

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Tales of Zestiria the X 2nd Season

https://myanimelist.cdn-dena.com/images/anime/2/82039.jpg

Tales of Zestiria the X 2nd Season

نام انیمه: Tales of Zestiria the X 2nd Season

نام انیمه: Tales of Zestiria The Cross Second Season

نام انیمه: テイルズオブゼスティリアザクロス第2期

ژانر: Action, Adventure, Magic, Fantasy

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 13 قسمت

مدت زمان هر قسمت: 23 دقیقه

منبع: Game

کارگردان: Sotozaki Haruo

استودیو: ufotable

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ نقد و بررسی، خلاصه قسمت‌ها، توضیحات

+ اطلاعات بیشتر: سایت // سایت // سایت // سایت

+ لینک دانلود زیرنویس فارسی

+ لینک دانلود انیمه (MKV, 480P, EN Sub, ~75MB)

+ لینک دانلود انیمه (MKV, 720P, EN Sub, ~125MB)

+ لینک دانلود زیرنویس فارسی

+ لینک دانلود انیمه (MP4, 1080P, EN Dub, ~1.6GB)

+ لینک دانلود انیمه (MKV, ~155MB, EN Sub, 720P)

+ لینک دانلود انیمه (MKV, x265, 10bit, BD, 720P, Dual Auido, ~200MB)

+ لینک دانلود انیمه (MKV, BD, 1080P, Dual Audio, x265, 10bit, ~350MB)

+ لینک دانلود انیمه (MKV, 720P, Dual Audio, HD, ~150MB)

+ تماشای تریلر انیمه

+ لینک فایل تورنت (MKV, x265, 10bit, BD, 720P, Dual Audio, 2.7GB)

+ لینک فایل تورنت (MKV, x265, 10bit, BD, 1080P, Dual Audio, 4.1GB)

+ لینک فایل تورنت (MKV, 720P, HD, EN Sub, 1.9GB)

+ لینک فایل تورنت (MP4, 720P, RAW, 7.1GB)

داستان (منبع: دنیای انیمه)

داستان بازی در سرزمین «گلن وود» (Glenwood) پیگیری می‌شود، جایی که به دو کشور به نام‌های «پادشاهی هایلند» و «امپراطوری رولنس» تقسیم شده، دو کشوری که سالیان سال است که در جنگ و درگیری با یکدیگر به سر می‌برند. در این میان نیروی سیاهی بنام «هلیون» (Hellion) از احساسات منفی انسان‌ها متولد شده و در سراسر سرزمین پخش می‌شود. نیروی سیاهی که به سرعت تبدیل به تهدیدی جدی برای بشریت شده و تمام سرزمین گلن را در خطر نابودی قرار می‌دهد. درکنار انسان‌ها نژاد دیگری بنام «سرافیم» (Seraphim) نیز در گلن‌وود زندگی می‌کند، مخلوقاتی با ظاهر انسانی و نیروهای جادویی بسیار زیاد که به دلیل مشکلات قدیمی که با انسان‌ها دارند دور از چشم آن‌ها به زندگی خود ادامه می‌دهند.

شخصیت اصلی بازی پسری بنام «سو-ری» (Sorey) بوده که از بچگی در یکی از قبایل سرافیم‌ها بزرگ شده و به همین علت از قدرت‌های جادویی بالایی برخوردار است. سو-ری تصمیم دارد که تبدیل به یک «راهب» تمام عیار شود، راهب به انسان‌هایی اطلاق می‌شود که از طریق ارتباط و بستن پیمان با سرافیم‌ها قدرت‌های فوق‌العاده‌ای بدست آورده و در زمان‌های سخت برای نجات جهان ظاهر می‌شوند. حال سو-ری سفر خود برای نابودی هلیون‌ها و تجسم آرزوی بچگی خود یعنی برقراری صلح و آرامش بین انسان‌ها و سرافیم‌ها را آغاز کرده و در این راه با دوستان و دشمنان زیادی روبرو می‌شود

داستان کار تا جایی پیش رفت که سوری پس از مبارزه اولیه با پادشاه (تاریکی و فساد) تصمیم به ادامه دادن راه خودش برای تبدیل شدن به راهبی شد که بتونه دنیا رو از شر فساد و تاریکی نجات بده.

خلاصه داستان (منبع: دنیای انیمه)

دنباله‌ی فصل اول انیمه. ماجراهای سوری، میکلیو و دیگر متحدان در راه مبارزه با ارباب فاجعه و کسب مهارت‌های یک پیشوای حقیقی!

انیمه Tales of Zestiria the X 2nd Seas Action Adventure Magic Fantasy Sotozaki Haruo ufotable テイルズオブゼスティリアザクロス第2期 Tales of Zestiria The Cross Seco

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 00:54

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Ansatsu Kyōshitsu

کلاس درس آدم‌کشی || Ansatsu Kyōshitsu

نام مانگا: Assassination Classroom

نام مانگا: 暗殺教室

نام مانگا: Ansatsu Kyōshitsu

ژانر: Action, Supernatural, Comedy, School Life

نویسنده و طراح: Yūsei Matsui

ناشر: Shueisha

مجله: Weekly Shōnen Jump

تاریخ انتشار: تابستان 2012

وضعیت: تمام شده

تعداد قسمت ها: 180 + 4 چپتر (16 جلد)

ترجمه‌ی فارسی و انگلیسی دارد

لینک‌های مربوط به مانگا

+ لینک دانلود مانگا – ترجمه فارسی

+ خواندن آنلاین مانگا – ترجمه فارسی

+ اطلاعات بیشتر در مورد مانگا: سایت // سایت

+ خواندن آنلاین مانگا – ترجمه انگلیسی

+ لینک دانلود مانگا – ترجمه فارسی

خلاصه داستان (منبع: انیم ورلد)

داستان درباره‌ی کلاس 3-ای مدرسه‌ی راهنمایی "کونوگیگائوکا" است که هر روز صبح با یک جوخه‌ی کشتار به معلم خود خوش‌آمد می‌گویند. استاد ترکیبی عجیب از یک بیگانه و یک اختاپوس است که با 20 برابر سرعت صوت حرکت می‌کند. از قرار معلوم این موجود مسئول نابودی ماه بوده و آن را برای همیشه به شکل هلالی در آورده است. او اعلام کرده که دنیا را در یک سال نابود می‌کند. این موجود به کلاس 3-ای یاد خواهد داد چگونه پیش از پایان یک سال او را ترور کنند.

مانگا Ansatsu Kyōshitsu Assassination Classroom 暗殺教室 Comedy School Life Supernatural Action Yūsei Matsui Weekly Shōnen Jump

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 00:49

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Altered Carbon – Season 01

Altered Carbon – Season 01

نام سریال: Altered Carbon

بازیگران: Martha Higareda, Antonio Marziale, Chris Conner, Hiro Kanagawa

ژانر: Drama, Sci-Fi, Adventure

مدت زمان هر قسمت: 60 د قیقه

وضعیت: فصل اول – تمام شده

تعداد قسمت‌ها: 10 قسمت

+ اطلاعات سریال در IMDB

لینک دانلود سریال – فصل اول (Web-Dl, 720P, x265, ~273MB)

خلاصه داستان (منبع: @CinemaAW)

این سریال علمی تخیلی از داستانی با قتل، عشق و خیانت صحبت می‌کند که 300 سال بعد اتفاق‌های اصلی آن رخ می‌دهد که بدن انسان قابل تعویض خواهد بود. تاکشی کو ...

http://www.softcarecs.com/wp-content/uploads/2018/02/Netflix-Series-Altered-Carbon.jpg

سریال Altered Carbon Adventure Drama Sci-Fi

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 00:33

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معرفی انیمه Parasyte: The Maxim - انگل: قاعده کلی

معرفی انیمه Parasyte: The Maxim - انگل: قاعده کلی

+ معرفی و لینک دانلود انیمه‌ی Kiseijuu: Sei no Kakuritsu

انیمه Parasyte: The Maxim یا Kiseijuu: Sei no Kakuritsu به عنوان یک اثر ترسناک، از چنان عمق فلسفی برخوردار است که در تمام طول انیمه و حتی پس از آن ذهن مخاطب را درگیر می‌کند.

حقیقت انسان چیست؟ آیا شکل ظاهری است که انسان را تعریف می‌کند؟ آیا برای انسان بودن تنها قدرت تکلم کافی است؟ آیا آنچه که باعث می‌شود خود را انسان بنامیم قدرت تفکر و تعقل است؟ آیا احساسات عاملی است که باعث می‌شود خود را یک گونه جدا بدانیم؟ انسانیت را چگونه معنا کنیم؟ این‌ها سوالاتی به قدمت تاریخ است که هیچ جواب قطعی برایشان وجود ندارد. در کنار علم که انسان را عضوی از خانواده هومینید با جنس‌های مختلف که قدمت آخرین جنس باقی‌مانده آن یعنی انسان مدرن به ۲۰۰ هزار سال پیش بازمی‌گردد، می‌داند، فلسفه مسیر متفاوتی را برای تشریح این پدیده در پیش گرفته است. برای مثال هنری جرج، در رابطه با انسان می‌گوید: «انسان تنها حیوانی است که همراه با تغذیه‌اش، امیالش افزایش یافته و هیچگاه راضی نمی‌شود» و اعتقاد آلبرت کامو بر این است که «انسان تنها مخلوقی بوده که از شناخت ذاتش امتناع می‌ورزد».

هویت انسانی و ویژگی‌های تشکیل‌دهنده آن تا‌کنون به شکل‌های مختلف به چالش کشیده است، اما فرض کنید گونه‌ جدیدی به وجود آمده است که نه‌تنها طبیعت و کره زمین، بلکه بشریت و جوامع متشکل از آن را هدف قرار داده است. در این وضعیت است که تمام معادلات بر سر چیستی انسان رنگ می‌بازد و اصولی که سال‌ها از آن‌ها پیروی می‌کردیم، منطق و عقلانیت خود را از دست می‌دهند. حال زمان آن رسیده که انسان خود را بهتر از هر زمان دیگری بشناسد و با اشتباهاتش و نقص‌هایش رو‌به‌رو شود. انیمه Kiseijuu: Sei no Kakuritsu در چنین شرایطی جریان دارد؛ جایی که انسانیت در نبرد با جدید‌ترین دشمنش هویت خود را از دست می‌دهد.

رخداد‌های انیمیشن ژاپنی «انگل: قاعده کلی» در جهانی جریان دارند که انگل‌هایی به زمین آمده‌اند و با ورود به بدن، مغز انسان‌ها را در اختیار گرفته و کنترل بدن آن‌ها را به دست می‌‌گیرند. با وجود اینکه انسان‌ها همچنان ظاهر خود را حفظ کرده، قادر به تکلم بوده و قوه تشخیص دارند، اما هیچ شباهتی به گذشته خود ندارند. این موجودات جدید روحیه شکارچی داشته و از گوشت انسان‌ها تغذیه می‌کنند. تسخیر انسان‌ها به حد کافی وحشتناک است و تغذیه نا‌متعارف انگل‌ها را نیز اضافه کنیم، با فاجعه‌ای انسانی رو‌به‌رو خواهیم شد که نسل بشریت را تهدید می‌کند.

داستان این انیمه از جایی آغاز می‌شود که یک انگل قصد دارد از طریق گوش وارد بدن شینیچی ایزومی، دانش‌آموزی ۱۷ ساله و پروتا‌گونیست اثر، شود، اما این اقدام انگل به دلیل وجود هدفون در گوش شینیچی با موفقیت همراه نیست؛ در عوض، او تلاش می‌کند از راه دست وارد شود. اما شینیچی که متوجه این اتفاق عجیب و ترسناک شده است، به سرعت با سیم هدفون راه انگل را سد می‌کند. پس از اینکه پدر و مادر شینیچی با سر‌و‌صدای او از خواب بیدار می‌شوند، هیچی اثری از انگل روی دست شینیچی وجود ندارد. به‌واسطه اتفاقاتی عجیب و غریب همچون نگه داشتن یک ماشین، شینیچی برای اولین بار با انگلی که دست راستش را خورده رو‌به‌رو می‌شود. حضور یک انگل به نام میگی (به معنای دست راست) در بدن شینیچی و تعداد بیشماری انگل دیگر در جهان اطراف او که هر روز دست به قتل می‌زنند، هسته اتفاقات انیمه Parasyte: The Maxim را تشکیل می‌دهند.

مانگای Kiseijuu که هیتوشی ایواکی وظیفه نگارش و طراحی آن را بر‌ عهده داشته است، از سال ۱۹۸۸ به مدت هفت سال در مجله Afternoon منتشر شد. این مجله میزبان مانگا‌های Blame و Mushishi نیز بوده است. در نهایت، اقتباس انیمه‌ای این مانگای سینن در قالب ۲۴ اپیزود توسط استودیو Madhouse ساخته شده و از شبکه NTV که پخش انیمه‌های مشهوری همچون Barakamon و Death Note را در کارنامه دارد، به سمع و نظر مخاطبین رسید. انیمه Kiseijuu: Sei no Kakuritsu از دو بخش اصلی تشکیل شده است. انیمه پارازیت در پنج اپیزود اول با وجود المان‌های ترس و وحشت، چندان وارد این ژانر نمی‌شود، اما در عوض روی رابطه بین میگی و شینیچی متمرکز می‌شود؛ شینیچی به عنوان یک دانش‌آموز دبیرستانی که احساسش بر عقلش برتری داشته، با میگی که به عنوان یک انگل از تمام ویژگی‌هایی که وجه تمایز انسان با حیوان است، عاری بوده و بر‌عکس شینیچی که انسان‌ها را در اولویت قرار داده، تنها به حفظ جان خود اهمیت می‌دهد. در واقع اصلی‌ترین نقطه قوت انیمه انگل: قاعده کلی پرداختن به مفاهیم فلسفی و به چالش کشیدن باور‌های انسان‌ها است. زمان‌هایی که از حق حیات انگل‌ها می‌گوید، بین انسان‌ها و انگل‌ها به دلیل کشتن دیگر موجودات برای نجات خود شباهت ایجاد می‌کند، صدمه‌هایی که بشریت به محیط زیست زده را می‌شمارد، انسان‌هایی را که انسانیت خود را از دست داده و به موجوداتی بدتر از انگل‌ها تبدیل شده‌اند در داستان خود جای می‌دهد و پیچیدگی‌های فکری انسان‌ها را بررسی می‌کند، همگی عمق بالای اثر را به نمایش می‌گذارند.

اگر به حوزه فلسفه علاقه داشته باشید و کتاب‌های آن را مطالعه کرده باشید، مطمئنا با این بخش‌های انیمه آشنایی خواهید داشت. این ویژگی به هیچ عنوان تصادفی نیست و عمدا توسط هیتوشی ایواکی و شوجی یونمورا به انیمه اضافه شده است. با دقت به نام اپیزود‌های انیمه متوجه می‌شوید که تا اپیزود بیستم برای هر قسمت نام یک کتاب انتخاب شده است. از بین این کتاب‌ها که مفاهیم و درون‌مایه‌های آن‌ها به نوعی در داستان دخیل هستند می‌توان به «بیگانه» نوشته آلبر کامو (اپیزود پنجم)، «خورشید همچنان می‌دمد» نوشته ارنست همینگوی (اپیزود ششم)، «فراسوی نیک و بد» نوشته فردریش نیچه (اپیزود نهم)، «ژن خودخواه» نوشته ریچارد داوکینز (اپیزود چهاردهم) و «جنایت و مکافات» نوشته فیودور داستایفسکی (اپیزود بیستم) اشاره کرد. اما بهترین نمونه را باید در اپیزود اول و رمان «مسخ» نوشته فرانتز کافکا جستجو کرد. در این رمان که می‌توان آن را به عنوان منبع الهام هیتوشی ایواکی دانست، یک فروشنده جوان به نام گرگور سامسا پس از بر‌خواستن از خواب متوجه می‌شود که به یک موجود حشره‌-‌مانند تبدیل شده است؛ دقیقا همانطور که شینیچی پس از بیدار شدن با انگل رو‌به‌رو شده و نهایتا دست راستش را از دست می‌دهد. نکات مخفی انیمه برای بیننده‌های دقیق و ریز‌بین تنها به نام اپیزود‌ها ختم نمی‌شود. کلماتی که روی برخی از لباس‌های شینیچی نقش بسته‌اند تا اندازه‌ای از درون‌مایه‌های انیمه پیروی می‌کنند. برای مثال در اپیزود‌های پایانی انیمه، شینیچی لباسی به تن می‌کند که کلمه Philosophia روی آن مشاهده می‌شود. این عبارت از این لحاظ اهمیت دارد که دقیقا در بخشی از داستان قرار دارد که در مورد فلسفه وجود انسان‌ها تردید ایجاد شده و باور‌های شینیچی دچار تغییر و تحول شده‌اند. همچنین در اپیزود آخر واژه Aporia روی تی شرت شینیچی قرار گرفته است که نشان از شک او در مورد خودش و جایگاهش بین انسان‌ها و انگل‌ها است.

در کنار درون‌مایه‌ها و مباحث فلسفی، شخصیت‌پردازی یکی از قابل توجه‌ترین نقاط قوت انیمه Kiseijuu: Sei no Kakuritsu است. بزرگ‌ترین دستاورد سازندگان در این بخش، خلق شیمی بی‌نظیری بین شینیچی و میگی به عنوان شخصیت‌هایی که هیچ شباهتی به یکدیگر ندارند و تنها مجبور هستند برای ادامه حیات در کنار هم باشند، است. این دو شخصیت همواره در حال رشد و تغییر و تحول هستند و تقریبا نمی‌توان رفتار‌های آن‌ها را پیش‌بینی کرد. شینیچی شخصیتی منحصر‌به‌فرد نیست و تا‌کنون نمونه‌های آن را در آثار بسیاری مشاهده کرده‌ایم. دانش‌آموز جوانی که کم و بیش از ضعف در رفتار‌های اجتماعی رنج می‌برد و کمی خجالتی است، چندان خاص نیست، اما حضور میگی در کنار او و اتفاقی غیر‌منتظره و متحول‌کننده باعث می‌شوند که تمام انتظارات و پیش‌بینی‌ها در مورد شینیچی بر‌هم بریزند. شینیچی به عنوان شخصیتی تیپیکال، به دوست دوران کودکی‌اش علاقه دارد، اما انیمه فرصت زیادی برای زمینه‌چینی و ایجاد مرحله‌ای تغییر و تحول ندارد؛ به همین دلیل در مدتی کوتاه تمام اصول و قواعد شینیچی را برهم می‌زند. از این لحظه است که شینیچی متفاوت‌تر از هر شخصیت دیگری عمل می‌کند. تعامل شینیچی با میگی در قوس شخصیتی بسیار موثر هستند؛ به این صورت که بار‌ها منطق‌های فکری به چالش کشیده شده و مرز‌های بین درست و اشتباه محو می‌شوند. پیشرفت شخصیتی تنها به شینیچی محدود نشده و در انتهای انیمه، میگی نیز ۱۸۰ درجه با اپیزودهای اولیه متفاوت است. میگی و شینیچی مکملی بی‌مانند هستند و در جای جای انیمه تاثیر خود را روی دیگری می‌گذارند.

تا اینجا از نقات قوت و ویژگی‌های مثبت انیمه Parasyte گفتیم، اما این بدان معنا نیست که اثر مذکور بدون اشکال و فارغ از ضعف است. این انیمه را نباید یک اثر اکشن دانست؛ به همین دلیل بزرگ‌ترین عیب آن به سکانس‌های زد و خورد مربوط می‌شود. هر قدر سازندگان در القا فلسفه به دیالوگ‌ها و فعل و انفعالات داستانی عالی بوده‌اند و دو شخصیت به‌یاد‌ماندنی را معرفی کرده‌اند، اما از لحاظ کوریوگرافی سکانس‌های اکشن بی‌نهایت ضعیف عمل کرده‌اند. نبرد‌های شینیچی با انگل‌ها آن‌طور که باید و شاید قادر به ایجاد حس هیجان به مخاطب نیستند و در اغلب موارد به تعدادی فریم تکراری خلاصه می‌شوند. با این حال استراتژی‌های میگی برای پیروزی بر حریف جالب توجه هستند و دیالوگ‌های رد و بدل شده بین دو شخصیت اصلی در حین نبرد‌ها به خوبی نوشته شده‌اند. دومین اشکال انیمه Kiseijuu: Sei no Kakuritsu در بخش شخصیت‌های فرعی است. میگی و شینیچی در اغلب دقایق انیمه توجه دوربین را در اختیار دارند و این امر باعث شده که پتانسیل بالای دیگر شخصیت‌ها به طور کامل مورد بهره‌برداری قرار نگیرد یا کاملا هدر برود. تاکشی هیرو‌کاوا، ریکو ساتومی و اوراگامی مهم‌ترین شخصیت‌هایی هستند که در عین شخصیت‌پردازی منحصر‌به‌فرد، چندان مورد استفاده قرار نگرفتند و به دلیل عدم استقلال شخصیتی، حضور آن‌ها تنها در کنار شینیچی معنا پیدا می‌کند. در حالی که حضور مورانو ساتومی، به عنوان عنصری مهم و مانعی در برابر فرو‌پاشی شینیچی تلقی می‌شود، تنها کارکرد شخصیت کانا کیمیشیما به جنبه سانتیمانتالیسم اثر خلاصه می‌شود و به راحتی می‌توان آن را حذف کرد.

انیمه Kiseijuu: Sei no Kakuritsu یکی از مهم‌ترین انیمه‌های سال‌های اخیر است که تماشای آن برای هر علاقه‌مندی به این حوزه لازم است؛ انیمه‌ای که در پس‌زمینه خیالی، ترسناک و ماورایی‌اش، به بهترین شکل ممکن مفاهیمی را به چالش می‌کشد که هیچ اثری، چه لایو اکشن و چه انیمیشن حتی به آن نزدیک هم نشده است. در حین تماشای انیمه مذکور لحظاتی را تجربه می‌کنید که پخش را متوقف کرده و غرق در تفکر در رابطه با مکالمه انجام‌شده، خواهید شد. اگر به فلسفه علاقه دارید، از طرفداران ژانر‌های ترسناک، علمی تخیلی و درام هستید، قصد دارید به چالش کشیده شدن مفهوم انسانیت را به تماشا بنشینید و اثری با شخصیت‌های عالی و شخصیت‌پردازی بی‌عیب و نقص را جستجو می‌کنید، انیمه Kiseijuu: Sei no Kakuritsu همان انیمه‌ای است که به دنبال آن می‌گردید.

منبع و تصاویر: زومجی