جادوی ِ خاطرات

The official website for the live-action film of Jun Mayuzuki's Koi wa Ameagari no You ni (After the Rain) manga began streaming the music video on Thursday for the film's theme song "Front Memory" by Emiko Suzuki and Seiji Kameda, a cover of Shinsei Kamattechan's 2014 song of the same name. The film's director Akira Nagai also directed the video, and the video features both original footage as well as footage from the film.

https://youtu.be/EBATmXTR-8g

Mayuzuki also drew the jacket illustration for the "Front Memory" CD single that shows protagonist Akira Tachibana. The CD single will ship on May 23.

The film will open in Japan on May 25.

A live-action spinoff web mini-series titled Koi wa Ameagari no You ni: Pocket no Naka no Negaigoto (After the Rain: Wish in a Pocket) debuted on the GyaO! streaming service on May 2. The remaining episodes will stream on May 11, 18, and 25. The series has the same cast as the film.

https://cdn.animenewsnetwork.com/thumbnails/max700x700/cms/news/126841/visual.jpg

Nana Komatsu (left in picture below) stars as Akira Tachibana, while Yo Oizumi (right) is playing Masami Kondō.

https://cdn.animenewsnetwork.com/thumbnails/max550x550/cms/news/124030/koiame_cast.jpg

https://cdn.animenewsnetwork.com/thumbnails/max600x600/cms/news/126841/additionalcast.jpg

The additional cast includes (clockwise from top left in image above):

Shōno Hayama as Takashi Yoshizawa, Akira's classmate who has a crush on her

Nana Seino as Haruka Kiyan, Akira's close friend and captain of the track team

Hayato Isomura as Ryōsuke Kase, Akira's fellow part-time worker and cook at Garden

Honoka Matsumoto as Yui Nishida, Akira's fellow part-time worker and waitress at Garden

Mari Hamada as Kayoko Kubo, Akira's fellow part-time worker and waitress at Garden

Shigeyuki Totsugi as Chihiro Kujō, Masami's old friend, and a novelist

Yō Yoshida as Tomoyo Tachibana, Akira's mother

Maika Yamamoto as Mizuki Kurata, a track star who has her sights set on Akira

Akira Nagai (live-action Teiichi no Kuni) is directing the film, with a script by Riko Sakaguchi (The Tale of the Princess Kaguya, Mary and The Witch's Flower).

The manga centers on 17-year-old high school student Akira Tachibana, a girl who barely expresses herself. She harbors a secret crush on Masami Kondō, the 45-year-old manager of the family restaurant she works at part-time.

Mayuzuki launched the manga in Shogakukan's Monthly Big Comic Spirits in 2014 and transferred to Weekly Big Comic Spirits in early 2016, where it serialized a new chapter every other week until it ended on March 19. Shogakukan published the manga's 10th and final volume on April 27. The manga has more than 2 million copies in print. Vertical Comics has licensed the manga and will release it in five volumes beginning on September 25.

The manga was nominated for the ninth Manga Taisho awards in 2016, and was ranked #4 in the 2016 edition of Takarajimasha's Kono Manga ga Sugoi! (This Manga Is Amazing!) guidebook.

The manga's 12-episode television anime adaptation premiered on January 11 on the Noitamina programming block on Fuji TV, and ended on March 30. The show streamed exclusively on Amazon Prime Video inside and outside of Japan, with the English title After the Rain.

Source

خبر

کارآگاه کونان یکشنبه 23 اردیبهشت 1397 ساعت 20:15

0 نظر

Tales of the Stage Video Previews 2 Types of Performance

https://cdn.animenewsnetwork.com/thumbnails/max400x400/cms/news/131392/inuyashiki.jpg

Purple Plan to Screen Live-Action Inuyashiki Film in Singapore on May 24

Southeast Asian film distributor Purple Plan announced on Tuesday that it will screen the live-action film of Hiroya Oku's Inuyashiki manga in Singapore beginning on May 24. The company will also screen the film in Malaysia, Indonesia, and Vietnam at an as-yet unannounced date.

The film opened in Japan on April 20, and it sold 91,000 tickets and earned 124 million yen (about US$1.14 million) to rank #5 in its opening weekend. As of May 6, the film has earned a total of 605,686,900 yen (about US$5.56 million). The film is expected to surpass 1 billion yen (about US$9.21 million) at the box office.

The film's cast includes:

Noritake Kinashi as Ichiro Inuyashiki, the protagonist, and a typical, middle-aged salaryman

Takeru Satoh as Hiro Shishigami, a sociopathic murderer

Mari Hamada as Marie Inuyashiki, Ichiro's wife

Yuki Saito as Yūko Shishigami, Hiro's mother

Nayuta Fukuzaki as Takeshi Inuyashiki, Ichiro's son

Ayaka Miyoshi as Mari Inuyashiki, Ichiro's daughter

Kanata Hongou as Naoyuki Andō, Hiro's childhood friend who works with Ichiro to stop Hiro

Fumi Nikaidō as Shion Watanabe, a girl who bears good will toward Hiro and gets close to him

Yusuke Iseya as Detective Hagiwara, a film-original character who is investigating Hiro's murders

Shinsuke Satō, who also directed the live-action film adaptation of Oku's Gantz manga, as well as its Gantz II: Perfect Answer sequel film, directed the film.

Kodansha Comics is publishing the manga in print in North America, and it released the 10th compiled volume on December 19. Crunchyroll also released the series digitally, and it describes the story.

Ichiro Inuyashiki is down on his luck. While only 58 years old, his geriatric looks often have him written off as a pathetic old man by the world around him and he's constantly ignored and disrespected by his family despite all that he's done to support them. On top of everything else, his doctor has revealed that he has cancer and it appears that he has little time left in this world. But just when it seems things couldn't get any worse, a blinding light in the night sky strikes the earth where Ichiro stands. He later wakes up to find himself unscathed, but he soon starts to notice that there's something…different about himself.

Oku launched the manga in Kodansha's Evening magazine in January 2014, and the manga's 10th and final volume shipped in Japan last September.

The anime adaptation premiered on Fuji TV's Noitamina block last October. The series streamed exclusively on Amazon Prime.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://youtu.be/15imaVyOaO0

Idea Factory's Otomate Brand to Release 12 Titles on Switch

Idea Factory's Otomate brand revealed on Wednesday that it will release 12 of its titles on the Nintendo Switch console.

The titles and release dates (if known) include:

Hakuōki Shinkai: Fūkaden on September 6

Code:Realize: Saikō no Hanataba on September 13

Nil Admirari no Tenbin: Irodori Nadeshiko this year

Cendrillon palikA this year

Shiritsu Berubara Gakuen: Versailles no Bara Re*imagination (based on Rose of Versailles manga)

NORN9 LOFN

Amnesia

Reine des Fleurs

Vilshana Senki: Genpeiden

Sengoku Night Blood

Joe Produce Shinsaku LoverPretend

Hakuōki new work

Idea Factory noted that the new Hakuōki work will be a completely new work.

The Hakuōki, Code:Realize, Nil Admirari no Tenbin, Norn9, and Amnesia game series have all inspired television anime adaptations. The Sengoku Night Blood franchise also includes a television anime series.

Aksys Games and Idea Factory International have released iterations of the Hakuōki game franchise in English, and Aksys Games has released iterations of the Code:Realize and Norn9 game series in English. Idea Factory International has also released the Amnesia: Memories game in English.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max550x550/cms/news/128644/supporting.jpg

Live-Action Ao-Natsu Film Casts BanG Dream! Cast Member Aimi

The official website for Ao-Natsu: Kimi ni Koi Shita 30-Nichi (Ao-Natsu: The 30 Days I Loved You), the upcoming live-action film adaptation of Atsuko Nanba's Ao-Natsu romance manga, revealed on Saturday that voice actress Aimi (BanG Dream!'s Kasumi Toyama) will have a guest role in the film.

https://cdn.animenewsnetwork.com/thumbnails/max550x550/cms/news/131502/aimi.jpg

Aimi will play a woman who is visiting the countryside from a big city, and goes to a soba restaurant that Rio's grandmother runs.

The film will open in Japan on August 1. Wakana Aoi plays the main lead Rio, while Hayato Sano plays Ginzō.

https://cdn.animenewsnetwork.com/thumbnails/max550x550/cms/news/130853/aonatsu_visual.jpg

The other cast members include:

(Top row, from left to right in picture above)

Seika Furuhata as Marika, Ginzō's childhood friend

Takumi Kizu as Yūma, a boy in love with Rio

(Bottom row, from left to right)

Rinka Kumada as Aya, Rio's classmate

Atomu Mizuishi as Namio, Ginzō's classmate

Shiori Akita as Satsuki, Ginzō's classmate

Reo Shimura (SUPER★DRAGON) as Takaya, Yūma's classmate

Takeshi Furusawa (live-action "Ichirei Shite, Kiss," Love and Lies, ReLIFE) is directing the film, and Yukiko Mochiji (live-action Principal, Aozora Yell) is writing the script.

The manga's story begins when a high school girl named Rio goes to spend summer in the country instead of going to a mixer party in Tokyo. She meets a tough and slightly ill-tempered boy and wonders if the encounter is fate.

Nanba launched the manga in Kodansha's Bessatsu Friend in 2013, and Kodansha released the series in eight compiled book volumes. The eighth and final volume shipped in October.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max450x450/cms/news/109075/monster-hunter.jpg

Hollywood Live-Action Monster Hunter Film Features Milla Jovovich, Starts Production in September

Entertainment news website Variety reported on Friday that Constantin Film's Hollywood live-action film adaptation of CAPCOM's Monster Hunter action game franchise will feature Milla Jovovich (Resident Evil movie franchise). The film is budgeted at around US$60 million, and will shoot in and around Cape Town in South Africa. The film will start production in September.

Constantin Film said that it is in "the final stages of negotiation" to partner with “a big company” in Japan, and another in China. The Japanese and Chinese companies each will take equity in the project. Constantin Film is otherwise funding the film itself.

Martin Moszkowicz, Chairman of the Executive Board of Constantin Film, said at Cannes that Constantin Film is planning the project as a film series, adding, "we are in the business of brand creation."

Constantin Film produced all six films in the Paul W.S. Anderson-directed Resident Evil franchise. Anderson is also directing the Monster Hunter film, and his Impact Pictures producing partner Jeremy Bolt is producing. Impact Pictures released a concept picture for the film (seen left) in November 2016, showing a dragon at Los Angeles International Airport.

Impact Pictures describes the film:

For every Monster, there is a Hero. An ordinary man in a dead end job discovers that he is actually the descendant of an ancient hero. He must travel to a mystical world to train to become a Monster Hunter, before the mythical creatures from that world destroy ours.

Anderson has written a draft for the film's script. Mr. X will produce the special effects, and the company's president Dennis Berardi is credited as producer. The story will have an ordinary person traveling to the Monster Hunter world before coming back to the real world to fight an "epic battle in and around LAX."

Anderson stated that he sees the film and the game's world as an "opportunity to have a cinematic universe."

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max650x650/cms/news/130694/tales_keyvisual_fixw_640_hq.jpg

Tales of the Stage Video Previews 2 Types of Performance

The official website for Bandai Namco Entertainment's new Tales of the Abyss stage play, Tales of the Stage - Lorelei no Chikara wo Tsugusha (Tales of the Stage - Inheritor of Lorelei's Power), began streaming a promotional video on Friday. The stage footage in the video is from last year's Tales of the Stage: Last Score play.

https://youtu.be/1XJD0v5GJ0w

The official website also announced that the play will have two different performances. As previously announced, Tales of the Stage - Lorelei no Chikara wo Tsugusha - LIVE&THEATER at Yokohama Arena will run at Yokohama Arena Main Hall on June 15, and will utilize the second stage that extends into audience seating. This performance will include audience participation, a talk show, and the "special guest cast" below.

Chihiro Suzuki (Luke Fon Fabre's game voice actor)

Takehito Koyasu (Jade Curtiss' game voice actor)

On the other hand, Tales of the Stage - Lorelei no Chikara wo Tsugusha - Emotional Act will run at Zepp DiverCity Tokyo in August and Zepp Nanba Osaka in September. This performance will focus on the story and will feature as-yet-unannounced additional cast.

This original work adapts the Tales of the Abyss PlayStation 2 and Nintendo 3DS role-playing game into a dance and acrobatics entertainment show. This play again tells the story of main character Luke Fon Fabre and Asch, as previously told in Tales of the Stage: Last Score, but will focus on Asch's untold story.

The full returning stage play cast includes:

Yuya Arai as Asch

Kota Iwaki as Luke Fon Fabre

Fuyuna Asakura as Natalia Luzu Kimlasca-Lanvaldear

Sena from The Hoopers as Tear Grants

Ryoji as Van Grants

Saki Takahashi as Ion/Sync

Yukima Saito as Legretta

Chihiro Kai as Anise Tatlin

Kensuke Uchida as Mohs

New cast members include:

Reo Kawamura as Guy Cecil (replacing Kō Hosokawa)

Asami Okamoto as Arietta

Orito Kasahara from STARBOYS as Dist

Eiji Moriyama as Largo

Mio Hanana as Noir

As with Tales of the Stage: Last Score, Tetsuharu is in charge of direction and choreography, and Oropa Irie is writing the script.

The Blu-ray Disc set for Tales of the Stage: Last Score will be available on June 6. The stage play ran in June 2017 at the Tales of Festival" event, and then later ran in Osaka in August and in Tokyo in September.

Bandai first released the game for PlayStation 2 in 2005, and later ported the game to Nintendo 3DS. An anime adaptation aired from 2008-2009, and Bandai Entertainment released the series on DVD. The game has also inspired multiple manga adaptations.

Source

خبر

کارآگاه کونان یکشنبه 23 اردیبهشت 1397 ساعت 20:00

0 نظر

Legend of the Galactic Heroes: Die Neue These - Episode 6 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131355/logh061.jpg

Legend of the Galactic Heroes: Die Neue These - Episode 6 [Review]

Legend of the Galactic Heroes: Die Neue These has been hewing closely to the original novels more than the old OVA series. However, its cinematic tics and expansive scope also mark it as an attempt to be the "blockbuster" version of those same events. This is especially evident in this episode, which successfully expands a few pages of descriptive lead-up into a fully dramatic story. More impressive than simply making the most of its minimal material is how well this episode works on its own.

The opportunity is still taken to include as many details as possible in the run-up to the titular attack on Iserlohn Fortress. LOGH has a reputation for episodes that are entirely comprised of characters preparing for an operation, and this one falls squarely in that category. It is nice to see Yang bantering with his new officers, giving us snippets of how he knows them. This series' proper introduction of Frederica is also strengthened by the included foreshadowing of her in Yang's flashback a couple of episodes ago. And if her little moe chuckle makes you worry that they may be attempting to make her too conventionally cute, that goes out the window when you see her arm-throw a member of Rosen Ritter a few scenes later.

The Rosen Ritter are an important component to in this storyline, although I'm torn on their portrayal in this adaptation. On the one hand, they're pointedly shown to be more ‘badass’ than the rank-and-file Alliance troops, which makes sense given their role and pedigree. But that pedigree also leads to them acting like jerks, getting snippy with Yang and outright harassing Frederica. The ‘good guys’ in any given portion of LOGH depend on which side of the conflict we're following at the moment, so the Rosen Ritter acting antagonistic to our main Alliance characters belies their Empire-defected nature. It's a storytelling tool that lends contrast to various sub-factions like this and ups the intrigue as Yang pitches an already uncertain plan. However, the way their unpleasantness is portrayed comes off a little too obvious; they feel less nuanced or misunderstood and more like simply unpleasant allies of convenience.

This extends somewhat to their commander, Schönkopf. He's presented as a slightly more polite balance to the Rosen Ritter's immature rabble, but he still carries that unpleasant air of antagonism. He comes across largely like he's supposed to have a snarky personality, and overall he does seem more animated than the novel or OVA's version of the character. But the portrayal does veer into smirky jerkwad territory too much at times. Overall, the dialed-up tension and antagonism between Yang's crew and the Rosen Ritter works for this broader anime version, wringing more drama out of the slow reveal of the plan to capture Iserlohn.

The latter chunk of this episode mostly consists of Yang explaining things. Thanks to the character's delivery and dialogue, this mostly works. Yang's response to Schönkopf raising questions about his own loyalty is still a classic moment of characterization, and their discussion about retiring for ‘a few decades of peace’ is excellent content, which speaks both to Yang's character and the historical realism this series strives to convey. Still, listening solely to Yang does get somewhat monotonous, and given that this episode is largely covering content that was only summarized originally, it might have been beneficial to bring Frederica or even Admiral Sithole in to break up the conversation a bit.

It's still an effective and entertaining expansion of the scene, aided by the episode wisely not ending just as the characters wrap their plans. Instead, we spend the final minutes of the episode with the Imperials at Iserlohn (its liquid-metal composition rendered quite nicely in this shiny new production). It's important to bring us up to speed with them, since the Empire has been out of focus for maybe too long, but it also provides a unique way to watch the Alliance's plan unfold. Admittedly, these interest points seem moot if you've already guessed their strategy or know the story from previous versions of this material, but at least we're reminded that the Alliance is still active in the story.

The competing Admirals at Iserlohn offer a good perspective to visit at this time. Between their squabbling as well as the tempering suspicion of Oberstein, we get to see all the angles they think about approaching the possible trap from and where they plan to go from here. Despite the space-battle strategies being a selling point of LOGH, there is criticism to be had in how much of these military successes might depend on the incompetence of their opponents. This way of presenting the story lays out how victories can also arise when confronting a nominally effective enemy. Seeing Oberstein raise the objection against the Admirals also fits with the story's overall theme of young upstarts challenging the assumed ideas of the old guard, and this scene makes for an effective cliffhanger to the story so far too. This isn't the most action-packed episode of LOGH, but it's still among the stronger entries by virtue of strong adaptation.

Source

Review Legend of the Galactic Heroes D

کارآگاه کونان یکشنبه 23 اردیبهشت 1397 ساعت 18:15

0 نظر

Lupin the Third: Part 5 - Episode 6 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131347/dopey-lupin.jpg

Lupin the Third: Part 5 - Episode 6 [Review]

Episode 6 is the much-hyped "throwback" episode of Lupin the Third: Part 5. We knew from last week's preview that this one would be different. Just the appearance of a pink-colored jacket had long-time fans excited, and there was also a significant art shift. All of this suggested a modern homage to Lupin the Third: Part 3, aka the "Pink Jacket" series. Part 3 is known as the weakest of the Lupin III TV series, largely for its animation quality but also for some particularly goofy plots. This episode delivers on that homage, but in a way that works for fans of modern-day Lupin.

This episode revolves around a mysterious safe, designed by the two Hirameki brothers in a contest from the Greater Tokyo Bank. They're looking for a safe that even Lupin can't break into, and the brothers seem to have hit the jackpot by finding one that uses Lupin's intelligence against him. This safe only opens if a person with the bare minimum brainpower—represented on a scale from 0 to 300—has their head scanned by the machine. It just so happens that one of these brothers has that intelligence score (despite being smart enough to build this safe in the first place and land on such an ingenious plan, but maybe that was all his slightly smarter brother's idea?). Lupin has the maximum level intelligence of 300, so he's out of luck. Even if he tries to dumb himself down, he has no hope of opening the safe.

First of all, is Lupin really supposed to be the smartest person in the world? He's pretty crafty for sure, but I don't know if he's even the smartest character in his own TV show or on his own team. He's also shown some incredible levels of stupidity over his 50 years of existence. But aside from having to accept its silly premise, the episode is pretty fun. It's clearly the sort of bizarre nonsense that was a hallmark of much older Lupin series, and it's a good premise for a tribute to Part 3, which was especially known for stories that didn't make much sense. It feels nostalgic in a Saturday morning cartoon kind of way, and it's welcome after the deadly-serious plots of many recent Lupin adventures.

About half of this episode is made up of shenanigans, as Jigen and Fujiko plot to lower Lupin's intelligence to open the safe by bonking him on the head and exhausting him with endless workouts. (Sleep deprivation does indeed lower your brainpower, so that at least is somewhat based in science!) I was a little surprised that we didn't eventually see Fujiko disrobe, which is historically the easiest way to reduce Lupin to his dumbest self, but I guess Fujiko wasn't that interested in the safe's contents.

In the end, Lupin's intelligence is what saves rather than dooms him. Even all of Jigen and Fujiko's efforts, they can only get Lupin as low as 001 level brainpower—still too high to open the safe. However, the elder Hirameki brother is so flattered by his efforts that he thinks they should open the safe for Lupin anyway. This snaps the thief out of his daze to start chowing down on fish for their supposed intelligence-boosting qualities. (This is also somewhat based in science, but no matter how many fish you eat, it wouldn't boost your brainpower that quickly.) Lupin's score zooms off the charts, breaking the system and thus busting open the safe. It's a fitting ending that lets Lupin win without ruining the brothers' brilliant(?) idea. They realize that the intelligence-boosting qualities of the fish offers them a new business opportunity, and all's well that ends well.

In many ways, this is a perfect update of pink-jacket Lupin for a modern audience. The art style fits the older 1980s version of the show, but without the weaker animation and other production issues. The characters are more in line with their sillier versions, particularly Fujiko acting as a clear ally to the gang rather than a mysterious rival. The character models are much rounder, giving them a more "cartoonish" appearance, rather than the sleeker modern designs. The plot is also inexplicably weird in a way that no other recent Lupin series can rival. Both Part 4 and The Woman Called Fujiko Mine have gone some strange places, but they always try to justify them with worldbuilding of some kind. Pink jacket Lupin just lets the weirdness fly, one episode at a time.

It looks like this was just a brief diversion, with the next episode promising a return to form and the blue jacket. Still, this bit of vintage "filler" was so well-executed that I really hope it's not the last one we see for this series. Lupin the Third: Part 5 could make a good formula out of five-episode storylines, followed by one-off tributes to the series' past.

Source

Review Lupin the Third Part 5

کارآگاه کونان یکشنبه 23 اردیبهشت 1397 ساعت 18:10

0 نظر

Magical Girl Ore - Episode 6 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131315/saki.png.jpg

Magical Girl Ore - Episode 6 [Review]

Just how long can an episode stretch a single joke? This episode of Magical Girl Ore would like the answer to be twenty minutes, but I can't say it's successful there. In “Hot Springs Business,” the cast goes to a hot springs resort, but between karaoke, demons, and concealing their identities, Saki and Sakuyo don't get a moment to relax. There's a lot of potential to explore by putting two gender-shifters in an environment that centers around sex-separated bathing, but the episode tosses most of that out the window to pit Saki's Ore form against the silent Mohiro in a sauna endurance competition that goes on for way too long.

If Magical Girl Ore were a short, with episodes anywhere from 3 to 12 minutes, I think I'd be enjoying it a lot more than I am now. It has fun art and a lot of cute visual storytelling details, like when Sakuyo and Mohiro wear welding helmets to avoid staring directly into the lightning flash that is Saki and Hyoe's rivalry. The problem is that it drags jokes on for long after they cease to be funny. As Saki continued to keep up her “love power” by staring a hole through Mohiro's dick, it occurred to me that the same result could have been achieved if they'd shown her doing this just once, instead of dozens of times. The most unforgivable part of this episode's plot is that Mohiro is essentially mute, so we watched Saki as Ore mostly wrestle with internal dialogue while Mohiro says nothing at all, which really means watching Saki make the same joke while Mohiro sits there not reacting.

Speaking of tired jokes, I'm getting really sick of Saki seeing Sakuyo, who has been nothing but sweet, as the biggest threat in the show. Saki even imagines herself weeping while Sakuyo, in her Ore form, smokes a post-coital cigarette. However, this episode might be the turning point in that romantic plot—it seems that even the show is tired of Saki's fears. Though we've seen her act more predatory in the past, this time Sakuyo is the model of consent, telling Saki she doesn't want to do anything Saki doesn't want, and it's Sakuyo who bursts into the men's bath in the nick of time to be Saki's knight in shining armor. (She does this after taking out a demon party, and this battle is treated as an afterthought instead of being allowed to add any real interest to the story.) Saki may still be deeply in love with wet blanket Mohiro, but her blushing response to Sakuyo after the rescue gives me hope that she'll see that her real dreamboat isn't Mohiro, but his sister.

This episode also showed us exactly how Saki and Sakuyo's Love Power works. They can jump into a cold bath (perhaps a nod to Ranma ½) to kill their libidos or otherwise dampen their lovey-dovey feelings for the object of their affection. It makes sense that Saki's infatuation with Mohiro fades in the bath since she's busy panicking about being discovered, with Ashita no Joe-esque art coming out to emphasize just how far she is past her limit. But just as the minutes in the sauna dragged on for Saki, they were also dragging on for the audience. There was too little tension in this episode, and even the arbitrary countdown clock couldn't make me excited to see just how long Saki was going to be stuck in the bath.

Source

Review Magical Girl Ore

کارآگاه کونان یکشنبه 23 اردیبهشت 1397 ساعت 18:00

0 نظر

High School DxD Hero - Episode 4 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131343/hs-dxd-hero-ep4.jpg

High School DxD Hero - Episode 4 [Review]

So episode 4 happened.

While that may not exactly be a fair way to describe the episode, it nonetheless characterizes how little of a lasting impression it made. I first watched it during my lunch break, but I had to go back and watch big chunks of it again at the end of the work day just to recall what happened. That's generally not a good sign.

So what does happen? Well, the Hero faction of the Chaos Brigade strikes on two different fronts. One is in Kyoto, where the spear-wielding young man is revealed to be Cao Cao, a descendant of a like-named warlord who figured prominently in the classic novel Romance of the Three Kingdoms. The other is the home front back at the school, but we see only the aftermath of that battle because the attention remains on what Issei and crew are doing. His battle is mostly typical for the franchise, as all sorts of new foes with special powers but forgettable identities show up to face off against Issei and friends, resulting in a fresh opportunity for Issei to combine his Booblingual and Dress Break powers to take a trio of cannon fodder out of the fight. A new stand-in for Freed shows up to oppose the more knightly characters, with his only distinguishing characteristic being a silver third arm that allows him to wield three swords, while Azazel battles Cao Cao to an uninteresting standoff. To keep the battle from being decisive, a young witch with the amusing name Le Fay Pendragon (combining Morgan Le Fay and Arthur Pendragon) shows up and throws out a giant suit of armor named after a legendary English giant to chastise Cao Cao for going too far. Strangely enough, she's apparently a fan of the Boob Dragon.

So yeah, this fight smacks of a supernatural variation on one of those mixers where you jump through hoops to get introduced to everyone. It offers little excitement or thrill factor beyond one fanservice scene, and it would feel like a complete waste of time if it weren't the first instance this season where Issei's evolution from flunkie to charismatic leader has been emphasized, as someone who can stand in as King when Rias isn't around. Issei has unquestionably drawn in a bevy of compatriots who are extremely loyal to him, and this battle also shows that the team functions well when he takes charge. That's a much more interesting development than anything else in this episode, certainly moreso than Cao Cao's utterly uninspired motivation of wanting to see how far humans can go in an environment populated by angels, devils, and gods. Snore.

It's also handled better than the shoehorned reappearance of the guy from last episode's flashback. This guy with the shadow-related Sacred Gear has been written into this season sloppily, but at least his shadow armor is sorta cool and he has Issei (improbably) on the ropes at the end of the episode. Maybe the fox girl will jump to Issei's rescue? Whatever the case, the sooner that guy gets offed so we can return to not caring about him, the better.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131353/realep6.jpg

Real Girl - Episode 6 [Review]

Relationships aren't easy to maintain, even when you've known someone forever. Tsutsui learns that lesson the hard way this week, as his attempts at resolving his argument with Iroha lead to another conflict, this time with Ito. Suddenly cut off from both his best friend and his girlfriend, Tsutsui takes some time to reflect on how he met Ito in the first place. Getting that friendship back on track proves to be relatively easy, and after a couple of false starts, Tsutsui manages to reconcile with Iroha as well. The only problem now is his budding friendship with Ayado, which is poised to cause a whole new round of misunderstandings.

This episode is a tale of three relationships, and the friendship between Tsutsui and Ito is the first into the spotlight. The brief conflict between them isn't all that intense from a dramatic standpoint, but it provides a decent excuse for Real Girl to indulge in a flashback. In some ways, this little origin story is reminiscent of Tsutsui's first encounter with Iroha; as much as the younger Tsutsui tries to push Ito away when they first meet, their shared status as social outcasts pulls them together. We can see the beginnings of their current friendship, with Ito's empathy and desire for connection balancing out Tsutsui's more stoic and self-isolating nature. Tsutsui's lonely late-night cooking session also opens the door for an interesting reflection on how he's beginning to change as a character. His fights with Iroha and Ito make him feel lonelier than he ever felt when he was on his own, which suggests that he's beginning to understand the value of those personal connections. Now that he's experienced these positive interactions, it's much harder to stomach the idea of being alone.

Once Tsutsui and Ito go back to being best buddies, the focus shifts towards his romantic relationship with Iroha. As simple as it is in practice, the way they patch things up with one another is reasonably faithful to their personalities. Tsutsui may not know what he did to upset Iroha during their festival date, but he does at least know that he's hurt her feelings. This leads him to essentially apologize for not knowing what he should be sorry for, which is sort of charming in its own awkward way. That ends up being enough to break the ice with Iroha, who seems just as eager to close the book on this conflict. While Real Girl sticks to its usual pattern of telling the story from Tsutsui's perspective, it does at least give Iroha a chance to vent her frustrations. As we saw last week, this conflict has its origins in the characters' differing perspectives, with Tsutsui's disbelief that a girl might actually like him coming across as a lack of trust to Iroha. Now that the two of them are back on the same page, they can get back to dealing with all of those raging teenage hormones, assuming they can spend more than two minutes alone together without Tsutsui freaking out and running away.

Finally, we have Ayado's friendship with (and crush on) Tsutsui, which plays a supporting role throughout the episode but becomes more important in the last few minutes. It may be all smiles and free potatoes for now, but this relationship looks like it may present Tsutsui and Iroha with their biggest challenge yet. Much like it did last week, Real Girl is dropping some pretty big hints that there's some real chemistry between Ayado and Tsutsui, both through dialogue and the visual presentation of their interactions. One shot in particular, which splits the screen into manga-style panels, really highlights the visual similarities between the two bespectacled characters, suggesting that they've got a kind of “kindred spirit” dynamic going on. It's no wonder this looks bad from Iroha's perspective, even if Tsutsui is far too clueless to realize what's going on. Given a little more time to simmer, this tension could easily boil over into a compelling storyline.

On the whole, this is a solid episode that continues the course correction that Real Girl started making last week. There's a renewed focus on the pitfalls and nuances of relationships, both romantic and platonic. Instead of relying on a snickering villain to stir things up, the show is crafting storylines by letting trouble arise naturally between the main characters. When everyone's intentions are relatively good, the conflicts they encounter have more emotional depth, and the potential for heartbreak feels more credible. It's a shame that the animation remains on the weaker end of the spectrum, but at least the script is carrying an impressive amount of weight.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131269/food-wars-s3-ep-17.jpg

Food Wars! The Third Plate - Episode 17 [Review]

Did you need another reason to hate Azami? Probably not, but Food Wars isn't taking any chances of making him seem sympathetic, so this week they throw another crime in our faces: he bullied Akira into joining Central by threatening Jun. (It's even worse if you consider that Jun is practically Akira's mom; threatening someone's family is a new low for Azami.) His methods for doing this were typically underhanded – he forced all of Jun's corporate sponsors to withdraw their offers of financial aid. Not only does this speak to the power Azami wields outside the academy, it also shows how low he's willing to go to force his vision of “gourmet” on the world at large. Technically, he really shouldn't be able to interfere with outside businesses, especially since if his plans go through, some of these companies will go belly-up. It's like he's the Don of the Food Mafia, and a kid like Akira, who isn't comfortable going to others for help, was essentially put in a position where he had no choice but to comply.

All of that explains not only why Akira's now with Central, but also his determination to beat Soma no matter what and the dead-eyed stare he's had all season. He's fighting not so much for Azami's ideals or even to stay at school, but for the only family he has. That's more of a burden than any sixteen-year-old should have to bear, and a loss could have serious emotional repercussions for him. Not that this means he ought to win, but it is something that Soma's going to have to help him deal with on the off chance that Soma carries the day.

We're not going to find out about that until next week, which is actually a good thing in terms of pacing. I was afraid that they were going to try to cram the entire match into this episode, which would have taken a lot of the tension out of it. The decision to do this in full and presumably cut back on other content later (because there's still a lot to cover here) will likely prove to have been the right one. There's a lot more at stake here than just Soma's enrollment; this is the match that has the most fully revealed the depths to which Azami will sink. If his minion wins here, against the rebels' best man, that won't bode well for Totsuki overall.

It's also an important cook-off because Soma's never beaten Akira before. While this would be an awesome time to start, it couldn't happen if he hadn't lost before. All along an important piece of Soma's character has been his ability to learn from his mistakes and defeats. He's okay with admitting that someone is better at something than he is (a rarity at Totsuki), and his main take-away has consistently been the way he examines why he lost. Having done this twice with Akira, he's now ready to really put what he learned into practice, something we see right off the bat when the head judge, Alice's dad, immediately realizes that he used the gamiest parts of the bear meat. Scent has always been Akira's weapon; for Soma to deliberately attempt to use that against him like this, and to thus far succeed in it, speaks volumes about both his confidence and his ability to learn.

Will Soma succeed in beating Akira? And will the same be true of the rest of the rebels? It's not a good sign that Nikumi is up against he Council member who specializes in desserts, which is far from her area of expertise, and how Takumi and Megumi will fare against Rindo also feels fraught with peril. We'll just have to dwell on the glory (?) of either Dojima's abs or Cilla and Berta in little bear bikinis or the humor of Soma pulling a Takumi running around screaming Akira's name until next week.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131245/op835.png.jpg

One Piece - Episode 835 [Review]

Big Mom's hellish tea party rages on as Luffy makes his second attempt to strike her Achilles Heel: the broken photograph of her childhood caretaker, Mother Carmel. These past few episodes could easily get a little frustrating because we're still trying to get this big scream out of Mom, but they make me extremely curious as to how the anime is going to handle the rest of the Whole Cake Island climax, which in the manga is one big complicated action scene that's divisively low on traditional one-on-one fights. Last week's episode almost felt like we were getting a proper Sanji vs. Daifuku fight, and this week there's a brief conflict between Brook and Charlotte Oven that wasn't in the manga. There's a sincere effort to flesh the story out with more action, as opposed to just taking the manga and stretching it out. Perhaps this could give some characters who fell by the wayside in the manga more chances to stand out.

But sticking closer to what the source material had to offer, the emphasis this week is still mostly on Luffy and company trying to outrun Katakuri and his mochi powers. I find it endlessly amusing that Katakuri is canonically sixteen feet tall, right between his mother's size and a regular human, and you see examples in this episode of that creating some jarring perspective shots. It's that weird One Piece quirk where strong guys (like Doflamingo) are just naturally super-tall, which has mostly been successful at simply creating a contrast between the big dudes and little ole Luffy. However, Katakuri just looks like a giant when I think he's meant to feel a little more Doflamingo-esque in that regard. You've got to be strategic about how often you show the dude standing next to other characters.

There isn't a lot going on in the episode that sets it apart from last week, but we do finally get that Big Mom scream, connecting us to the cliffhanger where we start to fade into her childhood backstory, ready to finally learn who this Mother Carmel actually was. Capone and his crew don't get the chance to pull the trigger on their rocket launchers just yet, but I've been hungrily waiting for this flashback to arrive and for One Piece to aggressively become less child-friendly for a couple weeks. Before her big scream, we see Mom finally confronting that Mother Carmel picture, desperately trying to put its pieces back together as her hands shake in horror. The deep dive we're about to take into Big Mom's psyche is so interesting and exciting to me.

The other change-up is Sanji finally breaking his family free of their candy prison and the Straw Hats providing them with earplugs (to withstand the scream) and the containers that hold their Super Sentai raid suits, since Capone had collected them as a part of his security duty. Now the Vinsmokes are going to join the fight, and we're facing that weird dynamic where the Nazi Power Ranger family get to be allies as the result of circumstance. It doesn't come without a lot of pontificating from Reiju about how Sanji's the only good thing to have come their family and how their mother's good will survives through him, but that continues to be something ripe to be made more interesting with further context. My theory for a while now has been that we'd learn Sanji's mom was also a supervillain type like Judge, and we'd string that reveal into the larger theme of managing our complicated relationships with the rare instances of love we receive in our lives.

There's some really fascinating stuff going on in this arc, as we deal with villains who range from morally compromised to the morally vacant, a topic One Piece has a unique perspective on by virtue of focusing on lawless pirates to begin with. The Vinsmokes get off a little easy in this arc, but because so many blind spots have been teased about their history, I'm not comfortable believing that their role begins and ends at "grudging allies."

This episode continues the colorful action from last week, although it looks a little more shoddy in places. I remain pleasantly surprised by how well the anime is handling the emotional chaos as we inch our way between plot points, but right now I'm just happy that we'll finally get to talk about Mother Carmel for real next week, and with her all the insane darkness lurking in Big Mom's memories. Let's get weird with this.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131366/tgre6.jpg

Tokyo Ghoul:re - Episode 6 [Review]

As the big battle at the auction house lurches into its third week, Tokyo Ghoul:re finally gives itself some space to stretch out and look inwards. Our protagonists aren't just fighting wave after wave of enemies, they're also fighting their own insecurities and traumas, and this more intimate focus on their psyches makes for a more engrossing episode.

First up we have Urie, who at the end of last episode had landed in Big Madam's gullet. I was waiting for his experimental surgery to finally pay off, and it does, granting him enough strength to break free. I was also waiting for him to be consumed by his heightened ghoul powers and lose all of his composure, which of course also happens. It's pretty entertaining to see the normally stone-faced Urie with his tongue gleefully lolling out, but it's also telling that even his ghoul-addled thoughts are totally self-centered. He's blind to everything but his own greatness, which brings me to the thing I wasn't expecting: he still gets his ass kicked. A common thread when protagonists take a great risk to become more powerful is that they'll win at some great personal cost. I thought that Urie would seriously hurt one of the other Quinxes and be forced to reckon with those consequences, but instead, even sacrificing more of his own humanity doesn't get him any closer to the glory he longs for.

The world of Tokyo Ghoul is fundamentally unfair. Urie didn't deserve to lose his father, but it still happened, and it still haunts him. Even if it is true that Urie worked and sacrificed the most out of the Quinx Squad, that doesn't guarantee him anything. As he lies defeated on the floor, he runs through his list of all of the people he believes failed him, until the last of his selfish bravado fades away and he reveals that his true insecurity is feeling unwanted himself. He believes that Sasaki and everyone else see him as dead weight and that they'd be better off without him, so he simultaneously hates them and desperately tries to prove himself to them. It's a toxic mindset that makes him lash out at the people closest to him, which in this case turns out to be Mutsuki. For his part, Mutsuki is fully aware of his own fears and weaknesses, so he recognizes the same ones in Urie, who finally snaps out of his self-centered ramblings when he realizes that he just hurt his friend. In a beautiful gesture, Mutsuki at last unleashes his kagune, not to fight Urie, but to comfort him. The image of Mutsuki gently embracing Urie with his giant horrific appendages has to be one of the strongest that Tokyo Ghoul:re has given us so far.

Meanwhile, Juzo confronts Big Madam, the last specter of his own traumatic past. Madam turns out to be a surprisingly accurate portrait of an abuser. She first tries to appeal to Juzo's sentimentality as his former “caregiver,” implying that she loved him and just wants to be there for him again. When Juzo doesn't react to this at all, she does an immediate about-face and begins to berate him. She tries to break him down by saying that he wasn't special, that she was the only one who could have put up with him, and so on, but Juzo still doesn't give her the satisfaction of compassion or resentment or anything at all. He's long since been able to move past the awful things she did to him, thanks to good people like Shinohara and the support of his friends at the CCG. This confrontation isn't the big emotional climax of Juzo's story. This is him turning over the final page in this chapter of his life. Now only his scars are left, but his scars will not define him.

Moving on to more uplifting developments, it turns out Shirazu is actually pretty darn smart! He quickly figures out the gimmick behind Nutcracker's kagune traps and uses them against her. He also manages to convince the timid and stubborn Saiko to finally use her ghoul powers. We still don't know what they are exactly, but they pack one heck of a punch and outclass the rest of the Quinxes. Shirazu must then confront some of his own weaknesses in the aftermath of this battle. Nutcracker dies in classic Tokyo Ghoul fashion, with a sudden flashback to her childhood in a ploy to garner sympathy. It's a pretty cheap tactic, and it's not gonna work on me the umpteenth time that this story has done it, but it's consistent with Tokyo Ghoul's dedication to showing the moral grayness of its world and characters. The good in Nutcracker doesn't justify the horrible things she did, but that good is part of her nonetheless. Anyway, the impact all of this has on Shirazu is more important. He's briefly overcome with greed, since the defeat of high-ranking ghouls fetches a high price, so he rushes to finish her off. Her sudden display of vulnerability snaps him out of it and clearly makes him uncomfortable. He still has a good heart, but he's gonna have to grapple with the fact that ghouls are both monstrous and human, just like the CCG and just like him.

This brings us to the most troubled character of them all, Sasaki. He's gone through multiple identities over the course of this show, but the one constant in his life is getting the crap beaten out of him on a regular basis. This time it's Takizawa's turn to dole out the pain, from one half-ghoul experiment to another. His transformation into the Owl has done nothing to assuage his inferiority complex, and he's eager to prove himself the superior hybrid. Sasaki can barely keep up the fight, with most of his strength locked behind Kaneki's personality. We've already seen that handing the reins over to Kaneki could put even more people in danger, but Sasaki has run out of options to deal with the Owl's relentless assault. It's time for another trip into the far recesses of his mind, to that room where Kaneki passed the point of no return.

Sasaki wanted nothing more than to be able to live his life and forget about Kaneki, and maybe there's part of Kaneki that wanted that too. But life isn't that simple, and we can't just discard our pasts. Sasaki has no choice but to acknowledge Kaneki's existence, if for no other reason that Kaneki's legacy defines Sasaki's own. Takizawa singles out Sasaki because he's Kaneki, but Hina also tries to save Sasaki because he's Kaneki. Kaneki did many good things and bad things alike, but just because Sasaki can ignore them doesn't mean that other people have to do the same. Kaneki affected people simply by living. At the same time, Sasaki is not an empty vessel holding him prisoner. He's also has formed important bonds, created precious memories, and pursued his own desires. Both personalities have their weaknesses, fears, insecurities, loneliness, and trauma. Just as ghouls and humans cannot be separated in their messy complexity, Kaneki and Sasaki cannot boil each other down to anything less than two sides of one person with a complicated life.

So rather than succumbing to or shutting away Kaneki again, Sasaki chooses to protect him. The already muddy line between the two of them blurs further as they find the strength to fight back together. You can tell it's an important moment because the original OP “Unravel” begins to play in the background! I could complain about the way it kinda feels like :re is leaning on a crutch established by the stronger direction of the first two seasons, instead of carving out its own identity. But I won't complain, because the song is too good and too fitting for Sasaki/Kaneki's struggles. Even if this particular use of it isn't as impactful as previous examples, it still makes for a powerful scene. The battle ends as the episode does, but the outcome is uncertain. All I know is that the only healthy outcome will be for Sasaki and Kaneki to completely accept themselves as part of each other, if we ever reach such a conclusion.

Tokyo Ghoul is at its best when it's exploring the psychologies of its broken characters and their attempts to survive the cruelties the world forces onto them. Its endings are rarely happy, but its rare moments of kindness stand out against the backdrop of despair. Mutsuki's embrace of Urie struck me harder than any of the head-splitting, kagune-shattering, and ball-busting blows of the auction arc's dizzying myriad of battles. The war between humans and ghouls isn't settled, and perhaps it never will be, but as long as these characters can learn to help each other, there's moments of hope.

Source

Review

کارآگاه کونان یکشنبه 23 اردیبهشت 1397 ساعت 01:09

0 نظر

نمایشگاه کتاب – مصلی

نمایشگاه کتاب – مصلی

http://s8.picofile.com/file/8329588468/Namayeshgah_Ketab_Mosalla_1.jpg

http://s9.picofile.com/file/8329588484/Namayeshgah_Ketab_Mosalla_2.jpg

http://s9.picofile.com/file/8329588518/Namayeshgah_Ketab_Mosalla_3.jpg

عکس

کارآگاه کونان شنبه 22 اردیبهشت 1397 ساعت 20:34

0 نظر

Anime – New Episode [11 May 2018]

http://s9.picofile.com/file/8322104968/Anime_All_Folder.png

Anime – New Episode [11 May 2018]

480P, 720P, 1080P, Multi Server, MKV, AVI, MP4

Download Links, Torrent Files, Watch Online

Yu-Gi-Oh! VRAINS Episode 51 English Subbed

Steins;Gate 0 Episode 5 English Subbed

Tokyo Ghoul:re Episode 5 English Dubbed

Boruto: Naruto Next Generations Episode 57 English Subbed

Dorei-ku The Animation Episode 5 English Subbed

Hinamatsuri Episode 3 English Dubbed

Darling in the FranXX Episode 15 English Dubbed

Hinamatsuri Episode 6 English Subbed

Galaxy Angel X Episode 25-26 English Dubbed

Nagasarete Airantou | BD | 720p [Orphan-Polished]

Steins;Gate 0 Episode 5 Subtitle Indonesia

Butlers: Chitose Momotose Monogatari Episode 5

Boruto: Naruto Next Generations Episode 57 Subtitle Indonesia

Uma Musume: Pretty Derby (TV) I 720p I Episode 02

Mahou Shoujo Site I 720p I Episode 03

Piano no Mori (2018) I 720p | Episode 04

Tada-kun wa Koi wo Shinai I 720p I Episode 05

Golden Kamuy I 720p I Episode 04

Dante’s Inferno An Animated Epic 720p BD EngDub x265

Your Lie in April 1080p Dual Audio BD x265 10bit

Buddy Complex (special) 720p BD EngSub 10bit x265

Buddy Complex 720p BD Eng Sub 10bit x265

Demi-chan wa Kataritai 720p BD Dual Audio x265

Danmachi Sword Oratoria 720p BD Dual Audio x265

[Cleo] Nyan Koi! [Dual Audio 10bit BD720p][HEVC-x265]

[HorribleSubs] Last Period - Owarinaki Rasen no Monogatari - 05 [1080p].mkv

[HorribleSubs] Steins Gate 0 - 05 [1080p].mkv

[HorribleSubs] Butlers - Chitose Momotose Monogatari - 05 [1080p].mkv

Mega Man DVD rip 480 H264 (COMPLETE)

[Cleo] Black Bullet [Dual Audio 10bit BD720p][HEVC-x265]

[HorribleSubs] Boruto - Naruto Next Generations - 57 [480p].mkv

[Erai-raws] Boruto - Naruto Next Generations - 57 [720p]

[HorribleSubs] Boruto - Naruto Next Generations - 57 [720p].mkv

[HorribleSubs] Boruto - Naruto Next Generations - 57 [1080p].mkv

[Erai-raws] Boruto - Naruto Next Generations - 57 [1080p]

[Noroinohanako] Youkai Watch Shadowside 05 [English Hardsub]

Kuzu no Honkai (Scum's Wish) [BD 1080p HEVC 10-bit AAC]

[HorribleSubs] Comic Girls - 06 [1080p].mkv

[HorribleSubs] Wotaku ni Koi wa Muzukashii - 05 [1080p].mkv

[HorribleSubs] Tada-kun wa Koi wo Shinai - 06 [1080p].mkv

[HorribleSubs] Dorei-ku The Animation - 05 [1080p].mkv

[HorribleSubs] Megalo Box - 06 [1080p].mkv

[HorribleSubs] Saredo Tsumibito wa Ryuu to Odoru - 06 [1080p].mkv

[AnimeRG] Boruto - Naruto Next Generations - 57 [1080p]

[AnimeRG] Boruto - Naruto Next Generations - 57 [720p]

[HorribleSubs] Isekai Izakaya - Koto Aitheria no Izakaya Nobu - 05 [1080p].mkv

[xPearse] Salaryman Kintaro [English Sub] [360p]

[HorribleSubs] Toji no Miko - 18 [1080p].mkv

[HorribleSubs] Hakyuu Houshin Engi - 16 [1080p].mkv

[Erai-raws] Full Metal Panic! Invisible Victory - 04.5 [1080p].mkv

[HorribleSubs] Gurazeni - 06 [1080p].mkv

[HorribleSubs] Akkun to Kanojo - 06 [1080p].mkv

[HorribleSubs] Grancrest Senki - 18 [720p].mkv

انیمه

کارآگاه کونان جمعه 21 اردیبهشت 1397 ساعت 23:00

0 نظر

Manga – New Chapter [11 May 2018]

http://s9.picofile.com/file/8322105342/Manga_Folder.png

Manga – New Chapter [11 May 2018]

Manga, Manhwa, Manhua, Comic

Download Links, RAW, En Translation, Read Online

Made in Abyss ch.046

Ano Musume ni Kiss to Shirayuri o ch.041

Yuusha ga Shinda! ch.121.5

Mujang ch.224

The Gamer ch.222

Daiya no A - Act II ch.122

Namaikizakari. ch.079

One Piece #904

Boku no Hero Academia #182

Shokugeki no Soma #262

Kono Do-m Seikishi Ni Marunomi Flag O! 2

Animal Girl Hotline 5

This Feels So Good Maybe We Should Start A Harem? 5

My Girlfriend Is An Ero Animator 2

To You, The Immortal Chapter 65: Hospitality

Shokugeki no Souma 262

Haikyuu!! 301

The Wrong Way to use Healing Magic - 11

Wizardly Tower - 66 - Chapter 66

Panlong - 139 - Chapter 139

Desolate Era - 48.1 - Chapter 48.1

The New Gate - 38 - Chapter 38

One Peice - 904 - Spoilers

Shokugeki on Soma - 262 - Spoilers

Gosu - 90 - Chapter 90

Spirit Blade Mountain - 290 - Chapter 290

The Gamer - 222 - Chapter 222

The God of High School - 361 - Chapter 361

Boku on Hero Academia - 182 - Raw

Black Clovers - 156 - Raw

Haikyuu!!! - 301 - Raw

The Promised Nevreland - 86 - Raw

A Man Like You – Chapter 61

Shoujo Fujuubun Vol 01 Ch 019

Shokuryou Jinrui Vol 01 Ch 002

Ohayou, Ibarahime Ch 009

Mahou Shoujo Ikusei Keikaku F2P Vol 01 Ch 006

Koukaku no Pandora - Ghost Urn Vol 01 Ch 037

Mansen Maou Shoujo Ena-sama Ch 010

Maou ga Yadoya wo yatte Inu. Ch 008

The Journey of Flower Ch 012

Jungle Taitei Vol 02 Ch 007

Noel no Kimochi Vol 06 Ch 045

Dorei Yuugi (KIMURA Takashi) Ch 009

Isshuukan Friends Vol 07 Ch 038.5

Binetsu Kuukan Vol 02 Ch 013

Bittersweet Con Panna Ch 003

Amagi Brilliant Park Ch 012

Berserk of Gluttony Vol 01 Ch 001

The Children's Teacher, Mr. Kwon Ch 069

Kurogane no Ido Ch 004

Anz Ch 012

Ai Tenchi Muyo! Ch 008

Yume Maboroshi no Gotoku Vol 07 Ch 053

Palace Meidi Vol 04 Ch 014

Tobaku Datenroku Kaiji - One Poker Hen ch.253

Break The World ch.023

Honey Lemon Soda ch.016

Tendou-ke Monogatari ch.012

The Children's Teacher, Mr. Kwon ch.069

Tsurezure Children ch.202

Henjyo - Hen na Jyoshi Kousei Amaguri Senko ch.030

Kingdom vol.51 ch.557

Musashi (MOTOMIYA Hiroshi) vol.01 ch.004

Perfect Honeymoon ch.021

Miss Kitty and Her Bodyguards ch.036

Seijo no Maryoku wa Bannou desu ch.005.1

Kokuei no Junk ch.006

Shishunki Bitter Change ch.058.1

Q.E.D. - Shoumei Shuuryou vol.41 ch.047

Hitorijime My Hero ch.015.5

Usotsuki Paradox vol.09 ch.074.4

Detective Conan vol.87 ch.1012

Cross account vol.01 ch.018

Musashi (MOTOMIYA Hiroshi) vol.01 ch.006

Komi-san wa Komyushou Desu ch.140

Chihayafuru ch.197

Ghost Love ch.062

Sengoku Rance ch.006.5

Devilman Saga ch.022

Tomo-chan wa Onnanoko! ch.759

Spirit Blade Mountain ch.290

My Boyfriend is a Jinyiwei ch.070

The God Of High School ch.359

Athena Complex ch.079

Shokugeki no Soma ch.262

Tadashi Ore wa Heroine Toshite, Chapter 2

One Piece, Chapter 904

Black Clover, Chapter 156

Asmodeus wa Akiramenai, Chapter 3

19 Days, Chapter 240

Samurai Lover, Chapter 3

Magi Craft Meister, Chapter 6

Sweet Bitter, Chapter 2

Dorara, Chapter 7

Puppy Lovers, Chapter 44

مانگا

کارآگاه کونان جمعه 21 اردیبهشت 1397 ساعت 22:00

0 نظر

One Piece Anime Casts Fumi Hirano as Mother Carmel

https://cdn.animenewsnetwork.com/thumbnails/max450x450/cms/news/91107/340949-sony-playstation-4.jpg

Sony, Nintendo Update Warranty Policies After FTC Warning

Sony and Nintendo both updated their warranty statements for the United States and Canada this week following a warning from the United States Federal Trade Commission (FTC).

Both companies' statements previously said that their warranties would not apply if a product was used with a third-party peripheral (such as an adapter or power supply). They now specify that the warranties will not apply only if these third party products caused the damage.

Sony also removed a clause saying that the warranty would not apply if the warranty seal had been altered or removed. The company replaced this with a stipulation that the warranty will not apply "to damage caused by opening the product or to damage caused by service performed by someone other than a representative of SIE [Sony Interactive Entertainment] or an SIE-authorized service provider."

The FTC announced last month that it issued a warning to six companies — including Sony and Nintendo — about questionable language in the companies' statements regarding consumers voiding warranties when breaking stickers on the product, or when using parts or products not sold by the companies themselves. The FTC cautioned that such language is prohibited by the Magnuson-Moss Warranty Act, unless the companies themselves provide such parts or services for free, or are waived by the FTC.

The FTC asked the companies to review their promotional and warranty materials, and revise their practices to comply with the law. The FTC said it would review the companies' websites after 30 days, and warned, "failure to correct any potential violations may result in law enforcement action."

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max1000x1500/cms/news/131453/mother-carmel.jpg

One Piece Anime Casts Fumi Hirano as Mother Carmel

The official website for the One Piece franchise announced on Friday that Fumi Hirano (Urusei Yatsura's Lum, Detective Conan's Rumi Wakasa) will play Mother Carmel in the series, starting with the show's 836th episode on Sunday. The episode will center on the childhood past of Big Mom.

The One Piece anime entered the current "Whole Cake Island" arc with the 783rd episode in April 2017, and is currently in the "Tea Party From Hell" part of the arc. Namie Amuro debuted the current opening theme song for the series last year on October 1.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max700x700/cms/news/131341/visual.jpg

2nd Joker Game Stage Play Reveals Visual, More Cast

The official Twitter account for the second stage play adaptation of Production I.G's Joker Game spy anime series revealed three additional cast members on Monday. The Twitter account then revealed two more cast members as well as a new visual on Friday.

The new cast members include:

Yōjirō Murata as Joseph Goebbels

Akinori Iwasawa as Hermann Göring

Seshiru Daigo as Leni Riefenstahl

Kazuoki as Ernest Graham

Kazuya Suma as Kiichirō Shirahata

The new cast joins the previously announced cast members, all returning from the previous stage play, including:

Yūya Kido as Jitsui

Ikkei Yamamoto as Amari

Chihiro Okutani as Tazaki

Gaku Matsumoto as Hatano

Kōji Saikawa as Kaminaga

Takeshi Maeda as Fukumoto

Masashi Gōda as Akimasa Kazato

Yūki Kimisawa as Jirō Kamō

Yuya Miyashita as Gorō Itsumi

Shogo Suzuki as Miyoshi

Masashi Taniguchi as Lieutenant Colonel Yūki

The play will run at the Theater 1010 in Tokyo from June 14 to 20, and at the Mielparque Hall in Osaka from June 23 to 26.

The previous stage play adaptation ran in May 2017.

https://cdn.animenewsnetwork.com/thumbnails/max400x400/cms/news/129271/jokergame.jpg

The anime itself is an adaptation of Kōji Yanagi's novel of the same name. The original novel is set in 1937, before World War II begins in earnest. Lieutenant Colonel Yūki of the Imperial Japanese Army forms the "D Agency," an army intelligence outfit under his command and tutelage. Army General Staff attaches Lieutenant Sakuma to observe the unit's performance. D Agency casts a wide net to find agents beyond Japanese military personnel, and Yūki establishes D Agency's tenets, which go against IJA doctrine: "Don't kill, don't get killed, don't get captured." With this, Yūki trains a team of operatives who conduct missions against domestic and foreign powers.

Production I.G's television anime adaptation of the novel premiered in April 2016. Crunchyroll streamed the series as it aired in Japan, and Funimation streamed an English dub for the anime.

Subaru Nitō launched a manga adaptation of the anime in Mag Garden's Comic Garden magazine in February 2016, and ended it on January 5. Mag Garden published the manga's fifth and final compiled book volume on March 10.

Yanagi published the original Joker Game novel in 2008. The novel won the Nihon Suiri Sakka Kyōkai-shō (Mystery Writers of Japan) award in 2009. Yū Irie directed a live-action adaptation of the novel, which premiered in Japan in January 2015. Yanagi followed up the original novel with three sequel novels — titled Double Joker, Paradise Lost, and Last Waltz — in 2009, 2012, and 2015, respectively. The series has more than 1 million copies in print.

Source

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

https://cdn.animenewsnetwork.com/thumbnails/max600x600/cms/news/131420/gintama.jpg

Live-Action Gintama 2 Film's Visual Shows Jiro Sato in Mystery Role

The official website for the upcoming sequel film Gintama 2 (Kari) (Gintama 2 (Working Title)) posted a visual featuring Jiro Sato in his as-yet-unspecified role on Friday. The visual is a parody of The Godfather Part II.

Sato played Takechi Henpeita in the first film, but will play a different role in the sequel.

The film opens in Japan on August 17.

Shun Oguri, Masaki Suda, and Kanna Hashimoto are returning from the first film to reprise their roles as Gintoki Sakata, Shinpachi Shimura, and Kagura, respectively.

https://cdn.animenewsnetwork.com/thumbnails/max1000x1500/cms/news/130408/gintama2.jpg

The first film opened in Japan last July, and it earned 980 million yen (US$8.9 million) in its first four days. The film also inspired a live-action net show that debuted on Docomo's dTV streaming service one day after the film's opening. The film had its Canadian premiere at the Fantasia International Film Festival last July, and Azoland Pictures screened the film in the United States and Canada starting on January 19.

Well Go USA released the first film on DVD, Blu-ray Disc and DVD combo pack, and Digital HD on March 6.

Hideaki Sorachi began the manga in 2004 and it continues to be ranked among the top-selling manga in Japan. The manga has more than 50 million copies in print in Japan. Viz Media published the first 23 volumes in English. Shueisha published the manga's 72nd volume on March 2. The manga reached the "climax" of its final arc in February.

Source

خبر

کارآگاه کونان جمعه 21 اردیبهشت 1397 ساعت 21:00

0 نظر

نان

نان

نان با خُرفه

نان با گردو

نان با پودر نارگیل

نان با تخمه آفتابگردان

http://s9.picofile.com/file/8329588168/Noon1.jpg

http://s8.picofile.com/file/8329588184/Noon2.jpg

http://s9.picofile.com/file/8329588200/Noon3.jpg

عکس

کارآگاه کونان جمعه 21 اردیبهشت 1397 ساعت 20:31

0 نظر

نمایشگاه کتاب (2)

نمایشگاه کتاب (2)

سه شنبه‌یی که گذشت، برای بار دوم رفتم نمایشگاه کتاب.

هیچی نگرفتم.

انتشارات ویدا، کلی کتاب‌های فانتزی داشت.

خاطرات خون آشام رو هم انگاری کامل داشت.

دلم می‌خواد کتاب بخرم. بحث نداشتن پول است.

انتشارات درّ دانش بهمن رو دیدم.

همون انتشاراتی که مجموعه Twilight رو چاپ کرده.

از استفانی مایر یه سری دیگه کتاب بود.

فقط پشت جلد نگاه کردم.

انتشارات کتابسرای تندیس هم که رفتم ...

یه عالمه کتاب فانتزی و مورد علاقه.

ولی خب، راستش گرون است.

برای من ِ فعلی خیلی گرون است.

قراره روز آخر هم دوباره برم نمایشگاه.

ولی این که کتاب بگیرم یا نه، فکر نکنم.

چون پولی ندارم.

بروبچ میگن، همون انتشارات خارجی کهکشان که دفعه قبل در موردش گفتم.

مانگا یائویی هم داشته. ملت خریدن.

ااااااااااااااااااااااااااااااا

من نمی‌دونستم. البته نپرسیدم. شاید اگه پرسیده بودم، نشون میداد.

و خب نمی‌خریدم که.

من یه مانگا یائویی بگیرم، کجا می‌تونم بگذارم؟

توی کتابخونه که تابلو است، محل دیگه‌یی هم مناسب نمی‌بینم.

بخش بین الملل رفتم.

کاری به بقیه کشورها نداشتم. دنبال ژاپن و ایتالیا بودم.

دقیقا رویروی هم بود غرفه‌هاشون.

ایتالیا که برعکس پارسال، کتاب‌های ترجمه شده فارسی رو گذاشته بود.

برای فروش هم داشت.

همین طور کتاب‌های زبان اصلی.

غرفه ژاپن، مثل گذشته بود. فقط نمایشگاهی بود.

یه سری مانگا بود (مثل خیال آباد موعود / ناروتو و ...) که نسخه انگلیسی بود.

یه سری کتاب دیگه بود آموزش زبان ژاپنی.

یه خورده ورق زدم.

بخش رسانه‌های دیجیتال هم رفتم.

همه‌ش آموزشی بود. یه چی جالب دیدم. فقط نمی‌دونم چی جوری است.

مثلا آموزش زبان ژاپنی، ایتالیایی و ... با رزتااستون!

ولی انگاری محیط برنامه فارسی بود.

در صورتی که من خیلی سال قبل که رزتااستون گرفته بودم (آموزش ایتالیایی)، محیط نرم افزار انگلیسی بود.

حالا واقعا فارسی شده؟ یعنی به درد می‌خوره؟

گرون بود خب. 24000 به بالا بود. حیفم میاد این همه پول بدم.

یه نویسنده جدید و پر طرفدار انگاری پیدا شده به اسم جوجو مویز، شونصد تا کتاب داره.

انگاری خیلی جذابیت داره.

باید یه نمونه ازش تست کنم.

حیف که کتابخونه نداره.

وای وای وای

در مورد ماری هیگینز کلارک که خیلی گفته بودم. هر چی کتابخونه ازش کتاب داره.

من گرفتم و خوندم.

تو نمایشگاه دیدم، شونصد تا کتاب دیگه هم ازش ترجمه شده.

ولی کتابخونه نداره اینا رو.

من می‌خوام!!!!!!!!!!!!!

این هم از ماجراهای روز دوم.

بقیه‌ش یادم نیست.

کارآگاه کونان پنج‌شنبه 20 اردیبهشت 1397 ساعت 23:00

0 نظر

روزانه‌ها

پیوندها

دسته‌ها

ابر برچسب

جدیدترین یادداشت‌ها

بایگانی

تقویم

جستجو