Andrea Bocelli Complete Editions

 

دانلود مجموعه عظیم تمام آثار آندریا بوچلی

 Andrea Bocelli Complete Editions

مجموعه ی حاضر، آرشیو کامل تمام آثار آندریا بوچلی، خواننده ی شهیر ایتالیایی می باشد که به تفکیک آلبوم و به صورت کاملا رایگان توسط ارم دانلود برای شما هم میهنان عزیز آماده شده است.آندریا آنجل بوچلی (به ایتالیایی: Andrea Angel Bocelli) خوانندهٔ نابینای تنور اهل ایتالیا است. برخی کارهای او در ایران نیز منتشر شده‌است. آندریا بوچلی در ۲۲ سپتامبر ۱۹۵۸ در روستایی در شهر لایاتیکو در توسکانی بدنیا آمد. او در همان کودکی از تنبلی چشم زجر می‌کشید. آندریا در ۶ سالگی به دلیل علاقه فراوان به موسیقی در آموزشگاهی به یادگیری پیانو پرداخت و هم‌زمان به اپرا روی آورد. او در کنار علاقه‌اش به موسیقی، ورزش را نیز دنبال می‌کرد و طی بازی فوتبال در سن ۱۲ سالگی با اصابت توپ به چشمش بینایی خود را کامل از دست داد. او پس از این موضوع تصمیم می‌گیرد با اینکه به پیانو، فلوت و ساکسیفون تسلط داشت در مدرسه نابینایان ادامه تحصیل دهد. او در حقوق دکترای خود را نیز دریافت کرد. اما دوباره به موسیقی روی آورد. در ادامه می توانید فهرست افتخارات آندره بوچلی همچنین اطلاعات دانلود را مشاهده کنید.

http://eramdownload.com/wp-content/uploads/2013/12/318.jpg

اولین جایزه خود را در سال ۱۹۶۸ در سن ده سالگی دریافت نمود.

در سال ۱۹۷۰ در سن دوازده سالگی برای اجرای اثری جایزه‌ای دریافت کرد.

مدتی با لوچیانو پاواروتی همکاری داشت.

در سال ۱۹۹۳ در جشنواره موسیقی سانرموی برنده رکورد جایزه تازه واردان شد.

آهنگهای او تا دو هفته متوالی در صدر پر فروش‌ترین آلمان، ایتالیا، فرانسه، هلند و بلژیک قرار گرفت.

او با اولین آلبوم حرفه‌ای خود برنده جایزه صفحه طلایی شد.

در سال ۱۹۹۷ جایزه اکو را با همکاری با سارا برایتمن دریافت کرد.

او با اجرای آهنگ در آمریکا به کاخ سفید دعوت شد.

او در سال ۱۹۹۸ جایزه بهترین موسیقی گر کلاسیک و خواننده ایتالیایی رادر جشنواره موسیقی جهان در مونت کارلو دیافت کرد.

در مراسم جوایز گرمی و اسکار بهترین ترانه متن بود، ترانه The Prayer که در فیلم انیمیشن Quest for Camelot برادران وارنر از آن استفاده شد و جایزه گلدن گلاب را نصیب بوچلی کرد.

در رتبه اول تا سوم موسیقی جهان قرار گرفت.[نیازمند منبع]

در جشن هنر سالیانه سلطنتی در انگلیس به دعوت ملکه الیزابت برنامه اجرا کرد.

در مراسم سالیانه NIAF (انجمن ملی ایتالیا و آمریکا)، بوچلی همراه با ارکستر جوانان انستیتو بوچرینی برنامه‌ای به همین مناسبت اجرا کردند که این مراسم از طریق ماهواره پخش شد.

در سال ۲۰۰۲ جایزه بهترین هنرمند ایتالیایی و بهترین کلاسیک گر را تصاحب کرد.

رمز فایل فشرده: www.eramdownload.com

Andrea Bocellia – 1994 – Il Mare Calmo Della Sera

Andrea Bocellia – 1995 – Bocelli

Andrea Bocellia – 1995 – VIAGGIO ITALIANO Italian Edition

Andrea Bocellia – 1996 – Romanza

Andrea Bocellia – 1996 – ROMANZA Spanish Edition

Andrea Bocellia – 1997 – ROMANZA Italian Edition

Andrea Bocellia – 1998 – Aria – The Opera Album

Andrea Bocellia – 1999 – Sogno

Andrea Bocellia – 1999 – SUENO Spanish Edition

Andrea Bocellia – 2000 – Sacred Arias

Andrea Bocellia – 2000 – Verdi

Andrea Bocellia – 2001 – CIELI DI TOSCANA French Edition

Andrea Bocellia – 2001 – CIELI DI TOSCANA International Edition

Andrea Bocellia – 2001 – CIELI DI TOSCANA Italian Edition

Andrea Bocellia – 2001 – CIELI DI TOSCANA Spanish Edition

Andrea Bocellia – 2001 – CIELI DI TOSCANA UK Special Edition

Andrea Bocellia – 2002 – Sentimento

Andrea Bocellia – 2004 – ANDREA SACD Edition

Andrea Bocellia – 2004 – ANDREA UK Edition

Andrea Bocellia – 2004 – ANDREA US Edition

Andrea Bocellia – 2006 – AMA CREDI E VAI Maxi-CD

Andrea Bocellia – 2006 – AMOR Spanish Edition

Andrea Bocellia – 2006 – AMORE Dutch Edition

Andrea Bocellia – 2006 – AMORE Japanese Edition

Andrea Bocellia – 2006 – AMORE Scandinavian Edition

Andrea Bocellia – 2006 – AMORE UK Special Edition

Andrea Bocellia – 2006 – AMORE US Edition

Andrea Bocellia – 2006 – Under The Desert Sky

Andrea Bocellia – 2006 – Vivere – The Best of

Andrea Bocellia – 2007 – The Best of Andrea Bocelli -Vivere

Andrea Bocellia – 2007 – Vivire – Lo Mejor

Andrea Bocellia – 2008 – Incanto

Andrea Bocellia – 2009 – INCANTO Japanese Edition

Andrea Bocellia – 2009 – MI NAVIDAD Spanish Edition

Andrea Bocellia – 2009 – MY CHRISTMAS Italian Edition

Andrea Bocellia – 2009 – MY CHRISTMAS US Edition

Andrea Bocellia – 2011 – CONCERTO ONE NIGHT IN CENTRAL PARK Japanese Edition

Andrea Bocellia – 2011 – Notte illuminata

Andrea Bocellia – 2011 – The Absolute Best Of Andrea Bocelli

Andrea Bocellia – 2013 – PASSIONE Deluxe Edition

Andrea Bocellia – 2013 – PASSIONE Italian Edition

Andrea Bocellia – 2013 – PASSIONE Japanese Edition

Andrea Bocellia – 2013 – PASSIONE Super Deluxe Edition

منبع

Food Wars! The Third Plate - Episode 16 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130993/food-wars-s3-ep-16.jpg

Food Wars! The Third Plate - Episode 16 [Review]

https://www.youtube.com/watch?v=0w7xdMzspCI

Oh, Evil Akira. Not only did you get a CLAMP-style makeover, but your eyes are now perpetually narrow and droopy, and you've gotten much more handsy to boot. Okay, that last bit was just the one scene toward the end of the episode, but I seriously thought that Evil Akira was going to kiss Soma's hand for a second there. Also, smelling the ingredients someone is using by sniffing their hands is very creepy unless you're a dog.

Once again, we have an episode that's intent on cramming in a few chapters from the source material, but it works decently well this time. The return of Dojima as the impartial judge for this particular exam does give the whole thing more of an air of legitimacy than previous stages, because we know that he's much more likely to actually be impartial than many of his brethren. He wouldn't stoop to Azami's level any more than he'd insult Soma by favoring him, so that's a definite good start. While there are still places where Azami's tentacles can reach – the supposedly random selection of bear meat for the topic could favor Akira – we're starting this challenge on much more even ground, especially since Akira's still got a shred of decency left in him.

We see that when he refuses the fancy appliances and assistants that Central has arranged for him to use, which would have been yet another blatant misuse of their power. It's not clear whether it's Akira's former self speaking up when he says no thanks or if it's simply his pride, but I'm inclined to think he wants a more level playing field for his fight against Soma. He keeps repeating how much better he is than the last time they fought, and while that's doubtlessly true (it would be odd if he hadn't kept growing as a chef), he also really cares about this rematch. It's a test of his own worth, since Soma's come close to beating him in spice-based dishes before and if he can win this one, not only will it finally determine that Soma's not worth his apron, it will also confirm that Akira made the right decision in becoming Azami's minion. While we don't know much about why he did this yet, we can infer that it was not an easy choice, given how devoted he was to Jun and her kitchen. Azami hasn't played fair yet, so whatever's behind Akira's choice, there's doubtless some emotional conflict for him.

That's not really an excuse for deliberately pissing Soma off like this, though. (I mean, has that ever worked out for anyone?) If nothing else, it's likely to make Soma suspicious of Akira's motivations and fire him up to make the best damn bear meat he possibly can. That could be what Akira is hoping for, but frankly I feel like this is going to bite him in the rear. Everyone who goes up against Soma makes the critical mistake of underestimating him, and in this case, Azami doesn't fully understand Soma's determination and the full brunt of the support standing behind him. Sure Yuga has his own ulterior motives for helping out, but at the end of the day he's lending his stooges to Soma and helping out personally because he likes the guy. Potentially bringing down Central in the process is just icing on the cake.

Soma's not the only one who might be in trouble, of course. Megumi and Takumi have been taken away by Rindo for their test, and their fate is still unknown at the end of the episode. Rindo herself is the biggest wildcard here, because I feel like she may be playing Clue while everyone else is playing Monopoly. Her motives seem to just be stirring the pot, and I suspect that her only real allegiance is to herself. How that will pan out for Megumi and Takumi is uncertain; it probably depends on how useful she thinks they'll be in the future. We'll hopefully find out next week, as the bear meat cook-off comes to a head. In the meantime, we'll just have to ask ourselves one important question: who would win if this was a bear meat cooking contest between Soma, Akira, and Golden Kamuy's Asirpa?

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Tokyo Ghoul:re - Episode 5 [Review]

https://www.youtube.com/watch?v=eiyDkD02F1Q

The battle at the auction house rages on, with the blood of ghouls and humans alike getting spilled by the gallon. And who's that entering the fray? Why it's out good pal Takizawa! Only now he's a big scary ghoul named Owl, of course. (Not to be confused with the One-Eyed Owl, Eto.)

Who is Takizawa? You'll be forgiven for not remembering, since he was a pretty minor member of the CCG. He stuck to the background working under Amon, but the anime did highlight him more in the second season by focusing on his struggle to write a last will and testament before the big final battle against Anteiku. It was classic Tokyo Ghoul character work, revealing the hidden depths of a person, their dreams and fears, just before their brutal and untimely death. But death is a nebulous concept in the Tokyo Ghoul universe, and Takizawa is actually alive and well (by ghoul standards anyway). He's a one-eyed ghoul himself now, just working under Aogiri instead of with Sasaki and the Quinxes, but the details behind his resurrection remain anybody's guess for now. The boy really seems to love jam though.

Takizawa's sudden appearance and radically altered behavior set the tone for this entire episode, which leans hard into Tokyo Ghoul's propensity for gory camp. There's no room for subtlety when Takizawa, reunited with one of his former students, punches straight through her torso as punishment for not paying attention during his lectures. These aren't delicate moments, but they can be fun. I got a kick out of Kanae stopping Mutsuki in his tracks by throwing a projectile rose into the ground, Tuxedo Mask style. Later, one of the investigators shouts “damn you and your sexy body!”, which is an impossible line to take seriously on its own, but doubly so when directed at a woman called Nutcracker as she flies through the air, boobs a-jiggling. Then one of the last scenes is a still shot of Madam with Urie's body half-stuffed in her gigantic gob. These parts are funny, and I'm perfectly okay with Tokyo Ghoul flexing its B-movie sensibilities now and then.

The big problem is that this is yet another messy action-focused episode that lacks the visual pop needed to carry its ambitions. The first two seasons of Tokyo Ghoul weren't animation powerhouses, but they frequently caught my eye with creative staging and composition. By contrast, Tokyo Ghoul:re has been far more conservative and utilitarian. As it jumps from battle to battle, it comes across more like a jumble of scenes haphazardly stitched together than a cohesive whole. This approach makes everything more difficult to follow or care about, especially when watched in weekly installments with no conclusion in sight. A lot happens, but it doesn't feel like it matters yet.

Of course, that's probably because it's all been setup for future conflicts. On the Quinx side, Mutsuki finally reunites with the rest of his family, and they all force Kanae to retreat. Sasaki, ever the caring leader and dad figure, has the injured Mutsuki retreat with Urie, but since Urie's still hungry for recognition, he purposefully takes the long way out of the building and “accidentally” stumbles upon the ghouls' escape route. Urie's not a bad person, but his ambition blinds him to the concerns of anybody else, and he doesn't think twice about possibly putting Mutsuki in graver danger. Fittingly, Urie soon finds himself in too deep (specifically too deep inside Madam's mouth), so now it's up to Mutsuki to save him instead. Meanwhile, Sasaki pursues Nutcracker with the remainder of the Quinxes but soon finds himself locked in battle with fellow half-ghoul Takizawa.

The rest of the CCG fares pretty damn poorly against the multiple ghoul threats. Takizawa mows down everyone, laughing all the way, until he gets to Sasaki. Nutcracker takes down an entire squad by herself, punctuating the battle with her titular move. Juzo is evenly matched with Ayato, so both of them retreat simultaneously. Ayato runs to help fellow Aogiri member Naki, who's not doing too hot against Akira and her dad's old patented spine whip. Then Juzo meets up with Urie and attacks the ghouls escaping from the auction. The Clowns battle another squad of investigators, who hold their ground despite Uta's manipulative face-shifting powers. Oh, and all of this is being manipulated by Washu, who's still overseeing everything from the safety of his monitors. Did you get all that?

Cramming all of this ensemble action into the episode leaves no room for even a pinch of reflection. Takizawa's reveal should be a big deal, but the revelation comes and goes with little fanfare. Naki is portrayed rather sympathetically as somebody who has fallen behind this war's arms race and built a family for himself that he's rapidly losing, but we just don't get enough time to explore these parts of his character. I also expected more to be made of Urie and Juzo indiscriminately slaughtering the ghouls attempting to escape. Obviously, all ghouls are monsters to them, and it's hard for me to feel bad for ghouls who had no qualms buying people too, but Tokyo Ghoul is notorious for refusing to dehumanize either side of the conflict, so this feels like a missed opportunity for nuance.

I'm sure these concerns will be addressed later, and that's fine. But as a discrete unit of storytelling, this episode does a heck of a lot without saying much. In an action-driven episode, I need the action to be impressive on its own, or I'm going to need something else to chew on. Historically, Tokyo Ghoul has always redeemed its shortcomings with strong and thoughtful character work, but episodes like this one leave no room to focus on anything interesting. Nevertheless, the battle rages on into next week.

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My Hero Academia - Episode 42 [Review]

https://www.youtube.com/watch?v=IdgI0zUVvBE

Since we've been easing into a new story arc, it was a pleasant surprise for me to learn that one of My Hero Academia's Big Exciting Moments(tm) was already just around the corner. The Vanguard Action Squad's attack on the training grounds commences, but it quickly becomes apparent that the story is mostly about Kota and Midoriya's fight with a single member of the villain group who arrives on the scene unceremoniously.

The member in question is a tall and strong-looking guy who Kota immediately recognizes as the murderer of his parents. This mystery man appears to be using the League of Villains as a means to an end, because he likes using his Quirk to kill people, which will tie into the episode's themes of heroes and villains wonderfully. The Quirk in question is super strength, not unlike Midoriya and All Might's, but his particular power involves all the gross sinewy fibers of his muscles exploding from his body, making for a much more threatening display than One For All that forces Midoriya to push himself harder than we've ever seen before.

I think season three is when I've really started to appreciate MHA's hero theming. I've never been especially drawn to the superhero aesthetic or ethos; as a playground for stories about chasing your dreams, I've always preferred the anarchy of One Piece's pirate world. But episodes like this do an incredible job of finding the beauty in what it means to be a hero, and MHA digs much deeper than anything I've personally seen from Western media. "I just wanted to kill, and those two wanted to stop me. It was a result of all of us doing what we wanted," is how the villain explains to Kota that there should be no hard feelings about the whole dead parents thing. Comparing this again to One Piece—a series whose protagonist is openly ambivalent about being seen as a hero—this sounds exactly like the kind of logic a villain would use to justify their misdeeds just before Luffy punches them in the face, not out of the goodness of his heart, but because he's got to stand up for his friends.

I believe the common prevalence of this protagonist-antagonist dichotomy in Shonen Jump is what allows My Hero Academia to find a new angle on it. We've already established that our main characters harbor some insecurity about being "fake heroes", which is a weakness just waiting to be exploited by villains like Stain or Shigaraki. Making "Number One Hero" a dream that characters can compete for does implicitly remove the sense of duty and responsibility that heroism ought to be about, and while heroes are often depicted as petty in this world, they're never been portrayed as unreliable beyond the understandable limits of their fragility. You can be the Pirate King and owe the world nothing, but if you want to call yourself a Hero, you have to put your money where your mouth is at some point and make sacrifices for others. This conflict feels especially organic this week by focusing on Kota, a kid who's lost faith in the concept of heroism. Because of his parents' deaths, he can only see the imminent pain that comes with a hero's broken promise, so if someone like Midoriya's ever going to restore that faith, he has to step up in ways that others haven't.

The big finisher where Midoriya nearly blows his own arm off three times trying to use One For All at full power against a relentless villain gets so insanely messy that it's almost avant-garde in terms of visuals. This enemy's muscle quirk allows for an intense and scrambled fight, and Midoriya's final stand is a remarkable experience of sight and sound. If you remember his fight with Todoroki, where he had to strategically sacrifice his own body, destroying each of his fingers over and over, this feels like an evolution of that idea that now uses his full arm, as he delivers successive punches that meld his own flesh with his opponent's.

This fight is going to be the one that gets everybody talking again, and for good reason. However, as a full episode it also highlights the series' occasionally limp structural instincts. This villain really feels like he comes out of nowhere, and if you told me last week that we'd immediately be jumping to such a massive emotional high involving a character we'd never met, I would have been shocked. Maybe that's just the speedier pace of the show, since it does allow a major conflict to be contained within a single episode, but it still doesn't feel quite right. It takes about half the episode to get into the fight in the first place, yet the time spent with the side characters fighting the other League members doesn't serve as build-up to this conflict either. It's really weird.

But that's such a minor nitpick in the face of an otherwise extraordinary episode. We're three for three on new MHA episodes really knocking my socks off, and this is easily the most I've ever been invested in the world and characters of this story so far. The title of this episode is "My Hero," and it fittingly manages to lend new meaning to the series' title. Kota has someone to look up to now in Midoriya, and that last shot of our broken and exhausted green son roaring with victory hits hard. Winning the battle isn't the part that feels good this time, it's hearing the word "hero".

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One Piece - Episode 834 [Review]

https://www.youtube.com/watch?v=zM0cG1k8yZU

As of last week's episode, the Big Mom assassination plot's first main goal was accomplished when Brook snuck up on the framed picture of Mother Carmel and smashed it. The intended effect was for her to see the broken picture and enter her terrifying shriek mode, which is the tiny window of time where she would be vulnerable enough to hit with Caesar's rocket launchers. What the Straw Hats and Firetanks failed to predict was the exact effect that all of the encompassing chaos would have on her, so she spends most of the episode acting like a dizzied fighting game character, still unkillable because she hasn't decided where to focus her rage between the broken picture, the busted wedding cake, and all the treason. The alliance's next goal is to grab the pieces of the Mother Carmel picture and show them to Big Mom once again to ensure she panics in the exact way that they based their plan around.

But in order to do that, they have a much bigger fight on their hands as Big Mom's various children spring into action. For an episode that easily could have been a breather for the animation staff given the more significant story episodes ahead, the action looks fantastic. I think Sanji ends up getting the best stuff between casually dodging Pudding's bullets (he may have found her emotional sore spot, but she's not willing to concede just yet) and facing off with her older brother, Charlotte Daifuku. Daifuku's Devil Fruit summons a big genie from his belt that he commands like a JoJo Stand, though he brings it forth by rubbing his stomach in a provocative way, and that belt rests a little too south of his border for comfort. Penile genie smoke aside, the sense of energy and impact coming from Sanji's fights this week is really commendable. It looks great.

We're still hanging on to a chapter-per-episode pace to my delight, though this episode takes the chance to really expound on what was going on in the source material. The fights that ensue with the lower-tier Big Mom pirates leaves a much bigger impression, though I know most of these crazy-looking side characters, especially on Luffy and Jimbei's side of the fight, aren't going to be sticking around much longer. While the Straw Hats and Firetanks buy time to figure out how to get their plan back on track, Capone has to play the villain so that he doesn't raise the family's suspicions. Unfortunately, that can't last long because he's dealing with Katakuri and his Future Sight Haki, and by the end of the episode he's openly antagonizing Big Mom's scariest kid. "Even if we can't see it, we all have the right to change the future!" is a pretty cool way to confront a dude with clairvoyance. There's also the mention of Katakuri looking pale because he sees something disastrous on the horizon that nobody can stop.

Beyond the fights that the Straw Hats find themselves in, this is also a major turning point for Judge and the Vinsmokes, now that they're being forced to see the trap that's been set for them. Perospero has the whole family glued to their seats with candy, and all they can do is watch while the fighting happens around them and their imminent death is promised. The emotional position that the story puts us in with the Vinsmokes is pretty weird. This arc has finally wrapped up in the manga, so I can look back with hindsight and say that a further exploration into the backstory of Germa 66 isn't in the cards for Whole Cake Island, which is sort of necessary to understand what their overarching journey is meant to be.

It's been pretty clear that Sanji's motivation for saving his family has nothing to do with their value as people, but rather a simple instinctual obligation. He's working his own feelings out by taking action. The Vinsmokes can work as both the secondary antagonists and the damsels in distress at the wedding, but this scene has us facing a weeping, humiliated Judge who screams about his lost dreams as he faces the consequences of his thirst for power. He's confused as to why his sons are so calm and ready to accept their deaths, and Reiju promptly reminds us that he removed their ability to feel emotions in an attempt to make them super soldiers. There's an intimacy to this scene that makes it feel like more than a "Ha! Take that!" moment for the audience to get emotional revenge on Judge, but what that extra something is, I couldn't tell you. Based on my knowledge of what's coming, he's not on the verge of a traditional redemption arc, but there also feels like a deliberate juxtaposition between his dreams and Big Mom's that has yet to be explored to my satisfaction.

There's a lot of movement as we push on through Big Mom's tea party this week, but it's mostly trying to get us back to the point we thought we already arrived at last week with the Mother Carmel picture. I was surprised at how much mileage this adaptation managed to get out of what could have easily been an unexceptional episode, so I I have nothing but kudos on that front. Weeks like this start to give me hope for what's to come, because I'm getting exactly the saturated craziness that I've been asking for, despite the pacing only marginally improving. So let's see what happens next!

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Sword Art Online Alternative: Gun Gale Online - Episode 4 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130977/sao-alternative-ep4.jpg

Sword Art Online Alternative: Gun Gale Online - Episode 4 [Review]

https://www.youtube.com/watch?v=0QAnZIMAuB0

With the flashback now over, episode 4 brings the story right back to where we left off at the end of episode 1, with team LM scoring a victory over the team of professionals. But as M is quick to remind LLENN, they're not done yet. Two other teams remain, and they only barely manage to fend off one of them when the opponents charge in on hovercraft. (M later speculates that vehicles are made more readily available as the number of players dwindle, which seems sensible.) That results in a fairly tense standoff as LLENN rolls around to avoid shots while M sets up his shots.

This is when we finally find out what's in that huge pack he's been carrying around: it's not extras guns or ammo, as I had assumed, but a portable parapet made of spaceship armor that's impenetrable to small arms fire. As cool as that is, M then outdoes himself by taking out the hovercraft crew without using the game's auto-targeting system. A later flashback to Pito and LLENN training explains that the advantage to firing without assistance is no sighting lines to give away your shots, but the big disadvantage is that shooting this way depends heavily on real-life skill, so most players won't be good enough marksmen to reliably hit targets at range.

In other words, the episode devotes a couple minutes to explaining the game mechanics necessary to understand why something a character did was cool. There really isn't a great way to do this, so I suppose the story handles it about as well as it could, but if your interests don't include explanations of ways to exploit game mechanics, then I could see this scene being a little tiresome. We should probably should get used to it though, because beyond even SAO's penchant for this sort of exposition, SAO-A: GGO's writer Keiichi Sigsawa has proven in past works to be enamored with such technical details.

That aside, this episode has more going on than just that action scene, the exposition surrounding it, and the flight from the last team to follow. It also spends much more time on character development for M, who freely admits that he's a sniper because he's a coward. He also apparently has an uncanny talent for remembering map details. Karen also demonstrates how pumped she is about the game by not hesitating to gun down an incapacitated avatar, which interestingly was the one scene where we didn't actually see the characters getting shot. Even without any blood or gore present, the camera still pulled back from the carnage. We also get to see that the last remaining opponent is an all-female team, and I do believe several of those characters appear in the opener, so this tournament may not be the last time we see of them.

Of course, the big twist comes when M pulls a gun on LLENN at the end. The way LLENN handled this – flipping the safety on his gun when she grabbed him – made for a slick reversal, but the lingering question is why he betrayed her at all. Was that note from Pito? And why did it have to be read exactly at 15:00 hours? This intriguing mystery partly makes up for the episode not switching back to the real world at all. As much as I'm enjoying the game scenario so far, I do hope the series gets back to splitting its focus between the real and virtual worlds, since this approach always broadens a good SAO story.

Source

Golden Kamuy - Episode 4 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131054/sugimoto-is-bad-at-this.jpg

Golden Kamuy - Episode 4 [Review]

https://www.youtube.com/watch?v=UX4EmBHIevE

Golden Kamuy's biggest strength continues to be its plot. Even when the series feels like it's starting to slow down, it quickly yanks you back in for another twist. Even though I've read to this point in the source material by now, I still feel constantly on the edge of my seat watching the anime. It's good that Golden Kamuy's writing is so strong, because it still struggles in other areas.

This episode has a strong beginning and a suspenseful end, with a bit of lull in the middle. It's the good kind of lull, a breather that lets you learn more about Asirpa and her people. We meet more Ainu elders who tell us about her relationship with her deceased father, and the wolf Retar, who seems to protect her in his place. For a series that's fond of expository monologues, Golden Kamuy is good at making sure they feel satisfying. What we learn about Retar sets up the episode's second half well, when the wolf has to track down and save Sugimoto. If we get a speech that's not setting up later plot points, it's usually a broader Ainu cultural insight that deepens Asirpa's character.

The only problem is that breather time is always where the animation struggles most. Where many anime slip up in motion, this poor show fumbles even during static shots, making its artistic mistakes even more noticeable. I kept seeing melty faces in the scenes at the Ainu village, where background characters looked almost inhuman and changed facial proportions between shots, and this disease would occasionally infect the main characters as well. It's one thing to mess up a face when it's in the background, but when it's the focal point, it can really detract from the tone.

At least these village scenes allowed for more bonding between Asirpa's family and Sugimoto. The most pivotal moments are between Sugimoto and her grandmother, particularly his last conversation with her. However, this plays out differently from the manga in a way that makes it slightly less effective. In the manga version of the scene, Asirpa's grandmother's dialogue is left untranslated. The audience only gets Sugimoto's assumption that she wants Asirpa to stay behind and for him to leave. Only after Sugimoto leaves does the reader learn that she said the opposite: she wants him to "always be there for" Asirpa. The anime version just translates her lines right away. Granted, we know that Sugimoto does not speak Ainu and would keep that in mind interpreting the scene, but I think it robs the moment of some of its dramatic effect. Movies and TV leave other languages untranslated all the time, but if they didn't want to go that route, they could have shown the conversation from a more distant angle where her dialogue wasn't audible and maintained the original intent that way. Dealing with language barriers can be very different between mediums without sound and those that rely heavily on sound, so it will be interesting to see how Golden Kamuy tackles this challenge going forward.

Regardless, Sugimoto is a doofus for his ultimate decision. While they've helped each other on their journey plenty, Asirpa has been the one saving his ass far more than the other way around. She knows the natural landscape of Hokkaido and how to deal with it far better than he does. So why on Earth is he going forward without her? Despite her family's feelings, he knows that this mission is important to her, and that she struggles to fit in with her village's expectations as it is. I'm certain that the duo will get back together soon, but this is still a terrible decision on his part. I hope that arbitrary separations don't become a pattern in this story.

Mere hours after going off on his own, Sugimoto finds himself in a trap. He goes around town asking about a guy with a tattoo and quickly gets captured by Tsurumi's gang. Tsurumi is a sick and twisted bastard, but he's not crazy enough to fall for Sugimoto's attempt to hide his identity. Interestingly, they don't just torture him, but ask him to join them. I'm curious to know what this group's greater motivations will be. Not that anyone needs a specific "reason" to get their hands on a heap of gold, but I suspect there's more to this operation than making a tidy profit. Tsurumi is a creepy character, but there's a lot of potential in this conflict. I hope in the future, it's heavier on the explanations and lighter on Tsurumi's cartoonish bloodthirst.

Unfortunately, this diversion doesn't have very high stakes. If this was episode 11, maybe we could fret about the fate of Sugimoto, but we know he's going to get out of this just fine to reunite with Asirpa. It's too early to sideline the protagonist yet, so the real hook is what role the 7th Division and Tsurumi will ultimately play in this struggle. Will they continue to be such fearsome adversaries? Will they team up? Will Sugimoto and Asirpa take them all out? Half the fun of watching Sugimoto and Asirpa deal with their rivals is learning each foe's motivations in the first place. It seems like everyone in Hokkaido has some complicated backstory to justify their quest for gold.

It's a good thing there's still so much fuel left in this story's engine. Golden Kamuy's animation problems aren't really improving, bright spots like last episode aside. Even the usually excellent music is lagging this week, falling back on clichés that other anime have done better. (There's a cue during Tsurumi's grilling of Sugimoto that's always used in the same types of scenes—to underscore that our heroes are in peril.) Even if the presentation could be more attractive, the content of Golden Kamuy remains strong. It needs to cross its fingers that viewers will stick around for that strength.

Source

Anime – New Episode [01 May 2018]

http://s9.picofile.com/file/8322104968/Anime_All_Folder.png

Anime – New Episode [01 May 2018]

480P, 720P, 1080P, Multi Server, MKV, AVI, MP4

Download Links, Torrent Files, Watch Online

Uchuu Senkan Tiramisu Episode 5

Basilisk: Ouka Ninpouchou Episode 17

Golden Kamuy Episode 4 English Subbed

Souten no Ken Re:Genesis Episode 5

Kiratto Pri Chan Episode 3 English Subbed

Yowamushi Pedal: Glory Line Episode 17

Skip Beat! Episode 25 English Dubbed

Guardians of the Galaxy Season 3 Episode 13

Yuushibu Episode 12 English Subbed

Yuushibu OVA English Subbed

Code Geass : Akito The Exiled | BD | 720p/1080p

Code Geass R2 | BD | 720p/1080p [Coalgirls]

Code Geass R1 | BD | 720p/1080p [Coalgirls]

Lupin The Third (2015) + OVAs | BD | 720p [Commie]

Mahou Shoujo Ore Episode 5 Subtitle Indonesia

Kakuriyo no Yadomeshi Episode 5 Subtitle Indonesia

Golden Kamuy Episode 4 Subtitle Indonesia

Captain Tsubasa (2018) Episode 5 Subtitle Indonesia

Yowamushi Pedal Season 4 Episode 17

Black Clover Episode 30 Subtitle Indonesia

Uchiage Hanabi, Shita kara Miru ka? Yoko kara Miru ka? | 400 MB | 720p BD

[HorribleSubs] Souten no Ken Re-Genesis - 05 [1080p].mkv

[HorribleSubs] Uma Musume - Pretty Derby - 06 V2.mkv

[HorribleSubs] Yowamushi Pedal - Glory Line - 17 [480p].mkv

[HorribleSubs] Yowamushi Pedal - Glory Line - 17 [720p].mkv

[HorribleSubs] Yowamushi Pedal - Glory Line - 17 [1080p].mkv

[HorribleSubs] Fumikiri Jikan - 04 [720p]

[GJM] Sagrada Reset - 18 [A783A6A8].mkv

[Horse] Aggressive Retsuko 1-100

[Aries].Noragmami Season 1 + 2 Complete

[HorribleSubs] Gundam Build Divers - 05 [1080p].mkv

[HorribleSubs] Black Clover - 30 [480p].mkv

[HorribleSubs] Black Clover - 30 [720p].mkv

[HorribleSubs] Black Clover - 30 [1080p].mkv

Black Clover - 30 VOSTFR [1080P].mkv

[BakedFish] Black Clover (2017) - 30 [720p][AAC].mp4

[Erai-raws] Black Clover (TV) - 30 [1080p][

[Erai-raws] Black Clover (TV) - 30 [720p]

[TipsySubs] Lost Song - 04v2 [1080p].mkv

Dragon Ball Super BD720p 001-026_(10bit)

[HorribleSubs] Legend of the Galactic Heroes - Die Neue These - 05 [1080p].mkv

Shoujo-tachi wa Kouya wo Mezasu OVA 1080p BD Eng Sub HEVC

Shoujo-tachi wa Kouya wo Mezasu 1080p BD Eng Sub HEVC

Alice or Alice: Siscon Niisan to Futago no Imouto 720p Eng Sub x265 10bit

Batman Ninja 1080p Dual Audio Bluray HEVC x265

Children of the Whales 720p Dual Audio BD x265 10bit

The Ancient Magus’ Bride 720p Dual Audio x265

MahoYome – Mahoutsukai no Yome ONA 360p Eng Sub

My Hero Academia 2nd Season 1080p Dual Audio BD x265 10bit

Boku wa Tomodachi ga Sukunai Next 1080p BD Eng Sub x265

Gundam Build Divers Episode 5 Subtitle Indonesia

Uchuu Senkan Tiramisu Episode 5 Subtitle Indonesia

Tokyo Ghoul:re Episode 5 Subtitle Indonesia

Tokyo Ghoul: re - Episode 5

[Cerberus] Made in Abyss [BD 1080p HEVC 10-bit AAC]

Tokyo Ghoul Re - 05 eng subtitle

[HorribleSubs] High School DxD Hero - 03 [1080p].mkv

Batman Ninja (Dual Audio) (BDRip 720p Hi10P QAAC AC3)

[Erai-raws] Tokyo Ghoul-re - 05 [720p].mkv

[Erai-raws] Tokyo Ghoul-re - 05 [1080p].mkv

[Erai-raws] High School DxD Hero - 03 [1080p].mkv

Shingeki no Kyojin - Lost Girls OVA 2

[HorribleSubs] Rokuhoudou Yotsuiro Biyori - 04 [1080p].mkv

[HorribleSubs] Tachibanakan To Lie Angle - 05 [1080p].mkv

[HorribleSubs] Hitori no Shita - The Outcast S2 - 16 [720p].mkv

Ginga Eiyuu Densetsu: Die Neue These – Kaikou 1080p Dual Audio HEVC

[HorribleSubs] Hitori no Shita - The Outcast S2 - 16 [1080p].mkv

Manga – New Chapter [01 May 2018]

http://s9.picofile.com/file/8322105342/Manga_Folder.png

Manga – New Chapter [01 May 2018]

Manga, Manhwa, Manhua, Comic

Download Links, RAW, En Translation, Read Online

Ao no Orchestra Piece No. 1: Aono Hajime

Noblesse #508

Noblesse – Chapter 508

Bakuon Rettou vol.15 ch.093

Miira no Kaikata ch.033

Volcanic Age ch.032

Fall in Love With my Trouble ch.013

Fall in Love With my Trouble ch.011

Tendou-ke Monogatari ch.010

007 Series ch.020

Cherry Teacher Sakura Naoki ch.024

God of Martial Arts ch.047.1

DICE: the cube that changes everything ch.232

Komi-san wa Komyushou Desu ch.139

Kawaii Joushi o Komarasetai ch.027

Legend (TAKANO Masaharu) ch.014

The Ravages of Time vol.45 ch.499

Basculer ch.007

Alfheim no Kishi ch.044

Saru Lock vol.08 ch.084

Gate - Jietai Kare no Chi nite, Kaku Tatakeri ch.074

Hare Kon. ch.126

Rokudou no Onna-tachi ch.087

Yowamushi Pedal ch.390

Elf-san wa Yaserarenai. ch.017

Sidooh vol.10 ch.169

Isekai Nonbiri Nouka ch.026

Miira no Kaikata Ch 033

Genjuu Chousain Ch 005

Tsubakuma! Ch 002

Saru Lock Vol 08 Ch 084

Ao no Orchestra Ch 001

Ganbare! Memeko-chan Vol 01 Ch 012

Her Hero - 22 - Chapter 22

Noblesse - 509 - Chapter 509

Gate - Jietai Kare no Chi nite, Kaku Tatakeri - 74

Dasei 67 Percent, Chapter

Sidooh, Chapter 169

New Normal: Class 8 ch.195

Bright and Cheery Amnesia ch.020.5

Parallel Paradise ch.038

Hardcore Leveling Warrior ch.053

Mahou Shoujo Site ch.050

Goddess Creation System ch.018

Falls In Love Too Late ch.048

Ni Xi Ba Mo Wang! ch.036.1

Otokojuku Gaiden - Date Omito ch.018

Kingyo no Koi ch.005

Ballroom e Youkoso Vol 10 Ch 046.5

Ni Xi Ba Mo Wang! Ch 036.1

Koi wa Hikari Vol 02 Ch 007

کمردرد

 

کمردرد

هممم

میشه گفت کمردردم امروز شدید شده.

نمی‌تونم پشت سیستم بنشینم.

آخ کمرم!

تم تم

 

تم تم

با توجه به این که تلگرام وضع مشخصی نداره.

و میشه گفت فعلا همه چی روی هواست، برای همین، تم تم عضو شدم.

نسخه وب داره.

نسخه دسکتاپ هم داره.

نیازی نیست نسخه گوشی بگیری تا عضو بشی.

نسخه دسکتاپ نصب کن، با همون عضو بشو.

زیاد نگشتم داخلش.

هر وقت کمرم بهتر شد، تونستم مدت زیاد بنشینم، یه کاری ش می کنم.

و صد البته که نیاز به قندشکن داره.

گند نزنن

 

گند نزنن

امیدوارم به خاطر تلگرام، گند نزنن به وضع بلاگر.

طوری نشه که دیگه سایفون باز نشه.

من نمی خوام این وبلاگ چند روزه م رو از دست بدم.

می دونی درست کردن آرشیو چقدر حوصله و وقت میخواد؟

الان این موضوع، بزرگ ترین نگرانی من است.

همین که گفتم یه وقت برنامه ها از کار بیافته.

گوشی جدید

http://www.youtube.com/watch?v=_Uwb244ck5k

گوشی جدید

یه چند روزی هست به دنبال گوشی هستم.

یه چی معمولی، ولی خوب.

و صد البته نه هر برندی.

سونی، سامسونگ، ال.جی.

بین این سه تا.

ولی نهایت تا 750 می خواد هزینه بشه.

فعلا چیزی پیدا نکردم.

سونی از 800 شروع میشه.

چقدر پیدا کردن گوشی، به خاطر محدودیت مالی، سخت است.

تازه،  برای خودم تبلت می خوام.

ولی الان هیچ پولی ندارم که بتونم تبلت بگیرم.

کمک هزینه هم بهم نمیدن.

هی روزگار

دو بونگ سون

 

دو بونگ سون

سریال کره ای (Strong Woman Do Bong Soon) رو دیدم.

خیلی جذاب بود.

بسیار خوشم اومد.

پلیسی،  قدرت فوق العاده، کمدی، عشقولانه.

خیلی باحال بود.

از کاراکتر اصلی (دو بونگ سون) خیلی خوشم اومد.

Anime – New Episode [30 Apr 2018]

http://s9.picofile.com/file/8322104968/Anime_All_Folder.png

Anime – New Episode [30 Apr 2018]

480P, 720P, 1080P, Multi Server, MKV, AVI, MP4

Download Links, Torrent Files, Watch Online

Thunderbirds Are Go Season 3 Episode 5 – Growing Pains

Binan Koukou Chikyuu Boueibu Happy Kiss! Episode 4

Aikatsu Friends! Episode 4 English Subbed

Saiki Kusuo no Psi-nan Season 2 Episode 15

Hugtto! Precure Episode 13 English Subbed

Welcome to the Wayne Episode 19

Black Clover Episode 27 English Dubbed

Welcome to the Wayne Episode 20

Katana Maidens: Toji no Miko Episode 13

Family Guy Season 16 Episode 17

The Simpsons Season 29 Episode 18

Bob’s Burgers Season 8 Episode 16

Koneko no Chii – Ponponra Dairyokou – 04

Caligula Episode 4 Subtitle Indonesia

Nil Admirari no Tenbin: Teito Genwaku Kitan Episode 4

Shokugeki no Souma Season 3 Episode 16

Spiritpact: Yomi no Chigiri Episode 10

Colorful BD 720p Dual-Audio 10bit x265

Colorful BD 1080p Dual-Audio 10bit x265

[AnimeRG] One Piece - 834 [1080p]

[AnimeRG] One Piece - 834 [720p]

[GANGO] Sei Juushi Bismarck 09 [82AEDA4C].mkv

[HorribleSubs] Chi's Sweet Adventure S2 - 04 [1080p].mkv

[HorribleSubs] Binan Koukou Chikyuu Bouei-bu Love! S3 - 04 [1080p].mkv

[One Pace][603-653] Fishman Island [720p]

[One Pace][598-602] Return to Sabaody [720p]

[SquareSubs] Yume no Crayon Oukoku - 20.mkv

[grzb] Fate/Apocrypha [BD 1920x1080 x264 10bit FLAC]

[South Wind Subs] Captain Future 01-52 (Complete)

Napping.Princess.2017.1080p.BluRay.DTS.x264

[lazy] Noein - Mou Hitori no Kimi e (DVD 480p)

[AnimeRG] Dragon Ball KAI [DUAL-AUDIO] [720p] [x265]

[DeadFish] Amanchu! Advance - 04 [720p][AAC].mp4

[Kiyome] Hand Shakers: Go ago Go OVA | Episode 13 [10bit BD1080p]

Uma Musume Pretty Derby [10-bit, 720p]

Puzzle & Dragons X - Episode 65

Seitokai Yakuindomo Movie | 300 MB | 720p | [Complete]

[A-S_&_SHS] Tenjou Tenge OVA (2005) The Past Chapter

[HorribleSubs] Puzzle and Dragons Cross - 65 [1080p].mkv

Full Metal Panic! 1080p Dual Audio HEVC

Full Metal Panic? Fumoffu 1080p Dual Audio HEVC

Full Metal Panic! The Second Raid 1080p Dual Audio HEVC

Final Space Episode 10 – Chapter Ten

Hand Shakers Episode 13 Special: Go ago Go English Subbed

[HorribleSubs] Mahou Shoujo Ore - 05 [1080p].mkv

[HorribleSubs] Kakuriyo no Yadomeshi - 05 [1080p].mkv

Blood-C 720p BD Dual Audio HEVC

Mahou Shoujo Ore Episode 5 English Subbed

Kakuriyo no Yadomeshi Episode 5 English Subbed

Quanzhi Gaoshou (2018) | Episode 01 | 80 MB | 720p

Royal Space Force: The Wings of Honneamise BD 1080p Dual-Audio 10bit x265

Cencoroll 1080p Eng Sub 10bit x265

[HorribleSubs] Mahou Shoujo Ore - 05 [1080p].mkv

[HorribleSubs] Kakuriyo no Yadomeshi - 05 [1080p].mkv

[SMC-Subs] Kiratto Pri☆Chan - 003 [567B22C2].mkv

[HorribleSubs] Basilisk - Ouka Ninpouchou - 17 [1080p].mkv

[HorribleSubs] Golden Kamuy - 04 [1080p].mkv

[HorribleSubs] Uchuu Senkan Tiramisu - 05 [1080p].mkv

[HorribleSubs] Fumikiri Jikan - 04 [1080p].mkv

[HorribleSubs] Souten no Ken Re-Genesis - 05 [1080p].mkv

پایان کار تلگرام در ایران اعلام شد

 

پایان کار تلگرام در ایران اعلام شد

دادستانی تهران اعلام کرد: با توجه به اعلام شکایات متعدد علیه شبکه اجتماعی تلگرام، این پیام رسان با دستور قضایی فیلتر شد.

به گزارش گروه اجتماعی باشگاه خبرنگاران جوان؛ دادستانی تهران اعلام کرد: با توجه به اعلام شکایات متعدد علیه شبکه اجتماعی تلگرام به دادسرای عمومی و انقلاب تهران و تقاضا‌های فراوانی که در خصوص جلوگیری از فعالیت شبکه مذکور از ناحیه شهروندان به این دادسرا واصل شده، همچنین درخواست ضابطان و سایر نهاد‌های ذی ربط مبنی بر برخورد قانونی و اتخاذ تصمیم نسبت به جلوگیری از ادامه فعالیت بدون ضابطه و غیر قابل کنترل پیام‌­رسان تلگرام و با عنایت به اینکه شبکه تلگرام(به نشانی اینترنتی TELEGRAM.ORG) با سرمایه گذاری خارجی و بدون رعایت قوانین و مقررات جمهوری اسلامی ایران اقدام به فعالیت غیرقانونی و بی­ ضابطه در فضای مجازی کشور کرده و این اقدامات بستر امنی برای فعالیت گروه ‌های تروریستی بین­‌المللی شده به نحوی که عملیات تروریستی گروهک‌های معاند از جمله عملیات تروریستی گروهک داعش در مجلس شورای اسلامی و حرم مطهر امام راحل که در خرداد ماه سال گذشته منجر به شهادت ۱۷ نفر وزحمی شدن ده‌ها نفر از مردم شریف ایران شد و همچنین اقدامات گروهک‌های معاند در اغتشاشات دی ماه ۱۳۹۶ که منجر به شهادت و زخمی شدن جمعی از شهروندان کشور و خسارات مالی فراوان به اموال خصوصی و عمومی شد و بسیاری از اقدامات ضدامنیتی دیگر ازطریق این پیام رسان سازماندهی و هدایت شده است و با توجه به این که این شبکه به بستر امنی برای ارتکاب انواع جرائم تبدیل شده است و با عنایت به اینکه هزاران پرونده مطروحه در این خصوص در دستگاه قضایی تشکیل شده و با توجه به اینکه سرور‌های این پیام رسان که ادله ارتکاب جرائم مذکور در آن نگهداری می ­شود در خارج از کشور قرار داشته و غیر قابل دسترس است و مدیران این شبکه نیز هیچ گونه همکاری با مقامات قضایی و ضابطان دادگستری در خصوص جمع آوری و ارائه ادله جرم به عمل نیاورده اند و در نتیجه بسیاری از پرونده‌ها بلااقدام باقی مانده و این امر ضمن این که موجبات نارضایتی شکات را به دنبال داشته، اجرای عدالت در کشور را نیز با موانع جدی مواجه ساخته است، نظر به این که تلاش‌های مسئولان وزارت ارتباطات و فناوری اطلاعات به منظور جلب همکاری و الزام مدیران تلگرام به تبعیت از قوانین کشور نتیجه مؤثری نداشته است و این عدم همکاری و کارشکنی‌های متعدد علاوه بر نارضایتی شکات امنیت وآسایش جامعه را نیز با مخاطرات جدی مواجه کرده و با عنایت به اینکه مدیران این شبکه اطلاعات مربوط به میلیون‌ها شهروند ایرانی را در خارج از کشور ذخیره، نگهداری وپردازش می­‌کنند و به لحاظ عدم پایبندی به قوانین و مقررات کشور، حریم خصوصی مردم در معرض انواع دسترسی وسوء استفاده قرار گرفته و این امر علاوه بر ورود ضرر و زیان به شهروندان، امنیت ملی کشور را به لحاظ جمع آوری و سوء استفاده از داده‌های عظیم کشور به خطر انداخته و نظر به اینکه به موجب برنامه توسعه‌ای که مدیران این پیام رسان تدوین و اجرای آن را آغاز کرده‌­اند و به موجب آن تصمیم گرفته شده است که تلگرام علاوه بر فعالیت در حوزه ارتباطی و رسانه‌ای برخلاف قوانین و مقررات پولی وبانکی جمهوری اسلامی ایران مستقیماً در حوزه اقتصادی و پولی کشور نیز وارد شده و یک نوع پول رمز پایه به نام(گرام) را طراحی و عرضه کند و باعنایت به اینکه طبق برآورد کارشناسان اقتصادی و فناوری فراگیر شدن این پول بدون پشتوانه می‌تواند ظرف مدت کوتاهی میلیارد‌ها دلار ضرر اقتصادی به مردم وکشور وارد کرده و سرمایه‌ها را به یغما ببرد و بررسی‌های به عمل آمده بر فراهم شدن بستر ارتکاب جرائم متعدد ازجمله جرائم مشروحه ذیل:

۱-اخلال در وحدت ملی و ایجاد اختلاف مابین اقشار جامعه به ویژه از طریق طرح مسائل نژادی، قومی و تحریک و اغوای مردم به شورش و آشوب

۲-جمع آوری اطلاعات مردم وکشور و دسترسی بیگانگان به حریم خصوصی و داده‌های شهروندان ایرانی وجاسوسی به نفع اجانب

۳- انتشار، توزیع و تجارت انواع محتوای مستهجن و خلاف عفت عمومی و گسترش فساد و فحشاء در جامعه،

۴- اهانت به مقدسات و ارزش‌های اسلامی و تبلیغ به نفع فرقه‌های منحرف و مخالف اسلام

۵-نشر اکاذیب و تشویش اذهان عمومی و لطمه به آسایش عمومی

۶- قاچاق کالا و ارز و مواد مخدر و سایر کالا‌های غیرمجاز

۷-اقدام علیه امنیت کشور ازطریق گروهک‌های تروریستی

۸-کلاهبرداری، نقض مالکیت معنوی وسایر جرائم مالی

۹- تبلیغ علیه نظام جمهوری اسلامی ایران

۱۰- هتک حیثیت اشخاص

دلالت دارد و از سوی دیگر پیش از اتخاذ تصمیم در این زمینه، موضوع در جلسات متعدد کارشناسی با حضور متخصصان امر و نمایندگان دستگاه‌های ذی‌ربط مطرح و مورد بررسی قرار گرفته و آن‌ها نیز نظر کارشناسی خود را مبنی بر لزوم مسدودسازی و جلوگیری از ادامه فعالیت این شبکه اعلام داشته‌اند؛ لذا در اجرای ماده ۱۱۴ قانون آیین دادرسی کیفری و ماده ۷۵۱ قانون مجازات اسلامی و به استناد اصل ۱۵۶ قانون اساسی و مواد ۴۹۸، ۵۰۰، ۵۱۲، ۵۱۳، ۵۱۴، ۶۰۹، ۶۱۰، ۶۳۹، ۶۹۷، ۶۹۸، ۷۰۰، ۷۲۹ تا ۷۳۱ و ۷۴۲ تا ۷۵۰ قانون مجازات اسلامی بخش تعزیرات و ماده ۶ قانون مطبوعات، دستور مسدودسازی پیام رسان تلگرام صادر و اعلام می­‌شود.

با توجه به مراتب فوق تمامی ارائه دهندگان خدمات دسترسی به اینترنت کشور خصوصاً شرکت ارتباطات زیر ساخت و اپراتور‌های تلفن و دارندگان پروانه ارائه خدمات ارتباطات ثابت مکلف­‌اند از تاریخ ۹۷/۰۲/۱۰ نسبت به اعمال مسدودسازی کامل وب سایت و اپلیکیشن شبکه اجتماعی تلگرام اقدام کنند. متذکر می­‌شود اعمال مسدودسازی باید به نحوی اجرا شود که محتوای شبکه مذکور با هیچ نرم افزاری (اعم از فیلترشکن و نظایر آن) در کشور قابل دسترس نباشد، تخلف از اجرای این دستور مستوجب تعقیب کیفری خواهد بود.

منبع: باشگاه خبرنگاران جوان

Manga – New Chapter [30 Apr 2018]

http://s9.picofile.com/file/8322105342/Manga_Folder.png

Manga – New Chapter [30 Apr 2018]

Manga, Manhwa, Manhua, Comic

Download Links, RAW, En Translation, Read Online

The Scholar's Reincarnation - 70 - Chapter 70

Nanatsu on Taizai - 265 - Raw

The Seven Daedly Sins - 265 - Raw

Tower Of God S02-Chapter 299

To You, The Immortal Chapter 64: Visible Youth

Boku no Hero Academia #181

Karate Shoukoushi Kohinata Minoru #462

Cherry Teacher Sakura Naoki ch.022

GIGANT ch.010

Butterfly Storage ch.017

Youjo Senki ch.029

Seishun Shonbori Club Ch 001

Miao Shou Xian Dan ch.014.4

Renai Kaidan Sayoko-san ch.053

Denma ch.351

Kaifuku Jutsushi no Yarinaoshi ch.005.1

Sensei no Shiroi Uso Ch 001

Kasouba no Nai Machi ni Kane ga Naru Toki Vol 02 Ch 026

Girls & Panzer - Ribbon no Musha Vol 08 Ch 035

Fight Ippatsu! Juuden-chan!! Vol 04 Ch 023

Aoki Hagane no Arpeggio Vol 13 Ch 093

Her Hero Ch 020

Dark Air Vol 06 Ch 081

Sukedachi 09 Ch 025

Her Hero - 21 - Chapter 21

Dark Air - 81 - Chapter 81

Lookism, Chapter 176

Tales of Demons and Gods, Chapter 172

Tsubasa to Hotaru, Chapter 32

DICE: The Cube that Changes Everything, Chapter 232

Ahiru, Chapter 28

Bakuon Rettou, Chapter 91

Neko Mata, Chapter 34

Swap Swap, Chapter 38

Royal Servant – Chapter 55

A Trail of Blood 27

Berserk 356

Shokugeki no Souma 261

When Winter Comes to the Way Station Ch 006

Sankaku Love Home Ch 003

Wu Dong Qian Kun - 70 - Chapter 70

Wind Breaker - 175 - Chapter 175

Tower of God - 379 - Chapter 379

Witch Hunter - 184 - Chapter 184

Her Hero - 21 - Chapter 21

The Girl With Horns, Chapter 1

Aho Girl, Chapter 116

Sensei Lock On! 2nd, Chapter 6

Vampire no Okurimono, Chapter 1

Aoki Hagane no Arpeggio, Chapter 93

Karneval, Chapter 123

Kanojo, okarishimasu, Chapter 25

Kyoudai Biyori, Chapter 5

Berserk, Chapter 356

Oh! Lord Jesus ch.083

Mahou Shoujo Site ch.049

Tales of Demons and Gods - 172.5 - Chapter 172.5

Nana to Kaoru, Capitolo 134

Hyouka Vol 03 Ch 010

Bungou Stray Dogs, Chapter 61.5

Dagashi Kashi, Chapter 124.5

Futari Monologue, Chapter 17

Sankaku Love Home ch.003

Ake no Tobari ch.118

Amano Megumi wa Suki Darake! ch.099.5

Futari Monologue ch.017

Otome Danshi ni Koisuru Otome ch.196

Maiko-san Chi no Makanai-san ch.058

Eko Eko Azaraku ch.046

Yuyushiki ch.035

Fushigi Neko no Kyuu-chan ch.042

Piece ch.020

Yuri Natsu -Kagaya Inn- ch.042

Yuri Natsu -Kagaya Inn- ch.041

Summer Time Render ch.008

Hyouka ch.010

Demon Spirit Seed Manual ch.128

Overlord ch.037

Youkai Banchou ch.047

Vampire-chan x Junior-chan ch.009

Guardians of the Video Game ch.150

Hajime-chan ga Ichiban! vol.01 ch.006

Hosaka-sensei no Ai no Muchi ch.006

Dasei 67 Percent Vol 04 Ch 043

Kuro Hakushaku wa Hoshi o Mederu, Chapter 30

Kyoudai Biyori, Chapter 3

Maiko-san Chi no Makanai-san, Chapter 58

My Male Friend, Chapter 40

Dark Air - 81 - Chapter 81

Wotakoi: Love is Hard for Otaku - Episode 3 [Review]

 

Wotakoi: Love is Hard for Otaku - Episode 3 [Review]

As a comedy about otaku, Wotakoi is contractually obligated to include at least one Comiket episode, and here it is! (However, since it technically lasts only half of the episode, don't be too surprised if they return in the winter.)

Narumi moonlights as a BL artist of some renown, so naturally Comiket is a big deal for her. This was alluded to in episode one, but it's nice to see that passion of hers in action—the frazzled, sleepless passion of a woman with only two weeks to prepare for the biggest nerd gathering of the year. I just spent the month of March using most of my free time to prepare a panel for Sakura-con, so I felt her pain quite acutely. Anime conventions are serious business! Luckily for Narumi, Hirotaka is a good boyfriend, filling in her screentones and providing moral support over his gaming headset. It's the kind of uniquely cute bonding activity we should expect from a show about otaku love, and the rest of their time at Comiket is full of fun little moments like this.

I really appreciated that Hirotaka never once expressed discomfort over helping his girlfriend write and sell her smutty BL doujin. I was honestly waiting for that lame comedic plot to show up, dreading the inevitable gay panic or fujoshi denigration, but I'm so glad Wotakoi didn't go for this low-hanging fruit. Amusingly, what does prompt Hirotaka to take a break from Narumi's stand is not discomfort, but jealousy over all the attention she gets from her customers and fans. In a similar fashion, Kabakura's only minor hangup about Hana's drag cosplay is all of the attention she gets from fangirls. To be fair, she's stunningly handsome when crossdressing, so I was right there with Narumi as Hana reduced her to a swooning and sobbing mess. Neither of the boys seem to share their partners' particular passions, but that's okay! Relationships aren't built on identical sets of interest; they're build on support and understanding, and that's what Hirotaka and Kabakura do well.

The episode's only notable misstep comes when Hirotaka has to temporarily take Narumi's place selling her doujins. It actually starts out great, because Hirotaka happens to look like someone who could have jumped out of a BL manga, so naturally he attracts a crowd when he starts hawking gay porn. Narumi rushes to save him from this onslaught, but the ever-unflappable Hirotaka was just fine and even had fun manning the BL stand. Unfortunately, one of the customers was a total creep who sexually harassed him, and the way Wotakoi treats this is bad for two reasons. First, it tries to make this into a humorous situation with Narumi's and Hana's over-the-top reactions, but there's nothing funny about unwanted physical contact or being unduly harassed by a stranger at an anime convention, no matter the context. These are still very real problems in the community, not things to make light of for a cheap joke. Secondly, this faceless creep is the only gay person who's been portrayed in the show, which is a pretty busted debut. There's plenty of otaku romcom shenanigans tp pull from that don't involve creepy behavior or putting sexual minorities on blast, so I hope Wotakoi is smarter about this in the future.

Comiket ends, but the dirge of the gang's 9-to-5 drones on into infinity, so Narumi and Hirotaka soon find themselves at work again, making plans to drink at his place. They're still early in their relationship, but it's nice to see it progressing at a measured but believable pace—something that feels both comfortable for them and non-glacial to the audience. Of course this includes the possibility of new physical intimacy, a concern that manifests in Narumi racking her brain to recall the color of the underwear she put on today. It's funny and neurotic, but it's also 100% true-to-life. Nobody wants their first romp in the sheets to be marred by a lame-ass pair of underwear you've been hanging onto for no good reason. Narumi's worries end up unfounded when the furthest she and Hirotaka get that night is a kiss, but I'm sure she'll be more careful about her undergarment choices from now on.

Hirotaka leans pretty hard into the clueless nerd stereotype in this second half of the episode, completely missing the romantic implications of inviting Narumi over for the night. However, his decision to turn it into a sleepover with Hana and Kabakura is adorable enough to forgive. His chemistry with Narumi remains strong, and their equal-opportunity teasing of each other remains extremely representative of the nerd couples I know. All four Wotakoi members also act like believably buzzed young adult nerds, i.e. they play lots of Mario Kart, drink lots of beer, and perpetually act like goofballs. The hunt for Hirotaka's porn stash is a pretty dated way to spend the evening (as the characters themselves are quick to point out), but I can't say I haven't been part of sillier group activities.

Between all these goofy drunk otaku antics, there are some genuine moments of vulnerability and deepening relationships. Hirotaka comments on how nice it is to hang out with everyone and that it's a new sensation for him. As much as Wotakoi is ostensibly about romance, it also focuses extensively on the four leads together as friends, and how all of these dynamics, both romantic and platonic, are emotionally valuable. We also learn that Narumi and Hirotaka became friends by trading cards like Yu-Gi-Oh!, which pulled my soul right back into elementary school recess. He then tries to segue some sad childhood talk (he was a shy kid with few friends, who could have guessed?) into a kiss, which I'm sure he thought was smooth in his head, but in reality it definitely wasn't. It's not so much a bad move as a clumsy and inexperienced one, so it definitely fits Hirotaka's character. Likewise, Narumi reciprocates with the headbutt he deserves, and they get back on solid footing right afterwards. There were always bound to be some bumps along the way, but hopefully Hirotaka takes his sore forehead as a lesson in communicating more clearly with your partner.

And that was another episode of Wotakoi! It went by super fast again, and I still find it very charming. Aside from one busted jokes, this was another perfectly pleasant 22 minutes spent with some endearing dorks who love each other almost as much as they love mercilessly trolling each other in Mario Kart. It's tricky to tell what the long arc of the show will be, if any, but as long as it keeps up the solid character writing and relatable nerd fiascos, I'm content to relax with it each week this spring. I just hope we solve the mystery of the big tiddy porn in Kabakura's desk.

Source

https://www.youtube.com/watch?v=pOtzSkC3ss8

یه عالمه کار دارم

یه عالمه کار دارم

خبر اومد که مانگا ماکی: ماحراهای سندباد تمام شده.

فعلا تا 142 اومده بود که ترجمه ادیت شده.

نتونستم پیدا کنم که چند چپتر دیگه داریم تا پایان.

این یکی از کارهای آنگویینگ است که ادیت کاملش دست من است.

یوهاهاها.

درسته انجمن تعطیل است.

ولی باید کارهایی که دارم رو انجام بدهم.

می‌ترسم نسخه انگلیسی، به بهانه پایان کار، شونصد چپتر با هم منتشر کنه.

من هم تنبل.

Hinamatsuri - Episode 4 [Review]

 

Hinamatsuri - Episode 4 [Review]

Last week's episode ended with Hina making an ill-informed attempt to clean Nitta's apartment, and now we finally get to see the outcome of that misadventure. Nitta decides he's had enough, and he kicks Hina out. This doesn't work out terribly well for either of them: Anzu briefly takes Hina in before throwing her out for being a lazy freeloader, and Nitta is banned from his favorite bar after Utako finds out what's going on. After a brief stint providing telekinetic special effects for a group of street musicians, Hina returns to Nitta's apartment with a peace offering. Meanwhile, Hitomi's secret bartending gig leads her to accidentally befriend Anzu.

This disownment story arc is reminiscent of Nitta's earlier “ignore Hina and go out drinking” bender in that the series allows our yakuza hero to be a jerk but ensures that he also suffers the consequences of his actions. The image of Nitta being shouted out of the bar is amusing, but it also indicates that Hinamatsuri has a conscience about its harsher moments. There's actually a fair amount of moral ambiguity in this situation. Hina doubles down on her habit of being a terrible houseguest while living with Anzu, Nitta comes to regret his actions and ultimately keeps the cheap replacement vase on the same shelf as the genuine articles, and apparently Utako does charity work when she's not busy blackmailing middle school kids. Whether by design or as an unintended consequence of its genre-bending story, Hinamatsuri has assembled a cast of characters who are neither bad nor good in any given moment. Most of them tend to be complicit in whatever misfortunes befall them to some extent, and yet it's their better natures that eventually save the day. As the season plays out, it will be interesting to see if this results in genuine thematic depth or merely an unfocused series of comedic vignettes.

The comedy this week is not as openly bizarre as some earlier episodes, but the show does seem to be finding some clever tricks to make its humor and sentimentality play well together. There are several cases this week where the more emotional side of the story is used to set up a joke: Utako's soup line is hijacked by Hina's deadpan demands for free food, and Anzu sabotages the dramatic tension in her encounter with Nitta by declaring that she could only go three days before kicking Hina out herself. Even the storyline of Hina joining a rock band is as much a comedy skit as a plot device for getting her enough money to buy a new vase. As all of these bits play out, Hinamatsuri manages to strike a decent balance between giving the audience time to appreciate the jokes and moving on before we can ask too many questions. While it doesn't reach the hilarious heights of Hina's initial appearance or the rock-paper-scissors game, it's a good sign that the series is finding ways to make its separate halves work in tandem instead of competing with one another for screen time.

Then we have Hitomi's encounter with Anzu, which is frankly an odd way to cap off the episode. With most of the narrative focusing on Nitta and Hina's journey of reconciliation, this side story feels conspicuously unrelated. That'd be fine in a pure comedy with no real cohesion from one scene to another, but it stands out awkwardly in a genre hybrid like Hinamatsuri. That said, it's at least a decent sequence on its own merits. Hitomi is quickly developing into the show's second comedic straight man, reacting to absurd situations with genuine shock and disbelief where Nitta leans more towards exasperation and quiet despair. As a reasonable kid surrounded by dysfunctional adults and psychic girls with no common sense, Hitomi is able to act as a frequently ignored voice of reason. She has some good chemistry with Anzu here, especially as she suffers silently through the conversation about how much money the two of them make. If Hinamatsuri is smart about the way it uses Hitomi, she could become an indispensable member of the cast.

Throughout this episode, Hinamatsuri appears to be tinkering and experimenting with its basic formula in search of an ideal balance between the heartwarming and the hilarious. In the short term, that experimentation yields an episode that's entertaining but not as impactful as some of the show's previous efforts. In the long term, however, it may prove to be necessary. A series can only get by on being weird for so long, and I'm hopeful that all these little adjustments will give Hinamatsuri the depth and dramatic substance it needs to hold up across a full season.

Source

https://www.youtube.com/watch?v=rECKK1HhDk8

Megalobox - Episode 4 [Review]

 

Megalobox - Episode 4 [Review]

“A fake ID, four fights, and no gear”. This is what Nanbu, Sachio, and Joe are taking with them on the road to Megalonia, and it's a hell of a gamble. At first I was surprised to see Joe take on a professional fight sans his gear so early on in the series; normally this kind of challenge might be reserved for an extra-challenging penultimate fight. However, Nanbu's logic going into the battle against “Shark” Samejima makes perfect sense; the crew that will eventually come to call themselves Team Nowhere are't just underdogs, they're street trash coming up from the gutters of society. In order to climb the ranks and make themselves known, they have to start off with an all-or-nothing bet that nobody can ignore.

So Joe heads into the ring against a tempestuous brawler with nothing to defend himself but his speed, his wits, and his natural strength, and this is where “Dance with Death” begins to take shape as a truly stellar episode. Just last week, we saw Joe confidently knock a geared-up behemoth flat on his face, but this time he seems different. Nanbu is too up in his own anxieties to see it, but Sachio catches on; Joe says he's shaking with excitement, and while that may partially be true, it quickly becomes obvious that we are seeing Joe afraid for the first time. After an early knockdown starts him off rattled, there's a wonderfully executed couple of moments where we see Joe's feet sink into the ring like quicksand. In a lesser production, this effect would have gone on for far too long, likely spoiled with on-the-nose inner monologuing or hacky direction. In Megalobox, the emotional beats come as quickly and hit as hard as the punches Joe is trying to dodge.

Small but impactful touches like this are exemplary of the confident direction and superbly paced storytelling that has made Megalobox such a consistent hit this season. Making this fight the centerpiece of Joe's emotional growth spurt as a fighter is perfectly economical storytelling. It's cliche for a sports narrative, but it's also necessary to keep the dramatic tension up in an otherwise predictable plotline. It's clear from the get-go that Joe can't really lose his premiere Megalobox fight, but instead of falling into the trap of going through the motions, Megalobox smartly uses the “Shark” Samejima fight to cement the bond that Nanbu, Sachio, and Joe all share, and it finds dramatic heft by building tension in Joe's personal experience as a fighter in the ring, instead of arbitrarily teasing whether or not he will win.

By the time Sachio gives Joe and Nanbu a much-needed dressing-down, I was on the edge of my seat, because even though I knew Joe was going to win, I needed to see that victory happen so I could share in Team Nowhere's elation. If there were any doubts about what Megalobox can produce when its production staff is firing on all cylinders, you only need watch Joe's triumphant swagger as he dances around the man who had him clinging to the ropes just moments earlier. It's a thrilling and dynamically choreographed sequence punctuated by great camera work.

Speeding through Joe's next fights via montage is another wise creative decision; the episode's main bout delivered all of the plot and character development we needed to see this week, so it's reasonable that we'd just get highlights of the rest. It works especially well backed by mabanua's energetic soundtrack, which once again proves to be Megalobox's most potent secret weapon. It also means we'll get to spend more time on the Megalonia tournament itself, and I'm totally fine with that, so long as the production crew can keep up this level of polish for the rest of the season.

If anything, the only concern I might take away from this episode is whether or not the show can keep going this strong for another eight weeks. This is as rousing an introduction to the Megaloboxing world as Team Nowhere could have possibly hoped for, and it's an early watermark for highs that the series is capable of reaching. Now that someone from Nanbu's past has come to make things even more complicated for our vagabond boxing family, I can hardly bear the thought of having to wait another week to get more Megalobox in my life.

Source

https://www.youtube.com/watch?v=NFd3udcFyY0

Tada Never Falls in Love - Episode 4 [Review]

 

Tada Never Falls in Love - Episode 4 [Review]

When I first saw that Tada Never Falls in Love would focus again on the photography club, my heart sank. Little did I know how much this episode would surprise me! This week's installment succeeded in making the series' two most troublesome characters funny.

It's not that Hajime or Hasegawa's characters have taken a dramatic shift from where we last saw them. Hajime is still unnervingly obsessed with gravure idols and their boobs, while Hasegawa is still relatively quiet and unassuming. (At least she's given an excuse for trying to blend into the background this week.) Still, this episode made Hajime and Hasegawa's story work thanks to a series of important tweaks.

The first was the episode's particular brand of humor. Pervy dude characters are eyeroll-worthy at best in anime, but Tada Never Falls in Love pushes Hajime to the point where he's just so over-the-top that no one can take him seriously. Unfortunately, this also his dilemma in this episode. Hajime is so into gravure idols that when he gets to meet his favorite, HINA, he can't come up with anything to say. This contrast between his passion and stage fright make Hajime not only more interesting and funny to watch, but also more relatable. The humor may be over-the-top, but Tada Never Falls in Love lends sympathetic emotions to its characters, even the most ridiculous ones.

Luckily, Hasegawa comes to the rescue. She overhears Hajime practicing to meet HINA and decides to give him some pointers. Mostly, she tells him to practice talking about her as a person rather than just obsessing over her appearance, which is solid advice for anyone that really should have occurred to him beforehand. Seriously, while I may find him less irritating this time around, I still don't get what Hasegawa sees in this dude. Anyway, Hasegawa seems pretty good at this for someone who is normally so shy and unassuming, and that's when the other shoe drops—because Hasegawa is HINA. Hajime has been losing his mind over meeting his favorite idol, but he had no idea that he already knows her pretty well. It's anyone's guess how long it will take Hajime to truly understand that the girl of his dreams is already part of his life.

Also, as puzzling as I still find Hasegawa's crush, she does at least get to explain her feelings. The two of them were childhood friends, and after he saved her once, she trusts him to continue to protect her. He does seem to keep an eye out for her more than others, but I'm still guessing that this is going to be a slow-burn romance. When the day arrives and Hajime gets to "meet" HINA, it turns out neither of them can spit out the obvious truth. Hajime forgets his script and mumbles through what little he remembers, while Hasegawa finds herself unable to confess to her true identity like she promised she would.

It's the sort of madcap silliness that we've seen from previous club-focused episodes, but what makes it "work" this time around is that the writers remembered to ground them in realistic emotions. It's a comedy, but there's also some romantic drama mixed in—not just the melodrama of mistaken identity, but the relatable woes of two normal kids who just can't spit out how they feel. If Tada Never Falls in Love continues this pattern—setting up broad archetypes only to humanize them later—I'll be far more on board with its project for the club. I still don't particularly like Hajime, but he seems like a real character now rather than some factory-issued stereotype. Hajime and Hasegawa working through their anxieties together will especially hit home for viewers who have struggled with stage fright and feeling starstruck.

Tada Never Falls in Love could be a really strong show if it keeps developing its cast this way. What stood out to me about the first episode was this kind of emotional intelligence, so it's nice to see the show dipping back into that. There is definitely room for more of this in future episodes, especially given what we learn about Alec at the end of the episode. She's always had a weakness for helping Teresa, and now we might have a good idea of why. I hope that Alec's heart makes it out okay if Teresa is indeed headed toward a romance with Tada.

On the subject of that relationship, it is strange to me how little momentum Tada and Teresa's romance has been given. They are presumably the central focus of the show, based on the opening sequence as well as the premiere episode, but that seems to have fallen by the wayside as the focus shifted to other characters. I'm glad that Tada Never Falls in Love is no longer neglecting its supporting cast, but it's weird how the leads' chemistry and screentime seems to have evaporated. Monthly Girls' Nozaki-kun didn't always focus on its central pairing, but there were regular reminders of Sakura's feelings for Nozaki and how they influenced their relationship. For Tada Never Falls in Love to work as a romantic comedy, it needs to invest more time in its central romance—not just the peripheral ones. If it can nail that in upcoming episodes, this show might still be on its way to greatness.

Source

https://www.youtube.com/watch?v=DHIeUPB9Ij0

Record of Grancrest War - Episode 16 [Review]

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Record of Grancrest War - Episode 16 [Review]

A mage seems like a very useful thing to have, and “Outpost” is pretty much a highlight reel extolling their benefits. This week on Record of Grancrest War, three different lords—Theo, Milza, and Eudokia—rely on their respective mages to make difficult decisions. Since this requires scene after scene of strategizing, this episode isn't anything special visually, but many viewers may find its conclusion quite titillating after Queen Eudokia and her army decide to bare all.

Milza may be a great conqueror, but he's terrible at ruling. He still hasn't gotten Lord Villar's lackeys to warm up to him at all, and his mage Telius is just as battle-minded as he is. Siluca remembers him from the Mage Academy as not being great at magic but “brilliant at military strategy.” So when the pair come to siege Theo's demonic forest castle, it's once again an attempt to solve problems with violence, the only way this patricidal warrior knows how. Next they attempt to lure Theo out for a fight, but Siluca's got their number. Milza and Telius only have one way of dealing with stuff, so they're easy to figure out, especially for a clever mage like Siluca. It's not hard to tell what the outcome is going to be now. It's also not very interesting, but I'm still happy to see Theo and Siluca continue their winning streak.

Speaking of this couple, their dynamic has clearly changed. This was the first episode where I suspected that they've consummated their relationship off screen, because they seem a lot more comfortable with one another, less blushing and more touching. It helps that this is the least stressed-out we've seen Theo and Siluca in a while, because everything is working out for once. All the mages of the Altirk Treaty are able to chill out and chat on their wands like cell phones. I couldn't help stifling a laugh at this conveniently modern technology, which could have solved so many problems if only it had been introduced before episode 16! What other deus ex machina solutions are going to suddenly appear when needed?

It must be so weird being a mage in the world of Record of Grancrest War, by the way. Everyone knows everybody else as a classmate or teacher or student, but they don't know who is going to be their ally or their enemy once school gets out. I guess Siluca graduated during a time of peace and began her career in a time of war, but it's still so strange to know your enemies and allies by what kind of grades they got at the Academy. And then there's the unresolved plot point that the Academy has the ability to be judge jury and executioner at a witch burning—it's such a bizarre and overly powerful establishment backing this world.

The last mage/lord interaction in this episode is by far the most unusual. Laura convinces Lady Eudokia to get naked in front of her troops in order to raise their morale (and I'm certain that's not all she raises). The look on the Nord princess's face when she's confronted by a completely nude army says it all. It's clear that the armies of Record of Grancrest War are extremely horny—remember when Theo's troops were motivated by him kissing Siluca? I'd argue that the Starck slave uprising is a bigger part of the victory than the nudity, but we all know which strategy gets more screen time. It'd certainly be sexier if Lady Eudokia's proportions didn't shift with every keyframe; the art isn't all that consistent this week. Better for that to happen on a week that's mostly place-setting for next time—no wait, isn't that what last week's episode was about, too? Record of Grancrest War does action better than dialogue or plot, but that's made for a streak of weak episodes—including this one.

Source

https://www.youtube.com/watch?v=m9YcgJxJmsc