دسته‌بندی Anime - جادوی ِ خاطرات

شش سال پس از اتفاقات ChäoS;HEAd، با رخدادهایی غیر طبیعی من جمله قتل(هایـ)ـی مرموز داستان کیاس;چایلد شروع میشه! داستان حول پسری به نام میاشیرو تاکارو که والدینش توی زمین لرزه شش سال پیش فوت شدند میگرده. تاکارو ی داستان ما سردبیر انجمن روزنامه مدرسه خودشونه. تو این انجمن خواهرش کوروسو نونو و دوست دوران بچگیش اونوئه سِیریکا و تنی چند از دختران دیگه هم حضور دارند. البته تعدادی از این کارکترها هم دارای توانایی‌های فرا انسانی هستند...

توضیحات من

تا اینجا که شش قسمت اول رو دیدم.

خیلی مرموز و دلهره آور است.

این جور قدرت های ماوراء طبیعی، اصلا خوب نیست.

این قدرتی که پسره هر چی می بینه، می تونه واقعی بشه و ...

اه اه اه. ترسناک است.

این یکی از این انیمه‌هایی است که خون و خونریزی زیادی داره.

قتل، تیکه تیکه کردن و ...

این انیمه رو دیدم و تمام شد.

از خشونت کار راضی بودم.

نمی دونم چرا فایل تورنت نتونستم پیدا کنم. فقط یه دونه بود.

البته تورنت هست ها، ولی قسمت قسمت است. این طوری کلی نیست.

من معمولا تورنتی رو می گذارم که کل انیمه رو داشته باشه.

Sci-Fi Mystery انیمه Psychological Supernatural Jinbo Masato Silver Link. ChäoS;Child

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 20:34

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Wotakoi: Love is Hard for Otaku - Episode 4 [Review]

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Wotakoi: Love is Hard for Otaku - Episode 4 [Review]

(Before I start the review in earnest, I just want to draw attention to how cute and relatable it was when both Narumi and Hirotaka cried at a rerun of Sailor Moon R. I didn't have a good place to put this in the review itself, but I didn't want to leave it unaddressed. Bless these dorks. Thank you.)

Passions flare in this extra spicy episode of Wotakoi. The growing pains of Narumi and Hirotaka's fresh otaku dating experience take a backseat as the spotlight shifts to the seasoned and tempestuous relationship between Hanako and Kabakura. Much of that spiciness comes from the first half of the episode dedicating itself to dressing the boys in cosplay—or more specifically, crossplay. Narumi starts the day all too pleased with herself, showing off her selfie with girl mode Hirotaka to Hanako and Kabakura. Hirotaka is understandably kind of embarrassed, but to his credit, he owns it and later brags about how cute he ended up looking. Kabakura is much more resistant to the idea, despite dating a famous cosplayer (or precisely because of that).

I get the impression that Hanako has been relentless in her drive to get her boyfriend to cosplay since they started going out, and their friends' impromptu photo session finally pushes her over the edge to rather forcefully persuade him into doing it. I do like that Kabakura's apprehension isn't solely based in some hackneyed fear of wearing girly stuff, but rather more general anxiety about his looks. Cosplay is about performance, and he doesn't want people to look at him because he doesn't think he's handsome. But Hanako does think he's handsome (come on, look at him), so she wants him to feel more confident and understand why cosplay is so important to her. Also I think she just really wants to see girl mode Kabakura, and the results are to be expected from somebody of her prestige and talent. Plus, Kabakura got a Kan Colle figure out of it, so it's a win-win for everyone!

The gang goes out for drinks in the second half, and believe it or not this is actually the first time they've all gone out drinking together. They have such a great rapport that it's easy to forget Narumi only started working with them recently, and they've been existing as a pair of otaku couples for even less time. However, Narumi quickly learns that Hanako is one heck of a lightweight, becoming affectionate and talkative the minute the buzz hits. She lets her proverbial guts spill almost immediately, reminiscing about the time she and Kabakura started dating, which quickly leads into an argument about which one of them asked the other out first. Despite Narumi's best efforts, the two of them get into an actual fight over this, but thankfully the evening ends with everything patched up.

Wotakoi was on some of its strongest game with these two storylines. The comedy succeeds because it's not just a parade of otaku in-jokes; the humor mostly comes from the pace of the dialogue. Everything's snappy, but it still manages to flow naturally, and everyone gets equal opportunity to throw out their jabs and japes. It can get a little mean sometimes, but it's playfully mean in the way that friendships and flirtations can be. Hirotaka's bone-dry zinger delivery often steals the show, but it's also wonderful to see Hanako's face light up with a devilish grin as she shows off her lovey-dovey phone background. Wotakoi doesn't have the virtuoso character animation of a Kyoani production, but it still has a good sense for the body language and expressions of its couples. Angry Hanako gets some quick cuts of getting ready to give Kabakura a piece of her mind (and fist), while a crying and vulnerable Hanako gets a series of lingering shots as she hugs Narumi. Both the storyboarding and directing were above average this episode, which went a long way toward making it so memorable.

Beyond the comedy part of its romcom equation, Wotakoi continues to be surprisingly thoughtful in its approach to nerd romance. The big pratfall it tackles this time is the concern over building a relationship purely out of convenience. Nerd communities tend to be insular, which can contribute to a culture of forging both friendships and romances out of a few specific shared interests. There's nothing wrong with this, and most relationships of any kind start out this way, but it's narrow-minded to prioritize these common interests unilaterally, especially when it's something like a shared interest in media. Just because someone likes the same anime you do doesn't mean that they're going to be a good friend or lover. Amusingly, Hirotaka did propose a relationship based on shared otakuness, but their success as a couple is based on a chemistry that goes beyond this. As this episode points out, even as otaku, the two of them have mostly non-overlapping interests, but that's okay! It's healthy to have differences, because you're different people, and learning new things from each other is one of the best parts of being in a relationship.

However, with differences comes friction. Hanako and Kabakura's penchant for silly arguments clearly comes from a degree of comfort they've achieved by going out for almost a decade, but that doesn't mean they can't hit each other's weak spots. She still has insecurities about not being desirable enough, or that the two of them are stuck settling for each other. These worries might be unfounded, but they stem from real raw feelings. That said, I wish we could have seen more of her make-up conversation with Kabakura. He plays it cool, but it's only fair that we should see some of his vulnerable and conciliatory side too. I'll just imagine that he managed to convince Hanako he loves her by saying there's no way he'd miss out on dating the hottest bishounen cosplayer in the country.

Narumi has similar worries, but unlike Hanako she doesn't have years of dating Hirotaka under her belt to assuage her. She does at least possess the gumption to bring it up to him, and he has the courage and clarity to tell her that he genuinely likes her for who she is. Their relationship might be one of compromise, but it's also one of mutual joy and respect. There's no one-size-fits-all equation for any romance, even otaku romance. What Narumi and Hirotaka do have is an indelible spark that's as brilliant as their pair of smiles in the episode's epilogue. And in a show that's full of adorable moments, seeing Hirotaka finally smile was perhaps the most adorable of them all. I'm really glad we have a show as funny, realistic, and tender as Wotakoi this season.

https://www.youtube.com/watch?v=nHCS0kKNYDI

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Today's Menu for the Emiya Family - Episode 5 [Review]

Seasons change, the calendar's pages turn, and as April gives way to May, a new episode of Today's Menu For the Emiya Family drops into my CR queue for me to review. This month's premise is that, as thanks for feeding those folks at the temple last episode, Issei gives Shirou a bucket of freshly harvested bamboo shoots. Later in the day, Sakura is doing some grocery shopping and happens to run into Ayako. This encounter gives her the idea to make gratin for dinner, so she heads over to Shirou's house in order to make it with him. They combine their foodstuffs in order to create a tasty dish that succeeds in satisfying their servants' hunger—for now.

Unfortunately, this episode has something like the opposite problem of last month's in that it features popular characters, but little in the way of a seasonal hook to make their antics interesting. As a result, it comes off like a less focused version of the very first episode, in that it's just some people making ordinary dinner in Shirou's house again. I think this was supposed to be Sakura's spotlight episode, but I found it pretty disappointing on that front, as her interactions with other characters – from Shirou to Rider to Ayako – just weren't that interesting or novel to watch. It feels like we got more of that way back in Ilya's dedicated episode, which showcased stuff like Rider's protectiveness of Sakura or the lingering awkwardness between Sakura and Rin. This is a shame, since Sakura/Rider is the dynamic I'm most eager to see more of in this show. After everything that Sakura has gone through, it's especially nice to see the two of them living a happy, normal life together.

This brings us to the episode's conclusion. I don't even really want to talk about it, but I know I gotta, so here goes. It is an odd choice to say the least for this show to revise Sakura and Shinji's relationship into the form it takes in this episode, where Sakura happily cooks for her brother while hiding from him in fear/anticipation that he won't like it. Remember that in Fate/stay night, Shinji is at best Sakura's abuser and at worst her rapist. Unless he's just a totally different character in this canon, Sakura shouldn't be anywhere near him, much less trying to please him with odd trepidation. I don't appreciate the attempt to recast Shinji as a benign grouch who Sakura will eventually get through to with her earnest kindness. That's not the sort of thing that you can sweep under the rug in your iyashikei cooking show.

For the sake of my own sanity, I'll just pretend that Sakura slipped poison into his dish, and that that's why Sakura and Medusa were watching him eat with such anticipation. Hopefully, he won't appear again, so I can just quietly assume that he died without anybody noticing or caring.

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Tada Never Falls in Love - Episode 5 [Review]

The majority of this week's Tada Never Falls in Love follows the sweet yet bland formula the show has developed so far, focusing on one or two characters to show that they're slightly more than they initially appeared to be. This week, the spotlight fell on Kaoru Ijuin, Tada's annoying friend who likes to hang out at his family's café. Kaoru may have seemed like a self-centered goofus, but it turns out that he has a hidden heart of gold when it comes to his lifelong best friend. Deepening these supporting characters is all well and good since it makes us care about them more, but this pattern can only hold for so long. As charming as Tada's friends can be—and I was plenty charmed by Kaoru in this episode—they aren't interesting enough to carry the entire series on their own. They make for good one-off episodes, but I'm glad that we're moving back to the main couple next episode.

This episode already showed some movement in that direction. While Kaoru is the star of the show, the reasoning for his behavior entails revealing important information about Tada's past. We already knew that he had mysteriously absent parents, but now we know the full details; they both died on the same day, and this is ever-present in Tada and his sister's minds on the anniversary of their parents' death. Kaoru has been Tada's friend since he was young, so he makes sure to liven up that gloomy day by distracting them with fun activities. Awww. This also helps explain why Tada puts up with Kaoru so much. We're generally more tolerant of our friends' foibles the longer they've been our friends, but Tada understood that Kaoru had positive traits that others couldn't readily see.

I'll be honest though, this particular detail about Kaoru wasn't that shocking to me. He'd never seemed like a bad dude, just melodramatic and obnoxious. The worst you could say was that he was self-centered, but a lot of his histrionics seemed centered on impressing other people. So while the episode presents this as "shocking" new information, it doesn't really come as a surprise, any more than the gravure-idol-obsessed geek being secretly shy when he actually meets his celebrity crush. (I mean, who wouldn't be?) Perhaps the revelation about shy Hasegawa being HINA is more surprising, but it's hardly incongruous with her character. Heck, blending into the background at school is the ideal way to hide a Hannah-Montana-style secret.

You know what did surprise me? That Teresa is a princess.

For all that happened this week, none of it really stands up to this episode's last-second twist. I'd seen some comparisons elsewhere to Roman Holiday, but I hadn't quite picked up on that myself, given that foreigners falling in love while on vacation is basically a romance sub-genre on its own. As of this twist, the direct homage is unmistakable. Not only is Tada a reporter photographer (to be fair, photography plays a role in Roman Holiday too), but Teresa is really a princess. Some viewers may find this direct riff worrisome, but I think there are enough differences in Tada Never Falls in Love to avoid retreading the plot of a classic film. Tada is a citizen of Japan rather than another traveler, Teresa already seems far more integrated into his life and not like she's deliberately hiding her identity, and so on. If anything, I think this opens up more potential to explore their relationship.

We already got more exploration into Tada himself this week, so I wonder what we'll learn about Teresa next time. She seems just kind of happy-go-lucky and perfect, but certainly there's more to a princess who just decides to spend a year in another country for some reason. This also complicates her relationship with Alec. At first it just seemed like she was another student in her exchange program, but now it's clear she's probably some type of handler or bodyguard. And what does this mean for the fact that Alec might have romantic feelings for her princess? I'm not so convinced anymore that Teresa is only here for a "Rainbow Shogun" pilgrimage. This reveal raises so many intriguing questions.

The presence of Charles is another big question mark. As Teresa's suitor, what will he make of her life in Japan? Was she hiding this trip from him? Will he get in between her and Tada? Maybe he could force an epiphany for one or both of them instead? Next episode's preview suggests that Tada and Teresa will be on some romantic date, which is sure to complicate matters.

Tada Never Falls in Love has been cute and fun so far, but it was starting to seem like "nothing special" despite its initial promise. It was a fun weekly diversion, but it ultimately developed just like any other cute school comedy we've seen already. With this latest nugget of info, Tada Never Falls in Love could turn out to be something entirely different. It still probably won't set the world on fire, but I appreciate a good fish-out-of-water travel romance, and I'm glad that the show seems to be returning to that strength.

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Record of Grancrest War - Episode 17 [Review]

I assure you it was merely coincidence that we got to see Theo and Milza duel to the death with glowing red and blue sabers on May the 4th. (For one thing, by the time it aired it was already May 5th in Japan.) Of course, that didn't make it any less cool. We finally got to see the showdown that's been telegraphed for what seems like half the series. I've always thought that Record of Grancrest War was at its strongest during bouts of action, but I suspect this episode will be divisive with fans due to its use of multiple animation and art styles. At least two different artists lent their own perspectives to the making of this episode.

Who are the “Two Heroes” of this episode's title? Certainly one is Theo, who gets more dashing and self-confident every week. Now called the Earl of Sistina, this decorated lord is growing into the hopes that people have for him. He's a textbook hero who's clearly grown a lot over the course of the show—just look at the size of his crest at the end! And though we love to hate him, I'd say the second hero is Milza. He's sort of an idiot this week, opting for a suicide mission in lieu of waiting for Marrine's troops, but the show plays it off like a chivalrous act. (Not that Marrine herself is impressed; it's clear that she would have much rather had him come back alive.) When Milza meets his extremely telegraphed end, he does not lose his dignity with it. As Theo points out, it's Milza's inexperience with leadership that leads to his demise. He's a great fighter one-on-one, but he uncharacteristically shared his crest with his soldiers, leaving less strength over for himself. This feels like such a rookie error! RIP Milza, you were a fearsome swordsman and an extremely bad tactician.

I thought the duel looked fantastic, and that's partly because it was animated in a different style than usual. There were a lot of high-contrast shots, filling out Theo's murderous expression in broad black strokes and at one point depicting Milza as a black silhouette with one gleaming eye. It gave the battle a grittier look than usual. Sections of the skirmish also had a much looser and more fluid look. Remember that duel between Jana and Siluca in episode 14? We can once again credit up-and-coming web animator Nakaya Onsen for these scenes, characterized by fine-line drawing, flat colors, and character shapes that twist and morph onscreen. (Onsen has also been tweeting about his animation whenever it appears in Record of Grancrest War.) This style, along with the standard Record of Grancrest War look, made for an episode that was inconsistent but stunning in moments.

Watching this story shift between visual styles will be seen as experimental by some, but inconsistent by others. It reminds me of Samurai 7, a 2004 Gonzo show that suddenly altered its art style specifically for episode seven—fans debated whether it was intentional or a last resort. I liked seeing these disparate styles united by a stronger-than-usual episode plot, but it's hard to tell if this was the original vision or not.

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Megalobox - Episode 5 [Review]

After this episode opens on soldiers working their way through the dusty roads and ruined buildings of a war-torn country, you could be forgiven for thinking they were watching the wrong show at first. The faux-low-res haze and grimy aesthetic of MEGALOBOX are all there onscreen, but there's still something to be said for the way “The Man from Death” so capably upends expectations, and this cold open is just a taste of things to come. Once again, MEGALOBOX goes out of its way to take a familiar sports drama plot, where our protagonist goes up against his mentor's old protégé, and infuses it with enough style and drama to make the whole story feel visceral and compelling.

A big part of what makes “The Man from Death” such a fascinating episode is just how much it commits to selling the pain, both physical and emotional, that broke the foundation of Nanbu and Aragaki's relationship. Last week, I assumed that the scary-looking bruiser was someone who had been burned by Nanbu's penchant for chicanery and back-room dealing, but the truth turns out to be much more harrowing. Aragaki is a veteran who lost both of his legs and suffered terrible burns in a bombing incident that took out the rest of his crew, and for a long time he was thought to be dead. Before this awful incident, he worked with a very different Nanbu from the one we know today, a legitimate trainer who offered Aragaki the only home he could depend on. When Aragaki returns to Nanbu to challenge Joe to a fight, he isn't doing his old mentor a favor. Aragaki hates Nanbu for shutting down the gym and fleeing when he needed him most. Aragaki doesn't simply want to fight Nanbu's new protégé; he wants to destroy him.

Indeed, destroying his opponents is what Aragaki has become famous for, as Sachio ominously discovers after some internet sleuthing. The fighters who face off against him aren't just beaten, they're left broken, bruised, bleeding, and unconscious after just one round. This plot works on a number of levels. First, and most predictably, this conflict elevates the stakes for Joe, who has quickly risen up the ranks after his brief stumble in the ring last week. Beyond that, Aragaki's ruthlessness gives MEGALOBOX the unexpected opportunity to explore the depths of suffering that come from his physical trauma and PTSD. “The Man from Death” makes liberal use of both mabanua's electric score and MEGALOBOX's flair for surreal visuals to dive deep into Aragaki's headspace, including a particularly fraught scene where Aragaki has his finger on the trigger of a gun he's lodged in his mouth.

It's really dark and heavy material for a show about boxers with pistons attached to their arms, but MEGALOBOX pulls off this feat by drawing direct parallels between Joe and Aragaki's lives, with Nanbu caught right in the middle to reckon with his past. Like Joe, Aragaki was cast off by society, though his pain is amplified by both his physical scars and the psychological damage that comes from being tossed into a warzone, chewed up, and spit back out, only to be forgotten by the world you were maimed trying to protect. Nanbu may have thought that Aragaki was dead when he cut and run from his old life, but that offers little comfort to either of them, and Aragaki cannot help but bristle with rage and hurt when he sees that he's been replaced by a haughty young upstart. Aragaki needs prosthetics just to be able to walk, let alone fight, and here comes a kid who thinks he can become the next Megaloboxing champion without using any gear at all.

This is complex material for MEGALOBOX to throw at us out of the blue, and I can't help but be impressed with how well it turned out. The general outline of this story may be familiar, but the show goes to surprising lengths to examine the many ways its heroes have been tossed aside by the world and how they rely on acts of violence to fight their way back to claiming even a modicum of human dignity. Even though some of the imagery and direction is heavy-handed, “The Man from Death” succeeds in making Aragaki, Nanbu, and Joe's stories all gripping in their own ways, making even a routine matchup between the young blood and the ghost from the past heavy with real tension and emotional stakes. When Joe gets knocked down in the first round at the episode's end, we feel the hit land, and it ensures that the cliffhanger works despite MEGALOBOX's reliance on relatively predictable narrative checkpoints. If you were worried that the show might begin to lag as it neared the halfway point, “The Man from Death” is here to reassure you that MEGALOBOX isn't letting up any time soon.

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Full Metal Panic! Invisible Victory - Episode 4 [Review]

Episode 4 brings to fruition the moment that you had to figure was coming ever since this season started: Kaname winds up in the hands of Amalgam, probably as part of some effort on her part to protect Sousuke. It's a classic scenario that we've seen from innumerable series over the years, but it works because it's so efficient. It shows the strength of the bond between the central couple, as they each try to protect the other before the eventual catharsis of a rescue mission. Frankly, I'm a little surprised that it took Full Metal Panic! this long to bust out this plot.

The triteness of Kaname's move to protect Sousuke when he's clearly being overwhelmed by Leonard's mecha is one of only a couple minor negatives in an otherwise a stellar episode. After so much focus on one side of the Amalgam attack or another, this one fully covers both angles. As Sousuke and Kaname execute a plan to rescue Kyouko, Tessa and her people have to escape Merida Island base. Of the two, the latter plot is more successful, with Melissa arriving back at base in the nick of time to save Tessa's butt. Tessa again acquits herself well with her aggressive push against an underwater Behemoth, although the scene where the Tuatha de Danaan launches out of the water with the rammed mech on its nose was my other minor nitpick, as the moment where I felt the CG animation of these massive war machines was truly inadequate. I also thought it was odd that Tessa wasn't showing more concern for leaving Kalinin behind as well, even though she knows from experience that he can handle himself. Unless the two of them had some scheme cooked up that wasn't apparent to the audience?

The sequence involving Sousuke and Kaname was ultimately far more harrowing. The close-range action scenes between mecha were excellent, and the rooftop scene where Wraith gets involved was engrossing as well. The new villain guy being thrown off his game was quite satisfying, as was seeing Kaname apply her burgeoning Whispered power to the cause, and it was somehow fitting that Kyouko would winding up badly injured out of the deal. Prior to this, FMP! has skirted around the potentially serious consequences of Sousuke's actions on his fellow students, so that scene made a strong impression, as does the follow-up where Sousuke reveals at least some of the truth to his classmates and deals with their reactions. The retiring Student Council President getting in one more good appearance was also welcome.

So that leaves us with the next big plot going forward, where a battered MITHRIL attempts to rescue Kaname. I'm definitely curious to see how they pull this off, and I'm eager to see if Kaname being taken into Amalgam's clutches will reveal more about them and their goals, since they've remained rather obtuse so far, unless I'm forgetting any major details from The Second Raid. Whatever ends up happening, it should be fun to watch things unfold.

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Hinamatsuri - Episode 5 [Review]

This episode focuses on the younger half of Hinamatsuri's cast, and the results are remarkably funny. Anzu gets the ball rolling by enlisting Hina to help her find discarded electronics, which she's discovered are worth much more than cans and bottles. Even when Hitomi joins the search, the “help” that Anzu receives is of dubious value. Later in the episode, we spend some time with Hina and Hitomi's middle school classmates, who suspect that something is awry when they see both Hitomi and their teacher walk into the same bar. The ensuing investigation might not be well-organized, but it's effective enough to cause Hitomi plenty of stress.

The search for old televisions is the less impressive of these two storylines, but to be fair it's facing some tough competition (more on that later). Taken on its own merits, this is a solid little sequence that makes good use of the characters' personalities. Hinamatsuri's sharp comedic timing comes into play yet again as Anzu boasts about having made a friend, only for Hitomi to show up in response to Hina's summons. Both Hina and Hitomi create some fun moments as they gather TVs for Anzu to “find,” and these scenes are well-matched to each character's comedic strengths. Hitomi's terrible luck sets up a delightfully awkward encounter with a police officer, and Hina's deadpan dialogue allows her to get her way while confusing the living daylights out of every adult she encounters. All that humor is capped off with a nice little moment of friendship between the three girls, which leaves the door open for more tales of Hina, Anzu, and Hitomi getting in and out of trouble in future episodes.

As neatly-told as that story may be, it's the investigation plot that makes the most of Hinamatsuri's inspired lunacy. The basic premise of other characters trying to make sense of Hitomi's bartending gig is funny enough on its own, and the show builds on that foundation by portraying her classmates as a bumbling group of wannabe detectives. Considering we haven't seen much of these characters before, there's some impressive comedic chemistry on display from them. Kengo and Takashi lean hard into their ill-informed enthusiasm, and Aizawa balances them out as the voice of pseudo-reason. The fact that all three of them are doing this as much for their own reasons as they are to help Hitomi adds yet another layer of humor to the story. Of course, Hitomi ultimately steals the show as the target of the investigation, and her utter inability to maintain a poker face proves to be one of her greatest comedic strengths. The show's great eye for exaggerated facial expressions certainly helps in this regard, and a mix of strong writing and direction help to sell her desperate attempts at misleading her pursuers. Who would've thought that one of Hinamatsuri's saner characters would be such a good match for its crazy sense of humor?

What I find both interesting and encouraging about this episode is that it relies so little on the core duo of Hina and Nitta. Sure, they both have their parts to play in this episode, and the two of them do have a couple of brief interactions when Hina hits Nitta up for money to buy a TV, but the basic dynamic of Nitta trying to deal with Hina's super-powered whims is hardly employed at all. Instead, the two of them take on more of a supporting role, especially in the second half. Hina's main job is to repeat her initial question about what's going on whenever the opportunity arises, and Nitta joins Utako as a horrified bystander when the middle school crew confronts Hitomi at the bar. They're certainly effective in these roles, but the jokes they provide are essentially just icing on the cake. Hinamatsuri's ability to deliver strong comedic material while keeping its lead characters on the sidelines says a lot about the strength of its ensemble cast and its ability to draw humor out of any situation.

Altogether, there are many positive signs for this show's long-term potential. Instead of waiting for its initial premise to wear thin, Hinamatsuri is actively seeking out new ways to make the audience laugh, and that search has already yielded some hilarious results. Anzu and Hitomi are developing into leading characters in their own right, and minor players like the middle school crew have proven capable of pulling more than their own weight. I'm excited to see what will happen as the series continues to refine its comedic voice, and I hope it'll continue to push its creative limits as far as they'll go.

https://www.youtube.com/watch?v=ADnruW2t1OI

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Comic Girls - Episode 5 [Review]

In a similar vein to last week's Ruki-centric outing, this week's Comic Girls shines a character spotlight on Koyume. As the most boisterous and outgoing member of the group, Koyume often acts as a foil for the eccentricities of her housemates, but as episode 5 illustrates, she can also be a compelling character in her own right. This week's first segment finds the girls going to the beach at the behest of Koyume, who's instantly able to make new friends and enjoy herself while her fellow mangaka go out of their way to avoid social interaction. In the end, Koyume's enthusiasm proves infectious and draws each of the girls out of their respective shells, although Tsubasa and Kaos are too tired for any more summertime outings. In the episode's second half, Kaos, Ruki, and Ririka engineer an amusement park date for Koyume and Tsubasa. Not only will this enable Koyume to collect some research for her romance manga, it will provide her with a prime opportunity to get closer to her crush. Although Koyume is ultimately unable to confess her feelings, she winds up receiving invaluable words of encouragement from her regularly published peer.

Koyume's turn in the spotlight is decidedly less focused on her manga-making experience than Ruki's. True, she's essentially trying to get life experience to make herself a better shojo mangaka, but actual manga creation takes a backseat this week. Unfortunately, in the absence of its usual focus on the creative process, Comic Girls becomes a run-of-the-mill CGDGT show in many regards. The girls go to the beach, show off their swimwear to the viewers, and as far as Ruki is concerned, spend unrealistically long amounts of time comparing boob sizes. Two of them go shopping while the other two stay at home and game. Then Koyume sort of gets Tsubasa to go on a date with her, though she never makes it clear that's what she has in mind. At least her crush on Tsubasa is endearing—albeit vexing due to the whole "we can't date! we're both girls!" cliché.

Perhaps if we saw Koyume work on her manga more often, this kind of respite would make more sense. Instead, Koyume is known primarily for her shapely body and bubbly personality, with her interest in manga coming off as secondary. The second segment makes a good effort at tying manga creation into the main story, but at this point, not enough is known about Koyume's creative process for the emotional beats to have their intended impact. While episode 5 certainly helps add depth to her character, Koyume still comes across as a vehicle for fanservice.

Koyume's episode may not be as compelling as Ruki's, but getting a glimpse of the girls in different settings makes for an interesting change of pace. Still, taking an episode-long break from manga creation this early on may not be the wisest course of action. Unlike Tsubasa and Ruki, Koyume doesn't have a serialization, but seeing more of her actual manga may have made certain parts of episode 5 more meaningful on a number of fronts.

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DARLING in the FRANXX - Episode 16 [Review]

“Days of Our Lives” picks DARLING IN THE FRANXX up after a two-week break with a new OP and the Parasites living in an unfamiliar status quo. Not only has Zero Two's attitude toward the other pilots completely turned around, but all the kids have essentially been abandoned by their adult guardians. With only a small ration of food and a quickly dwindling fresh water supply, The Parasites must deal with running Mistilteinn themselves as they wait to be called back into battle. When even the food begins to run out, the kids have to figure out how to hunt and cook for themselves too, which turns out to be quite the bonding experience for the group. This is all perfectly fine to see unfold, and after the supercharged climax of episode 15, it makes sense that DARLING in the FRANXX would want to afford its cast a break, but at this point I have to wonder if this series can really afford to spend more time exploring the Parasites' interpersonal dynamics when its plot and world-building remain frustratingly hazy.

I will admit, it's nice to see all the kids finally getting along like friends; even in their struggle to fend for themselves while they wait around for orders, they seem happier than they've been in a long while, and that's an admittedly infectious feeling. Nobody is enjoying this newfound freedom more than Zero Two, who works tirelessly to befriend the others and uphold their rules, and even Ichigo can't help but be pleased to call Zero Two her friend. While it's nice to see these once-contentious pilots enjoying time together, the sudden shifts they've undergone over the past couple episodes feel pretty toothless, dramatically speaking. I can see how the show is getting them from Point A to Point B, but the actual development of Ichigo and Zero Two's arcs has felt too driven by narrative convenience, and I feel like some of this episode's pathos is hampered because of that.

The biggest issue that “Day of Our Lives” struggles with is that its script is just too focused on performatively indulging surface details; it's so devoted to foreshadowing all the Serious Business that each character is (not yet) facing that it becomes distracting. Miku is sprouting some conspicuous grey hairs, Futoshi has developed an eating disorder, and Ikuno seems to have fallen ill out of the blue. Mitsuru has Kokoro cut his hair before sharing an unexpected kiss with her, which is like a double-whammy of death flags. “Days of our Lives” even brings back Zero Two and Hiro's picture book at both the beginning and the end of the episode, making sure to bookend the story with reminders that our central couple is almost certainly doomed. A few minutes per episode spent on all of this portentous imagery and storytelling is usually tolerable, but devoting an entire half hour to this teasing feels gratuitous.

We've been reminded time and time again that the Parasites are designed to die young, so the audience can only watch the kids develop signs of their inevitable destruction for so long. Dr. Franxx insists that the Parasites' isolation is a part of his larger experimental goals, but we still have no clue as to what any of those goals are, and the series is well past its halfway point. DARLING's usual penchant for teasing out plot developments as slowly as possible feels frustrating rather than intriguing at present; this might not much bother the binge viewers who come into DARLING in the FRANXX late, but it certainly affects the experience of watching the show on a weekly basis.

When I'm just absorbing “Days of Our Lives” in the moment, there's a lot of fun to be had in seeing the Parasites bond and become more independent. For being such stock archetypes, the DARLING in the FRANXX cast ekes out just enough charm and chemistry to stay engaging week after week. Plus, the visuals and direction are strong as always, which means the episode is never painful to look at. But as a piece of the show's larger puzzle, “Days of Our Lives” is disappointing, an aimless and interstitial chapter in a story that cannot afford to kill any more time.

https://www.youtube.com/watch?v=O90sRP1A73U

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My Hero Academia - Episode 43 [Review]

We've gotten a big fight out of our systems with Midoriya trying to protect Kota from the villain Muscular, but the Vanguard Action Squad's attack is far from over. Last week was about as much as I could ask for from Midoriya, so the fact that he's still running around and trying to help his friends given his injuries really adds a sense of urgency to the remaining fights. Aizawa mentions that Midoriya's now fueled entirely on adrenaline, and the second he stops moving he'll be a sitting duck. His job now is mostly to convey information from group to group, but even then that feeling of his exhaustion competing with the barreling momentum of the story is exactly my jam.

This is as traditional Shonen Jump as My Hero Academia gets, where you've got the big cast sprawled throughout the scene and organically crossing paths with villains while each group strategizes on how best to deal with their circumstances, using their powers as practically as possible. Midoriya's gunning for Mandalay, who can send messages telepathically to the whole class, and the hot shots Bakugo and Todoroki are teaming up, but they have to be careful about their Quirks setting fire to the wooded area surrounding them. Muscular mentioned last week that he was looking for Bakugo, and he seems to be the League of Villains' primary target, so everybody has to be super careful about that (not to mention the implications of the League thinking they might have something in common with our ratty little anti-hero).

This is yet another case of MHA doing some pretty basic stuff for its genre, but doing it shockingly well. My attitude when it comes to the lesser-known side characters is that I'm not actively looking for them to impress me—I'd much rather just let the surprises happen over demanding that every character be fully fleshed-out—but the efficiency and confidence with which this show manages to do exactly that astounds me. Between the Class 1-B students who get a moment to shine, the swarm of memorable villains, and ending on a cliffhanger involving kids like Shoji and Tokoyami, this episode continues to make balancing this large cast look so damn easy.

At this point I'm just waiting for the day that season three delivers an episode that's simply decent, but so far it's still going as strong as the best-executed swath of long-running shonen series I think I've ever seen. We've got world-building, intrigue, small character moments, big action scenes, an ebb and flow that coherently links all the thematic elements together, and so on. I'm impressed at how much I'm enjoying a show that I already loved. If I had just read a plot synopsis of this Forest Training arc, it would probably have seemed pretty rote, but I'm head over heels for every second of the ride.

For a sprawling battle episode, you don't really get better than this. The variety in characters and fighting styles is pitch perfect, and while it isn't going for the emotional highs or bombastic animation of last week's episode, you feel the consequences of the Muscular fight all the same. Everything feels like a reaction to everything else, and Bones is doing such a fantastic job capturing the flow of the story that it doesn't leave me with much to say beyond "it's really frickin' good."

So it's really frickin' good.

https://www.youtube.com/watch?v=3KhMD7h2Tns

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کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 01:03

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Tales of Zestiria the X 2nd Season

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Tales of Zestiria the X 2nd Season

نام انیمه: Tales of Zestiria the X 2nd Season

نام انیمه: Tales of Zestiria The Cross Second Season

نام انیمه: テイルズオブゼスティリアザクロス第2期

ژانر: Action, Adventure, Magic, Fantasy

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 13 قسمت

مدت زمان هر قسمت: 23 دقیقه

منبع: Game

کارگردان: Sotozaki Haruo

استودیو: ufotable

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ نقد و بررسی، خلاصه قسمت‌ها، توضیحات

+ اطلاعات بیشتر: سایت // سایت // سایت // سایت

+ لینک دانلود زیرنویس فارسی

+ لینک دانلود انیمه (MKV, 480P, EN Sub, ~75MB)

+ لینک دانلود انیمه (MKV, 720P, EN Sub, ~125MB)

+ لینک دانلود زیرنویس فارسی

+ لینک دانلود انیمه (MP4, 1080P, EN Dub, ~1.6GB)

+ لینک دانلود انیمه (MKV, ~155MB, EN Sub, 720P)

+ لینک دانلود انیمه (MKV, x265, 10bit, BD, 720P, Dual Auido, ~200MB)

+ لینک دانلود انیمه (MKV, BD, 1080P, Dual Audio, x265, 10bit, ~350MB)

+ لینک دانلود انیمه (MKV, 720P, Dual Audio, HD, ~150MB)

+ تماشای تریلر انیمه

+ لینک فایل تورنت (MKV, x265, 10bit, BD, 720P, Dual Audio, 2.7GB)

+ لینک فایل تورنت (MKV, x265, 10bit, BD, 1080P, Dual Audio, 4.1GB)

+ لینک فایل تورنت (MKV, 720P, HD, EN Sub, 1.9GB)

+ لینک فایل تورنت (MP4, 720P, RAW, 7.1GB)

داستان (منبع: دنیای انیمه)

داستان بازی در سرزمین «گلن وود» (Glenwood) پیگیری می‌شود، جایی که به دو کشور به نام‌های «پادشاهی هایلند» و «امپراطوری رولنس» تقسیم شده، دو کشوری که سالیان سال است که در جنگ و درگیری با یکدیگر به سر می‌برند. در این میان نیروی سیاهی بنام «هلیون» (Hellion) از احساسات منفی انسان‌ها متولد شده و در سراسر سرزمین پخش می‌شود. نیروی سیاهی که به سرعت تبدیل به تهدیدی جدی برای بشریت شده و تمام سرزمین گلن را در خطر نابودی قرار می‌دهد. درکنار انسان‌ها نژاد دیگری بنام «سرافیم» (Seraphim) نیز در گلن‌وود زندگی می‌کند، مخلوقاتی با ظاهر انسانی و نیروهای جادویی بسیار زیاد که به دلیل مشکلات قدیمی که با انسان‌ها دارند دور از چشم آن‌ها به زندگی خود ادامه می‌دهند.

شخصیت اصلی بازی پسری بنام «سو-ری» (Sorey) بوده که از بچگی در یکی از قبایل سرافیم‌ها بزرگ شده و به همین علت از قدرت‌های جادویی بالایی برخوردار است. سو-ری تصمیم دارد که تبدیل به یک «راهب» تمام عیار شود، راهب به انسان‌هایی اطلاق می‌شود که از طریق ارتباط و بستن پیمان با سرافیم‌ها قدرت‌های فوق‌العاده‌ای بدست آورده و در زمان‌های سخت برای نجات جهان ظاهر می‌شوند. حال سو-ری سفر خود برای نابودی هلیون‌ها و تجسم آرزوی بچگی خود یعنی برقراری صلح و آرامش بین انسان‌ها و سرافیم‌ها را آغاز کرده و در این راه با دوستان و دشمنان زیادی روبرو می‌شود

داستان کار تا جایی پیش رفت که سوری پس از مبارزه اولیه با پادشاه (تاریکی و فساد) تصمیم به ادامه دادن راه خودش برای تبدیل شدن به راهبی شد که بتونه دنیا رو از شر فساد و تاریکی نجات بده.

خلاصه داستان (منبع: دنیای انیمه)

دنباله‌ی فصل اول انیمه. ماجراهای سوری، میکلیو و دیگر متحدان در راه مبارزه با ارباب فاجعه و کسب مهارت‌های یک پیشوای حقیقی!

انیمه Tales of Zestiria the X 2nd Seas Action Adventure Magic Fantasy Sotozaki Haruo ufotable テイルズオブゼスティリアザクロス第2期 Tales of Zestiria The Cross Seco

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 00:54

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معرفی انیمه Parasyte: The Maxim - انگل: قاعده کلی

معرفی انیمه Parasyte: The Maxim - انگل: قاعده کلی

+ معرفی و لینک دانلود انیمه‌ی Kiseijuu: Sei no Kakuritsu

انیمه Parasyte: The Maxim یا Kiseijuu: Sei no Kakuritsu به عنوان یک اثر ترسناک، از چنان عمق فلسفی برخوردار است که در تمام طول انیمه و حتی پس از آن ذهن مخاطب را درگیر می‌کند.

حقیقت انسان چیست؟ آیا شکل ظاهری است که انسان را تعریف می‌کند؟ آیا برای انسان بودن تنها قدرت تکلم کافی است؟ آیا آنچه که باعث می‌شود خود را انسان بنامیم قدرت تفکر و تعقل است؟ آیا احساسات عاملی است که باعث می‌شود خود را یک گونه جدا بدانیم؟ انسانیت را چگونه معنا کنیم؟ این‌ها سوالاتی به قدمت تاریخ است که هیچ جواب قطعی برایشان وجود ندارد. در کنار علم که انسان را عضوی از خانواده هومینید با جنس‌های مختلف که قدمت آخرین جنس باقی‌مانده آن یعنی انسان مدرن به ۲۰۰ هزار سال پیش بازمی‌گردد، می‌داند، فلسفه مسیر متفاوتی را برای تشریح این پدیده در پیش گرفته است. برای مثال هنری جرج، در رابطه با انسان می‌گوید: «انسان تنها حیوانی است که همراه با تغذیه‌اش، امیالش افزایش یافته و هیچگاه راضی نمی‌شود» و اعتقاد آلبرت کامو بر این است که «انسان تنها مخلوقی بوده که از شناخت ذاتش امتناع می‌ورزد».

هویت انسانی و ویژگی‌های تشکیل‌دهنده آن تا‌کنون به شکل‌های مختلف به چالش کشیده است، اما فرض کنید گونه‌ جدیدی به وجود آمده است که نه‌تنها طبیعت و کره زمین، بلکه بشریت و جوامع متشکل از آن را هدف قرار داده است. در این وضعیت است که تمام معادلات بر سر چیستی انسان رنگ می‌بازد و اصولی که سال‌ها از آن‌ها پیروی می‌کردیم، منطق و عقلانیت خود را از دست می‌دهند. حال زمان آن رسیده که انسان خود را بهتر از هر زمان دیگری بشناسد و با اشتباهاتش و نقص‌هایش رو‌به‌رو شود. انیمه Kiseijuu: Sei no Kakuritsu در چنین شرایطی جریان دارد؛ جایی که انسانیت در نبرد با جدید‌ترین دشمنش هویت خود را از دست می‌دهد.

رخداد‌های انیمیشن ژاپنی «انگل: قاعده کلی» در جهانی جریان دارند که انگل‌هایی به زمین آمده‌اند و با ورود به بدن، مغز انسان‌ها را در اختیار گرفته و کنترل بدن آن‌ها را به دست می‌‌گیرند. با وجود اینکه انسان‌ها همچنان ظاهر خود را حفظ کرده، قادر به تکلم بوده و قوه تشخیص دارند، اما هیچ شباهتی به گذشته خود ندارند. این موجودات جدید روحیه شکارچی داشته و از گوشت انسان‌ها تغذیه می‌کنند. تسخیر انسان‌ها به حد کافی وحشتناک است و تغذیه نا‌متعارف انگل‌ها را نیز اضافه کنیم، با فاجعه‌ای انسانی رو‌به‌رو خواهیم شد که نسل بشریت را تهدید می‌کند.

داستان این انیمه از جایی آغاز می‌شود که یک انگل قصد دارد از طریق گوش وارد بدن شینیچی ایزومی، دانش‌آموزی ۱۷ ساله و پروتا‌گونیست اثر، شود، اما این اقدام انگل به دلیل وجود هدفون در گوش شینیچی با موفقیت همراه نیست؛ در عوض، او تلاش می‌کند از راه دست وارد شود. اما شینیچی که متوجه این اتفاق عجیب و ترسناک شده است، به سرعت با سیم هدفون راه انگل را سد می‌کند. پس از اینکه پدر و مادر شینیچی با سر‌و‌صدای او از خواب بیدار می‌شوند، هیچی اثری از انگل روی دست شینیچی وجود ندارد. به‌واسطه اتفاقاتی عجیب و غریب همچون نگه داشتن یک ماشین، شینیچی برای اولین بار با انگلی که دست راستش را خورده رو‌به‌رو می‌شود. حضور یک انگل به نام میگی (به معنای دست راست) در بدن شینیچی و تعداد بیشماری انگل دیگر در جهان اطراف او که هر روز دست به قتل می‌زنند، هسته اتفاقات انیمه Parasyte: The Maxim را تشکیل می‌دهند.

مانگای Kiseijuu که هیتوشی ایواکی وظیفه نگارش و طراحی آن را بر‌ عهده داشته است، از سال ۱۹۸۸ به مدت هفت سال در مجله Afternoon منتشر شد. این مجله میزبان مانگا‌های Blame و Mushishi نیز بوده است. در نهایت، اقتباس انیمه‌ای این مانگای سینن در قالب ۲۴ اپیزود توسط استودیو Madhouse ساخته شده و از شبکه NTV که پخش انیمه‌های مشهوری همچون Barakamon و Death Note را در کارنامه دارد، به سمع و نظر مخاطبین رسید. انیمه Kiseijuu: Sei no Kakuritsu از دو بخش اصلی تشکیل شده است. انیمه پارازیت در پنج اپیزود اول با وجود المان‌های ترس و وحشت، چندان وارد این ژانر نمی‌شود، اما در عوض روی رابطه بین میگی و شینیچی متمرکز می‌شود؛ شینیچی به عنوان یک دانش‌آموز دبیرستانی که احساسش بر عقلش برتری داشته، با میگی که به عنوان یک انگل از تمام ویژگی‌هایی که وجه تمایز انسان با حیوان است، عاری بوده و بر‌عکس شینیچی که انسان‌ها را در اولویت قرار داده، تنها به حفظ جان خود اهمیت می‌دهد. در واقع اصلی‌ترین نقطه قوت انیمه انگل: قاعده کلی پرداختن به مفاهیم فلسفی و به چالش کشیدن باور‌های انسان‌ها است. زمان‌هایی که از حق حیات انگل‌ها می‌گوید، بین انسان‌ها و انگل‌ها به دلیل کشتن دیگر موجودات برای نجات خود شباهت ایجاد می‌کند، صدمه‌هایی که بشریت به محیط زیست زده را می‌شمارد، انسان‌هایی را که انسانیت خود را از دست داده و به موجوداتی بدتر از انگل‌ها تبدیل شده‌اند در داستان خود جای می‌دهد و پیچیدگی‌های فکری انسان‌ها را بررسی می‌کند، همگی عمق بالای اثر را به نمایش می‌گذارند.

اگر به حوزه فلسفه علاقه داشته باشید و کتاب‌های آن را مطالعه کرده باشید، مطمئنا با این بخش‌های انیمه آشنایی خواهید داشت. این ویژگی به هیچ عنوان تصادفی نیست و عمدا توسط هیتوشی ایواکی و شوجی یونمورا به انیمه اضافه شده است. با دقت به نام اپیزود‌های انیمه متوجه می‌شوید که تا اپیزود بیستم برای هر قسمت نام یک کتاب انتخاب شده است. از بین این کتاب‌ها که مفاهیم و درون‌مایه‌های آن‌ها به نوعی در داستان دخیل هستند می‌توان به «بیگانه» نوشته آلبر کامو (اپیزود پنجم)، «خورشید همچنان می‌دمد» نوشته ارنست همینگوی (اپیزود ششم)، «فراسوی نیک و بد» نوشته فردریش نیچه (اپیزود نهم)، «ژن خودخواه» نوشته ریچارد داوکینز (اپیزود چهاردهم) و «جنایت و مکافات» نوشته فیودور داستایفسکی (اپیزود بیستم) اشاره کرد. اما بهترین نمونه را باید در اپیزود اول و رمان «مسخ» نوشته فرانتز کافکا جستجو کرد. در این رمان که می‌توان آن را به عنوان منبع الهام هیتوشی ایواکی دانست، یک فروشنده جوان به نام گرگور سامسا پس از بر‌خواستن از خواب متوجه می‌شود که به یک موجود حشره‌-‌مانند تبدیل شده است؛ دقیقا همانطور که شینیچی پس از بیدار شدن با انگل رو‌به‌رو شده و نهایتا دست راستش را از دست می‌دهد. نکات مخفی انیمه برای بیننده‌های دقیق و ریز‌بین تنها به نام اپیزود‌ها ختم نمی‌شود. کلماتی که روی برخی از لباس‌های شینیچی نقش بسته‌اند تا اندازه‌ای از درون‌مایه‌های انیمه پیروی می‌کنند. برای مثال در اپیزود‌های پایانی انیمه، شینیچی لباسی به تن می‌کند که کلمه Philosophia روی آن مشاهده می‌شود. این عبارت از این لحاظ اهمیت دارد که دقیقا در بخشی از داستان قرار دارد که در مورد فلسفه وجود انسان‌ها تردید ایجاد شده و باور‌های شینیچی دچار تغییر و تحول شده‌اند. همچنین در اپیزود آخر واژه Aporia روی تی شرت شینیچی قرار گرفته است که نشان از شک او در مورد خودش و جایگاهش بین انسان‌ها و انگل‌ها است.

در کنار درون‌مایه‌ها و مباحث فلسفی، شخصیت‌پردازی یکی از قابل توجه‌ترین نقاط قوت انیمه Kiseijuu: Sei no Kakuritsu است. بزرگ‌ترین دستاورد سازندگان در این بخش، خلق شیمی بی‌نظیری بین شینیچی و میگی به عنوان شخصیت‌هایی که هیچ شباهتی به یکدیگر ندارند و تنها مجبور هستند برای ادامه حیات در کنار هم باشند، است. این دو شخصیت همواره در حال رشد و تغییر و تحول هستند و تقریبا نمی‌توان رفتار‌های آن‌ها را پیش‌بینی کرد. شینیچی شخصیتی منحصر‌به‌فرد نیست و تا‌کنون نمونه‌های آن را در آثار بسیاری مشاهده کرده‌ایم. دانش‌آموز جوانی که کم و بیش از ضعف در رفتار‌های اجتماعی رنج می‌برد و کمی خجالتی است، چندان خاص نیست، اما حضور میگی در کنار او و اتفاقی غیر‌منتظره و متحول‌کننده باعث می‌شوند که تمام انتظارات و پیش‌بینی‌ها در مورد شینیچی بر‌هم بریزند. شینیچی به عنوان شخصیتی تیپیکال، به دوست دوران کودکی‌اش علاقه دارد، اما انیمه فرصت زیادی برای زمینه‌چینی و ایجاد مرحله‌ای تغییر و تحول ندارد؛ به همین دلیل در مدتی کوتاه تمام اصول و قواعد شینیچی را برهم می‌زند. از این لحظه است که شینیچی متفاوت‌تر از هر شخصیت دیگری عمل می‌کند. تعامل شینیچی با میگی در قوس شخصیتی بسیار موثر هستند؛ به این صورت که بار‌ها منطق‌های فکری به چالش کشیده شده و مرز‌های بین درست و اشتباه محو می‌شوند. پیشرفت شخصیتی تنها به شینیچی محدود نشده و در انتهای انیمه، میگی نیز ۱۸۰ درجه با اپیزودهای اولیه متفاوت است. میگی و شینیچی مکملی بی‌مانند هستند و در جای جای انیمه تاثیر خود را روی دیگری می‌گذارند.

تا اینجا از نقات قوت و ویژگی‌های مثبت انیمه Parasyte گفتیم، اما این بدان معنا نیست که اثر مذکور بدون اشکال و فارغ از ضعف است. این انیمه را نباید یک اثر اکشن دانست؛ به همین دلیل بزرگ‌ترین عیب آن به سکانس‌های زد و خورد مربوط می‌شود. هر قدر سازندگان در القا فلسفه به دیالوگ‌ها و فعل و انفعالات داستانی عالی بوده‌اند و دو شخصیت به‌یاد‌ماندنی را معرفی کرده‌اند، اما از لحاظ کوریوگرافی سکانس‌های اکشن بی‌نهایت ضعیف عمل کرده‌اند. نبرد‌های شینیچی با انگل‌ها آن‌طور که باید و شاید قادر به ایجاد حس هیجان به مخاطب نیستند و در اغلب موارد به تعدادی فریم تکراری خلاصه می‌شوند. با این حال استراتژی‌های میگی برای پیروزی بر حریف جالب توجه هستند و دیالوگ‌های رد و بدل شده بین دو شخصیت اصلی در حین نبرد‌ها به خوبی نوشته شده‌اند. دومین اشکال انیمه Kiseijuu: Sei no Kakuritsu در بخش شخصیت‌های فرعی است. میگی و شینیچی در اغلب دقایق انیمه توجه دوربین را در اختیار دارند و این امر باعث شده که پتانسیل بالای دیگر شخصیت‌ها به طور کامل مورد بهره‌برداری قرار نگیرد یا کاملا هدر برود. تاکشی هیرو‌کاوا، ریکو ساتومی و اوراگامی مهم‌ترین شخصیت‌هایی هستند که در عین شخصیت‌پردازی منحصر‌به‌فرد، چندان مورد استفاده قرار نگرفتند و به دلیل عدم استقلال شخصیتی، حضور آن‌ها تنها در کنار شینیچی معنا پیدا می‌کند. در حالی که حضور مورانو ساتومی، به عنوان عنصری مهم و مانعی در برابر فرو‌پاشی شینیچی تلقی می‌شود، تنها کارکرد شخصیت کانا کیمیشیما به جنبه سانتیمانتالیسم اثر خلاصه می‌شود و به راحتی می‌توان آن را حذف کرد.

انیمه Kiseijuu: Sei no Kakuritsu یکی از مهم‌ترین انیمه‌های سال‌های اخیر است که تماشای آن برای هر علاقه‌مندی به این حوزه لازم است؛ انیمه‌ای که در پس‌زمینه خیالی، ترسناک و ماورایی‌اش، به بهترین شکل ممکن مفاهیمی را به چالش می‌کشد که هیچ اثری، چه لایو اکشن و چه انیمیشن حتی به آن نزدیک هم نشده است. در حین تماشای انیمه مذکور لحظاتی را تجربه می‌کنید که پخش را متوقف کرده و غرق در تفکر در رابطه با مکالمه انجام‌شده، خواهید شد. اگر به فلسفه علاقه دارید، از طرفداران ژانر‌های ترسناک، علمی تخیلی و درام هستید، قصد دارید به چالش کشیده شدن مفهوم انسانیت را به تماشا بنشینید و اثری با شخصیت‌های عالی و شخصیت‌پردازی بی‌عیب و نقص را جستجو می‌کنید، انیمه Kiseijuu: Sei no Kakuritsu همان انیمه‌ای است که به دنبال آن می‌گردید.

منبع و تصاویر: زومجی

انیمه Parasyte The Maxim Kiseijuu Sei no Kakuritsu

کارآگاه کونان دوشنبه 17 اردیبهشت 1397 ساعت 00:01

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کارآگاه کونان یکشنبه 16 اردیبهشت 1397 ساعت 22:00

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کارآگاه کونان شنبه 15 اردیبهشت 1397 ساعت 23:10

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Boruto: Naruto Next Generations - Episode 56 [Review]

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Boruto: Naruto Next Generations - Episode 56 [Review]

The Chunin exams are officially underway as Boruto: Naruto Next Generations heads into the second act of the film's storyline. Now that each hidden village's examinees and proctors have arrived in the Leaf, the first-ever joint-village exams are finally off the ground. After making enemies of the trio of examinees from the Cloud and becoming acquainted with Shinki's group, Team 7 takes part in the first phase of the exam: an intricate yet simplistic quiz game proctored by Sai. In the end, all the main characters are able to see through Sai's ruse and move on to the next round, which is set to take place in three days. Shortly after arriving home, Boruto is pleasantly surprised to receive an email from his father congratulating him on his recent victory and wishing him luck in the next round.

Since the exams themselves didn't receive much focus in the preceding feature film, it makes sense for a longer form version of the story to flesh them out a bit. For example, the members of Team 7 finding themselves at odds with the trio of Cloud Genin is something entirely new, as is the expanded role of Shinki and his fellow Sand Ninja. That being said, the impromptu rivalry with the Cloud kids is a fairly tried trope, albeit one that's perfectly at home in a shonen anime. The expanded journey to the exam grounds also doesn't add much to the story, though it does serve a purpose—namely, to get rid of assorted small fry before the main event. Based on what's been shown, Shinki seems like a reasonably interesting character, but given his relative lack of screen time, it's hard to pin him down at this point. The hitherto unrevealed special skill he alludes to in the woods certainly sounds like something to look forward to, however.

The twist to Sai's exam is clever, although even if you haven't seen the film version, it's pretty easy to figure out the gist of it before the big reveal—especially since Boruto's team and Shinki's team each choose different answers. After all the work the show has done to build Shinki up as a skilled shinobi, there's no way his team would be taken out of the game this early on. Sai's closing message that only those who give up in the face of failure can truly be called failures nicely resonates with one of the franchise's central themes: hard work and perseverance will always be rewarded. Sai's trick with the stopwatch—starting the countdown before he's finished explaining, without so much as a twitch in his expression—is another clever trick that perfectly encapsulates Sai's unique manner of thinking.

The first round of the Chunin exams is over almost as quickly as it begins, but that helps add to the brisk pace of the challenge, emphasizing the limited amount of time the characters have to complete their task. While the Cloud kids are paint-by-numbers antagonists, they'll at least provide Team 7 with enemies to fight until the Otsutsukis arrive on the scene.

Source

https://www.youtube.com/watch?v=wjp2C8u-qSw

Boruto Naruto Next Generations Review

کارآگاه کونان شنبه 15 اردیبهشت 1397 ساعت 10:00

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Steins;Gate 0 - Episode 4 [Review]

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Steins;Gate 0 - Episode 4 [Review]

Now that it's set up its new cast members and reestablished the repartee of our more familiar faces, it's time for Steins;Gate 0 to get down to brass tacks and dive into its plot. Okabe's slowly evolving relationship with Amadeus is definitely a good place to start, but it wouldn't be Steins;Gate if Okabe was the only one with something to do. The whole Future Gadget Lab needs to be involved too, and episode 4's primary job is giving us an idea of just what their mission will be.

As a result, this week's story feels somewhat interstitial, dropping many tantalizing breadcrumbs without moving the plot too far in any one direction. We open on a view that may well be a flash-forward to the dire, war-torn future that Okabe has been warned about – bodies litter the streets as our tattered scientist is dragged around by a cadre of soldiers, though before long he finds himself in front of a faceless general, who bids him to pick up his ringing phone. Okabe wakes afterward, unsure if this is merely a dream or a sign that he is travelling to new world lines yet again. The latter possibility suggests something quite disturbing: someone else has developed a time machine capable of changing the course of reality.

However, the main development this week is Suzuha revealing a side operation she's been working on ever since she landed in the past. It turns out she wasn't alone when she made the trip; for years, Suzuha has been searching for Mayuri's adopted daughter, a war orphan named Kagari Shiina who went missing ten years in the past. This is understandably a lot for Okabe to take in, and he hasn't even seen that Kagari looks eerily similar to Makise Kurisu. It's way too early to unpack the implications of this resemblance, though I do have some theories. Heck, Okabe is already being treated to an unwelcome surprise, as Daru's contact turns out to be Moeka, who viewers will remember as the woman responsible for murdering Mayuri hundreds of times back in the original series. Combine that with the brief glimpse we get of Rukako's mysterious visitor, who I would bet is a grown-up Kagari, and it seems like S;G 0's story is gearing up for a ton of twists in the coming weeks.

For now though, the Kagari stuff is still in setup mode; it's gotten Suzuha, Daru, Okabe, and even Rukako and Faris working together again, though how all this relates to the Amadeus plot (if at all) remains a mystery. Alexis has revealed that his ultimate goal is to prove that Amadeus can fall in love with Okabe, though Maho is quick to point out that Amadeus' love could never replace a relationship with a real human being. Her prickliness regarding Amadeus/Kurisu's relationship with Okabe seems to imply that she's going to be fighting with her own AI for Okabe's affections, though it's also possible that Maho's feelings are more focused on Kurisu herself. I'm personally not interested in seeing Maho set up as yet another love interest for Okabe, especially since S;G 0 is so rooted in Okabe and Kurisu's relationship, but we'll just have to see where things go from here.

All in all, this was a solid episode of S;G 0. The direction and animation continue to be somewhat underwhelming, but the characters and their dynamic remain as compelling as ever, and though we may still be in the phase of the story where we're getting more questions than answers, Steins;Gate has proven that it's more than capable of playing the long game. Even with unnecessary love triangles looming on the horizon, I'm excited to see where the story will go from here.

Source

https://www.youtube.com/watch?v=IWodpqSAC7E

Review Steins;Gate 0

کارآگاه کونان شنبه 15 اردیبهشت 1397 ساعت 09:00

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Black Clover - Episode 30 [Review]

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Black Clover - Episode 30 [Review]

The day has finally arrived to discuss Gauche Adlai, the little sister enthusiast of the Black Bulls. Even as a one-note joke, I find his presence unpleasant. It feels weird to embrace his particular archetype as just another arrow in the quiver of your shonen anime cast. A wannabe ladies' man with boundary issues is about where my line for tolerance lies, but so far Gauche's entire character has been constant nosebleeds at the mere thought of his (very young) sister Marie.

I'm not aware of what's to come for the guy moving forward, though this episode does give me reason to suspect that maybe I'm supposed to be creeped out by him and that I'm not expected to just laugh it off. It's Marie's birthday, so Gauche is taking advantage of the Black Bulls' recent payday to purchase as many gifts for his sister as he can carry. The cold open before the theme song gives us a hint of how powerful and sadistic he actually is, and the episode follows that up by framing Gauche as unkempt, unwanted, and—wait a second, that's what "gauche" already means. Dammit! The show's way ahead of me! The tough old nun who looks after Marie during the day also doesn't seem to like him, so I'm going to defer to her judgement.

The conflict this week starts with the fact that Marie, like every girl in this series, has developed a crush on Asta while Gauche wasn't looking. It's a simple innocent little kid thing where she claims she's going to marry him and Asta's just playing around with her like a big brother, but Gauche takes it personally and vows revenge on Asta, going so far as to sneak into his room at night and try to kill him with his mirror magic. Gauche definitely feels like the villain of this episode at times, but I can't tell if this is meant to be a dark subversion of a joke character, or if this is a temporary turn before everything settles back into the status quo. This mini-fight between Asta and Gauche leads us into a larger conflict where an outside force is hypnotizing and luring the kids in town while the adults sleep, so it looks like the two of them will have a common enemy to team up against soon enough.

Rebecca from the mixer episode is sticking around, as she and Asta have been really hitting it off. She's got her own younger siblings that Asta gets along with equally well, and they're starting to egg her on to make a move on our hero. Oddly, the will-they-won't-they stuff manages to be a breath of fresh air in this episode, which is otherwise pretty bland when it isn't giving me Gauche-related whiplash. We're beginning a new storyline, but the cliffhanger about the missing kids screams two-parter rather than a new major arc. I'm not very invested yet.

The idea to spin Gauche as an evil villain who's been waiting in the wings this whole time gave me a twinge of excitement, but I can't imagine that's where this is actually going. Siscons are a thing now, and the way they've snuggled themselves into media so easily does manage to be kind of fascinating. I'm not nearly as judgmental of run-of-the-mill pervert characters, even though there are plenty of gripes to be had about the message we send when we treat their antics like inconsequential jokes just because we're used to it. I don't think characters like this inspire copycats or anything, but I do expect the traditional pervert to be the kind of archetype that will gradually fade away or mutate into something else. This siscon archetype may just be a new mutation of deviancy we've added to popular culture.

Source

https://www.youtube.com/watch?v=rjw_yZ--NI8

Review Black Clover

کارآگاه کونان شنبه 15 اردیبهشت 1397 ساعت 07:15

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Urara Meirochou

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Urara Meirochou

نام انیمه: Urara Meirochou

نام انیمه: Urara Meirocho

نام انیمه: うらら迷路帖

ژانر: Comedy, Fantasy, Seinen, Slice of Life

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 12 قسمت

مدت زمان هر قسمت: 24 دقیقه

منبع: 4-koma manga

استودیو: J.C.Staff

کارگردان: Suzuki Youhei

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ نقد و بررسی، توضیحات، خلاصه قسمت‌ها

+ اطلاعات بیشتر: سایت // سایت // سایت // سایت

+ لینک دانلود زیرنویس فارسی

+ لینک فایل تورنت (MKV, 1080P, BDRip, EN Sub, 12.9GB)

+ لینک فایل تورنت (MKV, BD, 720P, EN Sub, 6.8GB)

+ لینک فایل تورنت (MKV, 720P, EN Sub, 5.4GB)

+ لینک فایل تورنت (MP4, BD, 720P, x264, 4.4GB, RAW)

+ لینک فایل تورنت (MKV, x264, BDRip, 1080P, 19GB, RAW)

+ لینک دانلود انیمه (MP4, BD, 720P, ~550MB)

+ لینک دانلود انیمه (MKV, BDRip, 1080P, 10bit, EN Sub, ~1GB)

+ لینک دانلود انیمه (MKV, BD, 720P, EN Sub, ~450MB)

+ تماشای تریلر انیمه

+ تصاویر انیمه: عکس // عکس

+ لینک دانلود انیمه (MKV, EN Sub, 480P, ~75MB)

+ لینک دانلود انیمه (MKV, EN Sub, 720P, ~125MB)

خلاصه داستان (منبع: دنیای انیمه)

داستان در «میرو-چو» اتفاق می‌افتد، شهری که «طالع‌بین‌های مونث» (اورانایشی) در آنجا زندگی می‌کنند و تمامی دختران از سرتاسر کشور برای به دست آوردن جایگاه بهترین طالع‌بین «اورارا» در آنجا گرد هم می‌آیند. روزی، یک دختر تنها به اسم «چیا» وارد شهر می‌شود، چیا علاوه بر اینکه قراره برای «اورارا» شدن تلاش کنه، یک هدف دیگر هم در سر داره. روزهای «چیا» به عنوان کاراموز طالع‌بینی شروع و با سه دوست آشنا میشه؛ «کُن» که دوست صمیمیش باشه، «کومه» که طرفدار فرهنگ و تمدن غربه، و «نونو» که خجالتی‌ترین فرد این گروه چهار نفره هستش.

انیمه Urara Meirochou Seinen Slice of Life Comedy Fantasy うらら迷路帖 J.C.Staff Suzuki Youhei Urara Meirocho

کارآگاه کونان شنبه 15 اردیبهشت 1397 ساعت 00:17

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Youjo Senki

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https://myanimelist.cdn-dena.com/images/anime/5/82890.jpg

Youjo Senki

نام انیمه: Youjo Senki

نام انیمه: The Saga of Tanya the Evil

نام انیمه: The Military Chronicles of a Little Girl

نام انیمه: 幼女戦記

ژانر: Magic, Military

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 12 قسمت

مدت زمان هر قسمت: 24 دقیقه

استودیو: Nut

منبع: Light novel

کارگردان: Uemura Yutaka

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ نقد و بررسی، توضیحات، خلاصه قسمت‌ها

+ لینک دانلود زیرنویس فارسی

+ اطلاعات بیشتر: سایت // سایت

+ تصاویر انیمه: عکس // عکس // عکس

+ لینک دانلود زیرنویس فارسی

+ تماشای تریلر انیمه: اول // دوم // سوم

+ لینک دانلود انیمه (MKV, x265, EN Sub, 1080P, ~550MB)

+ لینک دانلود انیمه (MKV, BDRip, 1080P, ~180MB)

+ لینک دانلود انیمه (MP4, EN Dub, 1080P, ~1GB)

+ لیکن دانلود انیمه (MKV, BD, 720P, EN Sub, ~110MB)

+ لینک دانلود انیمه (MKV, BD, 720P, ~300MB)

+ لینک فایل تورنت (MKV, 1080P, x265, EN Sub, 10bit, 7GB)

+ لینک فایل تورنت (MKV, 1080P, EN Sub, 6.3GB)

+ لینک فایل تورنت (MP4, 720P, RAW, 4.3GB)

+ لینک فایل تورنت (MKV, BD, 1080P, EN Sub, 13GB)

+ لینک فایل تورنت (MKV, BDremux, 1080P, 83GB, EN Sub)

+ لینک فایل تورنت (MKV, BD, 720P, EN Sub, 4.7GB)

خلاصه داستان (منبع: دنیای انیمه)

داستان درباره دختر جوانی به نام Tanya Degurechov است که در خط مقدم جنگ در حال مبارزه است. او قبلاً یکی از افسران برجسته ژاپنی بوده ولی بخاطر غضب خداوند به شکل دختری کوچک دوباره تولد یافته.

انیمه Youjo Senki The Saga of Tanya the Evil 幼女戦記 Magic Military Nut Uemura Yutaka The Military Chronicles of a Lit

کارآگاه کونان شنبه 15 اردیبهشت 1397 ساعت 00:12

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Anime – New Episode [04 May 2018]

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Anime – New Episode [04 May 2018]

480P, 720P, 1080P, Multi Server, MKV, AVI, MP4

Download Links, Torrent Files, Watch Online

Tada-kun wa Koi wo Shinai Episode 5

Comic Girls Episode 5 English Subbed

Dorei-ku The Animation Episode 4 English Subbed

Wotaku ni Koi wa Muzukashii Episode 4

Megalo Box Episode 5 English Subbed

Darling in the FranXX Episode 14 English Dubbed

Saredo Tsumibito wa Ryuu to Odoru Episode 5

Kakuriyo -Bed & Breakfast for Spirits- Episode 3

Hinamatsuri Episode 2 English Dubbed

Pokemon Sun & Moon Episode 73 English Subbed

Archer Season 9 Episode 2

Mighty Magiswords Season 2 Episode 20

OK K.O.! Let’s Be Heroes: Commercial Season 2 Episode 8

Haikyuu!! Season 2 Episode 25 English Dubbed

Hakyuu Houshin Engi Episode 15 English Subbed

Toji no Miko Episode 17 English Subbed

Gurazeni Episode 5 English Subbed

Akkun to Kanojo Episode 5 English Subbed

Saiki Kusuo no Ψ-nan Season 2 Episode 16

Tada-kun wa Koi wo Shinai Episode 5

Wotaku ni Koi wa Muzukashii Episode 4

Megalo Box Episode 5 Subtitle Indonesia

Alice or Alice: Siscon Niisan to Futago no Imouto Episode 5

Comic Girls Episode 5 Subtitle Indonesia

Ginga Eiyuu Densetsu 720p Eng Sub

Parasyte – The Maxim 720p Dual Audio BD x265 10bit

Sora no Method: Aru Shoujo no Kyuujitsu★ 720p BD Eng Sub 10bit HEVC

Sora no Method 720p BD Eng Sub 10bit HEVC

Violet Evergarden 720p BD Dual Audio x265 | vol. 1

[HorribleSubs] Comic Girls - 05 [1080p].mkv

Nichijou [10bit BD 720p]

[HorribleSubs] Megalo Box - 05 [1080p].mkv

[HorribleSubs] Wotaku ni Koi wa Muzukashii - 04 [1080p].mkv

[HorribleSubs] Saredo Tsumibito wa Ryuu to Odoru - 05 [1080p].mkv

[1080p].mkv

[HorribleSubs] Alice or Alice - 05 [1080p].mkv

[HorribleSubs] Dorei-ku The Animation - 04 [1080p].mkv

[Nep_Blanc] Girls und Panzer Das Finale [1080p] [x265]

[HorribleSubs] Full Metal Panic! Invisible Victory - 04 [1080p].mkv

[HorribleSubs] Toji no Miko - 17 [1080p].mkv

[HorribleSubs] Hakyuu Houshin Engi - 15 [1080p].mkv

[HorribleSubs] Gurazeni - 05 [1080p].mkv

[HorribleSubs] Akkun to Kanojo - 05 [1080p].mkv

Digimon Adventure tri - 23 [720p].mkv

[HorribleSubs] Grancrest Senki - 17 [1080p].mkv

[HorribleSubs] Digimon Adventure tri - 22 [1080p].mkv

انیمه

کارآگاه کونان جمعه 14 اردیبهشت 1397 ساعت 23:13

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Anime – New Episode [03 May 2018]

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Anime – New Episode [03 May 2018]

480P, 720P, 1080P, Multi Server, MKV, AVI, MP4

Download Links, Torrent Files, Watch Online

Steins;Gate 0 Episode 4 English Subbed

Last Period: Owarinaki Rasen no Monogatari Episode 4

Naruto Shippuden Episode 434 English Dubbed

High School DxD Hero Episode 0 English Subbed

High School DxD Hero Episode 2 English Subbed

Star Blazers 2199 Episode 26 English Dubbed

Wild Kratts Episode 121 – The Dhole Duplicator

Juushinki Pandora Episode 4 English Subbed

Mighty Magiswords Season 2 Episode 10

Souten no Ken Re:Genesis Episode 5 Subtitle Indonesia

Hitori no Shita: The Outcast Season 2 Episode 16

Piano no Mori Episode 4 Subtitle Indonesia

Steins;Gate 0 Episode 4 Subtitle Indonesia

Last Period: Owarinaki Rasen no Monogatari Episode 4

Butlers: Chitose Momotose Monogatari Episode 4

Ginga Eiyuu Densetsu: Die Neue These – Kaikou Episode 5

Hisone to Maso-tan Episode 3 Subtitle Indonesia

Rokuhoudou Yotsuiro Biyori Episode 4

Black Clover Subtitle Indonesia Episode 21-30

Boruto: Naruto Next Generations Episode 56

3D Kanojo – Real Girl – 05

Boruto: Naruto Next Generations – 56

s.CRY.ed Alteration II: Quan 720p Eng Sub BD HEVC

s.CRY.ed Alteration I: Tao 720p Eng Sub BD HEVC

s.CRY.ed 720p Dual Audio BD HEVC

Donten ni Warau 1080p BD Dual Audio HEVC

Steins;Gate 0 1080p Dual Audio x265 10bit | Episode 01

[HorribleSubs] Last Period - Owarinaki Rasen no Monogatari - 04 [1080p].mkv

[Golumpa] Love Live! Sunshine!! S2 [English Dub] [FuniDub 1080p

[Golumpa] Overlord S2 (Overlord II) [English Dub] [FuniDub 1080p

[Golumpa] Overlord S2 (Overlord II) English Dub] [FuniDub 720p

[HorribleSubs] Steins Gate 0 - 04 [480p].mkv

[HorribleSubs] Steins Gate 0 - 04 [720p].mkv

[HorribleSubs] Steins Gate 0 - 04 [1080p].mkv

[HorribleSubs] Butlers - Chitose Momotose Monogatari - 04 [1080p].mkv

[TipsySubs] Lost Song - 05 [1080p].mkv

[HorribleSubs] Boruto - Naruto Next Generations - 56 [480p].mkv

[HorribleSubs] Boruto - Naruto Next Generations - 56 [720p].mkv

[HorribleSubs] Boruto - Naruto Next Generations - 56 [1080p].mkv

[Erai-raws] Boruto - Naruto Next Generations - 56 [720p][

[Erai-raws] Boruto - Naruto Next Generations - 56 [1080p

[South Wind Subs] Captain Future 01-52

[HaxTalks] Battle Through the Heavens S1 - Episode 5

Nagasarete Airantou (BD 1280x720 x264 AAC)

[SCY-Kuromii] DIVE!! (BD 1080p Hi10 FLAC)

[Erai-raws] Tada-kun wa Koi wo Shinai - 05 [1080p].mkv

[Erai-raws] Comic Girls - 05 [1080p][

[HorribleSubs] Comic Girls - 05 [1080p].mkv

انیمه

کارآگاه کونان پنج‌شنبه 13 اردیبهشت 1397 ساعت 23:00

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Hand Shakers

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Hand Shakers

نام انیمه: Hand Shakers

نام انیمه: ハンドシェイカー

ژانر: Action

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 12 قسمت

مدت زمان هر قسمت: 23 دقیقه

منبع: Original

کارگردان: Suzuki Shingo

استودیو: GoHands

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ نقد و بررسی، خلاصه قسمت‌ها، توضیحات

+ اطلاعات بیشتر: سایت // سایت // سایت // سایت // سایت

+ لینک دانلود زیرنویس فارسی

+ لینک دانلود انیمه (MKV, EN Sub, 720P, ~250Mb)

+ لینک دانلود انیمه (MKV, 720P, Multi Server, Dub, ~820MB)

+ لینک دانلود انیمه (MKV, 720P, Multi Server, ~ 350MB)

+ لینک دانلود انیمه (MKV, EN Sub, 480P, ~75MB)

+ لینک دانلود انیمه (MKV, EN Sub, 720P, ~125MB)

+ لینک فایل تورنت (MKV, 720P, EN Sub, 3.8GB)

+ لینک فایل تورنت (MKV, 1080P, BluRay, 10bit, EN Sub, 22.2GB)

+ لینک فایل تورنت (MP4, BD, 720P, x264, EN Sub, 8.3GB)

+ لینک فایل تورنت (MKV, 720P, Hi8p, 4GB)

+ تماشای تریلر انیمه

+ لینک دانلود انیمه (MP4, BD, 720P, EN Sub, x264, ~600MB)

+ لینک دانلود انیمه (MKV, EN Dub, 720P, ~700MB)

+ لینک دانلود انیمه (MKV, 720P, ~350MB)

خلاصه داستان (منبع: دنیای انیمه)

داستان این انیمه در اوساکا در منطقه AD20XX رخ می‌دهد و در مورد هند شیکرها است... افرادی که می‌توانند سلاح های "نیمرودس" را با گرفتن دست یکدیگر و از طریق تفکر عمیق احضار کنند. به منظور برآورده شدن آروزی زوج، هر زوج هندشیکر با زوج دیگر به رقابت می‌پردازد. در نهایت زوج برتر با "خدا" روبه‌رو شده و مبارزمی‌کند.

"آنان، دریافت‌کنندگان وحی بابل هستند.

آنان، ستیزگران علیه خدا هستند.

آنان، کسانی هستند که بی محابا همراه یار خود وارد میدان رزم می‌شوند. خدا از آنان چه می‌خواهد؟

و آیا آنان خواستار قدرتی فراتر از خدایان هستند؟ برگزیدگان، روح‌هایشان مرتبط است. دست به دست یکدیگر برای زیوگورات که در آن مبارزه صورت می‌گیرد."

Hand Shakers انیمه Action ハンドシェイカー Suzuki Shingo GoHands

کارآگاه کونان پنج‌شنبه 13 اردیبهشت 1397 ساعت 03:00

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Demi-chan wa Kataritai

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Demi-chan wa Kataritai

نام انیمه: Demi-chan wa Kataritai

نام انیمه: Ajin-chan wa Kataritai

نام انیمه: Interviews With Monster Girls

نام انیمه: 亜人ちゃんは語りたい

ژانر: Comedy, Vampire, Fantasy, School Life, Seinen

تاریخ پخش: زمستان 2017

وضعیت: تمام شده

تعداد قسمت‌ها: 12 قسمت

مدت زمان هر قسمت: 23 دقیقه

منبع: Manga

کارگردان: Andou Ryou

استودیو: A-1 Pictures

زیرنویس فارسی و انگلیسی دارد

لینک‌های مربوط به انیمه

+ تماشای تریلر انیمه: اول // دوم

+ تصاویر انیمه: عکس // عکس // عکس

+ لینک فایل تورنت (MKV, 1080P, BDRip, EN Sub, 19GB)

+ لینک فایل تورنت (MP4, RAW, 1080P, BD, 15GB)

+ لینک فایل تورنت (MKV, BDRip, 1080P, x264, RAW, 13GB)

+ لینک فایل تورنت (MKV, BD, 1080P, EN Sub, 12GB)

+ لینک فایل تورنت (MKV, BDRip, x264, 1080P, RAW, 11GB)

+ لینک فایل تورنت (MKV, 1080P, EN Sub, 6.3GB)

+ لینک دانلود انیمه (MKV, 720P, BDRip, EN Sub, ~450MB)

+ لینک دانلود انیمه (MKV, 1080P, EN Sub, ~450MB, Multi Server)

+ لینک دانلود انیمه (MKV, 1080P, ~930MB, 10bit, EN Sub)

+ اطلاعات بیشتر: سایت // سایت // سایت // سایت // سایت // سایت

+ نقد و بررسی، توضیحات، خلاصه قسمت‌ها

+ لینک دانلود زیرنویس فارسی

خلاصه داستان (منبع: دنیای انیمه)

داستان در دنیایی رخ میده که در اون در کنار جمعیت زیاد انسان ها موجودات معدودی به نام «آجین»، یا همونطور که خودشون دوست دارن صدا زده بشن، «دِمی»، زندگی میکنند. این موجودات که نیمه انسان به حساب میان و نیمه دیگه شون از یکی از موجودات افسانه ای ساخته شده (از ومپایر و ساکیوبس {همون خانوم های اغواگری که توی دوجین هات میبینی. آره خطابم به تو ـه. منحرف!} گرفته تا دولاهان {مثل سلتی از انیمه دورارارا}) از قدیم و ندیم در این دنیا وجود داشتن. گرچه قدیم باهاشون عادلانه رفتار نمیشده و رابطه خوبی با جوامع انسان ها نداشتند. ولی حالا که همه چیز پیشرفت کرده اونها در کنار انسان ها زندگی میکنن و مدرسه میرن و حتی حقوق شهروندی ویژه خودشون رو هم دارن. تاکاهاشی تِتسو یه معلم زیسته که دست سرنوشت باعث شد توی یک سال با سه تا دمیِ دانش آموز سال اولی سر و کله بزنه و مراقبشون باشه و در حالی که کم کم در موردشون چیز های جدیدی یاد میگیره، دانش آموز ها هم بخاطر محبتی که از آقا معلم میبینن ممکنه بهش علاقه مند بشن؟!

https://youtu.be/XaoWL6Lvyjo

پ.ن

وااایییییییییییییییییییی، این انیمه چقدر باحاله!

ولی میشه گفت بدجوری دارم به این معلم مدرسه حسودی میکنم.

انیمه‌ی خیلی جذابی بود. کلی کیف کردم.

انیمه Demi-chan wa Kataritai 亜人ちゃんは語りたい Comedy Vampire Fantasy School Life Andou Ryou A-1 Pictures Interviews With Monster Girls

کارآگاه کونان پنج‌شنبه 13 اردیبهشت 1397 ساعت 00:08

0 نظر

Anime – New Episode [02 May 2018]

http://s9.picofile.com/file/8322104968/Anime_All_Folder.png

Anime – New Episode [02 May 2018]

480P, 720P, 1080P, Multi Server, MKV, AVI, MP4

Download Links, Torrent Files, Watch Online

Ginga Eiyuu Densetsu: Die Neue These – Kaikou Episode 5

Emiya-san Chi no Kyou no Gohan Episode 5

Rokuhoudou Yotsuiro Biyori Episode 4

Justice League Dark 2017

Justice League Dark Movie 2017

3D Kanojo: Real Girl Episode 5

Hakyu Hoshin Engi Episode 13 English Dubbed

Lupin III: Part V Episode 5 English Subbed

Captain Tsubasa (2018) Episode 5 English Subbed

Hitori no Shita: The Outcast Season 2 Episode 16

Tokyo Ghoul:re Episode 5 English Subbed

Corner Gas Animated Episode 5 – Flush Photography

PJ Masks Season 2 Episode 9 – Moonstruck Part 1

High School DxD Hero Episode 0 English Dubbed

Yu-Gi-Oh! Arc-V Episode 147 English Dubbed

Youkai Watch: Shadow Side Episode 4 English Subbed

Nekomonogatari: Kuro Episode 1 English Subbed

High School DxD Hero Episode 3 Subtitle Indonesia

3D Kanojo: Real Girl Episode 5 Subtitle Indonesia

Uma Musume: Pretty Derby Episode 6 Subtitle Indonesia

God Eater 1080p BD Dual Audio 10bit HEVC

God Eater 720p BD Dual Audio 10bit HEVC

Batman Ninja 480p BDrip dual audio HEVC 10bit

Gamers! 720p BD Dual Audio 10bit HEVC

Gamers! 1080p BD Dual Audio 10bit HEVC

[HorribleSubs] Hitori no Shita - The Outcast S2 - 16 [1080p].mkv

[a-S] Dragon Ball COMPLETE (001-153)

[a-S] Dragon Ball Z COMPLETE (001-291)

[a-S] Dragon Ball Movies 01-03, DBZ Movies 01-13 (1080p) + TV Specials

[HorribleSubs] Emiya-san Chi no Kyou no Gohan - 05 [1080p].mkv

[HorribleSubs] Lupin III Part V - 05 [1080p].mkv

[Bernd_Lauert] Wakfu - Season 3 [WEB-DL][h.264][1080p

White Bird / 白鸟 (Kazakh/CHN)

[HorribleSubs] 3D Kanojo Real Girl - 05 [1080p].mkv

[HorribleSubs] Tokyo Ghoul re - 05 [1080p].mkv

Tokyo Ghoul:Re - 04 (2018) [Dual Audio] [HEVC] [x265] [1080p]

[LostYears] High School DxD Hero - 00 (WEB 1080p Hi10 AAC)

Sword.Oratoria.S01.1080p.Blu-Ray.10-Bit.Dual-Audio

[HorribleSubs] Tokyo Ghoul re - 05 [720p].mkv

[HorribleSubs] Tokyo Ghoul re - 05 [480p].mkv

[DeadFish] Lost Song - 04 [720p][AAC].mp4

[Prof] Ajin S2 (1080p x265 HEVC 10bit AAC 5.1 Eng Dub)

Batman Ninja (Dual Audio) (BDRip 1080p Hi10P DTS AC3)

[RH] Tokyo Ghoul Re - 05 (WEB 720p) [6212D206].mkv

[DameDesuYo] Full Metal Panic! Invisible Victory - 03 (1920x1080 10bit AAC)

Accel World + OVA + SP + Movie [10bit BD 720p]

[GANGO] Sei Juushi Bismarck 31 [8B97C7C1].mkv

Robot Carnival (1987) [BD 1080p Hi10P AAC dual-audio

[Mal10] Devils' Line Episode 004.mkv [720p] [Eng Sub]

Shiyan Pin Jiating Episode 3 English Subbed

Yu-Gi-Oh! VRAINS Episode 50 English Subbed

Beyblade Burst Season 2 Episode 30 English Subbed

Hinako Note | BD | 720p [DmonHiro]

Bubuki Buranki (BD 1080p FLAC)

[HorribleSubs] Yu-Gi-Oh! VRAINS - 50 [1080p].mkv

[GuodongSubs][To Be Hero][Tu Bian Ying Xiaong][Season1]

[GuodongSubs][I'm JoyBo][Wo Shi Jiang Xiao Bai][Season1

[GuodongSubs][Honkai Impact][1080P][CM][English]

[GuodongSubs][Lan Mo De Hua][Lan Mo's flower][

[GuodongSubs][Tales of Exorcism][Xiang Ling Ji][Season1]

[Feng Ling Yu Xiu][Spirit Wind Elegance][English][ep1]

Fox Spirit Matchmaker][The Southland][Hardsub][HEVC][MKV][EP64-81]

Fox Spirit Matchmaker][The Southland][HEVC][MKV][EP64-81]

Black and White Warriors][Hei Bai Wu Shuang][Season1+2]

[GANGO] Sei Juushi Bismarck 34 [30C58848].mkv

[HaxTalks] Wang Gu Xian Qiong 2 - S2 - Episode 7

Steins;Gate 0 720p Dual Audio x265 10bit | Episode 01

انیمه

کارآگاه کونان چهارشنبه 12 اردیبهشت 1397 ساعت 23:00

0 نظر

Magical Girl Ore - Episode 5 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131038/fujimoto.png.jpg

Magical Girl Ore - Episode 5 [Review]

https://www.youtube.com/watch?v=MkcBASkgmck

There's definitely some context I'm missing from this latest episode of Magical Girl Ore. The entire episode interrupts the story thus far to violently skewer every aspect of anime production at Studio Pierrot. (Magical Girl Ore comes from Pierrot Plus, but as the episode handily points out, most animation is heavily outsourced between studios these days.) The jokes are all pretty inside baseball, but even if I did understand them, I don't think I'd like this episode any better. While it's a lot easier to parody somebody else's work than to create something new, this episode proves that the result isn't guaranteed to be entertaining.

“Magical Girl - On Vacation” is a more literal title than I'd expected—Saki and Sakuyo effectively take a week off from being on the show. Instead we focus on Cyborg Fujimoto and his five brothers, who turn out to be professionals in the anime industry. They're on schedule to submit their latest episode when an executive rejects it outright—apparently the designs for Cyborg Fujimoto and his brothers are too similar to the sextuplets from Mr. Osomatsu. That doesn't prevent the episode from showing Fujimoto and his brothers mimicking the Osomatsu brothers' colors and age order, as well as their mannerisms and vocal tics. After this odd start, the episode devolves into a criticism of working conditions in the anime industry on the whole. From unreasonable producers to difficult animators to impossible deadlines and excessive reliance on outsourcing, it's an anime episode about how difficult and thankless it is to create anime. It's an understandable critique of an industry that absolutely has its problems, but I wouldn't say it's funny to watch. It's important to be aware of problems in the industry in order to fix them, but this didn't feel like the place for it.

The Fujimotos' hastily concocted storyline suffers from lack of logic, and having characters angrily shout, “Who came up with that premise!?” to prove that they're in on the joke doesn't make it any more forgivable. Pointing out the problems with a story for laughs can be a calculated risk, but this week it just reads like everyone saw the issues with this episode's parody take before it even aired. In the end, Saki and Sakuyo arrive to save the day in their magical girl forms, dispelling any need for the convoluted scheming of the previous 20 minutes. “What the hell kind of ending is this?” Fujimoto asks, taking the words right out of my mouth.

I'm all for parodying the anime industry, but I prefer the show commit to it the way Anime-Gataris did. This reads like an abrupt tantrum in the middle of a formerly cohesive story. I felt like Magical Girl Ore could frequently deliver pitch-perfect parody of the magical girl genre without losing itself in snide sideroads, so I'm not sure what happened this week. It definitely feels like I'm missing some context here, like perhaps the situation that happened with the Fujimoto siblings actually happened to the Magical Girl Ore animators, so maybe they had to scramble to create a filler episode like this? (It seems pretty unlikely, but you never know.) Even when I did have the cultural context to understand this episode's jokes (like when Chiba fell to his doom while playing Pokémon Go), none of them were funny enough to justify a complete departure from the magical girl story that was being told until this point. Just because characters kept proclaiming that this episode was a disaster didn't make it any less of one.

Source

Review Magical Girl Ore

کارآگاه کونان چهارشنبه 12 اردیبهشت 1397 ساعت 16:45

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PERSONA 5 the Animation - Episode 4 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/130976/p5041.jpg

PERSONA 5 the Animation - Episode 4 [Review]

https://www.youtube.com/watch?v=L6RLvRFteRA

Disappointingly, after covering most of the story build-up for the opening hours of P5 well, this episode handles the climax of Kamoshida's story arc by sticking to the game-constrained rails as tightly as possible. Adapting cutscenes and their dramatic escalation worked previously thanks to the skillful direction of content that was already interesting. But when the time comes to take on virtually any other element of the game, the anime comes off way too rigid in its interpretations. For starters, there's an over-long explanation by Morgana about how the calling card makes the treasure appear, with a resulting time limit for the thieves. However, all this talk of obvious game mechanics is substantially less interesting when you're not engaging with them as a player. This easily could have been skimmed over, but P5A seems insistent on being too faithful to its source material at times.

This is also present in all the other prep before the party takes on the dungeon. We see Ren and Ryuji shop for new weapons in an airsoft shop, and Ren gets some healing items dumped in his lap by a passing doctor. For what it's worth, Takemi's appearance is actually a highlight of this section, since her immediately intriguing personality comes through without this being a straight adaptation of the game. But it still feels like a deus ex machina for a problem that doesn't ultimately matter, since Ren and the thieves don't use any healing items once the adventure is underway. Similarly, the anime works in a moment with Ren constructing tools at his desk that don't get used either, seemingly just there to acknowledge that this is something you do in the game.

You might think that this issue would be alleviated after the prep work is done and the actual heist gets underway, but you'd be underestimating P5A's commitment to detail. We then get a montage of the characters sneaking around busting enemies while they chat about their code-names. This portion really contributes to the whole Let's Play feel of the episode, in that we're seeing people just push through the game as they talk. It gets the story across functionally, but an adaptation should strive to leverage the strengths of its medium, rather than adhering so closely to the beats of a different format. Persona 5's animation still looks generally good, so it's frustrating to think of how the pedestrian direction is holding back its dramatic impact.

And even the visuals come up short for this episode's big showpiece: the fight with Shadow Kamoshida. I understand the constraints that most anime productions are under right now, but limitations aside, going with CGI for his monstrous form was an ill-advised decision. This design was done in stylized CGI to begin with, being from a PS4 game and all, but taking that route with the anime only highlights how its visuals come up short against the source material. The fight itself proceeds along the same rote path as the rest of the episode, complete with turn-based attacks and breaks for healing spells. The climax of the battle does try to build some drama out of game over/restarting mechanics, but even that just leads to introducing the Persona fusion gimmick in an unsatisfying way.

After all this, the story still has the solid payoff of its source material. The focus on Ann versus Kamoshida and the resolution of her feelings are handled extremely well, and seeing the terrible teacher get dragged on multiple planes of existence for his crimes is as satisfying as ever. This stuff is PERSONA 5 the Animation at its best; if only it could figure out how to make the journey there more interesting.

After this first case is wrapped up, we get a flash-forward to later in the story, showing teenage detective Akechi talking to the assembled team of thieves in the future and hinting at their next case. (Because this show needed more shifting timelines; Sae and her interrogation didn't even appear in this episode!) As convoluted as it makes the storytelling, this is still an engaging flourish that embraces the way an anime adaptation can play with the narrative's presentation. Moving forward, the show should deploy more unique touches like this, instead of feeling so much like a Let's Play of the original game.

Source

Review PERSONA 5 the Animation

کارآگاه کونان چهارشنبه 12 اردیبهشت 1397 ساعت 16:30

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Cutie Honey Universe - Episode 4 [Review]

https://cdn.animenewsnetwork.com/thumbnails/max300x600/cms/episode-review/131008/chu042.jpg

Cutie Honey Universe - Episode 4 [Review]

https://www.youtube.com/watch?v=rF5p6eJxNBw

Cutie Honey Universe is quickly becoming a series at odds with itself. There's a sense of wanting to adhere to its classic cartoonish roots, but it's also been trying to tell an arc-based story within a modern one-cour framework. This week's episode does take a step forward, but then falls not just one step back into its persistent status quo, but another step thanks to some misplaced bad habits.

At least the positive can be highlighted first since it kicks off the episode. The most welcome development is that Honey has already tired of just reacting to the monster-of-the-week formula instigated by Panther Claw and wants to take more direct action. It's a good idea for a series in this position, and given CHU's propensity for lighter elements, it makes me wish Cutie Honey Universe would go even further with the meta-jokes. A classic romp like this one could absolutely support bits with the characters commenting on their archetypal situation. Instead, this just provides an opportunity for Genet to ‘assist’ Honey in an infiltration plan to further her nebulous agenda.

As a result, we get a new Honey transformation in the idol-based Misty Honey, along with a dance number that would have been a great place to insert the classic Cutie Honey theme song, but sadly no dice on that one. At least there are other crowd-pleasing elements to this episode. The idea of Honey infiltrating the enemy's turf, complete with a disguise, is right out of the classic anime's playbook. She even does a variation of her iconic appearance speech, which ups the hype for the big fight scene of this episode. Even as the fights keep making use of the anime's speed-line dimension, they've found ways to continually spice things up, like bringing in masses of land and rocks to affect the fight. In general, this episode just has more to do action-wise, so it looks better than last week's. If nothing else, it seems like Cutie Honey Universe can be counted on to deliver entertaining super-heroine action.

Beyond Honey's initiative, the story development for the villains is another plus. It's a comparatively short scene, but seeing some internal conflict in Panther Claw as Jill's subordinates question the same motives we still don't understand is refreshing. It helps that we seem to finally have a recurring villain character besides Jill in the form of Tarantula (sporting a terrific update of her classic design). It's already established that this show has too many elements to really keep track of (Natsuko isn't even in this episode after her epiphany in the last one), but Tarantula's dynamic with Jill is one the show would do well to keep leaning on. In fact, all the most interesting stuff in the show so far has focused on Jill/Genet's motives. It's no wonder that Honey wanted to take the focus back in her own show.

Unfortunately, that focus comes at the cost of her own dignity this week. Fanservice is of course going to be an integral part of any Go Nagai production, and things seem par for the course in this episode's first couple acts. The unconscious captured ‘Honey’ actually incurs the first use of the ol' ‘Buy The Blu-Rays’ lights, and demonstrating that Honey's transformation dissolves as she runs out of energy is a perfectly fine use of fanservice as well. This also leads to an appreciably clever moment where Honey uses her transformation device not to access a new form, but to disguise herself as a statue.

But that statue bit leads into the most divisive part of the episode, an agonizingly long segment where Danbee and Junpei unintentionally assault the statue-fied Honey. It's not that there's no place for sex comedy in a show like this, and it's even thrived in some of the earlier episodes, but this scene is simply unfunny, disconnected from the rest of the episode's plot, and goes on far too long. Maybe you'll find more humor in an old man and a little boy dry-humping a statue that's actually a disguised android woman, but personally I was with Honey in just begging them to leave. The fanservice in Cutie Honey works better when it's incidental to the action, like making those cool fights the show excels at and making them sexy in the process. The show doesn't need to bother with these annoying attempts at skeevy sketch comedy.

So that last scene not only derails all the fun and goodwill the episode delivered, it also abruptly stops Honey's whole proactive infiltration scheme to reestablish the status quo. That's a shame, since the first half of the episode, along with parts of earlier ones, showed that this series might work better if it shifted into a proper serial format. As it stands, we've got about two-thirds of a great episode with a not-so-great chunk that really drags it down.

Source

Review Cutie Honey Universe

کارآگاه کونان چهارشنبه 12 اردیبهشت 1397 ساعت 16:15

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