جادوی ِ خاطرات
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هر کسی از ظن خود شد یار من ... از درون من نجست اسرار منDiscord – Chat for Gamers v7.5.2
Discord – Chat for Gamers v7.5.2
یکی از مشکلاتی که بسیاری از علاقه مندان به بازی های آنلاین گروهی با آن رو به رو هستند هماهنگ سازی فعالیت های خود و ارتباطشان است، زیرا هر گونه ارتباط اضافی و چت صوتی باعث می شود تا پینگ به میزان زیادی افت کرده و گیمر نتواند به درستی به بازیش ادامه دهد. یکی از برترین راه ها برای جلوگیری از چنین اتفاقی استفاده از نرم افزار فوق العاده ی مخصوص همین کار می باشد! Discord – Chat for Gamers عنوان یک اپلیکیشن فوق العاده برای ایجاد یک بستر ارتباطی در میان گیمر ها مخصوص دستگاه های هوشمند می باشد که توسط شرکت Discord Inc به صورت رایگان در گوگل پلی منتشر شده است. این نرم افزار که به غیر از اندروید برای دیگر پلت فرم ها نیز منتشر شده است به کاربرانش اجازه می دهد تا بدون هیچ گونه مشکل افت سرعت و پینگی به راحتی با یکدیگر در ارتباط بوده و هر گونه اطلاعاتی را در مورد بازی خود به اشتراک بگذارند. تنظیمات مختلف و متنوعی در لیست دیسکورد موجود می باشد که به وسیله ی آن ها قادر خواهید بود حساب کاربریتان را شخصی سازی کرده و تنظیمات خاصی را برای هر گونه ارتباطی اعمال نمایید. اگر شما نیز جزو گیمر های حرفه ای هستید پس این برنامه را از دست ندهید و برای دانلود آن با ما در ادامه ی مطلب همراه باشید.
برخی از امکانات و قابلیت های برنامه Discord – Chat for Gamers اندروید :
پشتیبانی از انواع کانال های مختلف
چت صوتی با حداقل کاهش پینگ برای داشتن بازی روان
ارسال تصاویر، ویدئو ها و متن های خود به صورت real time
از دست ندادن هیچ گونه پیامی با دریافت آن ها در نوار اطلاع رسانی
دعوت از دوستان خود در دیگر مسنجر ها
توانایی ارسال پیام خصوصی و مستقیم تنها برای یک نفر
پشتیبانی از سرور های چندگانه
سازماندهی هوشمند کانال های موجود
اپلیکیشن Discord – Chat for Gamers با قابلیت خاص خود برای علاقه مندان به بازی های رایانه ای توانسته است با بیش از 50 میلیون دانلود فعال امتیاز 4.6 از 5.0 را توسط کاربران گوگل پلی به دست آورد که هم اکنون می توانید جدید ترین نسخه ی اصلی آن را با دسترسی به تمامی امکانات از وبسایت فارسروید دریافت نمایید.
تغییرات نسخه ی v7.5.2 :
* برطرف سازی مشکل کرش و فیکس شدن باگ ها .
اندروید مورد نیاز : 4.1 و بالاتر
+ دانلود فایل نصبی آخرین نسخه اصلی برنامه - 39 مگابایت
+ دانلود فایل نصبی آخرین نسخه بــتــا برنامه - 39 مگابایت
Tenrou: Sirius the Jaeger
Tenrou: Sirius the Jaeger
نام انیمه: Tenrou: Sirius the Jaeger
نام انیمه: 天狼〈シリウス〉 Sirius the Jaeger
نام انیمه: Sirius the Jaeger
نام انیمه: Tenrou
نام انیمه: سریوس شکارچی
ژانر: Action, Supernatural, Historical, Vampire
تاریخ پخش: تابستان 2018
وضعیت: تمام شده
تعداد قسمت‌ها: 12 قسمت
مدت زمان هر قسمت: 23 دقیقه
منبع: Original
استودیو: P.A. Works
کارگردان: Oowada Tomoyuki
زیرنویس فارسی و انگلیسی دارد
+ لینک دانلود انیمه (MKV, 480P, 720P, 1080P)
+ لینک فایل تورنت (MKV, 1080P, EN Sub, 11.6GB)
+ لینک فایل تورنت (MKV, 720P, EN Sub, 4.9GB)
+ لینک فایل تورنت (MKV, BDRip, 1080P, EN Sub, 4.6GB)
+ لینک فایل تورنت (MKV, 1080P, EN Sub, 14GB)
+ لینک فایل تورنت (MKV, BD, 1080P, EN Sub, 3GB)
خلاصه داستان (منبع)
داستان در پایتخت پادشاهی در سال ۱۹۳۰ شکل می‌گیرد. گروهی از مردم معروف به ایاگرها در ایستگاه توکیو فرود آمدند(؟) آنها کیف الات موسیقی حمل میکنند و برای شکار خون‌آشام ها آمده‌اند. مردی به نام یولی در میان آنها با وقار و هاله‌ای غیر طبیعی خود نمایی می‌کرد (از بقیه بیشتر تو چشم میزد). او به گرگینه‌ای که روستایش توسط خون‌آشام ها نابود شده بود مشهور بود، او و ایاگر ها در نبردی در مقابل “ارک مقدس” مرموز مشهور به “ارک سیریوس” شرکت میکنند. چه حقیقتی مورد انتظار آنها است؟
خلاصه داستان (منبع)
In the year 1930, vampires have infiltrated Tokyo to feast upon its unsuspecting citizens. As the number of victims continues to rise, the city's authorities decide to hire the Jaegers—a strange, diverse group of individuals tasked by the V Shipping Company to hunt down vampires around the world. Carrying musical instrument cases to disguise their identity, the Jaegers battle the vampires with the same mercilessness demonstrated by their foes.
Yuliy, the Jaeger's most skilled warrior, is the sole survivor of a vampire raid on his home village. Using the strength granted by his werewolf blood, he works with his team to assist Tokyo's law enforcement with the city's vampire problem. Though under the pretense of helping the police, the Jaegers are actually fighting the vampires over the mystical Ark of Sirius. With its power to change the fate of the world, Yuliy and his friends must locate the artifact before the vampires can use it to achieve their destructive goals.
نکته:
اسم انیمه تغییر کرده است. اول که پخش شده Tenrou: Sirius the Jaeger بوده. الان Sirius شده.
Live-Action Gintama 2 Film Surpasses 3 Billion Yen
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Stand My Heroes Game App for Female Players Gets TV Anime
A second anniversary special event for the iOS/Android game app Stand My Heroes announced in Tokyo on Saturday that a television anime adaptation has been green-lit.
The otome puzzle game for female players is set in modern Tokyo at Matori, the narcotics control unit of investigators under the Ministry of Health, Labour and Welfare. The protagonist, who has the unique trait of drugs having no effect on her, ends up working in the unit. She scouts personnel from investigators, idols, writers, genius high school students, top designers, butlers, underground doctors, and others to form teams of modern ikemen heroes for different missions.
The following cast members of Matori will reprise their roles from the game:
Tomokazu Sugita as Itsuki Aoyama
Daisuke Namikawa as Shun Imaoji
Tomoaki Maeno as Daisuke Seki
Kousuke Toriumi as Satoru Watabei
Yuuki Kaji as Haru Natsume
Natsuki Hanae as Kōtarō Yui
The game launched in 2016, and has since garnered 1 million downloads.
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Seishun Buta Yarō Anime Gets Theatrical Film Project in 2019
The advance screenings for Seishun Buta Yarō wa Bunny Girl-senpai no Yume wo Minai (The Young Pig-Rascal Isn't Dreaming of a Bunny Girl Upperclassman), the television anime of Hajime Kamoshida's Seishun Buta Yarō light novel series, announced on Saturday that there will also be a theatrical film project next year.
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The Seishun Buta Yarō wa Yume-Miru Shōjo no Yume wo Minai (The Young Pig-Rascal Isn't Dreaming of a Dreaming Girl) film project will adapt the sixth and seventh light novel volumes, Seishun Buta Yarō wa Yume-Miru Shōjo no Yume wo Minai and Seishun Buta Yarō wa Hatsukoi Shōjo no Yume wo Minai (The Young Pig-Rascal Isn't Dreaming of a First-Love Girl).
The film project follows not only the main characters Sakuta Azusagawa and Mai Sakurajima, but also a mysterious girl named Shōko Makinohara. The story depicts when each of their feelings and wishes intersect.
The light novel series begins with a rumor about a mysterious phenomenon call "puberty syndrome." For example, Sakuta Azusagawa is a high school student who suddenly sees a bunny girl appear in front of him. The girl is Mai Sakurajima, Sakuta's upperclassman and also a famous actress who has gone on hiatus from the entertainment industry. For some reason, the people around Mai cannot see her bunny-girl figure. Sakuta sets out to solve this mystery, and as he spends time with Mai, he learns her secret feelings. Other heroines who have "puberty syndrome" start to appear in front of Sakuta.
The series will star:
Kaito Ishikawa as Sakuta Azusagawa
Asami Seto as Mai Sakurajima
Yurika Kubo as Kaede Azusagawa
Nao Tōyama as Tomoe Koga
Atsumi Tanezaki as Rio Futaba
Maaya Uchida as Nodoka Toyohama
Inori Minase as Shōko Makinohara
Yūma Uchida will play Sakuta's friend Yūma Kunimi, Himika Akaneya will play Yūma's girlfriend Saki Kamisato, and Satomi Satou will play the female television announcer Fumika Nanjō.
Sōichi Masui (Sakura Quest, Chaika the Coffin Princess) is directing the series at A-1 Pictures' studio CloverWorks. Masahiro Yokotani (Free!, Re:Zero) is in charge of series composition, and Satomi Tamura (animation director for Kiznaiver, Saekano: How to Raise a Boring Girlfriend) is designing the characters. Tamura is also serving as chief animation director with Akira Takata (After the Rain, Natsume's Book of Friends). Kazuya Iwata (episode director for Your Lie in April, Recently, my sister is unusual.) is assistant director, and Yukihiro Shibutani (Case Closed, Natsume's Book of Friends) is art director.
Other staff members include:
Prop Design: Akira Takata
Art Design: Kazushi Fujii
Color Setting: Asuka Yokota
3D Directors: Yuusuke Noma, Yūto Karasawa
Director of Photography: Yoshihiro Sekiya
2D Work, Special Effects: Saya Uchiumi
Editing: Akinori Mishima
Sound Director: Yoshikazu Iwanami
Music: fox capture plan
The all-female band The Peggies is performing the opening theme song "Kimi no Sei" (Your Fault). The six main heroines (as played by their respective voice actresses) are performing the ending theme song "Fukashigi no Karte" (Mysterious Chart), and the anime's fox capture plan composed the song. The idol group Sweet Bullet is singing the insert song "BABY!"
The anime will premiere on ABC TV on October 3 at 26:15 (effectively October 4 morning at 2:15 a.m.). It will then air on Tokyo MX, Gunma TV, Tochigi TV, BS11, and Nagoya Broadcasting Network on October 6.
Novel illustrator Keeji Mizoguchi drew the previously revealed character visuals for the anime.
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Kadokawa published the first novel volume in the series, also titled Seishun Buta Yarō wa Bunny Girl-senpai no Yume wo Minai, in April 2014. Keeji Mizoguchi provides the illustrations. Kadokawa published the eighth volume on April 10.
Tsugumi Nanamiya launched a manga adaptation of the first novel volume in the January 2016 issue of Dengeki G's Comic magazine. Kadokawa published the first volume in October 2016. Tsukumo Asakusa launched a manga adaptation of the second novel, Seishun Buta Yarō wa Puchi Devil-kōhai no Yume wo Minai (The Young Pig-Rascal Isn't Dreaming of a Petit Devil Underclassman), in the May issue of Dengeki G's Comic on March 30.
Kamoshida and Mizoguchi previously worked together on The Pet Girl of Sakurasou (Sakurasō no Pet na Kanojo) light novel series, which inspired a 24-episode television anime series in 2012-2013.
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Live-Action Gintama 2 Film Surpasses 3 Billion Yen
Warner Bros. released a new behind-the-scenes video on Friday for Gintama 2: Okite wa Yaburu Tame ni Koso Aru (The Law is Surely There to be Broken), the second live-action film based on Hideaki Sorachi's Gintama manga, to commemorate that the film has earned more than 3 billion yen (about US$26.77 million).
https://youtu.be/yaNC438rCao
The film had earned more than 2.5 billion yen (about US$22.6 million) after 19 days on September 4. The film reached the 2.5 billion yen mark two days faster than the first film, which reached the amount after 21 days.
The film opened in Japan on August 17 in 345 theaters. The film earned over 800 million yen (about US$7.27 million) from Friday to Sunday to rank #1 in its opening weekend. As of September 2, the film had sold a total number of 1.88 million tickets.
The film's story covers both the "Shinsengumi Crisis" and the "Shogun Reception" arcs, the latter of which features the introduction of the Shogun. The film stars Shun Oguri as Gintoki Sakata, Masaki Suda as Shinpachi Shimura, Kanna Hashimoto as Kagura, Masami Nagasawa as Tae Shimura, and Masaki Okada as Kotarō Katsura.
The first film opened in Japan in July 2017. Well Go USA released the first film on DVD, Blu-ray Disc and DVD combo pack, and Digital HD on March 6.
#Live_Action #Gintama
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Code Geass: Lelouch of the Rebellion Lost Stories Social Game Revealed
The official Twitter account for the Code Geass franchise revealed more details on Sunday for the previously teased Code Geass game project by DMM Games. The game is titled Code Geass: Lelouch of the Rebellion Lost Stories, and it will be a social game. The staff will reveal more information about the game during a stage presentation at Tokyo Game Show on September 23 at 3:00 p.m. JST (2:00 a.m. EDT).
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Five large public screens across Akihabara in Tokyo such as the Akihabara UDX screened a three-minute video about the project on Sunday.
Sunrise revealed last month that the Code Geass: Fukkatsu no Lelouch (English subtitle: Re;surrection) sequel anime film project will be one film that will premiere in February. Director Goro Taniguchi confirmed that many of the key staff members are returning for the movie, and specifically emphasized that the story will be complete in one film, which will serve as a finale.
The first film in the series' compilation recap trilogy, Code Geass - Hangyaku no Lelouch - Kōdō (lit.: The Awakening Path, official English subtitle: Initiation), opened in Japan in October 2017. The second film, Code Geass - Hangyaku no Lelouch - Handō (lit.: The Rebellion Path, official English subtitle: Transgression), opened in Japan in February. The third film, Code Geass - Hangyaku no Lelouch - Ōdō (lit.: The Imperial Path, official English subtitle: Glorification), opened in May.
Funimation has licensed the trilogy.
The original Code Geass television series premiered in 2006, followed by a sequel series in 2008. The series has inspired various manga and original video anime, including the Code Geass: Akito the Exiled spinoff, which premiered in 2012.
#Game #Code_Geass #Lelouch
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TV Anime 'Poputepippiku' Gets New Episode
Poputepippiku Special Event: Pop Cast Epic held this weekend has announced on Sunday that a new episode of Poputepippiku TV anime will be broadcast on April 1 of next year.
Poputepippiku is a 4-koma manga by bkub Ookawa, which began serialization via Manga Life Win since August 2014. TV anime has been broadcast in this winter by Kamikaze Douga for total of 12 episodes. Each episode consists of a 12-minute segment repeated twice. The repeated segment contains a different voiceover by a set of two seiyuus with variations on the skits.
خودکشی پسر ۲۰ ساله به دلیل نخریدن خودرو توسط پدر
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خودکشی پسر ۲۰ ساله به دلیل نخریدن خودرو توسط پدر
به گزارش باشگاه خبرنگاران جوان؛صبح امروز گزارشی مبنی بر خودکشی یک جوان ۲۰ ساله به کلانتری ۱۰۹ بهارستان اعلام شد.
با بررسی علت خودکشی مشخص شد که این جوان از پدرش درخواست خرید خودرو می‌کند، اما با جواب منفی و مخالفت پدر خود رو به رو میشود.
جوان 20 ساله پس از مشاهده مخالفت پدرش با خرید خودرو، به خوردن قرص اقدام کرده و دست به خودکشی می‌زند و با توجه به تعداد زیاد قرص‌های خورده شده به شدت مسموم و پس از گذشت چند ساعت در بیمارستان فوت می‌کند و جسد وی نیز به پزشکی قانونی منتقل شد.
با دستور بازپرس شعبه ششم قاضی مدیر روستا، بررسی این پرونده در دستور کار قرار گرفت.
Fluffy Japanese Pancakes Recipe
Fluffy Japanese Pancakes Recipe
(Jiggly Souffle Pancakes)
https://www.youtube.com/watch?v=9MJhVk4Z1Zc
#Recipe #Video
معرفی مانگاهای Conductor، Dohran و Shaman King Zero
معرفی مانگاهای Conductor، Dohran و Shaman King Zero
* مانگا Dohran - داستان (منبع: دنیای انیمه)
ژنرال "توکو گاوا" صاحب 13 شمشیر مقدس شد تا صلح را برای ژاپن به ارمغان بیاورد. اما درست زمانی که توکوگاوا یک سلسله ی جدید را آغاز کرد، توسط 12 فرمانده خود که به استادان 12 شمشیر مقدس معروف بودند، کشته شد. آخرین شمشیر، پرنده ی آتشین سرخ، به دوهران، پسر بی تجربه ی توکوگاوا داده شد. سال ها گذشت و حالا دوهران در لباس بازیگران دوره گرد به دنبال گرفتن انتقام خود، و همچنین برگرداندن شادی از دست رفته به چهره مردم است.
* مانگا Shaman King Zero – داستان (منبع: دنیای انیمه)
داستان شامان کینگ درباره ی پسری تنبل با تواناییه دیدن اشباح و استفاده از قدرت اونها هستش. همچنین او آرزوی پادشاه شامان ها شدن رو در سر داره. در این راه اون وارد مسابقه و مبارزاتی که شامان ها با همدیگه برای رسیدن به این عنوان و دستیابی به قدرت پادشاه اشباه هست میشه و باید به همراه شبح همراه خود آمیدامارو با رقیبان قدر در این راه روبه رو بشه ...
* مانگا Conductor – داستان (منبع: دنیای انیمه)
یک نوازنده ی فلوت به نام نائومی، هر شب کابوسهایی می بیند که مجبور می شود برای درمان به مشاور، ماتسوزاکی، مراجعه کند. یک بازرس پلیس به نام ایشیکورا یک جسد مومیایی بدون سر رو در یک آپارتمان خالی پیدا می کند و روی این موضوع تحقیق می کند. وقتی که نائومی، خاطرات فراموش شده اش را به تدریج باز می یابد یک تراژدی دردناک آشکار می شود.
توضیح
هر سه تا مانگا بالا، ترجمه فارسی دارن. در انجمن دنیای انیمه ترجمه شدن.
در مانگاریدر دنیای انیمه هم، قابل دسترس هستن.
در نظر من، مانگا رهبر ارکستر (Conductor) خیلی خوب است؛ به نسبت اون دو تای دیگه.
#Manga, #Shaman King Zero, #Conductor, #Dohran
Banana Fish - Episode 11 [Review]
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Steins;Gate 0 - Episode 21 [Review]
When I review a series, I try to avoid comparing the product at hand to whatever innumerable versions of it could have been, but I almost couldn't help myself with episode 21 of Steins;Gate 0. The plot primarily focuses on Okabe making a series of arduous time leaps to get back from 2036 to 2011, and though Maho's improvements to the Time Leap Machine allow for two-week leaps up to a point, eventually Okabe will have to revert back to the old two-day jumps. This means that it will take hundreds, if not thousands of leaps for Okabe to get where he needs to be, and all the while he has to deal with the physical pain of reawakening from his coma over and over, not to mention the work of re-explaining his situation. While Okabe has been in a dire cycle of time-leaps before, this kind of bleak, Sisyphean struggle feels like an honest attempt at engaging with Steins;Gate 0's untapped dramatic potential.
So it's a shame that the story has to rush through it all in a single episode. Obviously, extending this particular vision of Okabe's repetitive and draining quest for more than just an episode or two wouldn't make for good TV; it would be as miserable to watch as it must have been for Okabe to experience. But with a few tweaks and some spiced-up drama to fill in the gaps between time-leaps, I could see this premise serving as a much more interesting and propulsive hook for Steins;Gate 0 than what we've gotten for the past twenty weeks, a version of the show that allows us more time to fully reckon with this ruined future while also giving our hero a more engaging narrative focus. I'm not arguing that all of Steins;Gate should have been about Okabe's right to salvage Operation Arclight, but consider how much time this show has frittered away on stuff like Daru's Date Night and the Kagari plot (which still has yet to go anywhere). If this storyline had been given even just a half-dozen more episodes to breathe and get creative with how it handled the usual Steins;Gate formula, the series as a whole would feel much more satisfying as a companion piece to the original series.
That isn't what we got though, so we'll just have to make do with an episode that does a decent job with the material it was given. The direction and writing is slightly improved in the episode's first two-thirds – the narrative stakes and Okabe's own anguished resolve feel earned, unlike last week's inert and manipulative outing. Future Daru and Future Maho still don't get much to do beyond offer exposition, and even a reunion with Faris and Rukako blows by with little fanfare.
Amadeus is treated a bit better, serving as Okabe's guide and anchor as he travels further and further back in time, but the attempts at wringing some pathos out of her relationship with Okabe don't work for me. The AI has more or less wasted her potential as a tragic echo of the real Makise Kurisu, and she hasn't been given nearly enough screen-time to work as a character in her own right. This late in the game, Amadeus mostly feels like an excuse for Asami Imai and Mamoru Miyano to keep performing with one another. The scene where Amadeus and the rest of the Future Gadget Lab work to fend off the Strafor Forces so Okabe can avoid being captured and killed is fine, I guess, but it doesn't provide the warm-fuzzy feelings of camaraderie and hopefulness that I think it's going for. It's just another dot for the plot to connect before sending Okabe back to where we last left him, bursting into the lab to warn Present Day Daru and Maho about the imminent attack coming from Leskinen and his goons.
What happens next does manage to deliver those warm-fuzzies, as Daru gives Okabe a compliant right-hook to the face, and Hououin Kyouma emerges from the crumpled heap on the floor. Yeah, the animation and cinematography of this long-awaited return was wonky, but I don't think that could ruin the scene for even jaded fans. Seeing Okabe cackle maniacally and don his signature lab coat once more was a treat, made all the funnier by Maho's bewildered reaction at all of this, because of course she'd be freaked out. The stoic super scientist she's been crushing on all series is now rambling like a bug-eyed madman.
Kyouma's return is appropriately punctuated by a lab-coat swoosh and a dramatic declaration of “El-Psy-Congroo”, and even the incredibly stupid Leskinen scene from a few weeks back gets a nice payoff when Hououin Kyouma manages to out mad-scientist the mad scientist, with a little help from a battle-clad Moeka, who has gone far too long with nothing useful to do. I'm not at all crazy about the ending though, which sees the time machine possibly getting blown up again. To pull out that cliffhanger now after spending weeks trying to come back from the last time Suzuha and Mayuri exploded just feels lazy and anticlimactic. Steins;Gate 0 may have managed to put together at least one more decent episode before the season wraps up for good, but that final shot is just another reminder that this show has been a bumpy ride indeed, and I don't expect that to change in the season's final weeks.
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Free! -Dive to the Future- Episode 10 [Review]
By centering on just one character, this episode was the most successful of all Free! -Dive to the Future- so far. Whether you like Makoto or not (and if you like Free!, how could you not?), it's a relief to see the story this week from just one point-of-view. In “The Grab Start of Hope!” Makoto is our avatar and connection to the Free! universe, but he is not a passive one. As Makoto interacts with the people around him, he grows too. After weeks of whipping around from one character to the next every other minute, this steady focus on one person's story and development is a relief.
While the majority of the episode focuses on Makoto, it actually begins with Rin. Visual repetition makes the hand-off go smoothly. While Rin and Sousuke catch up and Rin asks an emotionally-charged question about Sousuke's surgery, a water droplet on a cafe glass is a stand-in for Rin's unseen tears. Almost directly after that, while Makoto and Nao discuss Haru's devastating (though informal) loss against the Swedish powerhouse Albert, a drop of pool water punctuates a heavy moment. It's the first of two effective instances of nonverbal storytelling. The second comes later, when Makoto lets a ladybug take flight off his fingertip, a gesture that only crystallizes for the viewer and Makoto all at once near the end of the episode. The ladybug represents the next generation of swimming talent right as Makoto realizes his purpose: to be the person to guide that talent into their future success.
Makoto and his extremely Dad chic outfit (complete with a purse) continue to be our window to the story throughout, offering a consistent thread to hold onto when the swollen cast of characters gets to be too much. He chats on the phone with Nagisa and Rei, and we learn that Shizuru calls Haru's coach “Grandpa?” (There's no way that guy is older than 45, and yet he somehow has a grandkid in high school. I get that the show is trying to connect its giant cast with lots of family ties, but that one is hard to swallow.) It's fun to see Rei crack a joke with his underclassmen—it's hard to imagine the uptight Rei from season one doing something like that, and it's another one of those moments that shows how everyone is growing up. Another moment comes when Haru takes Makoto's advice and ultimately does what his coach is telling him to do: work on polishing the basics of his technique. In the past, Haru might have gone all emo and inward for a few episodes before deciding to trust the people who care about him. Makoto understands Haru's mindset from a lifetime of friendship, but later he's able to tap into what his young protege Misaki is thinking too. This conclusion is particularly true to Makoto's nurturing character, while also showing his evolution into a more ambitious coach.
We have far more than twelve characters, but after this Makoto-centric episode, I think it might have been cool to focus each one on a different swimmer's perspective. A central focus did wonders for this episode, parting the confusion to add emotional heft while finally making me feel like I saw a character in this show grow as a person for once.
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Black Clover - Episode 49 [Review]
Well, now.
I'd be hard pressed to think of a way this Vetto fight could have hit my buttons any harder. It looked like things were wrapping up last week, but it turns out that Vetto let himself get stabbed on purpose as a way to nab Asta's sword, and you know how much I love hearing "one more thing" in my shonen pulp. It turns out there's one more final stretch of the fight, and this week's episode is an immaculately animated climax.
The Black Bulls are at their limits, and Vetto only appears to be growing more and more violent, contorting himself in wild and unnatural ways. Vanessa's still moving Asta around with her thread, but the show is leaning much harder into the exhaustion that our heroes are feeling. Asta's such a doofus that it too easily feels contrived when the other characters pontificate about how inspiring he is, but everything clicks this time around. You've seen these circumstances before, but rarely with this much purity. The "demon" inside Asta's grimoire is summoned, and the show's first opening theme kicks in as an insert song to score the final blow. For a series that so often struggles to feel sincere, this is as good a celebration of the genre you could ask for. It's so close to being Asta's Super Saiyan moment.
And the tables don't turn just enough for the good guys to win, they go so far as to wreck Vetto beyond repair. Asta is "A demon who devours even despair," (I love reminders that Asta's powers are evil, but in a good way) and Yami finally makes his appearance at the end of the battle to one-shot what's left of Vetto. There's a frustrating convenience to when Yami can and can't participate in this arc, but the last scene is so good it's hard to argue. "Consider this my thanks for looking after my squad." What a one-liner.
This is an astonishing finale for the Vetto fight that leaves the audience in awe of what the heroes are capable of. Long, strenuous effort is rewarded with a glorious smackdown. As we're closing out, we get a brief glimpse of Vetto's childhood, his devotion to Licht, and his reason for hating humans. In line with Asta's demonic powers, it does force you to pause and wonder who the real underdogs are. The Black Bulls are scrappy, and that's what makes them pure of heart, but shift the perspective just a little and they become a band of monsters who will crush anything that gets in their way.
For how clunky this arc began, it's turned into something amazing. This is some stellar material. I don't know if the show will ever stop being a punching bag as a messy pantomime of the shonen formula—and it's still really messy—but when it hits, it hits hard. Black Clover pulled out all the stops this week.
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Banana Fish - Episode 11 [Review]
If the last few episodes of Banana Fish were a bit much for you, episode 11 acts as a breather. Ash resettles with his gang in New York, he and Eiji get "comfy", and the focus shifts from plot developments to character revelations. Stuff still happens, but it's largely set-up for the next arc. After lots of action and tragedy the past few weeks, it's nice to relax for a bit and watch these boys comfort each other. And if you're along the ride because of the Ash/Eiji relationship—which I'm guessing is most of you—"The Beautiful and the Damned" is a real treat.
For all the seedy fascination its drug plot demands, this show keeps plugging along because of its characters. The heroes are so likable (even when they're doing awful things!), the villains despicable but (at least in Yut Lung's case) fun to watch, and the relationships between all of them so strong. Nowhere is this more obvious than its central pairing, which this episode seems set to explore. First, in a hilarious sequence at the beginning, we see the wildly different way that Ash treats Eiji from everyone else around him. Ash's gang is terrified of his temper, enough to refuse to wake him up from his two-hour nap on time. This surprises Eiji, who is used to the softer side of Ash. The gang members are likewise surprised when Eiji literally slaps Ash awake, and their boss reacts with little more than grumbling and this priceless face. Later, in a conversation between Ibe and Max, Max thinks it's curious that Ash and Eiji have gravitated toward each other when they seem so different. Ibe sees that Eiji has brought out the part of himself that's in Ash. Ash can only really act like a teenager when he's around Eiji.
Ash and Eiji also get some moments alone, where Ash allows himself to be vulnerable with him in a way that he can't with anyone else. He confesses a really silly childhood fear—pumpkins—which gets Eiji howling with laughter, given how incongruous this seems from Ash's hardened attitude toward everything else. It's yet another reminder that Ash is still a kid deep down, even if that only comes out around Eiji. Then there are some more physical moments between them that the show doesn't hesitate to hover over longingly. (For the record, this framing is straight out of the manga.) "Two bros chillin' in the hot tub five feet apart 'cause they're not gay" don't hold each other like this or fall asleep in each other's laps like this. Ash and Eiji may never explicitly state the nature of their feelings, but it's evident through their actions in a way that would never be in doubt if they were a man and a woman. Plus, there's the fact that Eiji gets more than a little excited at the thought of Ash dropping his pants.
Frankly, this central relationship is most of what makes Banana Fish work. The conversations about rape and abuse are better than some others in its subgenre, but I can think of plenty of other anime that handle these elements leagues better. (Granted, most of these have come after Banana Fish, so I can see why it stood out in the 1980s.) The drug plot, violence, and gang elements feel kind of silly and juvenile when you stop to think about them for too long. ("MK Ultra but For Real" sounds like a plot from a creative writing high school class.) It's the character relationships that elevate this show beyond its genre trappings, and Ash and Eiji form the show's beating heart. Their bond transcends even their other friendships and familial-esque relationships in the series. Love and desire don't need kisses or sex scenes to communicate themselves. Ash and Eiji show their love in everything they do. It's obvious if you've watched much romance anime how much the language evokes imagery of devoted couples. Denying the romantic implications makes Banana Fish as a show less interesting to me, and it also makes many of their interactions nonsensical.
I want to come back to the way that Banana Fish discusses rape and abuse, especially in these private conversations about Ash's history and trauma. There have been times when the story's really stretched my suspension of disbelief, as in the revelation about his rapist baseball coach when he was a child. The kind of victim-blaming he receives from the small town really doesn't feel like a believable reaction to an 8-year-old boy being assaulted by an adult man. (When people do take the perpetrator's side in child rape cases, they tend to blame whatever adults they think are "coaching" the kids, not the kid himself.) His homophobic dad's advice to "just take it" feels even more unbelievable. Banana Fish makes a lot more sense when you see it through the lens of its adult female writer and audience, reflecting and processing their female experiences with sexual assault through a male character. This is yet another thing it has in common with other BL genre works and a lot of slash fanfiction in general. There's been much ink spilled about how BL is a way for women to process their feelings about men at a distance, usually in the context of romantic fantasies, but I wonder how much that can be said about women writing about sexual violence against men as well. It's something I've started thinking about over the last few weeks, but I definitely want to explore further in future reviews as I see how Banana Fish further handles this topic.
Regardless, we get to see Ash be vulnerable in Eiji's arms. This makes it all the weirder in the later part of the episode when he transforms back into his precocious, super-hacker, genius mob boss self. At least the spyware is one of the more believable technology updates. (Though it begs the question, if Ash has had spyware on Dino's computer this whole time, why wasn't he aware of some of the mob's other plans? People put everything on computers these days, after all.) The theme of the episode seems to be how Ash can show so many different faces to so many different people. With some, he's the criminal mastermind, steepling his hands Gendo Ikari-style as he walks them through his latest airtight scheme. With Eiji, he's a normal, sad, hurt teenage boy, who can joke and sob and confess silly childish fears like pumpkins. It's the many sides to Ash that make this story so fascinating, giving viewers the hope that he can find a more authentic self underneath all that trauma one day.
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Boruto: Naruto Next Generations - Episode 73 [Review]
The mystery surrounding Mitsuki's disappearance grows even more complex as Boruto and Sarada seek answers from their teammate's elusive parent. Upon arriving at Orochimaru's research lab, Boruto is shocked to find two other Mitsuki clones in different stages of development. Despite being bothered by Orochimaru's seeming lack of concern over Mitsuki's disappearance, Boruto tasks him with running some tests on the messenger snake his wayward teammate left behind. When the tests fail to generate any helpful results, Orochimaru suggests having a figure known as the White Snake Sage extract and analyze the snake's thoughts. The next phase of their mission clear, Boruto and Sarada head to Ryuchi Cave (the Sage's home) but are quickly intercepted by Team Moegi, who are intent on bringing them back to the village.
With only minimal progress made on the story front, this week's episode is largely able to get by on its entertaining character interactions. For example, this is the first time Boruto and Orochimaru have met, and although their dynamic is about what you'd expect, it's fascinating nonetheless, with the brash youth having no patience for Orochimaru's enigmatic riddles and poetic turns of phrases. Even though Boruto doesn't appear to think much of Orochimaru, it's clear that his father's former nemesis sees a lot of promise in the lad and thinks he can help Mitsuki mature into a more rounded person. Since the gang is visiting Orochimaru's lab, it's kind of a shame to see Karin and Suigetsu relegated to brief cameos. Sure, Sarada's already met them, but it would've been fun to see them engage in some extended interactions with Boruto. Also a highlight this episode is Naruto's exchange with Konohamaru, which is surprisingly poignant, and it marks one of the few times a character from the previous generation has taken issue with Orochimaru's past misdeeds. While Naruto obviously had his reasons, Konohamaru's frustration at not being told that one of his pupils is the son of his grandfather's killer is palpable.
Boruto and Sarada's determination to bring Mitsuki back into the fold is somewhat reminiscent of Naruto and Sakura's attempts to bring Sasuke back to the Hidden Leaf. Like his old man, Boruto is willing to go up against his peers if it means locating his best friend. Orochimaru even states that Boruto is just like the Naruto of old. While it's highly likely that Boruto and Sarada will eventually convince Team Moegi to aid them in their quest, the prospect of a Team 7/Ino-Shika-Cho face-off is certainly exciting.
Although Boruto and Sarada only come a little closer to tracking down Mitsuki this week, they learn a great deal about their friend's pre-Hidden Leaf life. Despite criticizing Orochimaru's parenting skills, Boruto has a brief about-face when he discovers that he doesn't know nearly as much about his best friend as he likes to think. It's frustrating to see our heroes impeded by obstacle after obstacle—they now have to fight their own friends in order to continue on their journey—but this is hopefully in service of making the forthcoming payoffs feel even more rewarding.
Natsume's Book of Friends Anime Film Previewed in Long Trailer
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Natsume's Book of Friends Anime Film Previewed in Long Trailer
Aniplex began streaming a long trailer on Friday for Natsume Yūjin-Chō: Utsusemi ni Musubu (Natsume's Book of Friends: Tied to the Temporal World), the anime film of Yuki Midorikawa's Natsume's Book of Friends (Natsume Yūjin-Chō) manga. The video previews Uru's theme song "remember." (Note: Aniplex's video is region-locked to Japan, a region-free version is below.)
Watch Video: https://www.dailymotion.com/video/x6tldsz
The anime will premiere on September 29 in Japan. The film will feature a returning cast. In addition, Kengo Kora plays Rio Tsumura, a young man whom Natsume meets and befriends. Sumi Shimamoto plays Yori Tsumura, Rio's mother. Ayumu Murase plays Daisuke Yūki, Natsume's schoolmate from elementary school. Viking comedy duo member Eiji Kotōge plays Monmonbō, a yōkai who has come to take its name back from Natsume. Viking comedy duo member Mizuki Nishimura plays Roppon-ude, a six-armed yōkai who aims to take Natsume's book.
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Midorikawa is supervising the film's original story. Animation studio Shuka is returning from the television anime's fifth and sixth seasons to animate the film. Takahiro Ōmori is again serving as chief director, but Hideki Ito is the new director. Sadayuki Murai is again handling series composition, Tatsuo Yamada is returning for yōkai design, and Makoto Yoshimori is again composing the music.
The anime seasons and Midorikawa's original manga revolve around Natsume, a boy who has been able to see yōkai since he was little. Unfortunately, humans shun him, and there is not much fondness between him and yōkai either. One day, he inherits a Yūjin-Chō ("Book of Friends") from his grandmother. The book is actually full of contracts that his grandmother made to trap yōkai. As one yōkai after another shows up, Natsume tries to release or help them — even while many of them seek vengeance on him.
Natsume Yūjin-Chō Roku, the sixth anime season, aired for 11 episodes starting in April 2017. Crunchyroll streamed the series as it aired. The anime's fourth and fifth home video releases bundled two new original video anime (OVA) episodes in September and October. Crunchyroll is streaming both OVAs.
Crunchyroll is also streaming the previous five seasons of the anime. Viz Media is releasing Midorikawa's original manga in English.
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Short TV Anime 'Okoshiyasu, Chitose-chan' Announces Cast and Additional Staff Members
The official website for the previously announced Okoshiyasu, Chitose-chan has announced cast and additional staff members. Kouji Yusa (ACCA: 13-ku Kansatsu-ka) and Kotori Koiwai (Non Non Biyori series), who are from Kyoto, are voicing multiple characters in this short anime while actor Shinichi Tsutsumi (Gintama 2nd live-action movie) will be doing his first anime narration. The ending theme song will be "Nakuko mo Warau" by Nyanzonu Deshi. The anime will broadcast on Saturdays 1:35 a.m. via Tokyo MX and KBS Kyoto starting October 6.
Staff
Director, Series Composition: Kyou Yatate (Micchiri Neko)
Character Design, Animation Director: Jun Mita (Bananya script, storyboard, episode director, animation director)
Color Design: Haruko Nobori (Mahou Shoujo Site)
Art Director: Yoshinobu Yamada
Sound Director: Nobuyuki Abe (Fumikiri Jikan)
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Manga 'Gintama' to Continue After Final Chapter
This year's 42nd issue of Weekly Shounen Jump magazine, which has final chapter of Gintama manga released, has announced that Gintama manga will continue via Jump GIGA magazine starting on the December release of the magazine.
Hideaki Sorachi serialized the manga series since December 2003 on Weekly Shounen Jump magazine. It was previously announced that the manga series would end. The latest anime series started broadcasting in July 9. The second live-action movie has premiered in Japanese theater in August 17.
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Gintama Manga Moves to Jump Giga Magazine
This year's 42nd issue of Shueisha's Weekly Shonen Jump magazine revealed on Saturday that Hideaki Sorachi's Gintama manga will end its serialization in the magazine as previously announced, but that it will continue on in Shueisha's Jump Giga magazine starting in its winter issue for "a little while longer."
Sorachi explained that he had actually been planning to end the manga for some time. He noted that Weekly Shonen Jump has a system where an author informs the editorial department that the author wants to end the manga about half a year before the ending, and then works toward that ending with the remaining time. But Sorachi said that he had been delaying the end for a while, before declaring that he would make it to the ending by August. However, Sorachi then explained that he needed a bigger page count to reach the ending, and that the page count for the weekly magazine was not enough. In the end, he apologized to the readers who "just skim over Jump," and for not ending the manga in the magazine.
Sorachi began the manga in 2004, and the manga has more than 55 million copies in print in Japan as of February. Viz Media published the first 23 volumes in English. Shueisha published the manga's 74th volume (seen right) on August 3.
The manga entered the "Silver Soul" arc, its final arc, in July 2016.
The current anime began in October 2017 with the "Porori Arc," before it entered the "Silver Soul" arc in January. The anime began a hiatus in March but returned in July for the "climax" of the arc. Crunchyroll is streaming the anime as it airs in Japan.
The manga also inspired two anime films, including the "final" Gekijōban Gintama Kanketsu-hen: Yorozuya yo Eien Nare film that opened in 2013, and various OVAs and event anime.
The manga also inspired a live-action film that opened in Japan in July 2017. The film also received a sequel that opened on August 17 in Japan. Each of two live-action films also received a live-action net spinoff series. The first film screened in the United States and Canada in January prior to a March 6 home video release from Well Go USA.
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Black Clover: Quartet Knights Game's English Launch Trailer Streamed
Bandai Namco Entertainment Europe began streaming an English launch trailer on Friday for the Black Clover: Quartet Knights game. The video highlights the game's playable characters.
The end of the Japanese launch trailer also features a preview of the game's first DLC with a "summer festival" theme (starts at 3:11 in below video).
The game launched in the Americas and Europe for PlayStation 4 and PC via Steam on Friday. The game launched in Japan for the PlayStation 4 on Thursday. People who pre-order the game in Japan will receive a download code adding young Yami as a playable character, and a "Black Asta" skin.
The game's playable characters include Asta, Yuno, Noelle Silva, Mimosa Vermillion, Gauche Adlai, Magna Swing, Luck Voltia, Yami Sukehiro, young Yami Sukehiro, Vanessa Enoteca, Charmy Pappitson, Klaus Lunette, Mars, Fana, Vetto, and Licht. The game will also feature an original female character named Karna.
The third-person magic shooting game allows for four-vs.-four matches, and players can make their own teams to participate in cooperative battles and face off against rivals. Da-iCE is performing the game's theme song "Limits."
Yūki Tabata launched the original manga in Weekly Shonen Jump in February 2015, and the manga has more than 4.8 million copies in print. Viz Media is publishing the series digitally and in print in North America.
The television anime adaptation premiered in Japan last October, and Crunchyroll is streaming the series in Japanese with English subtitles. Funimation began streaming the show's English dub last October. The anime will continue on past its originally planned 51 episodes. The show debuted on Adult Swim's Toonami programming block last December.
#Game #Black_Clover
سامسونگ تیزری از تلفن هوشمند تاشو که اواخر امسال عرضه می‌کند منتشر کرد
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سامسونگ تیزری از تلفن هوشمند تاشو که اواخر امسال عرضه می‌کند منتشر کرد
ایتنا - مدیرعامل سامسونگ تایید کرد که توسعه این دستگاه اسرارآمیز کار «پیچیده‌ای» بوده است
سامسونگ سالهاست که در حال کار بر روی تکنولوژی نمایشگر قابل خم شدن و تا شدن بوده است.
به گزارش ایتنا به نقل از ورج، سامسونگ قصد دارد اواخر امسال یک گوشی لمسی تاشو عرضه کند.
CNBC خبر داده که DJ Koh مدیرعامل سامسونگ به این موضوع اشاره کرده که این دستگاه احتمالا در نوامبر در کنفرانس توسعه‌دهندگان رونمایی خواهد شد، ولی روشن نیست که آیا مصرف‌کنندگان عملا در سال جاری میلادی قادر به خرید این گوشی تاشو خواهند بود یا نه.
Koh تایید کرد که توسعه این دستگاه اسرارآمیز کار «پیچیده‌ای» بوده است، و شایعاتی مطرح شده مبنی بر اینکه سامسونگ یک گوشی با نمایشگر تاشو تحت سری Galaxy Note این شرکت عرضه خواهد کرد.
سامسونگ سالهاست که مشغول کار کردن بر روی ایده نمایشگرهای OLED تاشو است، و این کمپانی نخستین بار یک نمونه اولیه از آن را در سال 2012 رونمایی کرد.
از آن زمان تاکنون، سامسونگ ظاهرا مشغول تست تلفنهای هوشمند دارای صفحه دوگانه بوده تا چنین نوعی از دستگاه را به بازار عرضه کند.
Koh توضیحات چندانی درباره اینکه چه چیزی را می‌توان از این تلفن هوشمند سامسونگ انتظار داشت ارائه نکرد، ولی اذعان کرد که این دستگاه و قابلیت‌های آن باید به شکلی عرضه شوند که مشتریان را به این واکنش وا دارد که «چه جالب! به این دلیل بوده که سامسونگ آن را ساخته است».
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سامسونگ یک تبلیغ مفهومی مربوط به یک گوشی تاشوی بالقوه در سال 2014 منتشر کرد.
در این تبلیغ دستگاهی با یک نمایشگر خمش پذیر نمایش داده شده که از ابعادی که بیشتر در حد یک تبلت است به یک گوشی که در جیب جا می‌گیرد تغییر وضعیت می‌دهد.
بنا بر خبری که وال استریت ژورنال مدتی قبل منتشر کرد، این دستگاه سامسونگ احتمالا دارای یک نمایشگر تکی 7 اینچی خواهد بود. ظاهرا صفحه نمایش آن پس از تا شدن تا حدودی شبیه یک کیف پول دستی میشود، که در این حالت بخش بیرونی دستگاه اندکی اطلاعات نمایش خواهد داد.
سامسونگ تنها شرکتی نیست که روی توسعه دستگاههای تاشو کار می‌کند. لنوو در حال کار بر روی گوشیها و تبلتهای خمش‌پذیر است، و مایکروسافت سالهاست که سرگرم محقق نمودن رویایش برای ساخت یک دستگاه سرفیس دوصفحه‌ای بوده است. LG هم اوائل سال جاری از یک تلویزیون OLED 65 اینچی تاشو رونمایی کرد.
https://youtu.be/MKG7XRsG9KQ
منبع: ایتنا
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حذف برخی اپلیکیشن‌ها از اپ استور
ایتنا - اپلیکیشن‌هایی که تاریخچه مرورگر و اطلاعات رایانه کاربران را جمع آوری میکنند، از اپ استور حذف شدند.
چندین اپلیکیشن توسعه‌یافته توسط Trend Micro پس از اینکه مشخص شد که تاریخچه مرورگر و اطلاعات رایانه کاربران را جمع آوری میکنند، از فروشگاه اپل ( Mac App Store ) حذف شدند.
به گزارش ایتنا از مهر، این برنامه‌ها Dr. Antivirus ، Dr. Cleaner و Dr. Unarchiver نام دارند که همگی تحت حساب کاربری Trend Micro توسعه‌یافته‌اند. قبل از اینکه این برنامه‌ها از فروشگاه اپل حذف شوند، جزو پرفروش‌ترین برنامه‌ها بودند.
اولین گزارشی که به صورت عمومی در زمینه فعالیت‌های مخفیانه محصولات Trend Micro در فروشگاه اپل منتشر شد، در اواخر سال ۲۰۱۷ توسط کاربری با نام PeterNopSled ارائه شد.
یک پژوهشگر امنیتی تحت نام کاربری Privacy_۱st با انتشار ویدئویی نشان داد که برنامه‌های Dr. Cleaner و Dr. Antivirus تاریخچه مرورگرهای Safari، Chrome و Firefox را به همراه برخی اطلاعات سیستمی، جمع‌آوری می‌کند. از سویی دیگر یک توسعه‌دهنده iOS نیز جمع‌آوری داده‌های کاربر توسط اپلیکیشن دیگری با نام Dr. Unarchiver را کشف کرد.
کاربر Privacy_۱st پس از بررسی این سه برنامه متوجه شد که در آنها کدهایی برای استخراج اطلاعات کاربر قرار داده شده است. این پژوهشگر اعلام کرده که شماره سریال و نسخه سیستم عامل نیز بخشی از اطلاعات استخراج شده است.
مقصد نهایی اطلاعات استخراج شده، طبق گفته Privacy_۱st، دامنه trendmicro.com است.
هنگام بررسی رفتار این برنامه‌ها، یک فایل JSON حاوی کدهای مختلف نیز مشاهده شده که به نظر می‌رسد برای دریافت دستورات از دامنه منبع است. برنامه‌های دیگری نیز با این تکنیک اطلاعات کاربران را به یک سرور خارجی بارگذاری می‌کردند.
برنامه‌های Adware Doctor و Komros Adware Cleaner (از توسعه‌دهنده یکسان)، Open Any Files و Adblock Master نیز جزو این برنامه‌ها هستند.
پس از مطلع شدن اپل از این امر، برنامه‌های یاد شده از فروشگاه اپل حذف شدند. با این حال Trend Micro اعلام کرده است که هیچ سرقتی از داده‌های کاربران صورت نگرفته و تنها به منظور مقاصد امنیتی برخی از داده‌ها، آنهم فقط یکبار، جمع‌آوری شده‌اند.
منبع: ایتنا
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با خروج ناگهانی از اینستاگرام چه کنیم؟!
ایتنا - شاید شما نیز جزو آن دسته باشید که تجربه قطع شدن دسترسی به اینستاگرام را دارید و نمی‌دانید باید چگونه دوباره وارد آن شوید.
اینستاگرام به‌عنوان یکی از محبوب‌ترین و پرطرفدارترین شبکه‌های اجتماعی، در ماه سپتامبر سال گذشته ۲۰۱۷ میلادی به رکوردی بی‌سابقه در میان شبکه‌های اجتماعی دست یافت و آن هم جای دادن بیش از ۸۰۰ میلیون کاربر فعال در ماه بود.
به گزارش ایتنا از ایسنا، شاید شما نیز جزو آن دسته از کاربرانی باشید که تجربه خروج ناگهانی و بدون دلیل اپلیکیشن اینستاگرام و قطع شدن دسترسی کاربر به آن را داشته و نمی‌دانستید باید چگونه دوباره وارد آن شوید.
کارشناسان و متخصصان فعال در حوزه فناوری و رایانه به این دسته از کاربران شبکه اجتماعی اینستاگرام پیشنهاد کرده‌اند که درصورت تجربه و مواجهه با چنین مشکلی، باید در وهله نخست، چند ساعت صبر کرده و گوشی خود را یک بار خاموش و روشن (Restart) کنند و سپس وارد اپلیکیشن اینستاگرام شوند. اگر باز هم مشکل مذکور وجود داشت، سپس می‌توانند دو کار انجام دهند: یکی آنکه اپلیکیشن اینستاگرام خود را حذف کرده و باری دیگر به دانلود و نصب آن اقدام کنند.
یکی دیگر آنکه کاربر با مراجعه به قسمت تنظیمات گوشی هوشمند خود، به بخش اپلیکیشن‌ها رفته و با یافتن برنامه اینستاگرام، برروی آن کلیک کرده و در قسمت حافظه (storage) آن به حذف حافظه نهانی این شبکه اجتماعی ( Clear Cache) اقدام کنند.
به باور آنها، این مشکل معمولا در مواقعی پیش می‌آید که مدت زمان زیادی از استفاده آنها از اینستاگرام و همچنین دانلود حجم زیادی از فایل و اطلاعات اضافی و ناخواسته گذشته است و حافظه نهانی (cache) مربوط به اینستاگرام در گوشی پر شده است.
البته کاربران حتما به این مساله توجه ویژه داشته باشند که قبل از پاک کردن اپلیکیشن اینستاگرام یا حذف حافظه پنهانی، گذرواژه و آدرس کاربری خود را در اینستاگرام به یاد داشته باشند چراکه بعد از انجام این اقدامات، اینستاگرام از تمامی اکانت‌های فعال و باز کاربران خارج میشود و آنها دوباره باید با ورود و تایپ نام کاربری و گذرواژه، باری دیگر وارد حساب کاربری خود شوند.
اینستاگرام یکی از محبوب‌ترین شبکه‌های اجتماعی در میان کاربران فضای مجازی به شمار می‌رود که در این میان، نسل جوان و نوجوان از آن استقبال بیش‌تری نسبت به سایر رده‌های سنی کرده‌اند.
منبع: ایتنا
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استفاده از آیفون دوسیم‌کارته محدود به 10 کشور است
ایتنا - قابلیت دو سیم‌کارته بودن گوشی‌های آیفون ۱۰ اس و آیفون ۱۰ اس مکس تنها در ۱۰ کشور پشتیبانی میشود.
اپل چند روز پیش در جریان رویدادی از محصولات جدیدش از جمله آیفون‌های جدید مدل ۲۰۱۸ رونمایی کرد و طبق پیش‌بینی‌های انجام شده، دو مدل پرچمدار اپل یعنی آیفون‌های ۱۰ اس و ۱۰ اس مکس از قابلیت دو سیم‌کارته بودن بهره می‌برند.
به گزارش ایتنا از ایسنا، گزارش‌های زیادی در فضای مجازی منتشر شده که نشان می‌دهد این دو مدل آیفون با بهره‌گیری از قابلیت دو سیم‌کارته از نوع ای سیم (eSIM) تنها در ۹ کشور پشتیبانی خواهد شد.
البته شنیده‌ها حاکی است که نسخه مخصوص بازار چین از این دو مدل گوشی آیفون همانند سایر گوشی‌های دو سیم‌کارته معمولی است اما در نسخه سایر کشورها به‌نظر می‌رسد که از یک سیم‌کارت فیزیکی و یک ای سیم (eSIM) بهره خواهد گرفت. استفاده از سیم‌کارت ای سیم مستلزم پشتیبانی اپراتورها از این نوع سیم‌کارت است که در حال حاضر تنها در ۹ کشور جهان امکانات و زیرساخت‌های لازم آن وجود دارد.
هم‌اکنون کشورهایی که از این قابلیت سیم‌کارت‌های ای‌سیم پشتیبانی میکنند، شامل اتریش، کانادا، کرواسی، جمهوری چک، آلمان، مجارستان، هند، اسپانیا، انگلیس و ایالات متحده آمریکا می‌شوند و به نظر می‌رسد که تنها کاربران ساکن در کشورهای مذکور قادر خواهند بود از این نسخه‌های دو سیم‌کارته گوشی‌های آیفون ۲۰۱۸ بهره‌مند شوند.
البته این نخستین باری نیست که اپل از سیم‌کارت‌های ای‌سیم در محصولاتش استفاده می‌کند، بلکه تاکنون از آن در ساعت‌های هوشمند اپل واچ سری ۳ و سری ۴ نیز استفاده کرده و گوگل نیز در گوشی‌های پیکسل ۲ در آمریکا بهره برده بود.
واژه ای‌سیم به معنای یک سیم‌کارت یکپارچه با گوشی هوشمند است و این بدان معناست که دیگر سیم‌کارت فیزیکی قابل خروج از گوشی هوشمند نخواهد بود و اپراتور مربوطه باید از آن پشتیبانی کند.
علاقمندان به خریداری گوشی‌های آیفون ۱۰ اس و ۱۰ اس مکس که می‌خواهند دو شماره تماس فعال در گوشی خود داشته باشند، باید علاوه بر حصول اطمینان از پشتیبانی اپراتور مربوطه از فناوری ای‌سیم در کشور محل سکونت خود، به این نکته نیز توجه کنند که سیم‌کارت دوم باید ای‌سیم باشد.
منبع: اینتا
Manga – New Chapter [14 September 2018]
http://s9.picofile.com/file/8322105342/Manga_Folder.png
Manga – New Chapter [14 September 2018]
Manga, Manhwa, Manhua, Comic
Download Link, Read Online, RAW, EN Translation
Witch Hunter - 191 - Chapter 191
DICE: the cube that changes everything - 251
Hajime no Ippo - 1234 - Chapter 1234
Boku on Hero Academia - 198 - Spoilers
Shokugeki on Soma - 279 - Spoilers
Gate - Jietai Kare no Chi nite, Kaku Tatakeri - 77
Black Clovers - 173 - Chapter 173
The Promised Nevreland - 103 - Raw
Combat Continent - 212 - Chapter 212
The God of High School - 379 - Chapter 379
Ichirei Shite, Kiss Vol 03 Ch 011
Kyou doko-san Iku to? Vol 01 Ch 005
Beloved Wife is not Well-Behaved Ch 001.1
Mahou Shounen Natsuki x Loveits Vol 01 Ch 002
The Sea Where The Siren Lives Ch 001
Mad Maid with Odd Powers Ch 001
Leng Ku Zong Cai De Xia Tian Ch 002
Perfection!! Giant Robo Ch 001
Love Live! Sunshine!! - Take me out. (Doujinshi) Ch 001
Osuppai Oshiri BL Vol 01 Ch 002
Zettai ni Yatte wa Ikenai Isekai Shoukan Ch 001
Mouretsu Pirates - Koufuku Plumiera (Doujinshi) Ch 001
Ichigo Mashimaro vol.07 ch.078.1
They Say I Was Born a King s Daughter ch.030
Please Take My Brother Away ch.012
Two Lives in the Same House ch.024
Shiroi Heya no Futari Vol 01 Ch 018
Anime – New Episode [14 September 2018]
http://s9.picofile.com/file/8322104968/Anime_All_Folder.png
Anime – New Episode [14 September 2018]
MKV, 1080P, EN Sub, RAW, Download Links, Torrent File
[MK] Scum's Wish [BD 1080p][Hi10][Dual-Audio]
[DrK] Darker than Black v2 [BDRip 1280x720 x264 FLAC TrueHD]
[Erai-raws] Last Period - Owarinaki Rasen no Monogatari - 01 ~ 12 [1080p]
[Erai-raws] Lostorage Conflated WIXOSS - 01 ~ 12 [1080p]
[Erai-raws] Mahou Shoujo Ore - 01 ~ 12 [1080p]
[Erai-raws] Megalo Box - 01 ~ 13 [1080p]
[Erai-raws] Nil Admirari no Tenbin - Teito Genwaku Kitan - 01 ~ 12 [1080p]
[Erai-raws] Rokuhoudou Yotsuiro Biyori - 01 ~ 12 [1080p]
[Erai-raws] Saredo Tsumibito wa Ryuu to Odoru - 01 ~ 12 [1080p]
[Erai-raws] Shokugeki no Souma - San no Sara - Toutsuki Ressha-hen - 01 ~ 12 [1080p]
[Erai-raws] Souten no Ken Re-Genesis - 01 ~ 12 [1080p]
[Erai-raws] Sword Art Online Alternative - Gun Gale Online - 01 ~ 12 [1080p]
[Erai-raws] Tada-kun wa Koi wo Shinai - 01 ~ 13 [1080p]
[Erai-raws] To Be Heroine - 01 ~ 07 [1080p]
[Erai-raws] Tokyo Ghoul-re - 01 ~ 12 [1080p]
[Erai-raws] Uma Musume Pretty Derby - 01 ~ 13 [1080p]
[Erai-raws] Toji no Miko - 01 ~ 24 [1080p]
[Erai-raws] Yowamushi Pedal - Glory Line - 01 ~ 25 [1080p]
[HorribleSubs] Boruto - Naruto Next Generations - 73 [720p].mkv
[HorribleSubs] Boruto - Naruto Next Generations - 73 [480p].mkv
[HorribleSubs] Boruto - Naruto Next Generations - 73 [1080p].mkv
[HorribleSubs] Isekai Maou to Shoukan Shoujo no Dorei Majutsu - 11 [1080p].mkv
[DeadFish] Banana Fish - 01 - 10 - Batch [720p][MP4]
[HorribleSubs] Yume Oukoku to Nemureru 100-nin no Ouji-sama - 11 [1080p].mkv
[HorribleSubs] Shichisei no Subaru - 11 [1080p].mkv
[HorribleSubs] Banana Fish - 11 [1080p].mkv
[Erai-raws] Ballroom e Youkoso - 01 ~ 24 [1080p]
[Erai-raws] Shoukoku no Altair - 01 ~ 24 [1080p]
[Erai-raws] Shingeki no Bahamut - Virgin Soul - 01 ~ 24 [BD 1080p]
[Erai-raws] Inuyashiki - 01 ~ 11 [1080p]
[Erai-raws] Saenai Heroine no Sodatekata Flat - 00 ~ 11 [1080p]
[HorribleSubs] Isekai Izakaya - Koto Aitheria no Izakaya Nobu - 23 [1080p].mkv
[HorribleSubs] Satsuriku no Tenshi - 11 [1080p].mkv
[HorribleSubs] Harukana Receive - 11 [1080p].mkv
[HorribleSubs] Hataraku Onii-san! No 2! - 11 [1080p].mkv
[HorribleSubs] Muhyo to Rouji no Mahouritsu Soudan Jimusho - 07 [1080p].mkv
[HorribleSubs] Chio-chan no Tsuugakuro - 11 [1080p].mkv
[HorribleSubs] Akkun to Kanojo - 24 [1080p].mkv
توضیحات و اصطلاحات انیمه‌ی All Out!!
توضیحات و اصطلاحات انیمه‌ی All Out!!
توضیح (منبع: دنیای انیمه)
در ورزش راگبی نه خبری از یک ایس خوش استایل هست و نه خبری از یک بتر چهارم نخبه و توانمند. اینجاست که با یک سوال باید به سراغ این موضوع رفت و اون سوال اینه که ستاره و نقطه قوت تیم پس چه کسی هست؟!! اصلا چنین شخصی در ورزش راگبی تعریف شده یا نه؟!
«قوانین بازی»
اسکرام | Scrum : روش شروع مجدد بازی‌ست و متشکل از هشت فوروارد تیم است. هر هشت فوروارد به آرایش ۳-۴-۱ فشرده، اسکرام را تشکیل می‌دهد. در ردیف اول دو پراپ و در وسط هوکر قرار می‌گیرند؛ در ردیف دوم دو لاک و دو فلنکر و در آخر شماره هشت.
لفظ‌های متداول در اجرای اسکرام: کراچ (خم شید)، بایند (روی توپ خیمه بزنید) و ست (پا رو جلو بگذارید) که اسکرام هاف به عنوان نماینده‌ی جلویی تیم، باید انجام دهد.
تمرین‌های اصلی و بنیادی | Core Works/Skills : برداشتن و کنترل توپ، دریافت پاس، حرکت با توپ و بدون توپ، تکل‌کردن، گریز از تکل حریف و شوت‌زدن.
خطای ناک‌آن | Knock-on : اگر بازیکنی مالکیت توپ را از دست بدهد و توپ به هر ترتیب به جلو حرکت کند و یا هنگامی که بازیکن با دست توپ را رو به جلو پاس دهد یا پرتاب کند و یا این که توپ از دست بازیکن حامل به زمین بیفتد، خطای ناک‌آن رخ داده است.
لاین‌اوت | Line-out : همان شروع مجدد بازی زمانی که توپ از خطوط کناری زمین عبور می‌کند، است. در لاین‌اوت فوروارد‌های دو تیم به فاصله‌ی حداقل یک متر از هم، دو صف تشکیل داده و سعی میکنند توپ را از آن خود کنند.
راک | Ruck : اگر توپ روی زمین قرار گیرد و حداقل یک بازیکن از هر تیم در نزدیکی توپ باشد داور می‌تواند راک اعلام کند. در راک بازیکنان باید سعی کنند روی پای خود باقی بمانند و با هل دادن بازیکنان حریف، توپ را تصاحب کنند. زمانی که توپ از محدوده‌ی راک خارج شود راک به پایان می‌رسد.
ماول | Maul : ماول: وقتی بازیکنی که توپ را نگه داشته است، متوقف شود، اما روی پای خود باقی بماند احتمال شکل‌‌گیری ماول وجود دارد. در ماول علاوه بر حمل‌کننده‌ی توپ، حداقل به یک هم‌تیمی و یک حریف نیاز است. همه‌ی بازیکنان باید سعی کنند روی پای خود بمانند. بازیکنان مهاجم به سمت محدوده‌ی گل حریف و مدافعین در جهت مخالف محدوده‌ی گل خود حرکت میکنند.
خطای محاصره‌ی توپ | Over the Top : اگر بازیکنی سعی کند به قصد تصاحب توپ از راک عبور کند، می‌گویند خطای محاصره‌ی توپ رخ داده است.
«تعاریف»
ترای | Try : قرار دادن توپ در بین محدوده‌ی گل زمین را ترای گویند. هر ترای پنج امتیاز دارد و بعد از آن به حریف فرصت داده میشود تا با شوت‌کردن توپ و عبور دادن آن از بالای تیر افقی و بین دو تیر عمومی، دو امتیاز اضافه بگیرد.
طریقه‌ی مشخص کردن محل شوتی که بعد از ترای زده میشود: برای این منظور، از مکانی که توپ هنگام به ثمر رسیدن ترای روی زمین قرار گرفته استفاده میشود. به این صورت که توپ را از آنجا تا فاصله‌ای دلخواه، روی خطی صاف و فرضی به موازات خطوط کناری زمین عقب می‌آوریم. زمان به ثمر رسیدن ترای هرچه توپ از تیرک‌های عمودی دورتر باشد، گرفتن این دو امتیاز سخت‌تر میشود
دراپ‌گل | Drop Goal : وقتی با ضربه‌ی پا توپ از بالای تیر افقی و بین دو تیر عمودی بگذره، دراپ‌گل شده. در دراپ‌گل توپ به محض رسیدن به زمین باید شوت شود.
پانت | Punt : اگر توپ رها و پیش از برخوردش با زمین شوت شود پانت انجام شده است.
پاسِ اُفت | Offload Pass : پاسی که موقع تکل شدن ارسال میکنند و با همین حرکت یک یا چند نفر از یارهای حریف را درگیر خود میکنند.
«نقش بازیکن‌ها»
اسکرام‌هاف | Scrum-Half : وظیفه‌ی درآوردن توپ در اسکرام‌ها را دارد. حدوداً در میانه‌ی زمین بازی می‌کند و می‌بایست پاهایی قوی داشته باشد. تمام توپ‌ها را این بازیکن از اسکرام‌ها و راک‌ها در می‌آورد و قدرت پاس‌دهی خوبی دارد.
فلای‌هاف | Fly-Half : مغز متفکر تیم است که در وسط زمین بازی و نقشه‌های تیم را دیکته می‌کند.
پراپ‌ها و هوکر | Props & Hooker : پراپ‌ها شماره‌های ۱ و ۳، هوکر شماره‌ی ۲ را دارند. قسمت سنگین‌های تیم را تشکیل می‌دهند؛ قدرت بندی و وزن بالایی دارند. اکثر درگیرهای تیم با این‌هاست. پراپ‌ها بیشتر وظیفه‌ی پشتیبانی از هوکر را دارند. دو پراپ در بازی هست، لوزهد پراپ در اسکرام سرش بیرون میمونه برای همین (loosehead) در نقش بازیش هست ولی تایدهد پراپ (Tighthead) سرش توی اسکرام داخل میمونه. هوکر از کلیدی‌ترین پست‌های راگبی‌ست که در اسکرام بین پراپ‌ها قرار می‌گیرد و باید با پای خود توپ را از اسکرام بیرون آورد. لاین‌اوت‌ها را نیز هوکر انجام می‌دهد.
لاک | Lock : لاک‌ها بلندقدترین بازیکنان راگبی و کلیدی‌ترینشان در لاین‌اوت‌ها هستند. موقعیت لاک‌ها در واقع در خط دوم مهاجمان قرار می‌گیرند.
وینگ | Wing : وینگ یا همان بال که در جناحین عقب زمین کار میکنند و حکم موتورهای تیم را دارند.
فلنکر | Flanker : فلنکر که نزدیک‌ترین لغت برای آن گوش در فوتبال است، یک پست بسیار محرک و پویاست و وظیفه‌ی آنها استفاده از اشتباه دشمن و ادامه‌ی موج حمله است. بیشترین بار مسئولیت در بازی برروی دوش فلنکر است.
منبع: دنیای انیمه
New Blood-C Live-Action Film's 1st Part Opens on October 13
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New Blood-C Live-Action Film's 1st Part Opens on October 13
The official website for Blood-Club Dolls, the new live-action film in Production I.G and CLAMP's Blood-C franchise, revealed on August 29 through a trailer that the film's first part will open in Japan on October 13. The first film will be titled Blood-Club Dolls 1, and the project will have a total of two films.
https://youtu.be/d2KpCblLlBM
The site also revealed a poster visual for the film.
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Maon Kurosaki is performing the film's theme song "Hazy Moon."
The film stars Ryunosuke Matsumura, Ryo Kitazono, Kanon Miyahara, Maon Kurosaki, Yoji Tanaka, Aki Asakura, Ren Yagami, Shota Takasaki, Yuki Tomotsune, Yūya Asato, Taishi Sugie, Junji Shimizu, Ryosei Tanaka, Naoya Gomoto, Judai Shirakashi, Keisuke Minami, Takuya Kawaharada, Asami Yoshikawa, Yuki Kandagawa, Dai Hasegawa, Rii Sakurai, Ko Hosokawa, Katsumi Takahashi, and Norito Yashima.
Shutaro Oku (Persona 3, Persona 4, Persona 4: The Ultimate in Mayonaka Arena stage plays) is once again directing the film, and Jun'ichi Fujisaku returns to pen the script. Oku previously directed the 2017 Asura Girl ~Blood-C Ibun~ live-action film and the 2015 Blood-C: The Last Mind stage play, while Fujisaku wrote the scripts for the 2011 television anime and the stage play adaptation.
Kentarō Kishi is the director of photography, and Junji Shimizu of 30-DELUX is the fight choreographer. Kōsuke Nishimoto is composing the music, while Mitsunaga Fujii is the still photographer. Sennosuke Okumura and Seiichi Horiguchi are producing the film.
The film will feature a new story.
Manga creator team CLAMP developed the story and original character designs for both the 2011 Blood-C television series and its anime film sequel, titled Blood-C: The Last Dark. Production I.G animated both projects. The anime film sequel premiered in Japan in June 2012. The live-action film sequel Asura Girl ~Blood-C Ibun~ opened in Japan in August 2017. Funimation has licensed and released both the television series and the anime film in North America.
#Live_Action
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Live-Action Antiquarian Bookshop Biblia's Case Files Film's 2 Short Trailers Streamed
The official website for the live-action film of En Mikami's Antiquarian Bookshop Biblia's Case Files (Biblia Kosho-dō no Jiken Techō) novel series began streaming two short trailers for the film on Thursday.
https://youtu.be/hAM7dLS0MWI
https://youtu.be/F6ntAk_VNIw
The film will open in Japan on November 1. Southern All Stars are performing the film's theme song "Kita-kamakura no Omoide" (Memories of North Kamakura).
The cast includes Haru Kuroki (seen below left) as Shioriko Shinokawa, and Shūhei Nomura (right) as Daisuke Goura.
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Ryō Narita plays the character Inagaki. The character is Shioriko's colleague who runs a retail website specializing in manga. Inagaki, Shioriko, and Daisuke together form the love triangle central to the story.
Yukiko Mishima (Shiawase no Pan, Tsukuroi Tatsu Hito) is directing the film.
The novel series is also inspiring an anime film.
The series was previously adapted into a live-action television series in 2013. Crunchyroll began streaming the series in 2014, and describes the story:
Shinokawa Shioriko is the proprietor of Biblia Antiquarian Bookshop, her sidekick Goura Daisuke, her lanky gofer and protector, has trouble reading books; they make him dizzy. Shioriko is demure and introverted, an expert on vintage books, a great storyteller, and of course, a lover of books; she also has amazing powers of logical deduction, and can solve big mysteries from the smallest of clues. The unlikely pair join forces to unravel secrets and hidden meanings to help people looking for answers, and the true answers are never what they expect.
Mikami launched the series in 2011 with the novel "Shioriko-san to Kimyō na Kyakujin-tachi" (Shioriko and the Strange Guests), with art by Hagu Koshijima. The novels have more than 6.8 million copies in print, and were nominated for the Japan Mystery Writers Association Award's Long Story category in 2012 and 2014. The seventh and final novel (seen above right) shipped on February 25.
The novel series has two different manga adaptations. The first, by Nakano, debuted in Kadokawa's Altima Ace magazine, then moved to the Asuka magazine in 2013. The series ended in 2014 with six volumes. The second manga, by Ryō Kōda, launched in Kodansha's Good! Afternoon magazine in 2012. The manga's third volume shipped in 2014.
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Kuroko's Basketball Gets 'Conclusion' Stage Play in Spring 2019
The official website for the stage play adaptations of Tadatoshi Fujimaki's Kuroko's Basketball manga revealed on Monday that the manga will get a fourth stage play titled Kuroko no Basuke - Ultimate Blaze. The play will debut in spring 2019, and will center on the final game for the Winter Cup. The announcement stated the play will be the stage play series' "conclusion."
Kensho Ono, Yūya Asato, Mario Kuroba, Ryō Hatakeyama, Shōta Onuma, Taiyō Ayukawa, and Yōjirō Itokawa all reprise their roles from previous stage plays as Kuroko Tetsuya, Taiga Kagami, Ryōta Kise, Shintarō Midorima, Daiki Aomine, Atsushi Murasakibara, and Seijūrō Akashi, respecively. Ono also plays Kuroko in the anime.
Norihito Nakayashiki is once again directing the play. Daichi Ryūzaki is penning the script.
Kuroko's Basketball The Encounter, the first stage play adaptation, ran for 21 performances in April 2016 in Tokyo. The second stage play ran in Tokyo and Osaka in June and July 2017. The third stage play ran in Tokyo and Osaka in April and May.
Fujimaki published the 30-volume Kuroko's Basketball manga in Weekly Shonen Jump from 2008-2014. Viz Media publishes the manga in English.
The first anime season based on the manga aired from April-September 2012. The second season aired from October 2013 to March 2014. The third season aired from January-June 2015. Crunchyroll streamed all three seasons outside of Japan as they aired. Daisuki also streamed the third season. The manga also inspired the Gekijōban Kuroko no Basuke Last Game film based on the Kuroko no Basuke Extra Game manga. The film opened in Japan in March 2017.
#Live_Action
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Bakumatsu TV Anime Reveals More Cast, October 4 Debut, Visual
The official website for Bakumatsu, the television anime of FuRyu's Renai Bakumatsu Kareshi smartphone game, posted the cast members for anime-original characters, the October 4 premiere date, and a new visual for the anime on Friday.
The newly announced cast members are:
Hiroyuki Kinoshita as Mugensai, a mysterious masked shōgun
Fuyuka Ono as a mysterious female whose true identity is unknown
Kei Shindou as Kasumi, an agent of the Tokugawa clan
Nanami Yamashita as Hyō, another agent of the Tokugawa clan
Wataru Hatano as Yoshida Shōin, a teacher of Takasugi Shinsaku and the others
The anime will premiere on the TBS station on October 4 at 25:58 (effectively, October 5 at 1:58 a.m.), and then it will start on the BS-TBS channel on October 6 at 26:30 (effectively, October 7 at 2:30 a.m.)
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In the original game's story, the heroine is in Kyoto for sightseeing when she receives a mysterious pocket watch from a man. The heroine wears the watch and passes through a shrine's torii gate, and she is transported to "another" Bakumatsu era 150 years ago during the final years of the Edo period. The heroine must then try to find a way back home to the present.
While the original app focuses on romance, the anime will be a sci-fi action-adventure series.
The show stars: (Note: Characters based on historical Japanese figures are written with last name first.)
Yūichi Nakamura as Takasugi Shinsaku
Takuya Eguchi as Katsura Kogorō
Shinichiro Miki as Sakamoto Ryōma
Yoshitsugu Matsuoka as Okada Izō
Toshiyuki Someya as Hijikata Toshizō
Takuya Satō as Kondō Isami
Tsubasa Yonaga as Okita Sōji
Keita Tada as Saitō Hajime
Tatsuhisa Suzuki as Tokugawa Shinobu
Taku Yashiro as Yamazaki Susumu
Shunsuke Takeuchi as the Emperor
Yoshiki Nakajima as Seimei
Masaki Watanabe (KADO - The Right Answer, Bartender) is directing the series at Studio DEEN. Masahiro Yokotani (All Out!!, Free! - Iwatobi Swim Club franchise) is handling the series composition, and Hidekazu Shimamura (Clockwork Planet, Nodame Cantabile) is designing the characters based on Natsuki's original designs. MAGES is composing the music.
The romance simulation game originally launched on iOS and Android on March 14, 2017.
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Review
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Overlord III - Episode 11 [Review]
Last episode the Baharuth Empire made a pact with Nazarick to recognize it as a sovereign state. This episode that leads to using Nazarick's new claim on the territory near E-Rantel to conduct their annual invasion of the Re-Estize Kingdom, with some participation from Ains and (as we see at the end of the episode) his small army of Death Knights. While most of last episode was shown from the perspective of the Empire forces, this episode switches gears and instead looks at how Re-Estize is responding to this crisis. That makes for one of the slowest and mildest episodes of the season to date, with no action or flashy uses of power before Ains summons his army in the episode's final minute.
Granted, the series has repeatedly proven that it can handle this kind of pacing and is quite comfortable with it, and the episode certainly ends at a proper dramatic stopping point, with the Empire/Nazarick combined force mustered and ready for the assault. Also, revisiting some key players from the earlier Re-Estize arcs is also nice, as Gazef, Brain, and Climb all have prominent roles in this episode. Seeing Marquis Raeven once again show his acute acumen for navigating both political and military matters is also a treat, though the scene showing how doting he is on his previously-mentioned young son was overplayed. Seeing the strategy meeting for how the Re-Estize Kingom will respond to Nazarick's claims and provocation is also worthwhile and important, as it establishes that at least most of the leaders of the Kingdom aren't fools.
The one other potentially interesting plot thread to spin out of those scenes is Prince Barbro, the warrior-inclined first in line to the throne whom even the king seems to distrust as a successor, being sent on an information-gathering mission to Carne Village. He demonstrates on the way there that he has not the slightest notion about the depth of trouble that he could be getting into by doing so, and seeing how he reacts to what Carne Village has become has some possibilities. With how hotheaded he's been shown to be, I can't see that winding up in anything other than a bloodbath. I also can't see the situation with Gazef ending well. He clearly knows that if a fight can't be avoided then he's eventually going to have to face off against Ains, and he knows that's a fight he can't win. I do have to give credit to the one noble who recognized Gazef's uncertainty over the matter and suggested rating Ains' strength accordingly. Given that no one has seen the fullest extent of Ains' power, he probably underestimated. I do find it a bit curious that none of the adventurers are getting involved, however, as in RPGs major skirmishes are traditionally a great time to make money.
So yeah, a lot of nice little scenes, but the whole episode seemed lacking in oomph and energy. Thankfully all of the set-up and lead-in is done, so we should be seeing a potent push of action and big events over the next couple of episodes.
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My Hero Academia - Episode 60 [Review]
At last, the Provisional License Exams come to an end, which means that our baby bird heroes can slowly begin to leave the nest. Those who passed the test may exercise the authority of a pro hero in emergency situations, meaning most of our main characters shouldn't have to worry about jumping through legal hoops like Midoriya and company did in the fallout of the Stain fight. I say "most of" our main cast because a few choice figures didn't make the cut. Todoroki and Inasa failed because of their fight, and Bakugo flunked because he's Bakugo. Basically, the kids who'd normally be a shoe-in on talent alone are finally facing a wall, and their inability to be team players is putting them behind the rest. These past couple of episodes have done a fantastic job making it crystal clear what these exams have really been about in regards to the big picture.
All Might's retirement has emboldened these transitional exposition episodes considerably. This is world-building in a much more literal sense, where the future is so uncertain that how the heroes and villains develop from here will shape society as we know it, and so each successive piece of information becomes pivotal. It turns out that weirdo girl Camie was actually Toga from the League of Villains in disguise (perhaps I should have seen this coming) and All Might has a frank conversation with an imprisoned All For One. They're two men operating on the extreme opposite ends of the hero-villain spectrum, both having to leave their ideals in the hands of successors. Even with All For One defeated and locked up, his actions with continue to eat away at All Might, who feels powerless and helpless in retirement. Though, All Might's declaration to not succumb to Shigaraki is still completely badass.
The final piece of this episode sets up a rematch between Midoriya and Bakugo, at the site of their last fight from season one. This episode plays into the attitude problems developed by the top students, and Bakugo contrasts nicely with Todoroki and Inasa, who were ultimately humbled by their failure. It's hard to imagine that Bakugo could ever demonstrate that humility, even if there's clearly a voice in the back of his head being drowned out by the profound insecurity. This is the kind of character work that I love; Bakugo isn't being as outwardly aggressive as you might expect. He's turned quiet as he shifts his anger back at Midoriya. It doesn't feel like a lack of self-control this time, but genuine malice.
Something that really sets My Hero Academia apart from a lot of battle shonen is that the protagonists' good qualities aren't just a means towards making them likeable for the audience. Their end-game is to be heroes and public servants, and so being a good person matters quite a bit. These recent episodes go a long way towards highlighting how few people are truly able to be the total package that All Might was. All Might was not only strong, but caring and free of ego. You get a sense that some of these kids can learn and grow, either by getting stronger or learning to care and empathize with others more, but Bakugo's strength is so much a product of his arrogance and personal identity. We've already ruled him out as a villain, but can he truly be at home with the heroes? The kid's got issues, and he's fascinating to watch.
MHA's post-arc transitions are getting better each time around. Good and evil are competing for the future of civilization, and both sides seem ready to collapse in on themselves at any moment. This episode is filled to the brim with material to get you thinking. In the end I really appreciate how these exam arcs serve as measuring sticks for our heroes' development, because it's becoming increasingly important that they're doing their best at all times. There's a sober realization after spending the early parts of the Provisional License Exams begging for it to get big and exciting instead of genial and by-the-numbers, and then for it to to finally do so and remind us that the exciting characters are Problems™ in this line of work. I'm really impressed.
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Gintama - Episode 363 [Review]
The time skip hijinks continue this week as more characters' increasingly bizarre fates are revealed. As Donald Zarump announces his plan to introduce a Japanese constitution (which he intends to serialize in Weekly Shonen Jump), Matsudaira and some former Shinsengumi officers orchestrate a failed assassination attempt on the newly-minted prime minister. Never one to give up, Matsudaira then strong-arms Shinpachi (who's still being followed by Tamako) into meeting some black market merchants at the docks and obtaining a special secret weapon he intends to use in his next assassination effort. Shinpachi is shocked to discover that these pirates are led by Mutsu, who reveals that Sakamoto lost all of the Kaientai's money after investing in cryptocurrency and is currently riddled with debt and entangled in a Kaiji-esque death game. Additionally, the weapon being delivered is a miniaturized version of Kagura, who claims to have been born when the real Kagura ate too many bananas and puked her up. Before Shinpachi has time to fully process this, the group is surrounded by a battalion of former Shinsengumi led by Sogo, who insists on testing the merchandise as he lunges for Mini-Kagura.
Meanwhile, in the countryside, Gintoki makes his way to the charred remains of what was once Shoka Sonjuku, where he finds Takasugi lighting incense at a grave he built for Oboro. Following a brief skirmish that ends in Takasugi revealing Utsuro-like healing powers, the men are surrounded by a group of police officers led by the recently demoted Hijikata. Shinsuke makes a hasty escape, but Gin is taken in for questioning. At the station, Hijikata reveals that the Tendoshu are rumored to have returned and are intent on reclaiming the Altana they lost. Even though they had become barely-functional meat puppets, they still possess Utsuro's immortal blood, and neither they nor Takasugi have been seen since the war ended. However, this revelation is quickly brushed aside when a Robocop-esque android officer (who goes by “Mobcop”) malfunctions and remembers that's he actually a robotized version of Yamazaki, whom Gin and Hijikata admit to having forgotten about in the war's aftermath. (Yamazaki's actual body is currently undergoing treatment.) Before departing the station, Gin asks Toshi how the Odd Jobs crew is doing, to which Toshi replies, “Go see for yourself.”
Two episodes in, and nearly every major character has made an appearance in Silver Soul's third act. Despite the abundance of featured players this week, the proceedings never feel overwhelming, and the jokes flow at an organic (albeit rapid-fire) pace. There's no shortage of laughs this week, and in true Gintama fashion, viewers are frequently left to wonder how far certain jokes will be taken. The birth of Kagura's “daughter,” Katsura's allusions to the 45th U.S. President, and the reveal of Mobcop's true identity are hilarious WTF moments that are both perplexingly bizarre and perfectly in tune with this show's outlandish humor. Sorachi has always enjoyed mining comedy from toying with audience expectations, and so far, this portion of Silver Soul has been an extended exercise in this. In light of how plot-focused Gintama has gotten as of late, it's easy to forget that at the end of the day, this is a show in which very little can truly be taken seriously.
Now that we've rejoined the majority of the principle cast, there's room for the story to continue moving forward, and at present, this feels more like the beginning of a new arc than the series' denouement. Although Gintoki and Mini-Kagura have shown up, we still have only a vague idea of what they've been up to during the time skip, but this is likely to change once the core group is back together. Terrorist attacks occurring on planets with nationalized Altana, Takasugi's new healing ability, and the potential return of the Tendoshu all sound like promising mysteries to build a new story on, so at present, this feels like anything but a wind-down.
While Gintama's unique brand of shock humor has always been outrageous, episode 363 has moments that border on full-on surrealism, making it clear that Sorachi intends to go out with a bang. As good as it feels to have madcap comedy return to the forefront, it'll be exciting to see all these outlandish elements gel into a cohesive story. Fortunately, this type of thing is Gintama's bread and butter.
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Attack on Titan - Episode 45 [Review]
“All hail the Queen!” That's my main takeaway from “Outside the Walls of Orvud District”, which is largely a transitional episode, wrapping up the “Rescue Eren and Historia” plot while setting the stage for the upcoming battle against Rod Reiss, who Levi appropriately refers to as the “Big-Ass Titan”. I'm not using "transitional" as a pejorative here, to be clear; there's a lot going on this week, from Eren finally breaking out of his captive funk to Historia taking her first steps to possibly inheriting the throne. It's just that, given the ebb-and-flow style that Attack on Titan's story arcs tend to take, this kind of important table setting isn't as invigorating or impactful as the high watermark of action and drama we got from “Wish” last week.
The first half of the episode is what I would call the most traditionally “exciting”. With Kenny's forces in retreat and the Big-Ass Titan slowly tearing apart the crystal caverns beneath the chapel, Eren, Historia, and the rest of Levi Squad have nowhere else to go. Eren in particular is convinced things would still be better if Rod just ate him already and took back the power of the founding Titan, so it takes a touching tough-love speech from all of his friends to convince him that he isn't some lone tragic hero that needs to sacrifice his life; they're a team, and they'll live and die by one another's resolve.
For all of the show's perceived emphasis on spectacle and lore-heavy plotting, I really love how far this core cast has come as both a military unit and a surrogate family. With his friends by his side and his verve reinvigorated, Eren finally bucks up and swallows a vial of presumed Titan spinal-fluid goo labeled “Armor”, which gives him the very useful powerup of being able to generate the same crystalline material that forms the underground caves and the interior of the walls. So not only does the group escape with their lives, but they have also found a way to permanently patch up the hole in Wall Maria.
What follows is mostly an extended conversation between Levi Squad as they regroup and head to Orvud, which is where Erwin suspects the monstrous, worm-like Rod Reiss is headed. Eren briefly argues that he still might need to be eaten, if only to undo Rod's madness with the power of the Founding Titan, but Historia and Armin correctly advise against it. It's possible that the First King's will infects anyone given the power, and there's no proof that Eren sacrificing himself would even fix Rod up again in the first place. Historia, once again proving her newfound resolve and agency, declares herself more than willing to take down her father and forge a new path for the human race. She admits that she honestly considered killing Eren to please the elder Reiss back in the cave, but she also believes that Grisha Yaeger's attack on the Reiss clan was motivated by a desire to rescue mankind from its own ignorant captivity. I've been seen concerns from some manga readers that the build-up to Historia's climactic denouncement of the Reiss family line last week has been too heavily truncated compared to the source material, but as an anime-only viewer, I feel like her characterization has been handled excellently, especially given this season's breakneck pacing. She's quickly grown into a confident, complex, and dangerously capable young woman, and each passing week has me more convinced that she might be one of my new all-time favorite AoT characters.
I also love how quickly Historia has integrated herself into the rest of the squad, seeing as she was barely even a character until halfway through the second season of the series. Conny and Jean get an excellent little exchange where they try to stand up to Erwin's plan for Historia to assume the throne as the rightful Queen, arguing that it's literally been hours since she's broken free from the bondage of her bloodline, so to set her up as a new head of state would just be shackling her to another political agenda. Historia points out that she's technically the only one who can decide her plans for the future, but it's a great moment that shows how close these men and women have become since they graduated from training camp, which seems like it happened a million years ago (though I'm pretty sure in terms of the timeline it's only been like a few weeks).
So regardless of whether or not Historia decides to reign as humanity's new monarch, I'll still gladly proclaim her the Queen of Attack on Titan, at least until Sasha is finally revealed to be the true savior of the story, which I've been predicting for years now. Until then, I'll gladly watch this ragtag group of monsters, revolutionaries, and anarchic princesses do whatever they need to do in order to take down the Big-Ass Titan that is slowly slithering towards them.
Black Clover: Quartet Knights Game's Character Videos Show Klaus, Yami
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Animated Film Project for Cell Phone Novel 'Deep Love' in the Works
Yoshi's tragedy novel series Deep Love has an anime film project in the works. The announcement was included in Deep Love Again, which is a web manga adaptation drawn by Meira Hisaka published on the Comic Days website.
Synopsis
Ayu is a 17-year-old high school student and a prostitute. She has a heinous view of the world, and believes that money is the only important thing. She lives with her boyfriend Kenji, who is a drug-user, and spends her school days with her one and only friend, Reina. One day, a new encounter changes Ayu's life, and she is finally able to find love.
Yoshi published Deep Love in 2000 on mobile for four volumes. The series was printed by Stars Publishing between December 2002 and July 2003. The novel has had adaptations that include manga and live-action. Each story arc–"Ayu no Monogatari," "Real," "Pao no Monogatari," "Host," and "Reina no Unmei"–have been adapted into their respective manga counterparts, where three have been drawn by Yuu Yoshii, and one by Akiyo Kurosawa and Tetsu. The franchise has a total of 8.4 million copies in print.
Two live-action series aired on TV Tokyo, adapting "Ayu no Monogatari" and "Host" in 2004 and 2005, respectively. A live-action film also premiered in 2004.
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Black Clover: Quartet Knights Game's Character Videos Show Klaus, Yami
Bandai Namco Entertainment began streaming trailers previewing Klaus and Yami for its Black Clover: Quartet Knights game on Monday and Tuesday, respectively.
https://youtu.be/XjRnfDhyA94
https://youtu.be/yIi2s7S3PNs
The game will launch in the Americas and Europe for PlayStation 4 and PC via Steam on Friday. The game will launch in Japan for the PlayStation 4 on Thursday. The game had a closed beta test on July 15 and 16. People who pre-order the game in Japan will receive a download code adding young Yami as a playable character, and a "Black Asta" skin.
The game's playable characters include Asta, Yuno, Noelle Silva, Mimosa Vermillion, Gauche Adlai, Magna Swing, Luck Voltia, Yami Sukehiro, young Yami Sukehiro, Vanessa Enoteca, Charmy Pappitson, Klaus Lunette, Mars, Fana, Vetto, and Licht. The game will also feature an original female character named Karna.
The third-person magic shooting game will allow for four-vs.-four matches, and players will make their own teams to participate in cooperative battles and face off against rivals. Da-iCE is performing the game's theme song "Limits."
Yūki Tabata launched the original manga in Weekly Shonen Jump in February 2015, and the manga has more than 4.8 million copies in print. Viz Media is publishing the series digitally and in print in North America.
The television anime adaptation premiered in Japan last October, and Crunchyroll is streaming the series in Japanese with English subtitles. Funimation began streaming the show's English dub last October. The anime will continue on past its originally planned 51 episodes. The show debuted on Adult Swim's Toonami programming block last December.
#Game
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TV Anime 'Akanesasu Shoujo' Announces Additional Cast Members
The official website for the Akanesasu Shoujo TV anime announced additional cast members. The opening theme song will be "Soranetarium" by MICHI, and Ami Wajima will be performing a cover of Hideaki Tokunaga's "Kowarekake no Radio" for the ending theme song. The anime will broadcast on Mondays at 7:30 p.m. via Animax, followed by Tokyo MX, Yomiuri TV, and Animax on PlaystationR starting October 1.
Cast
Kuroudo Kitta: Daisuke Hirakawa (Free! series)
Yuudai Taniji: Tarou Yamaguchi (Saiki Kusuo no Ψ-nan series)
Tomoya Chinami: Kengo Kawanishi (3-gatsu no Lion series)
Jin Hazama: Akio Ootsuka (Baki)
Sharo Hyouseki: Masako Katsuki (Arslan Senki)
White Goat: Michiru Miyamoto (Baccano!)
Yuki Tsukimisatoma: Tomori Kusunoki (Sword Art Online Alternative: Gun Gale Online)
Akira Sakuraga: Maki Kawase (Hyakuren no Haou to Seiyaku no Valkyria)
Shushi Matsu: Sayumi Suzushiro (High Score Girl)
Daichi Ookubo: Risa Kubota (Konohana Kitan)
Annie Makusuda: Yurika Kubo (Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e)
Kyouhei Tsuchimiya: Houko Kuwashima (B: The Beginning)
Yonoku Abuta: Motomu Kiyokawa (Gochuumon wa Usagi desu ka? series)
PV 2
https://youtu.be/YJWn5-0ESjY
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Terraformars Manga Goes Back on Hiatus, Returns in November
This year's 41st issue of Shueisha's Weekly Young Jump announced on Thursday that Yū Sasuga and Kenichi Tachibana's Terra Formars manga has gone on hiatus and will return in the magazine's 50th issue on November 15, due to Sasuga's health issues. The manga notes that Sasuga is recovering and is willing to write the next chapter, but decided to take no chances and postponed the manga's return to November.
The manga recently resumed on April 26, after entering a hiatus in March 2017, also due to Sasuga's health.
Sasuga and Tachibana launched the Terraformars manga in 2011. Shueisha shipped the manga's 20th volume in February 2017. Viz Media is releasing the manga in North America, and shipped the manga's 21st volume on August 17 with an anime DVD adapting the manga's Earth arc. The manga's 22nd volume will bundle an anime DVD on November 9.
The first 13-episode television anime series adapting the Annex 1 arc of the manga premiered in September 2014, while the Terraformars Revenge sequel television anime premiered in April 2016. Crunchyroll streamed both series as they aired in Japan. The manga also inspired a two-episode OVA series that adapted the manga's Bugs 2 arc in 2014. The episodes shipped with the manga's 10th and 11th volumes.
The manga inspired a live-action film that opened in Japan in April 2016.
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Cheer Boys!! Novel Inspires Live-Action Film
A live-action film adaptation of Ryō Asai's Cheer Danshi!! (Cheer Boys!!) novel has been green-lit for early summer 2019 in Japan. Filming begins this month.
The film stars Ryūsei Yokohama as Haruki Bandō and Masaki Nakao as Kazuma Hashimoto. 27-year-old director Hiroki Kazama (After the Rain and Teiichi no Kuni spinoff mini-series) is directing the film.
The original youth novel revolves around the "slightly odd and cute" members of a cheerleading squad at a men's university, and is loosely based on the real-life men's cheerleading team "Shockers." Shueisha published the novel in 2013.
Kenichi Kondō launched a manga adaptation in April 2016, an anime adaptation (pictured right) premiered in July 2016, and a stage play premiered in December 2016. Funimation streamed the anime with English subtitles as it aired in Japan, and later released the series on home video.
#Live_Action
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TV Anime 'Gakuen Basara' Announces New Cast Members
The official website for the upcoming Gakuen Basara TV anime has announced new cast members. All of the cast members that appeared in Sengoku Basara anime series will reprise their roles. The opening theme song will be "Hokore Kitakaki Utsukushiki, Ikizama wo" by EIGHT OF TRIANGLE, while theme song will be "Be Affected" by Takanori Nishikawa x Fear, and Loathing in Las Vegas. The anime will broadcast on Fridays at 1:28 a.m. via TBS, followed by BS-TBS starting October 5.
Cast
Tsuruhime: Ami Koshimizu (Bishoujo Senshi Sailor Moon Crystal series)
Magoichi Saika: Sayaka Ohara (Aria series)
Yoshitsugu Ootani: Fumihiko Tachiki (Evangelion series)
Hideaki Kobayakawa: Jun Fukuyama (Persona 5 the Animation)
Itsuki: Miyuki Sawashiro (Lupin III series)
Sakon Shima: Yuuichi Nakamura (Tada-kun wa Koi wo Shinai)
Kasue Shibata: Nobuhiko Okamoto (Boku no Hero Academia series)
Matabei Gotou: Shinichiro Miki (Keppeki Danshi! Aoyama-kun)
اصطلاحات انیمه Diamond no Ace
اصطلاحات انیمه Diamond no Ace
منبع: دنیای انیمه
Boruto: Naruto Next Generations - Episode 72 [Review]
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Boruto: Naruto Next Generations - Episode 72 [Review]
A new mystery begins to unfold this week as Mitsuki vanishes and the Leaf goes on high alert. Following a nighttime attack on the gate guards by a trio of mysterious shinobi (one of whom looks very familiar), every Jonin in the village is called to the main palace and multiple missions are canceled. Upon examining the memories of one of the injured guards, Ino recognizes Mitsuki, who hasn't been seen since the night of the incident, at the scene of the attack. This prompts Naruto to reveal that Mitsuki is the son of Orochimaru, much to the surprise of Konohamaru, Tsunade, Koharu, and Homura. Refusing to believe Mitsuki is the culprit, Boruto heads outside the village walls in search of his friend and finds a talking snake who claims to be Mitsuki's will. After reporting this to Sarada, the remaining two-thirds of Team 7 set off for Orochimaru's research lab in search of answers, fully aware that leaving the village without permission will result in them being branded as criminals.
This week's installment is focused almost entirely on Mitsuki, even though he himself is barely present. It's a perfect way to frame a story about an enigmatic character, although the pacing is too relaxed, and certain parts of the episode feel padded. Still, no scene feels outright superfluous, and there's a steady amount of plot advancement in the second half. While the revelation about Mitsuki's parentage is more a shock to the characters than the viewers at this point, it's interesting to see the adults react to the news, with the room divided between giving him the benefit of the doubt and regarding him as an Orochimaru-level threat. It's easy to understand where Tsunade, Homura, and Koharu are coming from (even though the latter two have always been rather heartless), and in fairness, the evidence against Mitsuki seems pretty damning. For his part, Naruto is strangely quiet and abstains from speaking up in the boy's defense, perhaps second-guessing himself for putting his trust in someone as dangerous as Orochimaru. Boruto, of course, doesn't doubt his friend for a second, although Sarada takes a bit of convincing.
While the previous installment was essentially a prelude to the latest arc, episode 72 can best be described as an exercise in table-setting. Fortunately, the mystery it sets up seems intriguing, and if not for this show's inconsistent quality on the storytelling front, the show's forthcoming payoffs would almost be guaranteed to prove equally satisfying. The Leaf being on friendly terms with Orochimaru has always seemed like a rocky marriage of convenience, and the sheer weirdness of this arrangement finally being addressed paves the way for what could be a fascinating story. If history is any indication, both Mitsuki and his parent are likely to be vindicated when all is said and done, but hopefully the show will find an entertaining way to get us there.
This week's Boruto clears the deck for Team 7's latest adventure with a reasonably solid setup episode. Although Boruto and Sarada are now aware of Mitsuki's origins, their opinion of him largely remains unchanged. However, as more details about their teammate's mysterious past come to light, relationships may be put to the test in the coming weeks.
Tokyo Ghoul:re Season 2's Premiere Date, Opening Song Info Briefly Posted
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Tokyo Ghoul:re Season 2's Premiere Date, Opening Song Info Briefly Posted
News websites Comic Natalie and Moca News posted but later removed news posts about the second season based on Sui Ishida's Tokyo Ghoul:re manga on Friday. Both reported that the season will premiere on October 9 and TK from Ling Tosite Sigure will perform the opening theme song "katharsis." The posts also shared a new key visual.
The anime's official website announced on Thursday that österreich is performing the second season's ending theme song "Rakuen no Kimi" (You of Paradise).
Funimation will stream the season on its FunimationNow service this fall.
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Odahiro Watanabe (Soul Buster, assistant director on Super Lovers 2, Valkyrie Drive: Mermaid) replaces Shuhei Morita as director for the anime at Pierrot. Pierrot+ is credited for animation production assistance. Chūji Mikasano returns from the first two Tokyo Ghoul anime to provide series composition and write the scripts. Atsuko Nakajima (Ranma ½, You're Under Arrest, Haven't You Heard? I'm Sakamoto) replaces Kazuhiro Miwa as character designer.
The first season premiered on April 3, and aired for 12 episodes. Funimation streamed the series with English subtitles. The company also released the anime's first eight episodes with an English dub alongside those episodes' premieres in Japan, before moving to a two-week delay on the ninth episode.
Ishida serialized Tokyo Ghoul in Shueisha's Weekly Young Jump from 2011 to 2014, before serializing Tokyo Ghoul:re. The sequel manga ended in July.
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Live-Action Antiquarian Bookshop Biblia's Case Files Film's Trailer Previews Theme Song
The official website for the live-action film of En Mikami's Antiquarian Bookshop Biblia's Case Files (Biblia Kosho-dō no Jiken Techō) novel series began streaming a trailer for the film on Friday. The video reveals and previews the film's theme song "Kita-kamakura no Omoide" (Memories of North Kamakura) by Southern All Stars.
https://youtu.be/7mBuqLL56T0
The film will open in Japan on November 1.
The cast includes Haru Kuroki (seen below left) as Shioriko Shinokawa, and Shūhei Nomura (right) as Daisuke Goura.
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Ryō Narita plays the character Inagaki. The character is Shioriko's colleague who runs a retail website specializing in manga. Inagaki, Shioriko, and Daisuke together form the love triangle central to the story.
Yukiko Mishima (Shiawase no Pan, Tsukuroi Tatsu Hito) is directing the film.
The novel series is also inspiring an anime film.
The series was previously adapted into a live-action television series in 2013. Crunchyroll began streaming the series in 2014, and describes the story:
Shinokawa Shioriko is the proprietor of Biblia Antiquarian Bookshop, her sidekick Goura Daisuke, her lanky gofer and protector, has trouble reading books; they make him dizzy. Shioriko is demure and introverted, an expert on vintage books, a great storyteller, and of course, a lover of books; she also has amazing powers of logical deduction, and can solve big mysteries from the smallest of clues. The unlikely pair join forces to unravel secrets and hidden meanings to help people looking for answers, and the true answers are never what they expect.
Mikami launched the series in 2011 with the novel "Shioriko-san to Kimyō na Kyakujin-tachi" (Shioriko and the Strange Guests), with art by Hagu Koshijima. The novels have more than 6.8 million copies in print, and were nominated for the Japan Mystery Writers Association Award's Long Story category in 2012 and 2014. The seventh and final novel (seen above right) shipped on February 25.
The novel series has two different manga adaptations. The first, by Nakano, debuted in Kadokawa's Altima Ace magazine, then moved to the Asuka magazine in 2013. The series ended in 2014 with six volumes. The second manga, by Ryō Kōda, launched in Kodansha's Good! Afternoon magazine in 2012. The manga's third volume shipped in 2014.
#Live_Action
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The Promised Neverland Manga Enters Final Arc
Manga creators Kaiu Shirai and Posuka Demizu revealed in the comments section of this year's 41st issue of Shueisha's Weekly Shonen Jump magazine on Monday that their The Promised Neverland manga has entered its final arc.
The supervising editor for the manga said in an interview with Mainichi Shimbun's Mantan Web news website in February that the manga had reached its "turnaround point." The term "turnaround point" (折り返し地点) refers to a halfway point (as in a race, where the runner turns around on a track), although the editor did not clarify whether the manga is half done in terms of length or if it has simply reached the second of two major parts to the story.
Viz Media is serializing the manga in its digital English edition of Shonen Jump, and is also publishing the volumes in print. Viz Media describes the story:
Emma, Norman and Ray are the brightest kids at the Grace Field House orphanage. And under the care of the woman they refer to as “Mom,” all the kids have enjoyed a comfortable life. Good food, clean clothes and the perfect environment to learn—what more could an orphan ask for? One day, though, Emma and Norman uncover the dark truth of the outside world they are forbidden from seeing.
Shirai and Demizu launched the manga in Shueisha's Weekly Shonen Jump magazine in August 2016, and Shueisha shipped the manga's 10th compiled volume on August 3. The manga has more than 5 million copies in print worldwide as of May 28.
The manga won the Best Shōnen Manga award at the 63rd Shogakukan Manga Awards in January, was nominated for the 11th Manga Taisho awards in January, and was nominated for the 22nd Annual Tezuka Osamu Cultural Prize in February. The series also topped the 2018 edition of Takarajimasha's Kono Manga ga Sugoi! (This Manga Is Amazing!) guidebook's list of manga for male readers in December.
The manga is inspiring a television anime adaptation that will premiere in January 2019. The anime will have an advanced screening at this year's Jump Special Anime Festa event on November 25 in Tokyo and on December 2 in Sapporo, Sendai, Nagoya, Osaka, Hiroshima, and Fukuoka.
The manga has also inspired a spinoff novel about Norman that shipped in June.
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Live-Action Gintama 2 Film Tops 2.5 Billion Yen 2 Days Faster Than 1st Film
The official website for Gintama 2: Okite wa Yaburu Tame ni Koso Aru (The Law is Surely There to be Broken), the second live-action film based on Hideaki Sorachi's Gintama manga, revealed on Friday that, as of Wednesday, September 4, the film has earned more than 2.5 billion yen (about US$22.6 million) after 19 days. The film reached the 2.5 billion yen mark two days faster than the first film, which reached the amount after 21 days.
The two films have sold a combined total of 4.85 million tickets.
The film opened in Japan on August 17 in 345 theaters. The film earned over 800 million yen (about US$7.27 million) from Friday to Sunday to rank #1 in its opening weekend. The movie sold 215,903 tickets for 279,910,100 yen (about US$2.54 million) on that Friday, 190,682 tickets for 260,606,100 yen (about US$2.37 million) on Saturday, and 194,210 tickets for 267,002,200 yen (about US$2.43 million) on Sunday.
The film sold 256,000 tickets for 308 million yen (about US$2.77 million) to rank #2 in its third weekend. As of September 2, the film had sold a total number of 1.88 million tickets, and has earned a cumulative total of 2,439,699,300 yen (about US$21.96 million).
The film's story covers both the "Shinsengumi Crisis" and the "Shogun Reception" arcs, the latter of which features the introduction of the Shogun. The film stars Shun Oguri as Gintoki Sakata, Masaki Suda as Shinpachi Shimura, Kanna Hashimoto as Kagura, Masami Nagasawa as Tae Shimura, and Masaki Okada as Kotarō Katsura.
The first film opened in Japan in July 2017, and it earned 980 million yen (US$8.9 million) in its first four days. Well Go USA released the first film on DVD, Blu-ray Disc and DVD combo pack, and Digital HD on March 6.
#Live_Action #Gintama
One Piece: Episode of Skypiea - 2018
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One Piece: Episode of Skypiea - 2018
نام فیلم انیمه‌یی: One Piece: Episode of Skypiea
نام فیلم انیمه‌یی: ONE PIECE エピソードオブ空島
نام فیلم انیمه‌یی: One Piece: Episode of Sorajima
ژانر: Action, Adventure, Comedy, Super Power, Drama, Fantasy, Shounen
تاریخ پخش: تابستان 2018
وضعیت: تمام شده
تعداد قسمت‌ها: یک قسمت – اسپشیال
مدت زمان فیلم انیمه‌یی: یک ساعت و 45 دقیقه
کارگردان: Uda Kounosuke
منبع: Manga
استودیو: Toei Animation
زیرنویس فارسی و انگلیسی دارد
لینک‌های مربوط به فیلم انیمه‌یی
+ اطلاعات بیشتر: سایت // سایت // سایت // سایت
+ لینک دانلود فیلم انیمه‌یی (MKV, 720P, EN Sub, 2.5GB)
+ لینک دانلود فیلم انیمه‌یی (MKV, 1080P, EN Sub, 5.4GB)
+ لینک دانلود فیلم انیمه‌یی (MKV, 480P, EN Sub, 1.1GB)
+ لینک فایل تورنت (MKV, 1080P, EN Sub, 5.3GB)
+ لینک فایل تورنت (MP4, 1080P, FR Sub, 2.9GB)
+ لینک فایل تورنت (MP4, 720P, FR Sub, 1.6GB)
+ لینک فایل تورنت (MKV, 720P, EN Sub, 2.4GB)
+ لینک فایل تورنت (MP4, WebRip, 720P, RAW, 2.2GB)
+ لینک دانلود فیلم انیمه‌یی (MKV, 480P, EN Sub, ~400MB)
+ لینک دانلود فیلم انیمه‌یی (MKV, 720P, EN Sub, ~800MB)
+ لینک دانلود فیلم انیمه‌یی (MKV, 1080, EN Sub, ~1.2GB)
توضیح:
این قسمت، خلاصه ای از سفر کلاه حصیری‌ها به جزیره‌ی آسمانی است.